- published: 24 Oct 2018
- views: 204773
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Bob Dylan (/ˈdɪlən/; born Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter, artist and writer. He has been influential in popular music and culture for more than five decades. Much of his most celebrated work dates from the 1960s when his songs chronicled social unrest, although Dylan repudiated suggestions from journalists that he was a spokesman for his generation. Nevertheless, early songs such as "Blowin' in the Wind" and "The Times They Are a-Changin'" became anthems for the American civil rights and anti-war movements. After he left his initial base in the American folk music revival, his six-minute single "Like a Rolling Stone" altered the range of popular music in 1965. His mid-1960s recordings, backed by rock musicians, reached the top end of the United States music charts while also attracting denunciation and criticism from others in the folk movement.
Dylan's lyrics have incorporated various political, social, philosophical, and literary influences. They defied existing pop music conventions and appealed to the burgeoning counterculture. Initially inspired by the performances of Little Richard, and the songwriting of Woody Guthrie, Robert Johnson, and Hank Williams, Dylan has amplified and personalized musical genres. His recording career, spanning 50 years, has explored the traditions in American song—from folk, blues, and country to gospel, rock and roll, and rockabilly to English, Scottish, and Irish folk music, embracing even jazz and the Great American Songbook. Dylan performs with guitar, keyboards, and harmonica. Backed by a changing line-up of musicians, he has toured steadily since the late 1980s on what has been dubbed the Never Ending Tour. His accomplishments as a recording artist and performer have been central to his career, but songwriting is considered his greatest contribution.
Bob Dylan is the eponymous debut album of American singer-songwriter Bob Dylan, released on March 19, 1962 by Columbia Records (Mono-CL 1779; Stereo-CS 8579). Produced by Columbia's legendary talent scout John H. Hammond, who signed Dylan to the label, the album features folk standards, plus two original compositions, "Talkin' New York" and "Song to Woody".
Dylan met John Hammond at a rehearsal session for Carolyn Hester on September 14, 1961, at the apartment shared by Hester and her then-husband, Richard Fariña. Hester had invited Dylan to the session as a harmonica player, and Hammond approved him as a session player after hearing him rehearse, with recommendations from his son, musician John P. Hammond, and from Liam Clancy.
Hammond later told Robert Shelton that he decided to sign Dylan "on the spot", and invited him to the Columbia offices for a more formal audition recording. No record of that recording has turned up in Columbia's files, but Hammond, Dylan, and Columbia's A&R director Mitch Miller have all confirmed that an audition took place. (Producer Fred Catero, then a recording engineer for Columbia Records, claims to have the master of that session. It is not the original demo for Columbia, but a session from December 6, 1962, recorded by John Hammond, Sr.)
Bob Dylan, Performing Artist is a series of three books written by music critic Paul Williams concerning the music of American singer-songwriter Bob Dylan. Unlike many other books about Dylan, these are not biographical but focus primarily on the performances delivered at various concerts over a period of almost forty years. The performances Williams analyzes were either personally attended or reviewed from audio-tapes (and sometimes from videotapes). In an interview published in Isis magazine's August 1990 issue, Williams told interviewer Derek Barker, "I didn't want to write about the person, I wanted to write about what this person has created, his art, his music."Bob Dylan, Performing Artist is considered one of the leading critical analyses of Dylan's songs and performances.
The first volume of the Performing Artist series, which covers the years 1960 through 1973, also recounts Dylan's childhood from his birth in May 1941 to August 1959. Early Years ends in December 1973 with Williams' review of the album Planet Waves.
Wild Mountain is a ski and snowboard area in Amador Township, Chisago County, near Taylors Falls, Minnesota. It features 26 runs, including 4 terrain parks, which include jumps, rails, boxes, quarter-pipes and half-pipes, which are both man made and natural. During the summer months of June, July and August, a water park, an alpine slide, and a go-kart track become operational. The site is also the first ski and snowboard resort in the Midwest to open every year, which is usually broadcast on the local news networks.
Wild Mountain is located one hour northeast of the Twin Cities Metrolpolitan area. It is located 7 miles north of Taylors Falls. From North Branch you can take interstate 35. The resort lies on the eastern bank of the scenic St. Croix River and has many tall bluffs and hills next to its shores, some being 300–400 feet tall.
http://www.wildmountain.com/frequently-asked-questions#Two
"Wild Mountain Thyme" (also known as "Purple Heather" and "Will Ye Go, Lassie, Go?") is a folk song written by Francis McPeake, a member of a well known musical family in Belfast, Ireland, and is of Scottish origin. McPeake's lyrics and melody are a variant of the song "The Braes of Balquhither" by Scottish poet Robert Tannahill (1774–1810), a contemporary of Robert Burns. Tannahill's original song, first published in Robert Archibald Smith's Scottish Minstrel (1821–24), is about the hills (braes) around Balquhidder near Lochearnhead. Like Burns, Tannahill collected and adapted traditional songs, and "The Braes of Balquhither" may have been based on the traditional song "The Braes o' Bowhether".
The tune of McPeake's "Wild Mountain Thyme" is significantly different from Tannahill's "The Braes of Balquhither", which was most likely based on a traditional air. In an 1854 publication, George Farquhar Graham notes that Tannahill's song was set to the air "Bochuiddar" (Balquidder), as found in Captain Simon Fraser's Collection of melodies of the Highlands and Islands of Scotland (1816). Others scholars suggest the melody is based on an old Scottish traditional tune "The Three Carls o' Buchanan".
