- published: 31 Aug 2021
- views: 57497
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Bob Dylan (/ˈdɪlən/; born Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter, artist and writer. He has been influential in popular music and culture for more than five decades. Much of his most celebrated work dates from the 1960s when his songs chronicled social unrest, although Dylan repudiated suggestions from journalists that he was a spokesman for his generation. Nevertheless, early songs such as "Blowin' in the Wind" and "The Times They Are a-Changin'" became anthems for the American civil rights and anti-war movements. After he left his initial base in the American folk music revival, his six-minute single "Like a Rolling Stone" altered the range of popular music in 1965. His mid-1960s recordings, backed by rock musicians, reached the top end of the United States music charts while also attracting denunciation and criticism from others in the folk movement.
Dylan's lyrics have incorporated various political, social, philosophical, and literary influences. They defied existing pop music conventions and appealed to the burgeoning counterculture. Initially inspired by the performances of Little Richard, and the songwriting of Woody Guthrie, Robert Johnson, and Hank Williams, Dylan has amplified and personalized musical genres. His recording career, spanning 50 years, has explored the traditions in American song—from folk, blues, and country to gospel, rock and roll, and rockabilly to English, Scottish, and Irish folk music, embracing even jazz and the Great American Songbook. Dylan performs with guitar, keyboards, and harmonica. Backed by a changing line-up of musicians, he has toured steadily since the late 1980s on what has been dubbed the Never Ending Tour. His accomplishments as a recording artist and performer have been central to his career, but songwriting is considered his greatest contribution.
Bob Dylan is the eponymous debut album of American singer-songwriter Bob Dylan, released on March 19, 1962 by Columbia Records (Mono-CL 1779; Stereo-CS 8579). Produced by Columbia's legendary talent scout John H. Hammond, who signed Dylan to the label, the album features folk standards, plus two original compositions, "Talkin' New York" and "Song to Woody".
Dylan met John Hammond at a rehearsal session for Carolyn Hester on September 14, 1961, at the apartment shared by Hester and her then-husband, Richard Fariña. Hester had invited Dylan to the session as a harmonica player, and Hammond approved him as a session player after hearing him rehearse, with recommendations from his son, musician John P. Hammond, and from Liam Clancy.
Hammond later told Robert Shelton that he decided to sign Dylan "on the spot", and invited him to the Columbia offices for a more formal audition recording. No record of that recording has turned up in Columbia's files, but Hammond, Dylan, and Columbia's A&R director Mitch Miller have all confirmed that an audition took place. (Producer Fred Catero, then a recording engineer for Columbia Records, claims to have the master of that session. It is not the original demo for Columbia, but a session from December 6, 1962, recorded by John Hammond, Sr.)
Bob Dylan, Performing Artist is a series of three books written by music critic Paul Williams concerning the music of American singer-songwriter Bob Dylan. Unlike many other books about Dylan, these are not biographical but focus primarily on the performances delivered at various concerts over a period of almost forty years. The performances Williams analyzes were either personally attended or reviewed from audio-tapes (and sometimes from videotapes). In an interview published in Isis magazine's August 1990 issue, Williams told interviewer Derek Barker, "I didn't want to write about the person, I wanted to write about what this person has created, his art, his music."Bob Dylan, Performing Artist is considered one of the leading critical analyses of Dylan's songs and performances.
The first volume of the Performing Artist series, which covers the years 1960 through 1973, also recounts Dylan's childhood from his birth in May 1941 to August 1959. Early Years ends in December 1973 with Williams' review of the album Planet Waves.
"When I Paint My Masterpiece" is a 1971 song written by Bob Dylan. It was first released by The Band, who covered the song on their album Cahoots. Dylan himself recorded the song in the March 1971 sessions that were produced by Leon Russell. From these sessions came the "Watching the River Flow" single and this track. Both appeared later in the year on Bob Dylan's Greatest Hits Vol. II. (An outtake of the song, from the same March sessions, was released in 2013 on The Bootleg Series Vol. 10: Another Self Portrait (1969–1971).)
Dylan and The Band performed the song together live, in the early hours of January 1, 1972, at a New Year's Eve concert by The Band; a recording was released as a bonus track on the 2001 CD reissue of The Band's live album Rock of Ages.
