- published: 13 Jun 2018
- views: 19195
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Load timeline page with ajax here } } else if(tab.match(/^playlist\d+$/)){ var playerId = parseInt(tab.substring(8)); var vp = videoplayers[playerId]; window.descriptionsholder = $('.descriptionsplace'); if(!vp) return; // why? no player? if(replayMode){ $('.replaycurrent'+playerId).attr('checked', true); vp.setReplayCurrent(true); } var playQueue = []; window.playQueue = playQueue; var playQueuePosition = 0; var playShouldStart = null; var playShouldStop = null; var parseList = function(x){ var items = x.split(/;|,/g); var results = []; for (i in items){ try{ var action = parseAction(vp, items[i]); if(!action.video){ if(window.console && console.log) console.log("Warning: No video for queued entry: " + items[i]); }else{ results.push(action); } }catch(e){ if(window.console && console.log) console.log("Warning: Can''t parse queue entry: " + items[i]); } } return results; }; var scrollToPlaylistPosition = function(vp){ var ppos = vp.getPlaylistPosition(); var el = vp.playlistContainer.find('>li').eq(ppos); 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if(window.history && history.replaceState && document.location.hostname.match(/^(youtube\.)?(\w{2,3}\.)?wn\.com$/)){ if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = basepath; } else if( path.match('^'+main_tab+'/') ){ path = basepath + '/' + path.replace(main_tab+'/', '').replace('--','/'); } else { path = basepath + '/' + path.replace('--','/'); } if(document.location.search){ path += document.location.search; } if(window.lastHistory) { history.pushState(null, null, path); } else if(window.lastHistory != path){ history.replaceState(null, null, path); window.lastHistory = path; } } else{ path = path.replace('--','/'); if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = ''; } if(window.lastHistory != '/'+path){ window.location.hash = path? '/'+path : ''; window.lastHistory = '/'+path; } } }); $('.tabtrigger li a').live('click', ensure(function() { var tab = $(this).attr('id'); if(tab.substring(0,1) == '#'){ var name = tab.substring(1); if(name in menu_names){ name = menu_names[name][0]; } realTab = rev_names[name]; $('#'+realTab).show(); if(window.console && console.log) console.log("Triggering tab: "+name+(window.activeArea?" activeArea="+window.activeArea:'')); var path = name; if(window.activeArea){ path = path + '/' + window.activeArea; } if(tab.match(/#playlist\d+/) || tab.match(/#details\d+/)){ $('.multiple-playlists').show(); $('.related_playlist').show(); $('.longest_videos_playlist').show(); }else { $('.multiple-playlists').hide(); $('.related_playlist').hide(); $('.longest_videos_playlist').hide(); } // start the related script only when the tab is on screen showing if (tab.match(/related_sites/)) { if (mc) { mc.startCredits(); } } window.activeTab = realTab; addHistory(path); setTimeout(ensure(function(){ if(tab.match(/language--/)){ $('.tabtrigger').offscreentabs('activateTab', 'language'); } if(tab.match(/weather/)) { $('.tabtrigger').offscreentabs('activateTab', 'weather'); loadContinent(); } updateMenus(tab); updateHeight(); }), 10); } return false; })); }); -->
Bob Dylan (/ˈdɪlən/; born Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter, artist and writer. He has been influential in popular music and culture for more than five decades. Much of his most celebrated work dates from the 1960s when his songs chronicled social unrest, although Dylan repudiated suggestions from journalists that he was a spokesman for his generation. Nevertheless, early songs such as "Blowin' in the Wind" and "The Times They Are a-Changin'" became anthems for the American civil rights and anti-war movements. After he left his initial base in the American folk music revival, his six-minute single "Like a Rolling Stone" altered the range of popular music in 1965. His mid-1960s recordings, backed by rock musicians, reached the top end of the United States music charts while also attracting denunciation and criticism from others in the folk movement.
