- published: 05 Nov 2014
- views: 5228
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Bob Dylan (/ˈdɪlən/; born Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter, artist and writer. He has been influential in popular music and culture for more than five decades. Much of his most celebrated work dates from the 1960s when his songs chronicled social unrest, although Dylan repudiated suggestions from journalists that he was a spokesman for his generation. Nevertheless, early songs such as "Blowin' in the Wind" and "The Times They Are a-Changin'" became anthems for the American civil rights and anti-war movements. After he left his initial base in the American folk music revival, his six-minute single "Like a Rolling Stone" altered the range of popular music in 1965. His mid-1960s recordings, backed by rock musicians, reached the top end of the United States music charts while also attracting denunciation and criticism from others in the folk movement.
Dylan's lyrics have incorporated various political, social, philosophical, and literary influences. They defied existing pop music conventions and appealed to the burgeoning counterculture. Initially inspired by the performances of Little Richard, and the songwriting of Woody Guthrie, Robert Johnson, and Hank Williams, Dylan has amplified and personalized musical genres. His recording career, spanning 50 years, has explored the traditions in American song—from folk, blues, and country to gospel, rock and roll, and rockabilly to English, Scottish, and Irish folk music, embracing even jazz and the Great American Songbook. Dylan performs with guitar, keyboards, and harmonica. Backed by a changing line-up of musicians, he has toured steadily since the late 1980s on what has been dubbed the Never Ending Tour. His accomplishments as a recording artist and performer have been central to his career, but songwriting is considered his greatest contribution.
Bob Dylan is the eponymous debut album of American singer-songwriter Bob Dylan, released on March 19, 1962 by Columbia Records (Mono-CL 1779; Stereo-CS 8579). Produced by Columbia's legendary talent scout John H. Hammond, who signed Dylan to the label, the album features folk standards, plus two original compositions, "Talkin' New York" and "Song to Woody".
Dylan met John Hammond at a rehearsal session for Carolyn Hester on September 14, 1961, at the apartment shared by Hester and her then-husband, Richard Fariña. Hester had invited Dylan to the session as a harmonica player, and Hammond approved him as a session player after hearing him rehearse, with recommendations from his son, musician John P. Hammond, and from Liam Clancy.
Hammond later told Robert Shelton that he decided to sign Dylan "on the spot", and invited him to the Columbia offices for a more formal audition recording. No record of that recording has turned up in Columbia's files, but Hammond, Dylan, and Columbia's A&R director Mitch Miller have all confirmed that an audition took place. (Producer Fred Catero, then a recording engineer for Columbia Records, claims to have the master of that session. It is not the original demo for Columbia, but a session from December 6, 1962, recorded by John Hammond, Sr.)
Bob Dylan, Performing Artist is a series of three books written by music critic Paul Williams concerning the music of American singer-songwriter Bob Dylan. Unlike many other books about Dylan, these are not biographical but focus primarily on the performances delivered at various concerts over a period of almost forty years. The performances Williams analyzes were either personally attended or reviewed from audio-tapes (and sometimes from videotapes). In an interview published in Isis magazine's August 1990 issue, Williams told interviewer Derek Barker, "I didn't want to write about the person, I wanted to write about what this person has created, his art, his music."Bob Dylan, Performing Artist is considered one of the leading critical analyses of Dylan's songs and performances.
The first volume of the Performing Artist series, which covers the years 1960 through 1973, also recounts Dylan's childhood from his birth in May 1941 to August 1959. Early Years ends in December 1973 with Williams' review of the album Planet Waves.
"Will the Circle Be Unbroken?" is a popular Christian hymn written in 1907 by Ada R. Habershon with music by Charles H. Gabriel. The song is often recorded unattributed and, because of its age, has lapsed into the public domain. Most of the chorus appears in the later songs "Can the Circle Be Unbroken" and "Daddy Sang Bass".
The song is generally played to be uplifting to the congregation, and is a frequent standard in gospel revivals.
