- published: 20 May 2016
- views: 79611081
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Bob Dylan (/ˈdɪlən/; born Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter, artist and writer. He has been influential in popular music and culture for more than five decades. Much of his most celebrated work dates from the 1960s when his songs chronicled social unrest, although Dylan repudiated suggestions from journalists that he was a spokesman for his generation. Nevertheless, early songs such as "Blowin' in the Wind" and "The Times They Are a-Changin'" became anthems for the American civil rights and anti-war movements. After he left his initial base in the American folk music revival, his six-minute single "Like a Rolling Stone" altered the range of popular music in 1965. His mid-1960s recordings, backed by rock musicians, reached the top end of the United States music charts while also attracting denunciation and criticism from others in the folk movement.
Dylan's lyrics have incorporated various political, social, philosophical, and literary influences. They defied existing pop music conventions and appealed to the burgeoning counterculture. Initially inspired by the performances of Little Richard, and the songwriting of Woody Guthrie, Robert Johnson, and Hank Williams, Dylan has amplified and personalized musical genres. His recording career, spanning 50 years, has explored the traditions in American song—from folk, blues, and country to gospel, rock and roll, and rockabilly to English, Scottish, and Irish folk music, embracing even jazz and the Great American Songbook. Dylan performs with guitar, keyboards, and harmonica. Backed by a changing line-up of musicians, he has toured steadily since the late 1980s on what has been dubbed the Never Ending Tour. His accomplishments as a recording artist and performer have been central to his career, but songwriting is considered his greatest contribution.
Bob Dylan is the eponymous debut album of American singer-songwriter Bob Dylan, released on March 19, 1962 by Columbia Records (Mono-CL 1779; Stereo-CS 8579). Produced by Columbia's legendary talent scout John H. Hammond, who signed Dylan to the label, the album features folk standards, plus two original compositions, "Talkin' New York" and "Song to Woody".
Dylan met John Hammond at a rehearsal session for Carolyn Hester on September 14, 1961, at the apartment shared by Hester and her then-husband, Richard Fariña. Hester had invited Dylan to the session as a harmonica player, and Hammond approved him as a session player after hearing him rehearse, with recommendations from his son, musician John P. Hammond, and from Liam Clancy.
Hammond later told Robert Shelton that he decided to sign Dylan "on the spot", and invited him to the Columbia offices for a more formal audition recording. No record of that recording has turned up in Columbia's files, but Hammond, Dylan, and Columbia's A&R director Mitch Miller have all confirmed that an audition took place. (Producer Fred Catero, then a recording engineer for Columbia Records, claims to have the master of that session. It is not the original demo for Columbia, but a session from December 6, 1962, recorded by John Hammond, Sr.)
Bob Dylan, Performing Artist is a series of three books written by music critic Paul Williams concerning the music of American singer-songwriter Bob Dylan. Unlike many other books about Dylan, these are not biographical but focus primarily on the performances delivered at various concerts over a period of almost forty years. The performances Williams analyzes were either personally attended or reviewed from audio-tapes (and sometimes from videotapes). In an interview published in Isis magazine's August 1990 issue, Williams told interviewer Derek Barker, "I didn't want to write about the person, I wanted to write about what this person has created, his art, his music."Bob Dylan, Performing Artist is considered one of the leading critical analyses of Dylan's songs and performances.
The first volume of the Performing Artist series, which covers the years 1960 through 1973, also recounts Dylan's childhood from his birth in May 1941 to August 1959. Early Years ends in December 1973 with Williams' review of the album Planet Waves.
Handle with Care may refer to:
Handle with Care is a 1958 film.
Law school professor Roger Bowdin prepares his seniors for their yearly "mock trial," but star student Zachary Davis persists in wanting something more than the usual fake case. He gets the professor to agree to have the aspiring lawyers investigate the town itself, then put it on trial for anything they happen to find.
Good-natured mayor Dick Williston goes along with the project when the professor approaches him about it, happy to cooperate with the class. The overzealous Zach begins to concern girlfriend Mary Judson, his roommate Bill Reeves and others with the way he begins digging up potential controversies and scandals. His father having once been incarcerated for corruption in another town, Zach may have a personal vendetta in trying to implicate others.
