- published: 05 May 2019
- views: 122924
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"Quinn the Eskimo (The Mighty Quinn)" is a folk-rock song written by Bob Dylan and first recorded during The Basement Tapes sessions in 1967. The song was first released in January 1968 as "Mighty Quinn" by the British band Manfred Mann and became a great success. It has been recorded by a number of performers, often under the "Mighty Quinn" title.
The subject of the song is the arrival of the mighty Quinn (an Eskimo), who changes despair into joy and chaos into rest, and attracts attention from the animals. Dylan is widely believed to have derived the title character from actor Anthony Quinn's role as an Eskimo in the 1960 movie The Savage Innocents. Dylan has also been quoted as saying that the song was nothing more than a "simple nursery rhyme." A 2004 Chicago Tribune article also claimed that the song was named after Gordon Quinn, co-founder of Kartemquin Films, who had given Dylan and Howard Alk uncredited editing assistance on Eat the Document.
Bob Dylan (/ˈdɪlən/; born Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter, artist and writer. He has been influential in popular music and culture for more than five decades. Much of his most celebrated work dates from the 1960s when his songs chronicled social unrest, although Dylan repudiated suggestions from journalists that he was a spokesman for his generation. Nevertheless, early songs such as "Blowin' in the Wind" and "The Times They Are a-Changin'" became anthems for the American civil rights and anti-war movements. After he left his initial base in the American folk music revival, his six-minute single "Like a Rolling Stone" altered the range of popular music in 1965. His mid-1960s recordings, backed by rock musicians, reached the top end of the United States music charts while also attracting denunciation and criticism from others in the folk movement.
Dylan's lyrics have incorporated various political, social, philosophical, and literary influences. They defied existing pop music conventions and appealed to the burgeoning counterculture. Initially inspired by the performances of Little Richard, and the songwriting of Woody Guthrie, Robert Johnson, and Hank Williams, Dylan has amplified and personalized musical genres. His recording career, spanning 50 years, has explored the traditions in American song—from folk, blues, and country to gospel, rock and roll, and rockabilly to English, Scottish, and Irish folk music, embracing even jazz and the Great American Songbook. Dylan performs with guitar, keyboards, and harmonica. Backed by a changing line-up of musicians, he has toured steadily since the late 1980s on what has been dubbed the Never Ending Tour. His accomplishments as a recording artist and performer have been central to his career, but songwriting is considered his greatest contribution.
Bob Dylan is the eponymous debut album of American singer-songwriter Bob Dylan, released on March 19, 1962 by Columbia Records (Mono-CL 1779; Stereo-CS 8579). Produced by Columbia's legendary talent scout John H. Hammond, who signed Dylan to the label, the album features folk standards, plus two original compositions, "Talkin' New York" and "Song to Woody".
Dylan met John Hammond at a rehearsal session for Carolyn Hester on September 14, 1961, at the apartment shared by Hester and her then-husband, Richard Fariña. Hester had invited Dylan to the session as a harmonica player, and Hammond approved him as a session player after hearing him rehearse, with recommendations from his son, musician John P. Hammond, and from Liam Clancy.
Hammond later told Robert Shelton that he decided to sign Dylan "on the spot", and invited him to the Columbia offices for a more formal audition recording. No record of that recording has turned up in Columbia's files, but Hammond, Dylan, and Columbia's A&R director Mitch Miller have all confirmed that an audition took place. (Producer Fred Catero, then a recording engineer for Columbia Records, claims to have the master of that session. It is not the original demo for Columbia, but a session from December 6, 1962, recorded by John Hammond, Sr.)
Bob Dylan, Performing Artist is a series of three books written by music critic Paul Williams concerning the music of American singer-songwriter Bob Dylan. Unlike many other books about Dylan, these are not biographical but focus primarily on the performances delivered at various concerts over a period of almost forty years. The performances Williams analyzes were either personally attended or reviewed from audio-tapes (and sometimes from videotapes). In an interview published in Isis magazine's August 1990 issue, Williams told interviewer Derek Barker, "I didn't want to write about the person, I wanted to write about what this person has created, his art, his music."Bob Dylan, Performing Artist is considered one of the leading critical analyses of Dylan's songs and performances.
The first volume of the Performing Artist series, which covers the years 1960 through 1973, also recounts Dylan's childhood from his birth in May 1941 to August 1959. Early Years ends in December 1973 with Williams' review of the album Planet Waves.
The Eskimo are the indigenous peoples who have traditionally inhabited the northern circumpolar region from eastern Siberia (Russia), across Alaska (United States), Canada, and Greenland.
The two main peoples known as "Eskimo" are: the Inuit of Canada, Northern Alaska (sub-group "Inupiat"), and Greenland; and the Yupik of eastern Siberia and Alaska. The Yupik comprise speakers of four distinct Yupik languages: one used in the Russian Far East and the others among people of Western Alaska, Southcentral Alaska and along the Gulf of Alaska coast. A third northern group, the Aleut, is closely related to the Eskimo. They share a relatively recent, common ("Paleo-Eskimo") ancestor, and a language group (Eskimo-Aleut).
