-
Mahler: Adagietto Symphony 5 - Karajan*
Karajan's Mahler is unsurpassed
See also ( very interesting):
Mahler: Adagietto Symphony 5 arranged for Choir :
https://www.youtube.com/watch?v=YA1c9jZmdag
See also the adagio's from symphony 4 & 6 by Karajan on this channel & Part 1 & 4 of symphony 9:
https://www.youtube.com/watch?v=4kTXstgF20E
https://www.youtube.com/watch?v=jvUego50gVg
https://www.youtube.com/watch?v=NwwhZGtcnSM
https://www.youtube.com/watch?v=KnjnwVS53ko
Symphony 5 part 1 :https://www.youtube.com/watch?v=XUGPzud8rJk
Symphony 5 part 2 :https://www.youtube.com/watch?v=4cyGKsfGXoI
published: 10 Jul 2012
-
Gustav Mahler - Adagietto | Leonard Bernstein (4K)
Gustav Mahler - Adagietto. Sehr langsam. Symphony No. 5 in C sharp minor, 1901-02.
Wiener Philharmoniker, Vienna Philharmonic Orchestra, Leonard Bernstein, 1973.
Motion Picture Restored
"In the Fourth movement, the famous Adagietto, harp and strings alone play. The opening melody recalls two of Mahler's songs, "Nun seh' ich wohl" (from Kindertotenlieder) and the separate Ruckert setting "Ich bin der Welt abhanden gekommen". The long upbeats and expressive appoggiaturas of the melodic lines give the music a yearning, almost heart-breaking quality. The intensity that builds up inthis movement finaly assuages the darkness and doubts of the earlier movements, making the lighter mood and extrovert energy of the Rondo-Finale acceptable. Together, these two movements form the third part of the s...
published: 09 Mar 2021
-
Mahler - Symphony No.5 - Abbado - Lucerne Festival Orchestra 2004
Gustav Mahler
Symphony No.5
Claudio Abbado
Lucerne Festival Orchestra, 2004
0:00 - Opening
I.
0:55 - Traeurmarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
13:36 - Stürmisch bewegt. Mit grösster Vehemenz
II.
28:20 - Scherzo. Kräftig, Nicht zu schnell.
III.
45:17 - Adagietto. Sehr langsam.
53:49 - Rondo-Finale. Allegro-Allegro giocoso. Frisch.
1:10:10 - Credits
_________________________
Dear Youtube User
If you are the COPYRIGHT OWNER of this performance I kindly ask you to first contact me requesting to delete the video but avoiding to fill a complaint to YouTube administration and I WILL DELETE IT IMMEDIATELY.
I uploaded the video just to promote the music I love.
I don't want problems with anybody and I never intended to break the copyright law.
Thanks for your understanding
published: 10 Sep 2012
-
Gustav Mahler-Piano Quartet in A minor
Gustav Mahler's Piano Quartet in A minor
For Piano and Strings Trio.
Hope you Enjoy =]
published: 21 Mar 2010
-
The Best of Mahler
Gustav Mahler, born on July 7, 1860, in Kalischt, Bohemia (now Czech Republic), was a renowned composer and conductor of the late 19th and early 20th centuries. He is widely regarded as one of the most influential figures in the realm of classical music.
From a young age, Mahler displayed extraordinary musical talent, showcasing his proficiency on the piano and violin. He pursued formal musical education at the Vienna Conservatory, where he studied composition and conducting. During this time, he also developed a deep appreciation for the works of Ludwig van Beethoven and Richard Wagner, whose musical styles significantly influenced his own compositions.
Mahler's career took off when he landed his first conducting position in 1880, and he went on to lead prestigious orchestras in various...
published: 23 May 2013
-
Mahler Complete Symphonies (Bernstein)
Symphony 1 in D Major "Titan" (1887-1888)
0:00:00 1 - I. Langsam, schleppend (Slowly, dragging) Immer sehr gemächlich (very restrained throughout) D major
0:15:12 1 - II. Kräftig bewegt, doch nicht zu schnell (Moving strongly, but not too quickly), Recht gemächlich (restrained), a Trio—a Ländler A major
0:23:31 1 - III. Feierlich und gemessen, ohne zu schleppen (Solemnly and measured, without dragging), Sehr einfach und schlicht wie eine Volksweise (very simple, like a folk-tune), and Wieder etwas bewegter, wie im Anfang (once again somewhat more agitated, as at the start)—a funeral march based on the children's song "Frère Jacques" (or "Bruder Jacob") D minor
0:33:51 1 - IV. Stürmisch bewegt – Energisch (Stormily agitated – Energetic) F minor → D major
Symphony 2 in C Minor "Resurrection...