On the first day of the trial, with Mary assisting him as prosecuting attorney, Bill as jury foreman and the professor as presiding judge, Zach aggressively goes after the mayor with a number of unsubstantiated charges. When he brings up a potential tax malfeasance involving misappropriated funds, the popular mayor refuses to continue. Zach is promptly shunned in town, fired from his job and asked to leave by his landlady. A farmer, Al Rees, confronts him on the street, implying that Zach doesn't know what he's doing.
Handle with Care is a 1935 British comedy film directed by Randall Faye and starring Molly Lamont, Jack Hobbs and James Finlayson. It was a quota quickie made at the Nettlefold Studios in Walton-on-Thames.
Music video by The Traveling Wilburys performing Handle With Care. (C) 2007 T. Wilbury Limited. Exclusively Licensed to Concord Music Group, Inc. http://vevo.ly/LGLafI #TheTravelingWilburys #HandleWithCare #Vevo
Music video by Tom Petty And The Heartbreakers, Jeff Lynne, Dhani Harrison performing Handle With Care (Taken From Concert For George Live / 2002). © 2017 Oops Publishing, Limited, Under exclusive license to Craft Recordings, a division of Concord Music Group, Inc. http://vevo.ly/wk2JHN
Tom Petty, Jeff Lynne and Dhani Harrison perform "Handle With Care" in tribute to George Harrison at the 2004 Rock & Roll Hall of Fame Induction Ceremony. Dive into the full Beatles and George Harrison Induction Ceremony video collection at rockhall.com/inductees and watch all videos, read from the official Hall of Fame program bios and view image galleries from the big night and archival materials.
All rights is reserved to The Traveling Wilburys (Roy Orbison, Tom Petty, George Harrison, Jeff Lynne, Bob Dylan)
Traveling Wilburys Handle With Care Lyrics
‘Handle with Care’ (THE TRAVELING WILBURYS ) Cover Performed by The HSCC Produced by The HSCC Arranged by Constantine Delo Recorded Live by Jordan Lennon at The House Of SAP Mixed by Pete Savad ( NYC ) https://www.youtube.com/@PeterSavad Filmed & Edited by Hayden Puckridge for Minty Visuals Productions - http://mintyvisuals.com Big thanks to Rino @ House of SAP Vocals & Guitar: Danny Lopresto Vocals & Guitar: Jordan Lennon Drums & Vocals: Brad Polain Percussion: Steve Todd Blues Harp: Bobby Blues Guitar: Jake Milic Guitar: Daniel Braiotta Keyboards: Dave Ross Bass & Vocals: Constantine Delo Connect with the HSCC www.thehscc.com Live Concert Tickets: https://linktr.ee/hscclive Facebook: https://www.facebook.com/hindleyscc Instagram: https://www.instagram.com/hscc_band Twitter: https:/...
"Handle With Care" Live 2019 North American Tour “Handle With Care” was a 1988 hit for the Traveling Wilburys, the supergroup formed by Jeff Lynne and George Harrison along with Tom Petty, Bob Dylan and Roy Orbison. Jeff and the band are joined by Dhani Harrison who captures the essence of his fathers performance magnificently. Iain Hornal is brilliant covering Roy Orbisons portions. Bravo! "With the Electric Light Orchestra, it’s all about the songs, and they are glorious," Pittsburgh Post Gazette Jeff Lynne's ELO "Live 2019 Tour" was again a smashing success. Footage is featured from various performances along the tour. This is for all those that once again could not make the trek to these epic dates. Make sure to catch this premier tour when it hits the road again. Thank You ...
A new version for the Traveling Wilburys Song. (The Bob Dylan, George Harrison, Roy Orbison, Tom Petty & Jeff Lynne Superband) // Recorded live in Studio. No overdubs, no audio edits, no frills... just the natural. // The STILL FOLK Band is: IAN CALAMARO (Vocals, Guitar); TONY RIBBERO (Vocals, Guitar); FELIPE VELLASCO (Guitars); CASSIANO BARAO (Bass); TERCIO JR. (Drums). Images: Anderson Costa S. Audio: Mark StudioBrasil Thanks for watching us!! Enjoy the Facebook Still Folk page: https://www.facebook.com/stillfolkband #stillfolk #still folk
Live music streaming to you from Pietro’s Prime in downtown West Chester, PA! 🛰 Wednesday Nights Live, Vol. 217 Pietro’s Prime (WC) 9.11.24 Nothing Man (Bruce Springsteen) The Way It Is (Bruce Hornsby) Coffee (Chappell Roan) My City of Ruins (Bruce Springsteen) Bad Side of the Moon (Elton John/Taupin)* Your Song (Elton John/Taupin) Vienna (Billy Joel)* Oyster Bay (Billy Joel)* Cleopatra (The Lumineers) Handle with Care (The Traveling Wilburys)* I Walk the Line (Johnny Cash)* Changes (David Bowie) Honky Cat (Elton John/Taupin)* The Load-Out/Stay (Jackson Browne)* I’m On Fire (Bruce Springsteen)* She’s the One (Bruce Springsteen) Will It Go ‘Round in Circles (Billy Preston) w/ Adam Hendrix, accordion Dead Flowers (The Rolling Stones) w/ Adam Hendrix, accordion 4th of July, Asbury Park (...
