- published: 13 Aug 2014
- views: 85370
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Bob Dylan (/ˈdɪlən/; born Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter, artist and writer. He has been influential in popular music and culture for more than five decades. Much of his most celebrated work dates from the 1960s when his songs chronicled social unrest, although Dylan repudiated suggestions from journalists that he was a spokesman for his generation. Nevertheless, early songs such as "Blowin' in the Wind" and "The Times They Are a-Changin'" became anthems for the American civil rights and anti-war movements. After he left his initial base in the American folk music revival, his six-minute single "Like a Rolling Stone" altered the range of popular music in 1965. His mid-1960s recordings, backed by rock musicians, reached the top end of the United States music charts while also attracting denunciation and criticism from others in the folk movement.
Dylan's lyrics have incorporated various political, social, philosophical, and literary influences. They defied existing pop music conventions and appealed to the burgeoning counterculture. Initially inspired by the performances of Little Richard, and the songwriting of Woody Guthrie, Robert Johnson, and Hank Williams, Dylan has amplified and personalized musical genres. His recording career, spanning 50 years, has explored the traditions in American song—from folk, blues, and country to gospel, rock and roll, and rockabilly to English, Scottish, and Irish folk music, embracing even jazz and the Great American Songbook. Dylan performs with guitar, keyboards, and harmonica. Backed by a changing line-up of musicians, he has toured steadily since the late 1980s on what has been dubbed the Never Ending Tour. His accomplishments as a recording artist and performer have been central to his career, but songwriting is considered his greatest contribution.
Bob Dylan is the eponymous debut album of American singer-songwriter Bob Dylan, released on March 19, 1962 by Columbia Records (Mono-CL 1779; Stereo-CS 8579). Produced by Columbia's legendary talent scout John H. Hammond, who signed Dylan to the label, the album features folk standards, plus two original compositions, "Talkin' New York" and "Song to Woody".
Dylan met John Hammond at a rehearsal session for Carolyn Hester on September 14, 1961, at the apartment shared by Hester and her then-husband, Richard Fariña. Hester had invited Dylan to the session as a harmonica player, and Hammond approved him as a session player after hearing him rehearse, with recommendations from his son, musician John P. Hammond, and from Liam Clancy.
Hammond later told Robert Shelton that he decided to sign Dylan "on the spot", and invited him to the Columbia offices for a more formal audition recording. No record of that recording has turned up in Columbia's files, but Hammond, Dylan, and Columbia's A&R director Mitch Miller have all confirmed that an audition took place. (Producer Fred Catero, then a recording engineer for Columbia Records, claims to have the master of that session. It is not the original demo for Columbia, but a session from December 6, 1962, recorded by John Hammond, Sr.)
Bob Dylan, Performing Artist is a series of three books written by music critic Paul Williams concerning the music of American singer-songwriter Bob Dylan. Unlike many other books about Dylan, these are not biographical but focus primarily on the performances delivered at various concerts over a period of almost forty years. The performances Williams analyzes were either personally attended or reviewed from audio-tapes (and sometimes from videotapes). In an interview published in Isis magazine's August 1990 issue, Williams told interviewer Derek Barker, "I didn't want to write about the person, I wanted to write about what this person has created, his art, his music."Bob Dylan, Performing Artist is considered one of the leading critical analyses of Dylan's songs and performances.
The first volume of the Performing Artist series, which covers the years 1960 through 1973, also recounts Dylan's childhood from his birth in May 1941 to August 1959. Early Years ends in December 1973 with Williams' review of the album Planet Waves.
A warehouse is a commercial building for storage of goods. Warehouses are used by manufacturers, importers, exporters, wholesalers, transport businesses, customs, etc. They are usually large plain buildings in industrial areas of cities, towns and villages.
They usually have loading docks to load and unload goods from trucks. Sometimes warehouses are designed for the loading and unloading of goods directly from railways, airports, or seaports. They often have cranes and forklifts for moving goods, which are usually placed on ISO standard pallets loaded into pallet racks. Stored goods can include any raw materials, packing materials, spare parts, components, or finished goods associated with agriculture, manufacturing and production. In Indian English a warehouse may be referred to as a godown.
