- published: 20 May 2015
- views: 2513
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Bob Dylan (/ˈdɪlən/; born Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter, artist and writer. He has been influential in popular music and culture for more than five decades. Much of his most celebrated work dates from the 1960s when his songs chronicled social unrest, although Dylan repudiated suggestions from journalists that he was a spokesman for his generation. Nevertheless, early songs such as "Blowin' in the Wind" and "The Times They Are a-Changin'" became anthems for the American civil rights and anti-war movements. After he left his initial base in the American folk music revival, his six-minute single "Like a Rolling Stone" altered the range of popular music in 1965. His mid-1960s recordings, backed by rock musicians, reached the top end of the United States music charts while also attracting denunciation and criticism from others in the folk movement.
Dylan's lyrics have incorporated various political, social, philosophical, and literary influences. They defied existing pop music conventions and appealed to the burgeoning counterculture. Initially inspired by the performances of Little Richard, and the songwriting of Woody Guthrie, Robert Johnson, and Hank Williams, Dylan has amplified and personalized musical genres. His recording career, spanning 50 years, has explored the traditions in American song—from folk, blues, and country to gospel, rock and roll, and rockabilly to English, Scottish, and Irish folk music, embracing even jazz and the Great American Songbook. Dylan performs with guitar, keyboards, and harmonica. Backed by a changing line-up of musicians, he has toured steadily since the late 1980s on what has been dubbed the Never Ending Tour. His accomplishments as a recording artist and performer have been central to his career, but songwriting is considered his greatest contribution.
Bob Dylan is the eponymous debut album of American singer-songwriter Bob Dylan, released on March 19, 1962 by Columbia Records (Mono-CL 1779; Stereo-CS 8579). Produced by Columbia's legendary talent scout John H. Hammond, who signed Dylan to the label, the album features folk standards, plus two original compositions, "Talkin' New York" and "Song to Woody".
Dylan met John Hammond at a rehearsal session for Carolyn Hester on September 14, 1961, at the apartment shared by Hester and her then-husband, Richard Fariña. Hester had invited Dylan to the session as a harmonica player, and Hammond approved him as a session player after hearing him rehearse, with recommendations from his son, musician John P. Hammond, and from Liam Clancy.
Hammond later told Robert Shelton that he decided to sign Dylan "on the spot", and invited him to the Columbia offices for a more formal audition recording. No record of that recording has turned up in Columbia's files, but Hammond, Dylan, and Columbia's A&R director Mitch Miller have all confirmed that an audition took place. (Producer Fred Catero, then a recording engineer for Columbia Records, claims to have the master of that session. It is not the original demo for Columbia, but a session from December 6, 1962, recorded by John Hammond, Sr.)
Bob Dylan, Performing Artist is a series of three books written by music critic Paul Williams concerning the music of American singer-songwriter Bob Dylan. Unlike many other books about Dylan, these are not biographical but focus primarily on the performances delivered at various concerts over a period of almost forty years. The performances Williams analyzes were either personally attended or reviewed from audio-tapes (and sometimes from videotapes). In an interview published in Isis magazine's August 1990 issue, Williams told interviewer Derek Barker, "I didn't want to write about the person, I wanted to write about what this person has created, his art, his music."Bob Dylan, Performing Artist is considered one of the leading critical analyses of Dylan's songs and performances.
The first volume of the Performing Artist series, which covers the years 1960 through 1973, also recounts Dylan's childhood from his birth in May 1941 to August 1959. Early Years ends in December 1973 with Williams' review of the album Planet Waves.
Odds & Ends is a collection of unfinished tracks and demo recordings by British pop singer, Dido. The collection was put together by her management team, Nettwerk, and released promotionally in late 1995, in order to gain interest from record companies so that Dido could be signed to a major record label. All of the material was recorded between 1994 and 1995. Dido was brought to the attention of Arista Records, who were impressed with her collaborations and songwriting for the UK dance group Faithless, her work with a UK dance act spearheaded by her brother, Rollo Armstrong, and more importantly, the album. Arista Records signed Dido in the United States, eventually forming a deal with her brother Rollo Armstrong's record label, Cheeky Records, allowing her music to be released internationally. The track "Worthless" later appeared on The Highbury Fields EP, a five track sampler released to promote her debut album, No Angel. "Take My Hand" was included on the album itself, and "Sweet Eyed Baby" was remixed to create another album track, "Don't Think Of Me". "Worthless" and "Me" also appeared on the Japanese version of No Angel.
The trio of local musicians will be part of the Bob Dylan 74th birthday celebration at Tellus360 on Sunday, May 24. Here, they cover a song from the Basement Tapes -- "Odds and Ends" in LNP's new multimedia studio.
This is a special version/performance of this song: the lyrics are being read by a computer voice. This might be a help for people who can't understand the lyrics when they are being sung in the song itself, and who may suffer reading problems. It also provides a unique focus on the lyrics, without any possible distraction caused by music or by singing the text. Of course, I do not claim any rights on the lyrics. All lyrics are property and copyright of their owners. All lyrics copyright belong to their respective owners. This content may be protected by copyright law or other laws regarding intellectual property of the United States or other countries. If you love the song, please support the artists by buying the original CD/Cassette or buying the song from iTunes or another provider.