published: 04 Jan 2020
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Keeping Score | Gustav Mahler: Origins (FULL DOCUMENTARY AND CONCERT)
The first of two episodes explores the roots of Gustav Mahler’s music. SFS Music Director Michael Tilson Thomas journeys to rural Bohemia to rediscover the inspirations of Mahler’s music, and traces Mahler’s life through the premiere of his first symphony in 1888. It shocked the contemporary audience, but as MTT and the San Francisco Symphony reveal, on location and in performance, this ground-breaking symphony contains elements of everything else that Mahler composed. Shot on location in the Czech Republic, Austria, Hungary, and in performance in San Francisco’s Davies Symphony Hall.
Bonus Features:
Full-length concert performance of Mahler's Symphony No. 1 by the San Francisco Symphony originally filmed in high-definition 16:9 widescreen and 5.1 surround sound.
More information about ...
published: 29 Mar 2020
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Why Listen to Mahler?
Discover more music with Apple Music Classical, the streaming service for classical music. http://apple.co/InsideTheScore
Search for 'Mahler Essentials' or 'Discover Mahler' to hear much more of his greatest!
Gustav Mahler has been one of my favourite composers since I discovered Classical Music – and in this video I try to explain why he holds that place, from many angles, channelled through the extraordinary, moving story of Mahler’s life and works.
I hope you can consider this a complete introduction to Mahler’s life and works, and a compelling springboard for a musical journey into the depths of Mahler’s soul.
Podcast on Mahler Symphony #2 - https://www.youtube.com/watch?v=IC4y3io-T34
🎁 FREE
Accelerate your ear training, sight reading, and musicianship skills with this free mini-c...
published: 12 Aug 2021
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Mahler Symphony No.1 "Titan" Mvt 4 - Sembawang Wind Orchestra
Mahler Symphony No.1 "Titan", arranged by José Schyns performed by Sembawang Wind Orchestra (SWO) in 2023 at the Victoria Concert Hall, Singapore under the baton of Mr. Desmond Ng.
Website
http://www.swo.sg/
Social Media
Facebook: https://www.facebook.com/SembawangWindOrchestra
Instagram: https://www.instagram.com/SembawangWindOrchestra
published: 25 Feb 2024
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Gustav Mahler: Symphony No. 1 (Lucerne Festival Orchestra, Abbado)
Recorded live at the Lucerne Festival, Summer 2009
Concert Hall of the KKL Luzern, August 2009
Lucerne Festival Orchestra
Claudio Abbado - conductor
Chapters:
0:00 Gustav Mahler: Symphony No. 1
0:30 I. Langsam, schleppend
17:16 II. Kräftig bewegt, doch nicht zu schnell
24:50 III. Feierlich und gemessen, ohne zu schleppen
36:19 IV. Stürmisch bewegt
Watch this work performed by the Asian Youth Orchestra under the baton of James Judd: https://youtu.be/Kj_iBBmGzsU
Whenever Claudio Abbado conducts the LUCERNE FESTIVAL ORCHESTRA, music lovers are in for a very special event. Such was the case in the summer of 2009 when the charismatic Italian conductor opened Lucerne's tradition-rich Festival with a concert featuring Mahler's First Symphony and Prokofiev's Third Piano Concerto. In 2003 Abbad...
published: 14 Mar 2015
11:54
Mahler: Adagietto Symphony 5 - Karajan*
Karajan's Mahler is unsurpassed
See also ( very interesting):
Mahler: Adagietto Symphony 5 arranged for Choir :
https://www.youtube.com/watch?v=YA1c9jZmdag
...