Warehouses have been found at Ostia. They were an essential tool for trading nations. Medieval examples art part of Europes cultural heritage. During the industrial revolution their function evolved and became more specialised, and architecturally significant. Always a building of function, they have adapted to mechanisation and changes in the supply chain.
Let There Be Rock is an album by Australian hard rock band AC/DC. It was the band's third internationally released studio album and the fourth to be released in Australia. All songs were written by Angus Young, Malcolm Young and Bon Scott. It was originally released on 21 March 1977 in Australia on the Albert Productions label. A modified international edition was released on 25 July 1977 on Atlantic Records.
By 1977, AC/DC had become extremely successful in their native Australia and had also achieved a degree of popularity in the U.K. and Europe, largely on the strength of their pulverizing live show. However, Atlantic Records in the United States had rejected the band's third album Dirty Deeds Done Dirt Cheap, feeling the production was not up to par, and the band, which had yet to tour America, returned to Albert Studios in Sydney to record another album. From the beginning, it appears they intended to make a statement, with guitarist Angus Young telling VH1's Behind the Music in 2000, "Me and Malcolm said, 'Well, we really want a lot of guitars,' you know? Big guitars." The band's first album released in Australia, High Voltage, had contained glam-rock elements, while their ensuing releases had been recorded piecemeal as the group toured incessantly and were also altered for international release. Let There Be Rock, on the other hand, was recorded in one go and represented a major evolution in the band's sound, with many critics and fans citing it as the first true AC/DC album; in his book Highway to Hell: The Life and Times of AC/DC Legend Bon Scott, author Clinton Walker observes, "Let There Be Rock was the first fully rounded AC/DC album. The band had finally found itself."
Today's the 50th anniversary of the last executions in Britain, so let's mark it with Ewan Maccoll singing about a great miscarriage of justice, the murder of Timothy Evans. http://en.wikipedia.org/wiki/Timothy_Evans
Go Down Your Murderers by The Whacking Shillelaghs from the album Sending the Loons to Hades Released 2013-01-04 on Liekedeler Musikproduktionen Download on iTunes: https://geo.itunes.apple.com/album/id586214284?uo=6&app=itunes&at=10ldAw&ct=YTAT4050486932728 Download on Google Play: https://play.google.com/store/search?q=The+Whacking+Shillelaghs+Sending+the+Loons+to+Hades&c=music&PAffiliateID=100l3VM The debut of the Whacking Shillelaghs is a tribute to the frankness of folk music on the international scene. Jigs and Reels from Ireland find their place. The song of the Chilean Victor Jara “Follow me up to Carlow“, written in 1850, seems just as little as Elvis Costello’s anti-Thatcher song “Tramp the dirty down“. The interpretations stand out with style - they are unique. Irish tunes, sha...
Music video by Damian Marley performing Welcome To Jamrock. (C) 2005 Universal Records, a Division of UMG Recordings, Inc. #DamianMarley #WelcomeToJamrock #Vevo #Reggae #VevoOfficial
National Union of Mineworkers 1984/85 Coal Strike
Filmed & Edited by Anna Cathrine Boman Lund A monthly showcase for songwriters/bands hosted by Nat The Hammer: each act performs two of their own songs and one cover version by the featured artist of the month, which in Jan 2013 was Bob Dylan. www.DylanWalshe.com Ruined - © Dylan Walshe 2013 I've ruined And been ruined Thinkin' is doin' It does good and bad I've been dwellin' On every thought you might have had Ye know less Has turned a good man bad I've said too much And not enough I've wondered if the words Would sound better In a letter Written to be read by you Aren't you as cold as me I said and reached for her She tried to be clever And just took my temperature Said my love was a murderer That my heart was a hollow grave Begging to bury her Now don't be hard babe Cause you've...