A reworked version of the song, intended as a funeral hymn, was written by A. P. Carter and released in 1935 by the Carter Family. The Carter version, titled "Can the Circle be Unbroken", uses the same music and the same verse structure but with different verse lyrics and a modified chorus. That version has often been recorded as "Will the Circle be Unbroken", including the 1972 performance by Mother Maybelle Carter and ensemble on the Nitty Gritty Dirt Band album of the same title.
The original version of the song does not insert "Lord" in lines 2 and 4 of the chorus, though the Carter version does. Also, the third line of the chorus is phrased as a question in the original, but as a declarative sentence in the Carter version, and the Carter version as written begins the chorus with 'Can' instead of 'Will'.
"Will the Circle Be Unbroken?" is a Christian hymn.
Will the Circle Be Unbroken may also refer to:
Will the Circle be Unbroken is a 1972 album by the Nitty Gritty Dirt Band with collaboration from many famous bluegrass and country-western players, including Roy Acuff, "Mother" Maybelle Carter, Doc Watson, Earl Scruggs, Merle Travis, Pete "Oswald" Kirby, Norman Blake, Jimmy Martin, and others. It also introduced fiddler Vassar Clements to a wider audience.
The album's title comes from a song by Ada R. Habershon (re-arranged by A. P. Carter) and reflects how the Nitty Gritty Dirt Band was trying to tie together two generations of musicians. Nitty Gritty Dirt Band was a young country-rock band with a hippie look. Acuff described them as "a bunch of long-haired West Coast boys." The other players were much older and more famous from the forties, fifties and sixties, primarily as old-time country and bluegrass players. Many had become known to their generation through the Grand Ole Opry. However, with the rise of rock-and-roll, the emergence of the commercial country's slick 'Nashville Sound,' and changing tastes in music, their popularity had waned somewhat from their glory years.
Provided to YouTube by Columbia/Legacy Will the Circle be Unbroken · Bob Dylan · The Band The Basement Tapes Complete: The Bootleg Series, Vol. 11 ℗ Originally recorded 1967 & released 2014. All rights reserved by Columbia Records, a division of Sony Music Entertainment Released on: 1967-12-28 Associated Performer: Bob Dylan & The Band Composer, Lyricist: A.P. Carter Coordinator, Producer: Jeff Rosen Unknown, Producer: Jan Haust Producer: Steve Berkowitz Recording Engineer: Garth Hudson Unknown, Mastering Engineer: Peter J. Moore Mastering Engineer: Mark Wilder Auto-generated by YouTube.
July 14th 2019, Nowlan Park, Kilkenny, Ireland
*** just wanted to share. If this needs to come down for ANY reason , please let me know) *** Shot of screens. Starts a little shaky. DYLAN & NEIL YOUNG WILL THE CIRCLE BE UNBROKEN Kilkenny July 14, 2019
From the Minnesota Hotel Tapes Bootleg.
S.N.A.C.K. Benefit Concert March 23, 1975 Kezar Stadium; Golden Gate Park; San Francisco, California Featuring: Bob Dylan, Neil Young, Rick Danko, Levon Helm, Garth Hudson, Ben Keith, Tim Drummond From ROLLING STONE (May 8. 1975): "After [playing 'Knockin' on Heaven's Door'], the musicians gathered at the top of the stage stairway and conferred with [promoter Bill] Graham about an encore. They chose the old Carter Family hymn 'Will the Circle Be Unbroken'—but in performance Dylan forgot the lyrics of the second verse. Garth Hudson covered with a keyboard riff. And then it was over, just before 6 p.m. The musicians paraded offstage, down through a corridor of onlookers and directly onto the golf carts that whisked them away through the stadium underpass. ... Neil Young went back to the F...
Provided to YouTube by The Orchard Enterprises Will the Circle Be Unbroken · Bob Dylan Folk Singer-Humdinger, Vol. 2: Just About as Good as It Gets! ℗ 2014 Smith& Co. Released on: 2014-11-01 Music Publisher: Peer Music (UK) Ltd. Music Publisher: Peer International Corp Auto-generated by YouTube.