This is my favorite Dylan-Baez duet, and there are a lot to choose from. The innocent modesty and melodic passion of this off the cuff hotel room performance gives me goosebumps. This is the only known recording, unfortunately, of them performing this beautiful Scottish folk song, but it makes it that much more special. This was recorded at the Savoy Hotel in London on May 4, 1965 for the documentary Don't Look Back. A small portion of this track was included in the final cut for the documentary, but the unedited original has only been released on The Bootleg Series Vol, 12: The Cutting Edge 1965-1966 Collector's Edition, which was only limited to 5,000 copies and will never be released again. Enjoy this gem while you can!
I would give anything to go back in time and see the 1969 Isle of Wight Festival in person. After Dylan’s infamous motorcycle crash in 1966, he went into hiding until this triumphant return in Great Britain. Dylan almost didn’t make it to the gig, as his son Jesse was injured and hospitalized the day before. Every Beatle except for Paul was present, as well as other stars such as Jane Fonda, Syd Barrett, Keith Richards, and Eric Clapton, to name a few. Even a young Elton John was in the audience witnessing Dylan perform his magic. The Isle of Wight was truly one of the most important festivals of the decade, attracting over 150,000 people. I ripped this gem from my copy of the Dylan bootleg “GWW: Isle Of Wight,” pressed on beautiful blue vinyl by Trade Mark Of Quality in the early 1970’...
Maple Leaf Gardens, Toronto, ON December 2nd
Joan Baez sings 'The Wild Mountain Thyme'. The song was first on the 1965 Vanguard album 'Farewell, Angelina', but surface noise on the vinyl caused the use of the CD for this video. OK, what's all this uproar over the "wild mountain thyme all around the purple heather"? Well, a few useful things can be said. The song may have started life as a traditional Scottish song 'The Braes (Hills) O' Bowhether', then became 'The Braes Of Balquhither' by Scottish poet Robert Tannahill around 1800, and finally was adapted and recorded by Francis McPeake as 'Wild Mountain Thyme' in 1957. McPeake gets copyright credit but he may only have arranged the song. Thyme has been used in many ways in food, medicine, and decoration so going to "pull thyme" on the mountain in earlier times was not unusual. In th...
We are some of the NEw York Ren Faire cast and this was our impromptu SUB sing 2012 after cloisters faire
Scottish folk duo, The Corries, perform live 'The Wild Mountain Thyme' (also known as 'Will ye go Lassie go')
Bob Dylan (/ˈdɪlən/; born Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter, artist and writer. He has been influential in popular music and culture for more than five decades. Much of his most celebrated work dates from the 1960s when his songs chronicled social unrest, although Dylan repudiated suggestions from journalists that he was a spokesman for his generation. Nevertheless, early songs such as "Blowin' in the Wind" and "The Times They Are a-Changin'" became anthems for the American civil rights and anti-war movements. After he left his initial base in the American folk music revival, his six-minute single "Like a Rolling Stone" altered the range of popular music in 1965. His mid-1960s recordings, backed by rock musicians, reached the top end of the United States music charts while also attracting denunciation and criticism from others in the folk movement.
Dylan's lyrics have incorporated various political, social, philosophical, and literary influences. They defied existing pop music conventions and appealed to the burgeoning counterculture. Initially inspired by the performances of Little Richard, and the songwriting of Woody Guthrie, Robert Johnson, and Hank Williams, Dylan has amplified and personalized musical genres. His recording career, spanning 50 years, has explored the traditions in American song—from folk, blues, and country to gospel, rock and roll, and rockabilly to English, Scottish, and Irish folk music, embracing even jazz and the Great American Songbook. Dylan performs with guitar, keyboards, and harmonica. Backed by a changing line-up of musicians, he has toured steadily since the late 1980s on what has been dubbed the Never Ending Tour. His accomplishments as a recording artist and performer have been central to his career, but songwriting is considered his greatest contribution.
Well, if I had to do it all over again,
Babe, I'd do it all over you.
And if I had to wait for ten thousand years,
Babe, I'd even do that too.
Well, a dog's got his bone in the alley,
A cat, she's got nine lives,
A millionaire's got a million dollars,
King Saud's got four hundred wives.
Well, ev'rybody's got somethin'
That they're lookin' forward to.
I'm lookin' forward to when I can do it all again
And babe, I'll do it all over you.
Well, if I had my way tomorrow or today,
Babe, I'd run circles all around.
I'd jump up in the wind, do a somersault and spin,
I'd even dance a jig on the ground.
Well, everybody gets their hour,
Everybody gets their time,
Little David when he picked up his pebbles,
Even Sampson after he went blind.
Well, everybody gets the chance
To do what they want to do.
When my time arrives you better run for your life
'Cause babe, I'll do it all over you.
Well, I don't need no money, I just need a day that's sunny,
Baby, and my days are gonna come.
And I grab me a pint, you know that I'm a giant
When you hear me yellin', "Fee-fi-fo-fum."
Well, you cut me like a jigsaw puzzle,
You made me to a walkin' wreck,
Then you pushed my heart through my backbone,
Then you knocked off my head from my neck.
Well, if I'm ever standin' steady
A-doin' what I want to do,
Well, I tell you little lover that you better run for cover
'Cause babe, I'll do it all over you.
I'm just restin' at your gate so that I won't be late
And, momma, I'm a-just sittin' on the shelf.
Look out your window fair and you'll see me squattin' there
Just a-fumblin' and a-mumblin' to myself.
Well, after my cigarette's been smoked up,
After all my liquor's been drunk,
After my dreams are dreamed out,
After all my thoughts have been thunk,
Well, after I do some of these things,
I'm gonna do what I have to do.
And I tell you on the side, that you better run and hide