While since the late 20th century numerous indigenous people viewed the use of the term "Eskimo" as offensive, because it was used by people who discriminated against them, in its linguistic origins the word did not have an offensive meaning. Alternative terms, such as Inuit-Yupik, have been proposed, but none has gained widespread acceptance.
Eskimo may refer to:
Eskimo (also known as Mala the Magnificent and Eskimo Wife-Traders) is a 1933 American Pre-Code drama film directed by W. S. Van Dyke and released by Metro-Goldwyn-Mayer (MGM). It is based on the books Der Eskimo and Die Flucht ins weisse Land by Danish explorer and author Peter Freuchen. The film stars Ray Mala as Mala, Lulu Wong Wing as Mala's first wife Aba, Lotus Long as Mala's second wife Iva, Peter Freuchen as the Ship Captain, W. S. Van Dyke as Inspector White, and Joseph Sauers as Sergeant Hunt.
Eskimo was the first feature film to be shot in a Native American language (Inupiat), and the first feature film shot in Alaska. The film also incidentally documented many of the hunting and cultural practices of Native Alaskans. The production for the film was based at Teller, Alaska, where housing, storage facilities, a film laboratory, and other structures were built to house the cast, crew, and equipment.
It was nicknamed "Camp Hollywood". The crew included 42 cameramen and technicians, six airplane pilots, and Emil Ottinger — a chef from the Roosevelt Hotel. Numerous locations were used for filming, including Cape Lisburne in March 1933, Point Hope and Cape Serdtse-Kamen in April to July, and Herald Island in the Chukchi Sea in July. The film crew encountered difficulties recording native speech due to the "kh" sound of the native language. Altogether, pre-production, principal photography, and post-production took 17 months.
This is a rare one! Dylan has only played this song six times during his career, and the next time he played it was in 2002. If you'd like to hear this track in better quality, purchase "The Bootleg Series, Volume 10: Another Self Portrait (1969-1971): Deluxe Edition." Also, if you'd like to hear more live Dylan footage, check out my playlist titled "HD Live Dylan Footage." Enjoy this gem while you can!
Another courtesy of Woolhall
From Chimes Of Freedom in honor of 50 years of Amnesty International. ** No intention to violate copyrights. This is for entertainment purposes only **
Manfred Mann's fourteenth UK chart hit (and their third UK #1) was this Bob Dylan-penned number that entered the charts at the end of January 1968 and hung around until mid-April.
"Quinn the Eskimo (The Mighty Quinn)" is a folk-rock song written by Bob Dylan and first recorded during The Basement Tapes sessions in 1967. The song was first released in January 1968 as "Mighty Quinn" by the British band Manfred Mann and became a great success. It has been recorded by a number of performers, often under the "Mighty Quinn" title.
The subject of the song is the arrival of the mighty Quinn (an Eskimo), who changes despair into joy and chaos into rest, and attracts attention from the animals. Dylan is widely believed to have derived the title character from actor Anthony Quinn's role as an Eskimo in the 1960 movie The Savage Innocents. Dylan has also been quoted as saying that the song was nothing more than a "simple nursery rhyme." A 2004 Chicago Tribune article also claimed that the song was named after Gordon Quinn, co-founder of Kartemquin Films, who had given Dylan and Howard Alk uncredited editing assistance on Eat the Document.
Well, if I had to do it all over again,
Babe, I'd do it all over you.
And if I had to wait for ten thousand years,
Babe, I'd even do that too.
Well, a dog's got his bone in the alley,
A cat, she's got nine lives,
A millionaire's got a million dollars,
King Saud's got four hundred wives.
Well, ev'rybody's got somethin'
That they're lookin' forward to.
I'm lookin' forward to when I can do it all again
And babe, I'll do it all over you.
Well, if I had my way tomorrow or today,
Babe, I'd run circles all around.
I'd jump up in the wind, do a somersault and spin,
I'd even dance a jig on the ground.
Well, everybody gets their hour,
Everybody gets their time,
Little David when he picked up his pebbles,
Even Sampson after he went blind.
Well, everybody gets the chance
To do what they want to do.
When my time arrives you better run for your life
'Cause babe, I'll do it all over you.
Well, I don't need no money, I just need a day that's sunny,
Baby, and my days are gonna come.
And I grab me a pint, you know that I'm a giant
When you hear me yellin', "Fee-fi-fo-fum."
Well, you cut me like a jigsaw puzzle,
You made me to a walkin' wreck,
Then you pushed my heart through my backbone,
Then you knocked off my head from my neck.
Well, if I'm ever standin' steady
A-doin' what I want to do,
Well, I tell you little lover that you better run for cover
'Cause babe, I'll do it all over you.
I'm just restin' at your gate so that I won't be late
And, momma, I'm a-just sittin' on the shelf.
Look out your window fair and you'll see me squattin' there
Just a-fumblin' and a-mumblin' to myself.
Well, after my cigarette's been smoked up,
After all my liquor's been drunk,
After my dreams are dreamed out,
After all my thoughts have been thunk,
Well, after I do some of these things,
I'm gonna do what I have to do.
And I tell you on the side, that you better run and hide