- published: 24 Jul 2013
- views: 58880
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Bob Dylan (/ˈdɪlən/; born Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter, artist and writer. He has been influential in popular music and culture for more than five decades. Much of his most celebrated work dates from the 1960s when his songs chronicled social unrest, although Dylan repudiated suggestions from journalists that he was a spokesman for his generation. Nevertheless, early songs such as "Blowin' in the Wind" and "The Times They Are a-Changin'" became anthems for the American civil rights and anti-war movements. After he left his initial base in the American folk music revival, his six-minute single "Like a Rolling Stone" altered the range of popular music in 1965. His mid-1960s recordings, backed by rock musicians, reached the top end of the United States music charts while also attracting denunciation and criticism from others in the folk movement.
Dylan's lyrics have incorporated various political, social, philosophical, and literary influences. They defied existing pop music conventions and appealed to the burgeoning counterculture. Initially inspired by the performances of Little Richard, and the songwriting of Woody Guthrie, Robert Johnson, and Hank Williams, Dylan has amplified and personalized musical genres. His recording career, spanning 50 years, has explored the traditions in American song—from folk, blues, and country to gospel, rock and roll, and rockabilly to English, Scottish, and Irish folk music, embracing even jazz and the Great American Songbook. Dylan performs with guitar, keyboards, and harmonica. Backed by a changing line-up of musicians, he has toured steadily since the late 1980s on what has been dubbed the Never Ending Tour. His accomplishments as a recording artist and performer have been central to his career, but songwriting is considered his greatest contribution.
Bob Dylan is the eponymous debut album of American singer-songwriter Bob Dylan, released on March 19, 1962 by Columbia Records (Mono-CL 1779; Stereo-CS 8579). Produced by Columbia's legendary talent scout John H. Hammond, who signed Dylan to the label, the album features folk standards, plus two original compositions, "Talkin' New York" and "Song to Woody".
Dylan met John Hammond at a rehearsal session for Carolyn Hester on September 14, 1961, at the apartment shared by Hester and her then-husband, Richard Fariña. Hester had invited Dylan to the session as a harmonica player, and Hammond approved him as a session player after hearing him rehearse, with recommendations from his son, musician John P. Hammond, and from Liam Clancy.
Hammond later told Robert Shelton that he decided to sign Dylan "on the spot", and invited him to the Columbia offices for a more formal audition recording. No record of that recording has turned up in Columbia's files, but Hammond, Dylan, and Columbia's A&R director Mitch Miller have all confirmed that an audition took place. (Producer Fred Catero, then a recording engineer for Columbia Records, claims to have the master of that session. It is not the original demo for Columbia, but a session from December 6, 1962, recorded by John Hammond, Sr.)
Bob Dylan, Performing Artist is a series of three books written by music critic Paul Williams concerning the music of American singer-songwriter Bob Dylan. Unlike many other books about Dylan, these are not biographical but focus primarily on the performances delivered at various concerts over a period of almost forty years. The performances Williams analyzes were either personally attended or reviewed from audio-tapes (and sometimes from videotapes). In an interview published in Isis magazine's August 1990 issue, Williams told interviewer Derek Barker, "I didn't want to write about the person, I wanted to write about what this person has created, his art, his music."Bob Dylan, Performing Artist is considered one of the leading critical analyses of Dylan's songs and performances.
The first volume of the Performing Artist series, which covers the years 1960 through 1973, also recounts Dylan's childhood from his birth in May 1941 to August 1959. Early Years ends in December 1973 with Williams' review of the album Planet Waves.
Bob Dylan performs "Seeing The Real You At Last" live via satellite for the Farm Aid concert in Austin, Texas on July 4, 1986. Farm Aid was started by Willie Nelson, Neil Young and John Mellencamp in 1985 to keep family farmers on the land and has worked since then to make sure everyone has access to good food from family farmers. Dave Matthews joined Farm Aid's board of directors in 2001. For more information about Farm Aid, visit: http://farmaid.org/youtube Farm Aid's performances are donated by the artists in order to raise funds and raise awareness for family farmers. They've raised their voices to help — what can you do?
Description
Provided to YouTube by Universal Music Group Seeing The Real You At Last · Bettye LaVette Things Have Changed ℗ 2018 Verve Label Group, a Division of UMG Recordings, Inc. Released on: 2018-03-30 Associated Performer, Vocals, Background Vocalist, Clapping: Bettye LaVette Associated Performer, Drums, Producer: Steve Jordan Associated Performer, Bass Guitar: Pino Palladino Associated Performer, Keyboards: Leon Pendarvis Associated Performer, Guitar: Larry Campbell Associated Performer, Organ: Gil Goldstein Associated Performer, Background Vocalist: Steve Jordan Studio Personnel, Asst. Recording Engineer: Jaclyn Sanchez Studio Personnel, Asst. Recording Engineer: Matthew Sim Studio Personnel, Engineer, Mixer: Dave O'Donnell Studio Personnel, Recording Engineer: Kenta Yo...