Ewan MacColl & Peggy Seeger: The Shoals of Herring -- (Ewan MacColl), 1962. ꜜ ꜜ ꜜ « The events and chronology covered in this song are based upon the life of Sam Larner, a fisherman and traditional singer of Winterton, Norfolk. The song was composed as part of a documentary radio ballad, "Singing the Fishing" » (Ewan MacColl) Ewan MacColl: Vocal Peggy Seeger: Guitar
American Psycho movie clips: https://www.youtube.com/playlist?list=PLZbXA4lyCtqo4T5MhPKqph-wlorhYqQzg BUY THE MOVIE: http://j.mp/y3Umw0 Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr CLIP DESCRIPTION: Patrick Bateman (Christian Bale) discusses one of his favorite songs from Huey Lewis & the News, and then murders Paul Allen (Jared Leto) with an axe. FILM DESCRIPTION: Bret Easton Ellis's dark and violent satire of America in the 1980s is brought to the screen in this unsettling drama with blackly comic overtones. Patrick Bateman (Christian Bale), the son of a wealthy Wall Street financier, is pursuing his own lucrative career with his father's firm. Bateman is the prototypical yuppie, obsessed with success, fashion, and style. He is also a serial killer who murders, rapes, and...
Bob Dylan (/ˈdɪlən/; born Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter, artist and writer. He has been influential in popular music and culture for more than five decades. Much of his most celebrated work dates from the 1960s when his songs chronicled social unrest, although Dylan repudiated suggestions from journalists that he was a spokesman for his generation. Nevertheless, early songs such as "Blowin' in the Wind" and "The Times They Are a-Changin'" became anthems for the American civil rights and anti-war movements. After he left his initial base in the American folk music revival, his six-minute single "Like a Rolling Stone" altered the range of popular music in 1965. His mid-1960s recordings, backed by rock musicians, reached the top end of the United States music charts while also attracting denunciation and criticism from others in the folk movement.
Dylan's lyrics have incorporated various political, social, philosophical, and literary influences. They defied existing pop music conventions and appealed to the burgeoning counterculture. Initially inspired by the performances of Little Richard, and the songwriting of Woody Guthrie, Robert Johnson, and Hank Williams, Dylan has amplified and personalized musical genres. His recording career, spanning 50 years, has explored the traditions in American song—from folk, blues, and country to gospel, rock and roll, and rockabilly to English, Scottish, and Irish folk music, embracing even jazz and the Great American Songbook. Dylan performs with guitar, keyboards, and harmonica. Backed by a changing line-up of musicians, he has toured steadily since the late 1980s on what has been dubbed the Never Ending Tour. His accomplishments as a recording artist and performer have been central to his career, but songwriting is considered his greatest contribution.
Well, if I had to do it all over again,
Babe, I'd do it all over you.
And if I had to wait for ten thousand years,
Babe, I'd even do that too.
Well, a dog's got his bone in the alley,
A cat, she's got nine lives,
A millionaire's got a million dollars,
King Saud's got four hundred wives.
Well, ev'rybody's got somethin'
That they're lookin' forward to.
I'm lookin' forward to when I can do it all again
And babe, I'll do it all over you.
Well, if I had my way tomorrow or today,
Babe, I'd run circles all around.
I'd jump up in the wind, do a somersault and spin,
I'd even dance a jig on the ground.
Well, everybody gets their hour,
Everybody gets their time,
Little David when he picked up his pebbles,
Even Sampson after he went blind.
Well, everybody gets the chance
To do what they want to do.
When my time arrives you better run for your life
'Cause babe, I'll do it all over you.
Well, I don't need no money, I just need a day that's sunny,
Baby, and my days are gonna come.
And I grab me a pint, you know that I'm a giant
When you hear me yellin', "Fee-fi-fo-fum."
Well, you cut me like a jigsaw puzzle,
You made me to a walkin' wreck,
Then you pushed my heart through my backbone,
Then you knocked off my head from my neck.
Well, if I'm ever standin' steady
A-doin' what I want to do,
Well, I tell you little lover that you better run for cover
'Cause babe, I'll do it all over you.
I'm just restin' at your gate so that I won't be late
And, momma, I'm a-just sittin' on the shelf.
Look out your window fair and you'll see me squattin' there
Just a-fumblin' and a-mumblin' to myself.
Well, after my cigarette's been smoked up,
After all my liquor's been drunk,
After my dreams are dreamed out,
After all my thoughts have been thunk,
Well, after I do some of these things,
I'm gonna do what I have to do.
And I tell you on the side, that you better run and hide