Provided to YouTube by RR Live Recordings Will The Circle Be Unbroken? · Bob Dylan · Neil Young · The Band The Snack Concert, Kezar Stadium, San Francisco, March 23rd, 1975 ℗ RR Live Recordings Released on: 2018-02-03 Composer: Bob Dylan Composer: Neil Young Lyricist: Bob Dylan Lyricist: Neil Young Auto-generated by YouTube.
Bob Dylan & his Band with guest Neil Young in Kilkenny, Ireland (Nowlan Park)
This is a better quality version of the video I uploaded here: https://youtu.be/v7CPWyR0cw4 Neil Young joins Bob Dylan for a duet of "Will the Circle be Unbroken". This is the first time the two legends have sang together live since 1994. And the first time they have sang this particular song live together since 1974. Will the Circle be Unbroken (Habershon, Gabriel 1907) is in the public domain.
Bonnie Beecher's Apartment May 1961
Bob Dylan (/ˈdɪlən/; born Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter, artist and writer. He has been influential in popular music and culture for more than five decades. Much of his most celebrated work dates from the 1960s when his songs chronicled social unrest, although Dylan repudiated suggestions from journalists that he was a spokesman for his generation. Nevertheless, early songs such as "Blowin' in the Wind" and "The Times They Are a-Changin'" became anthems for the American civil rights and anti-war movements. After he left his initial base in the American folk music revival, his six-minute single "Like a Rolling Stone" altered the range of popular music in 1965. His mid-1960s recordings, backed by rock musicians, reached the top end of the United States music charts while also attracting denunciation and criticism from others in the folk movement.
Dylan's lyrics have incorporated various political, social, philosophical, and literary influences. They defied existing pop music conventions and appealed to the burgeoning counterculture. Initially inspired by the performances of Little Richard, and the songwriting of Woody Guthrie, Robert Johnson, and Hank Williams, Dylan has amplified and personalized musical genres. His recording career, spanning 50 years, has explored the traditions in American song—from folk, blues, and country to gospel, rock and roll, and rockabilly to English, Scottish, and Irish folk music, embracing even jazz and the Great American Songbook. Dylan performs with guitar, keyboards, and harmonica. Backed by a changing line-up of musicians, he has toured steadily since the late 1980s on what has been dubbed the Never Ending Tour. His accomplishments as a recording artist and performer have been central to his career, but songwriting is considered his greatest contribution.
Well, if I had to do it all over again,
Babe, I'd do it all over you.
And if I had to wait for ten thousand years,
Babe, I'd even do that too.
Well, a dog's got his bone in the alley,
A cat, she's got nine lives,
A millionaire's got a million dollars,
King Saud's got four hundred wives.
Well, ev'rybody's got somethin'
That they're lookin' forward to.
I'm lookin' forward to when I can do it all again
And babe, I'll do it all over you.
Well, if I had my way tomorrow or today,
Babe, I'd run circles all around.
I'd jump up in the wind, do a somersault and spin,
I'd even dance a jig on the ground.
Well, everybody gets their hour,
Everybody gets their time,
Little David when he picked up his pebbles,
Even Sampson after he went blind.
Well, everybody gets the chance
To do what they want to do.
When my time arrives you better run for your life
'Cause babe, I'll do it all over you.
Well, I don't need no money, I just need a day that's sunny,
Baby, and my days are gonna come.
And I grab me a pint, you know that I'm a giant
When you hear me yellin', "Fee-fi-fo-fum."
Well, you cut me like a jigsaw puzzle,
You made me to a walkin' wreck,
Then you pushed my heart through my backbone,
Then you knocked off my head from my neck.
Well, if I'm ever standin' steady
A-doin' what I want to do,
Well, I tell you little lover that you better run for cover
'Cause babe, I'll do it all over you.
I'm just restin' at your gate so that I won't be late
And, momma, I'm a-just sittin' on the shelf.
Look out your window fair and you'll see me squattin' there
Just a-fumblin' and a-mumblin' to myself.
Well, after my cigarette's been smoked up,
After all my liquor's been drunk,
After my dreams are dreamed out,
After all my thoughts have been thunk,
Well, after I do some of these things,
I'm gonna do what I have to do.
And I tell you on the side, that you better run and hide