The Band's version of the song was featured in the 2009 film Observe and Report.
Dylan's recording is played during the closing credits of the 2007 documentary My kid could paint that about child painter Marla Olmstead.
"When I Paint My Masterpiece (Demo)" by Bob Dylan Listen to Bob Dylan: https://BobDylan.lnk.to/ss_followYD Subscribe to the official Bob Dylan YouTube channel: https://BobDylan.lnk.to/_subscribeYD Watch more Bob Dylan videos: https://BobDylan.lnk.to/streamingYD/youtube Follow Bob Dylan Facebook: https://BobDylan.lnk.to/followFI Instagram: https://BobDylan.lnk.to/followII Twitter: https://BobDylan.lnk.to/followTI Website: https://BobDylan.lnk.to/followWI YouTube: https://BobDylan.lnk.to/_subscribeYD Spotify: https://BobDylan.lnk.to/followSI Lyrics: Oh, the streets of Rome are filled with rubble Ancient footprints are everywhere You can almost think that you’re seeing double On a cold, dark night on the Spanish Stairs Got to hurry on back to my hotel room Where I’ve got me a date with...
"When I Paint My Masterpiece" Studio Outtake - 1971 by Bob Dylan Listen to Bob Dylan: https://BobDylan.lnk.to/ss_followYD Subscribe to the official Bob Dylan YouTube channel: https://BobDylan.lnk.to/_subscribeYD Watch more Bob Dylan videos: https://BobDylan.lnk.to/streamingYD/youtube Follow Bob Dylan Facebook: https://BobDylan.lnk.to/followFI Instagram: https://BobDylan.lnk.to/followII Twitter: https://BobDylan.lnk.to/followTI Website: https://BobDylan.lnk.to/followWI YouTube: https://BobDylan.lnk.to/_subscribeYD Spotify: https://BobDylan.lnk.to/followSI Lyrics: Oh, the streets of Rome are filled with rubble Ancient footprints are everywhere You can almost think that you’re seeing double On a cold, dark night on the Spanish Stairs Got to hurry on back to my hotel room Where I’ve got...
From the Volume 10 Bootleg Series. This box set contains some of the most beautiful,simple versions of songs from Dylan that I have ever heard. This version of "When I Paint My Masterpiece" is just a small glimpse of this collection.
Provided to YouTube by Columbia/Legacy When I Paint My Masterpiece · Bob Dylan Shadow Kingdom ℗ 2023 Columbia Records, a division of Sony Music Entertainment Released on: 2023-06-02 Producer: Jack Frost Mixing Engineer: Mike Piersante Mastering Engineer: Ryan Smith Auto-generated by YouTube.
Reina del Cid and Toni Lindgren cover Bob Dylan's "When I Paint My Masterpiece" Subscribe: https://bit.ly/subRdC Patreon: https://patreon.com/reinadelcid Watch next: "Wayfaring Stranger" https://www.youtube.com/watch?v=o5J-og974DU&list=PLD4X50B3_ot32U-AwfrCIWlum-8IAfFd_&index=114&t=0s Join me and Toni for our HD livestream concert followed by a Q&A/hangout on July 11 at 2pm CT/ 3pm ET US time! TICKETS: https://www.crowdcast.io/e/esadopwl For me, other than the act of writing a brand new song, the greatest joy of being a musician is the feeling of performing to an audience. This is why our tour schedule has been packed almost to the point of insanity over the last few years. I love playing music live for folks, meeting the people who watch our videos, and just having that real-time con...
Thank you to Bob Dylan and his band, Tony Garnier, Jerry Pentecost, Bob Britt, Doug Lancio, Donnie Herron. —
bobdylan.com For Bubba. This is from the first Rolling Thunder Revue show, using two different audio sources.