I do not own the song, it belongs to its rightful owners Lyrics on screen Travelling Wilburys are: Bob Dylan, George Harrison Jeff Lynne, Roy Orbison Tom Petty
Bob Dylan (/ˈdɪlən/; born Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter, artist and writer. He has been influential in popular music and culture for more than five decades. Much of his most celebrated work dates from the 1960s when his songs chronicled social unrest, although Dylan repudiated suggestions from journalists that he was a spokesman for his generation. Nevertheless, early songs such as "Blowin' in the Wind" and "The Times They Are a-Changin'" became anthems for the American civil rights and anti-war movements. After he left his initial base in the American folk music revival, his six-minute single "Like a Rolling Stone" altered the range of popular music in 1965. His mid-1960s recordings, backed by rock musicians, reached the top end of the United States music charts while also attracting denunciation and criticism from others in the folk movement.
Dylan's lyrics have incorporated various political, social, philosophical, and literary influences. They defied existing pop music conventions and appealed to the burgeoning counterculture. Initially inspired by the performances of Little Richard, and the songwriting of Woody Guthrie, Robert Johnson, and Hank Williams, Dylan has amplified and personalized musical genres. His recording career, spanning 50 years, has explored the traditions in American song—from folk, blues, and country to gospel, rock and roll, and rockabilly to English, Scottish, and Irish folk music, embracing even jazz and the Great American Songbook. Dylan performs with guitar, keyboards, and harmonica. Backed by a changing line-up of musicians, he has toured steadily since the late 1980s on what has been dubbed the Never Ending Tour. His accomplishments as a recording artist and performer have been central to his career, but songwriting is considered his greatest contribution.
Well, if I had to do it all over again,
Babe, I'd do it all over you.
And if I had to wait for ten thousand years,
Babe, I'd even do that too.
Well, a dog's got his bone in the alley,
A cat, she's got nine lives,
A millionaire's got a million dollars,
King Saud's got four hundred wives.
Well, ev'rybody's got somethin'
That they're lookin' forward to.
I'm lookin' forward to when I can do it all again
And babe, I'll do it all over you.
Well, if I had my way tomorrow or today,
Babe, I'd run circles all around.
I'd jump up in the wind, do a somersault and spin,
I'd even dance a jig on the ground.
Well, everybody gets their hour,
Everybody gets their time,
Little David when he picked up his pebbles,
Even Sampson after he went blind.
Well, everybody gets the chance
To do what they want to do.
When my time arrives you better run for your life
'Cause babe, I'll do it all over you.
Well, I don't need no money, I just need a day that's sunny,
Baby, and my days are gonna come.
And I grab me a pint, you know that I'm a giant
When you hear me yellin', "Fee-fi-fo-fum."
Well, you cut me like a jigsaw puzzle,
You made me to a walkin' wreck,
Then you pushed my heart through my backbone,
Then you knocked off my head from my neck.
Well, if I'm ever standin' steady
A-doin' what I want to do,
Well, I tell you little lover that you better run for cover
'Cause babe, I'll do it all over you.
I'm just restin' at your gate so that I won't be late
And, momma, I'm a-just sittin' on the shelf.
Look out your window fair and you'll see me squattin' there
Just a-fumblin' and a-mumblin' to myself.
Well, after my cigarette's been smoked up,
After all my liquor's been drunk,
After my dreams are dreamed out,
After all my thoughts have been thunk,
Well, after I do some of these things,
I'm gonna do what I have to do.
And I tell you on the side, that you better run and hide