Provided to YouTube by Believe SAS Odds and Ends · Ripoff Raskolnikov Odds and Ends ℗ Xlnt Records Released on: 2016-04-01 Music Publisher: D.R Author: Ripoff Raskolnikov Composer: Ripoff Raskolnikov Auto-generated by YouTube.
Provided to YouTube by Believe SAS Odds and Ends · Emanuele Fizzotti Manny's Blues ℗ Rockhattle Music Released on: 2012-11-07 Author: Bob Dylan Composer: Bob Dylan Auto-generated by YouTube.
This is the first track on my new album "Manny's Blues" and it's a cover of "Odds and Ends" from "The Basement Tapes", the well known record by Bob Dylan and The Band. A bit more rock-blues than the original though! EMANUELE FIZZOTTI -- vocals, guitars, mandolin, 5 strings banjo, bass (1-2-4-6-7-10), keyboards (2-7) and percussion LUCA ROFFINO -- drums (except 9) MARINA SCHIAVINATO -- backing vocals MARCO CASTELLANO -- double bass (tracks 3-5-8) ANDREA BECCARO -- drums (track 9) BEN HILLYARD -- double bass (track 9) ALESSANDRO GHIGO -- piano (track 1) SILVIO SANSONE -- blues harp (track 1) Recorded, mixed and mastered by Albino Barbero & Emanuele Fizzotti at ROCKHATTLE MUSIC STUDIO -- Cavallirio (No) Italy "Something Ain't Right" recorded at THE YARD STUDIO 11 Hungerford Road Lon...
CHORDS HERE: http://laptopsessions.com/archives/1080 - Visit the LS Blog to read the full description, leave your comments and get replies directly from Chris! Follow Chris on Twitter @ http://twitter.com/ChrisMooreMusic Listen to Chris' original music at http://ChrisMooreMusic.com .
From Portland, Oregon - the World's Greatest Bar Band in the World covers some classic but overlooked Dylan. See the Jim-Jams on Facebook for booking info!
Bob Dylan (/ˈdɪlən/; born Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter, artist and writer. He has been influential in popular music and culture for more than five decades. Much of his most celebrated work dates from the 1960s when his songs chronicled social unrest, although Dylan repudiated suggestions from journalists that he was a spokesman for his generation. Nevertheless, early songs such as "Blowin' in the Wind" and "The Times They Are a-Changin'" became anthems for the American civil rights and anti-war movements. After he left his initial base in the American folk music revival, his six-minute single "Like a Rolling Stone" altered the range of popular music in 1965. His mid-1960s recordings, backed by rock musicians, reached the top end of the United States music charts while also attracting denunciation and criticism from others in the folk movement.
Dylan's lyrics have incorporated various political, social, philosophical, and literary influences. They defied existing pop music conventions and appealed to the burgeoning counterculture. Initially inspired by the performances of Little Richard, and the songwriting of Woody Guthrie, Robert Johnson, and Hank Williams, Dylan has amplified and personalized musical genres. His recording career, spanning 50 years, has explored the traditions in American song—from folk, blues, and country to gospel, rock and roll, and rockabilly to English, Scottish, and Irish folk music, embracing even jazz and the Great American Songbook. Dylan performs with guitar, keyboards, and harmonica. Backed by a changing line-up of musicians, he has toured steadily since the late 1980s on what has been dubbed the Never Ending Tour. His accomplishments as a recording artist and performer have been central to his career, but songwriting is considered his greatest contribution.
Well, if I had to do it all over again,
Babe, I'd do it all over you.
And if I had to wait for ten thousand years,
Babe, I'd even do that too.
Well, a dog's got his bone in the alley,
A cat, she's got nine lives,
A millionaire's got a million dollars,
King Saud's got four hundred wives.
Well, ev'rybody's got somethin'
That they're lookin' forward to.
I'm lookin' forward to when I can do it all again
And babe, I'll do it all over you.
Well, if I had my way tomorrow or today,
Babe, I'd run circles all around.
I'd jump up in the wind, do a somersault and spin,
I'd even dance a jig on the ground.
Well, everybody gets their hour,
Everybody gets their time,
Little David when he picked up his pebbles,
Even Sampson after he went blind.
Well, everybody gets the chance
To do what they want to do.
When my time arrives you better run for your life
'Cause babe, I'll do it all over you.
Well, I don't need no money, I just need a day that's sunny,
Baby, and my days are gonna come.
And I grab me a pint, you know that I'm a giant
When you hear me yellin', "Fee-fi-fo-fum."
Well, you cut me like a jigsaw puzzle,
You made me to a walkin' wreck,
Then you pushed my heart through my backbone,
Then you knocked off my head from my neck.
Well, if I'm ever standin' steady
A-doin' what I want to do,
Well, I tell you little lover that you better run for cover
'Cause babe, I'll do it all over you.
I'm just restin' at your gate so that I won't be late
And, momma, I'm a-just sittin' on the shelf.
Look out your window fair and you'll see me squattin' there
Just a-fumblin' and a-mumblin' to myself.
Well, after my cigarette's been smoked up,
After all my liquor's been drunk,
After my dreams are dreamed out,
After all my thoughts have been thunk,
Well, after I do some of these things,
I'm gonna do what I have to do.
And I tell you on the side, that you better run and hide