BOB DYLAN'S GREATEST HITS version (1971) CAHOOTS (1971) . . For more of Bob Dylan:: https://www.youtube.com/watch?v=5i1kARIKyNI&list=PLwv7GzzWm27lVdcUiQqxqU5amOnvv2JUa This is a free service so I welcome any PayPal donations at http://www.keepthebestalive.com -- KARAOKE MADE ON DEMAND! $10 a song http://www.keepthebestalive.com/karaoke-orders
"When I Paint My Masterpiece" is a 1971 song written by Bob Dylan. It was first released by The Band, who recorded the song for their album Cahoots, released on September 15, 1971. Dylan himself first recorded the song at New York's Blue Rock Studio when he was backed by Leon Russell and session musicians, including Jesse Ed Davis on lead guitar. The recording sessions lasted from March 16 to 19, 1971, and also saw the recording of the 45 RPM single "Watching the River Flow", released by CBS Records on June 3, 1971. Both songs appeared on Bob Dylan's Greatest Hits Vol. II, released November 17, 1971, with Russell credited as the producer of the two songs. During the March 1971 sessions at Blue Rock Studio, Dylan also recorded a solo version with slightly different lyrics, accompanying hi...
Bob Dylan (/ˈdɪlən/; born Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter, artist and writer. He has been influential in popular music and culture for more than five decades. Much of his most celebrated work dates from the 1960s when his songs chronicled social unrest, although Dylan repudiated suggestions from journalists that he was a spokesman for his generation. Nevertheless, early songs such as "Blowin' in the Wind" and "The Times They Are a-Changin'" became anthems for the American civil rights and anti-war movements. After he left his initial base in the American folk music revival, his six-minute single "Like a Rolling Stone" altered the range of popular music in 1965. His mid-1960s recordings, backed by rock musicians, reached the top end of the United States music charts while also attracting denunciation and criticism from others in the folk movement.
Dylan's lyrics have incorporated various political, social, philosophical, and literary influences. They defied existing pop music conventions and appealed to the burgeoning counterculture. Initially inspired by the performances of Little Richard, and the songwriting of Woody Guthrie, Robert Johnson, and Hank Williams, Dylan has amplified and personalized musical genres. His recording career, spanning 50 years, has explored the traditions in American song—from folk, blues, and country to gospel, rock and roll, and rockabilly to English, Scottish, and Irish folk music, embracing even jazz and the Great American Songbook. Dylan performs with guitar, keyboards, and harmonica. Backed by a changing line-up of musicians, he has toured steadily since the late 1980s on what has been dubbed the Never Ending Tour. His accomplishments as a recording artist and performer have been central to his career, but songwriting is considered his greatest contribution.
Well, if I had to do it all over again,
Babe, I'd do it all over you.
And if I had to wait for ten thousand years,
Babe, I'd even do that too.
Well, a dog's got his bone in the alley,
A cat, she's got nine lives,
A millionaire's got a million dollars,
King Saud's got four hundred wives.
Well, ev'rybody's got somethin'
That they're lookin' forward to.
I'm lookin' forward to when I can do it all again
And babe, I'll do it all over you.
Well, if I had my way tomorrow or today,
Babe, I'd run circles all around.
I'd jump up in the wind, do a somersault and spin,
I'd even dance a jig on the ground.
Well, everybody gets their hour,
Everybody gets their time,
Little David when he picked up his pebbles,
Even Sampson after he went blind.
Well, everybody gets the chance
To do what they want to do.
When my time arrives you better run for your life
'Cause babe, I'll do it all over you.
Well, I don't need no money, I just need a day that's sunny,
Baby, and my days are gonna come.
And I grab me a pint, you know that I'm a giant
When you hear me yellin', "Fee-fi-fo-fum."
Well, you cut me like a jigsaw puzzle,
You made me to a walkin' wreck,
Then you pushed my heart through my backbone,
Then you knocked off my head from my neck.
Well, if I'm ever standin' steady
A-doin' what I want to do,
Well, I tell you little lover that you better run for cover
'Cause babe, I'll do it all over you.
I'm just restin' at your gate so that I won't be late
And, momma, I'm a-just sittin' on the shelf.
Look out your window fair and you'll see me squattin' there
Just a-fumblin' and a-mumblin' to myself.
Well, after my cigarette's been smoked up,
After all my liquor's been drunk,
After my dreams are dreamed out,
After all my thoughts have been thunk,
Well, after I do some of these things,
I'm gonna do what I have to do.
And I tell you on the side, that you better run and hide