Dylan's lyrics have incorporated various political, social, philosophical, and literary influences. They defied existing pop music conventions and appealed to the burgeoning counterculture. Initially inspired by the performances of Little Richard, and the songwriting of Woody Guthrie, Robert Johnson, and Hank Williams, Dylan has amplified and personalized musical genres. His recording career, spanning 50 years, has explored the traditions in American song—from folk, blues, and country to gospel, rock and roll, and rockabilly to English, Scottish, and Irish folk music, embracing even jazz and the Great American Songbook. Dylan performs with guitar, keyboards, and harmonica. Backed by a changing line-up of musicians, he has toured steadily since the late 1980s on what has been dubbed the Never Ending Tour. His accomplishments as a recording artist and performer have been central to his career, but songwriting is considered his greatest contribution.
Bob Dylan is the eponymous debut album of American singer-songwriter Bob Dylan, released on March 19, 1962 by Columbia Records (Mono-CL 1779; Stereo-CS 8579). Produced by Columbia's legendary talent scout John H. Hammond, who signed Dylan to the label, the album features folk standards, plus two original compositions, "Talkin' New York" and "Song to Woody".
Dylan met John Hammond at a rehearsal session for Carolyn Hester on September 14, 1961, at the apartment shared by Hester and her then-husband, Richard Fariña. Hester had invited Dylan to the session as a harmonica player, and Hammond approved him as a session player after hearing him rehearse, with recommendations from his son, musician John P. Hammond, and from Liam Clancy.
Hammond later told Robert Shelton that he decided to sign Dylan "on the spot", and invited him to the Columbia offices for a more formal audition recording. No record of that recording has turned up in Columbia's files, but Hammond, Dylan, and Columbia's A&R director Mitch Miller have all confirmed that an audition took place. (Producer Fred Catero, then a recording engineer for Columbia Records, claims to have the master of that session. It is not the original demo for Columbia, but a session from December 6, 1962, recorded by John Hammond, Sr.)
Bob Dylan, Performing Artist is a series of three books written by music critic Paul Williams concerning the music of American singer-songwriter Bob Dylan. Unlike many other books about Dylan, these are not biographical but focus primarily on the performances delivered at various concerts over a period of almost forty years. The performances Williams analyzes were either personally attended or reviewed from audio-tapes (and sometimes from videotapes). In an interview published in Isis magazine's August 1990 issue, Williams told interviewer Derek Barker, "I didn't want to write about the person, I wanted to write about what this person has created, his art, his music."Bob Dylan, Performing Artist is considered one of the leading critical analyses of Dylan's songs and performances.
The first volume of the Performing Artist series, which covers the years 1960 through 1973, also recounts Dylan's childhood from his birth in May 1941 to August 1959. Early Years ends in December 1973 with Williams' review of the album Planet Waves.
Provided to YouTube by RR Live Recordings Walls Of Red Wing · Bob Dylan Town Hall, New York, 1963 ℗ RR Live Recordings Released on: 2018-01-07 Composer: Bob Dylan Lyricist: Bob Dylan Auto-generated by YouTube.
The Kennedy Center Honors is an annual honor given to those in the performing arts for their lifetime of contributions to American culture. Subscribe to our channel for more clips from past Kennedy Center Honor Galas: http://bitly.com/KCHonorsYouTube 'Like' KCH on Facebook: http://bitly.com/KCHonorsFacebook 'Follow' KCH on Twitter: http://bitly.com/KCHonorsTwitter Subscribe to The Kennedy Center! http://bit.ly/2gNFrtb #KCHonors #BobDylan #BruceSpringsteen #KennedyCenter #CBS
REMASTERED IN HD! Music video by Crowded House performing Don't Dream It's Over. #CrowdedHouse #DontDreamItsOver #Remastered
The Kennedys perform at the Rose Garden Coffeehouse, Mansfield, Mass., on Sept. 25, 2010. For more videos, photos and articles about folk and bluegrass music, visit http://folkbluegrassblog.com or or "Like" the FolkBluegrassBlog page on Facebook: http://facebook.com/folkbluegrassblog
A Solomon Burke song originally This is just a hint of one of my upcoming projects. I will put a bootleg called Couple More Years, which covers the sessions from 1987, both for Hearts of fire and Down in the groove. Enjoy!
