In set theory, a tree is a partially ordered set (T,<) such that for each t ∈ T, the set {s ∈ T: s < t} is well-ordered by the relation <. Frequently trees are assumed to have only one root (i.e. minimal element), as the typical questions investigated in this field are easily reduced to questions about single-rooted trees.
Definition
A tree is a partially ordered set (poset) (T,<) such that for each t ∈ T, the set {s ∈ T: s < t} is well-ordered by the relation <. In particular, each well-ordered set (T,<) is a tree. For each t ∈ T, the order type of {s ∈ T: s < t} is called the height of t (denoted ht(t,T)). The height of T itself is the least ordinal greater than the height of each element of T. A root of a tree T is an element of height 0. Frequently trees are assumed to have only one root.
Trees with a single root in which each element has finite height can be naturally viewed as rooted trees in the sense of graph-theory, or of theoretical computer science: there is an edge from x to y if and only if y is a direct successor of x (i.e., x<y, but there is no element between x and y). However, if T is a tree of height > ω, then there is no natural edge relation that will make T a tree in the sense of graph theory. For example, the set does not have a natural edge relationship, as there is no predecessor to ω.
Musical set theory provides concepts for categorizing musical objects and describing their relationships. Many of the notions were first elaborated by HowardHanson (1960) in connection with tonal music, and then mostly developed in connection with atonal music by theorists such as AllenForte (1973), drawing on the work in twelve-tone theory of Milton Babbitt. The concepts of set theory are very general and can be applied to tonal and atonal styles in any equally tempered tuning system, and to some extent more generally than that.
One branch of musical set theory deals with collections (sets and permutations) of pitches and pitch classes (pitch-class set theory), which may be ordered or unordered, and can be related by musical operations such as transposition, inversion, and complementation. The methods of musical set theory are sometimes applied to the analysis of rhythm as well.
Mathematical set theory versus musical set theory
Although musical set theory is often thought to involve the application of mathematical set theory to music, there are numerous differences between the methods and terminology of the two. For example, musicians use the terms transposition and inversion where mathematicians would use translation and reflection.
Furthermore, where musical set theory refers to ordered sets, mathematics would normally refer to tuples or sequences (though mathematics does speak of ordered sets, and although these can be seen to include the musical kind in some sense, they are far more involved).
A set (pitch set, pitch-class set, set class, set form, set genus, pitch collection) in music theory, as in mathematics and general parlance, is a collection of objects. In musical contexts the term is traditionally applied most often to collections of pitches or pitch-classes, but theorists have extended its use to other types of musical entities, so that one may speak of sets of durations or timbres, for example.
A set by itself does not necessarily possess any additional structure, such as an ordering. Nevertheless, it is often musically important to consider sets that are equipped with an order relation (called segments); in such contexts, bare sets are often referred to as "unordered", for the sake of emphasis.
Two-element sets are called dyads, three-element sets trichords (occasionally "triads", though this is easily confused with the traditional meaning of the word triad). Sets of higher cardinalities are called tetrachords (or tetrads), pentachords (or pentads), hexachords (or hexads), heptachords (heptads or, sometimes, mixing Latin and Greek roots, "septachords"—e.g.,), octachords (octads), nonachords (nonads), decachords (decads), undecachords, and, finally, the dodecachord.
Set construction is the process by which a construction manager undertakes to build full scale scenery suitable for viewing by camera, as specified by a production designer or art director working in collaboration with the director of a production to create a set for a theatrical, film or television production. The set designer produces a scale model, scale drawings, paint elevations (a scale painting supplied to the scenic painter of each element that requires painting), and research about props, textures, and so on. Scale drawings typically include a groundplan, elevation, and section of the complete set, as well as more detailed drawings of individual scenic elements which, in theatrical productions, may be static, flown, or built onto scenery wagons. Models and paint elevations are frequently hand-produced, though in recent years, many Production Designers and most commercial theatres have begun producing scale drawings with the aid of computer drafting programs such as AutoCAD or Vectorworks.
In computing, associative containers refer to a group of class templates in the standard library of the C++ programming language that implement ordered associative arrays. Being templates, they can be used to store arbitrary elements, such as integers or custom classes. The following containers are defined in the current revision of the C++ standard: set, map, multiset, multimap. Each of these containers differ only on constraints placed on their elements.
Key uniqueness: in map and set each key must be unique. multimap and multiset do not have this restriction.
Element composition: in map and multimap each element is composed from a key and a mapped value. In set and multiset each element is key; there are no mapped values.
To reduce wildfire risk, PG&E enacted the Enhanced PowerlineSafety Setting (EPSS) designed to instantly shut power off when the system detects a danger such as a tree branch or a vehicle hitting a power pole.
John Goodman shows off 14 stone weight loss after setting himself slimming goal 16 years ago. Hilarie Burton liberated by speaking out against alleged abuse on ‘One TreeHill’. ‘Honesty sets you free!’ ... And our theory was, ‘Let’s know the enemy.'" ... .
does not have a natural edge relationship, as there is no predecessor to ω.
Kentucky New Era
20 Jun 2023
Kentucky New Era
20 Jun 2023