More Blood, More Tracks Buy/Listen: https://bobdylan.lnk.to/bd_mbmt!hello1 About the Album: More Blood, More Tracks is the latest chapter in Columbia/Legacy’s highly acclaimed Bob Dylan Bootleg Series. This album contains the pivotal studio recordings made by Bob Dylan during six extraordinary sessions in 1974–four in New York (September 16, 17, 18, 19) and two in Minneapolis (December 27, 30)–that resulted in the artist’s 1975 masterpiece, Blood On The Tracks. Follow Bob Dylan: Facebook: https://bobdylan.lnk.to/bd_mbmtFI!hello1 Instagram: https://bobdylan.lnk.to/bd_mbmtII!hello1 Website: https://bobdylan.lnk.to/bd_mbmtWI!hello1 #BobDylan #MoreBloodMoreTracks #BloodOnTheTracks
“If You See Her, Say Hello" by Bob Dylan Listen to Bob Dylan: https://bobdylan.lnk.to/listenYD Subscribe to the Bob Dylan YouTube channel: https://bobdylan.lnk.to/_subscribeYD Follow Bob Dylan: Facebook: https://bobdylan.lnk.to/followFI Twitter: https://bobdylan.lnk.to/followTI Instagram: https://bobdylan.lnk.to/followII Website: https://bobdylan.lnk.to/followWI YouTube: https://bobdylan.lnk.to/_subscribeYD Streaming Services: https://bobdylan.lnk.to/ss_followYD Lyrics: If you see her, say hello She might be in Tangier She left here last early spring Is livin' there, I hear Say for me that I'm all right Though things get kind of slow She might think that I've forgotten her Don't tell her it isn't so We had a falling-out Like lovers often will And to think of how she left that night It s...
Bob Dylan & Tom Petty and the Heartbreakers Live at the Hubert H. Humphrey Metrodome, Minneapolis, MN; June 26, 1986. Tour: True Confessions (2nd Leg). -Setlist: 01. So Long, Good Luck And Goodbye (Weldon Rogers cover) 02. Positively 4th Street (Bob Dylan cover) 03. Clean Cut Kid (Bob Dylan cover) 04. I'll Remember You (Bob Dylan cover) 05. Shot of Love (Bob Dylan cover) 06. We Had It All (Scott Walker cover) 07. Masters of War (Bob Dylan cover) 08. To Ramona (Bob Dylan cover) 09. One Too Many Mornings (Bob Dylan cover) 10. A Hard Rain's A-Gonna Fall (Bob Dylan cover) 11. I Forgot More Than You'll Ever Know (The Davis Sisters cover) 12. Just Like a Woman (Bob Dylan cover) 13. When the Night Comes Falling From the Sky (Bob Dylan cover) 14. Lonesome Town (Ricky Nelson cover) 1...
Bob Dylan (/ˈdɪlən/; born Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter, artist and writer. He has been influential in popular music and culture for more than five decades. Much of his most celebrated work dates from the 1960s when his songs chronicled social unrest, although Dylan repudiated suggestions from journalists that he was a spokesman for his generation. Nevertheless, early songs such as "Blowin' in the Wind" and "The Times They Are a-Changin'" became anthems for the American civil rights and anti-war movements. After he left his initial base in the American folk music revival, his six-minute single "Like a Rolling Stone" altered the range of popular music in 1965. His mid-1960s recordings, backed by rock musicians, reached the top end of the United States music charts while also attracting denunciation and criticism from others in the folk movement.
Dylan's lyrics have incorporated various political, social, philosophical, and literary influences. They defied existing pop music conventions and appealed to the burgeoning counterculture. Initially inspired by the performances of Little Richard, and the songwriting of Woody Guthrie, Robert Johnson, and Hank Williams, Dylan has amplified and personalized musical genres. His recording career, spanning 50 years, has explored the traditions in American song—from folk, blues, and country to gospel, rock and roll, and rockabilly to English, Scottish, and Irish folk music, embracing even jazz and the Great American Songbook. Dylan performs with guitar, keyboards, and harmonica. Backed by a changing line-up of musicians, he has toured steadily since the late 1980s on what has been dubbed the Never Ending Tour. His accomplishments as a recording artist and performer have been central to his career, but songwriting is considered his greatest contribution.
Well, if I had to do it all over again,
Babe, I'd do it all over you.
And if I had to wait for ten thousand years,
Babe, I'd even do that too.
Well, a dog's got his bone in the alley,
A cat, she's got nine lives,
A millionaire's got a million dollars,
King Saud's got four hundred wives.
Well, ev'rybody's got somethin'
That they're lookin' forward to.
I'm lookin' forward to when I can do it all again
And babe, I'll do it all over you.
Well, if I had my way tomorrow or today,
Babe, I'd run circles all around.
I'd jump up in the wind, do a somersault and spin,
I'd even dance a jig on the ground.
Well, everybody gets their hour,
Everybody gets their time,
Little David when he picked up his pebbles,
Even Sampson after he went blind.
Well, everybody gets the chance
To do what they want to do.
When my time arrives you better run for your life
'Cause babe, I'll do it all over you.
Well, I don't need no money, I just need a day that's sunny,
Baby, and my days are gonna come.
And I grab me a pint, you know that I'm a giant
When you hear me yellin', "Fee-fi-fo-fum."
Well, you cut me like a jigsaw puzzle,
You made me to a walkin' wreck,
Then you pushed my heart through my backbone,
Then you knocked off my head from my neck.
Well, if I'm ever standin' steady
A-doin' what I want to do,
Well, I tell you little lover that you better run for cover
'Cause babe, I'll do it all over you.
I'm just restin' at your gate so that I won't be late
And, momma, I'm a-just sittin' on the shelf.
Look out your window fair and you'll see me squattin' there
Just a-fumblin' and a-mumblin' to myself.
Well, after my cigarette's been smoked up,
After all my liquor's been drunk,
After my dreams are dreamed out,
After all my thoughts have been thunk,
Well, after I do some of these things,
I'm gonna do what I have to do.
And I tell you on the side, that you better run and hide