How long can I stay in this nowhere café While night turns into day I wonder why I'm so frightened of the dawn All I have and all I know Is this dream of you That keeps me living on There's a moment when all old things Become new again But that moment might have past and gone All I have and all I know Is this dream of you That keeps me living on I look away and I keep seeing it I don't want to believe, but I keep believing it Shadows dance upon the wall Shadows that seem to know it all Am I too blind to see, is my heart playing tricks on me I'm lost in the crowd And my tears are gone All I have and all I know Is this dream of you That keeps me living on Everything I touch just seems to disappear Everywhere I am you are always here I'll run this race until my earthly death I'll defend t...
Bob Dylan (/ˈdɪlən/; born Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter, artist and writer. He has been influential in popular music and culture for more than five decades. Much of his most celebrated work dates from the 1960s when his songs chronicled social unrest, although Dylan repudiated suggestions from journalists that he was a spokesman for his generation. Nevertheless, early songs such as "Blowin' in the Wind" and "The Times They Are a-Changin'" became anthems for the American civil rights and anti-war movements. After he left his initial base in the American folk music revival, his six-minute single "Like a Rolling Stone" altered the range of popular music in 1965. His mid-1960s recordings, backed by rock musicians, reached the top end of the United States music charts while also attracting denunciation and criticism from others in the folk movement.
Dylan's lyrics have incorporated various political, social, philosophical, and literary influences. They defied existing pop music conventions and appealed to the burgeoning counterculture. Initially inspired by the performances of Little Richard, and the songwriting of Woody Guthrie, Robert Johnson, and Hank Williams, Dylan has amplified and personalized musical genres. His recording career, spanning 50 years, has explored the traditions in American song—from folk, blues, and country to gospel, rock and roll, and rockabilly to English, Scottish, and Irish folk music, embracing even jazz and the Great American Songbook. Dylan performs with guitar, keyboards, and harmonica. Backed by a changing line-up of musicians, he has toured steadily since the late 1980s on what has been dubbed the Never Ending Tour. His accomplishments as a recording artist and performer have been central to his career, but songwriting is considered his greatest contribution.
Well, if I had to do it all over again,
Babe, I'd do it all over you.
And if I had to wait for ten thousand years,
Babe, I'd even do that too.
Well, a dog's got his bone in the alley,
A cat, she's got nine lives,
A millionaire's got a million dollars,
King Saud's got four hundred wives.
Well, ev'rybody's got somethin'
That they're lookin' forward to.
I'm lookin' forward to when I can do it all again
And babe, I'll do it all over you.
Well, if I had my way tomorrow or today,
Babe, I'd run circles all around.
I'd jump up in the wind, do a somersault and spin,
I'd even dance a jig on the ground.
Well, everybody gets their hour,
Everybody gets their time,
Little David when he picked up his pebbles,
Even Sampson after he went blind.
Well, everybody gets the chance
To do what they want to do.
When my time arrives you better run for your life
'Cause babe, I'll do it all over you.
Well, I don't need no money, I just need a day that's sunny,
Baby, and my days are gonna come.
And I grab me a pint, you know that I'm a giant
When you hear me yellin', "Fee-fi-fo-fum."
Well, you cut me like a jigsaw puzzle,
You made me to a walkin' wreck,
Then you pushed my heart through my backbone,
Then you knocked off my head from my neck.
Well, if I'm ever standin' steady
A-doin' what I want to do,
Well, I tell you little lover that you better run for cover
'Cause babe, I'll do it all over you.
I'm just restin' at your gate so that I won't be late
And, momma, I'm a-just sittin' on the shelf.
Look out your window fair and you'll see me squattin' there
Just a-fumblin' and a-mumblin' to myself.
Well, after my cigarette's been smoked up,
After all my liquor's been drunk,
After my dreams are dreamed out,
After all my thoughts have been thunk,
Well, after I do some of these things,
I'm gonna do what I have to do.
And I tell you on the side, that you better run and hide