Karajan's Mahler is unsurpassed
See also ( very interesting):
Mahler: Adagietto Symphony 5 arranged for Choir :
https://www.youtube.com/watch?v=YA1c9jZmdag
See also the adagio's from symphony 4 & 6 by Karajan on this channel & Part 1 & 4 of symphony 9:
https://www.youtube.com/watch?v=4kTXstgF20E
https://www.youtube.com/watch?v=jvUego50gVg
https://www.youtube.com/watch?v=NwwhZGtcnSM
https://www.youtube.com/watch?v=KnjnwVS53ko
Symphony 5 part 1 :https://www.youtube.com/watch?v=XUGPzud8rJk
Symphony 5 part 2 :https://www.youtube.com/watch?v=4cyGKsfGXoI
https://wn.com/Mahler_Adagietto_Symphony_5_Karajan
Karajan's Mahler is unsurpassed
See also ( very interesting):
Mahler: Adagietto Symphony 5 arranged for Choir :
https://www.youtube.com/watch?v=YA1c9jZmdag
See also the adagio's from symphony 4 & 6 by Karajan on this channel & Part 1 & 4 of symphony 9:
https://www.youtube.com/watch?v=4kTXstgF20E
https://www.youtube.com/watch?v=jvUego50gVg
https://www.youtube.com/watch?v=NwwhZGtcnSM
https://www.youtube.com/watch?v=KnjnwVS53ko
Symphony 5 part 1 :https://www.youtube.com/watch?v=XUGPzud8rJk
Symphony 5 part 2 :https://www.youtube.com/watch?v=4cyGKsfGXoI
- published: 10 Jul 2012
- views: 8967709
12:08
Gustav Mahler - Adagietto | Leonard Bernstein (4K)
Gustav Mahler - Adagietto. Sehr langsam. Symphony No. 5 in C sharp minor, 1901-02.
Wiener Philharmoniker, Vienna Philharmonic Orchestra, Leonard Bernstein, 1973...
Gustav Mahler - Adagietto. Sehr langsam. Symphony No. 5 in C sharp minor, 1901-02.
Wiener Philharmoniker, Vienna Philharmonic Orchestra, Leonard Bernstein, 1973.
Motion Picture Restored
"In the Fourth movement, the famous Adagietto, harp and strings alone play. The opening melody recalls two of Mahler's songs, "Nun seh' ich wohl" (from Kindertotenlieder) and the separate Ruckert setting "Ich bin der Welt abhanden gekommen". The long upbeats and expressive appoggiaturas of the melodic lines give the music a yearning, almost heart-breaking quality. The intensity that builds up inthis movement finaly assuages the darkness and doubts of the earlier movements, making the lighter mood and extrovert energy of the Rondo-Finale acceptable. Together, these two movements form the third part of the symphony. The formal function of the Adagietto is ambiguous. It acts as an introduction to the last movement, which follows without a break, and is thematically bound to it, for twice in the Finale we hear the Adagietto's main theme, now at a fast tempo. The Adagietto also functions as a slow interlude in F major, between two faster movements in D major; but is also has an expressive weight sufficient for it to stand on its own - indeed, it is often performed by itself.
Even without a text or programme, the music's emotional and referential content implies an existential dimension. Without an explicit programme or titles, we have few clues to the "meaning" of the Fifth Symphony other than the music itself. Mahler offers some guidance by grouping the five movements, which share some thematic Material, as well as an obsession with death, from the first part; the central scherzo stands alone as the second part; and the lat two movements, which are also linked thematically, form the third.
An essential aspect of Mahler's symphonies is the idea of emotional and spiritual progression, through various alternatives to a (provisional) conclusion. One important means he uses to articulate this spiritual journey is the technique of progressive tonality. In other symphonies he begins and ends movements in diferent keys, but in the Fifth each movement begins and ends in the same key; however as a whole, it moves from C sharp minor opening movement to the D major of the third and fifth movements.
One reason for Mahler's significance and influence as a composer is that he viewed his music as a means of seeking and expressing solutions to the problems of his personal, spiritual life. The Depth and seriousness of these problems naturally drew him to the largescale form of the symphony, wich he expanded in length and number of movements to unprecedented proportions.
Mahler kept revising the orchestration of this work until his death. He conducted the first performance with the Gürzenich Orchestra in Cologne on October 18, 1904. He'd begun the Fifth Symphony at Maiernegg in 1901 - writing the third, first and second movements in that order, after a death-obsessed song, "Der Tamboursg'sell," and the Kindertotenlieder cycle ("on the death of children"). After nearly bleeding to death the previous winter (from an intestinal hemorrhage), Mahler's symphonic orientation underwent a profound change. Mahler cast his Fifth Symphony in five movements that fall naturally into three parts.
The First begins in C sharp minor with a Funeral March, of measured tread and austere (Movement I). A sonata-form movement follows, marked "Stormily, with greatest vehemence" (Movement II), which shares themes as well as mood with the opening.
The Second Part (which Mahler composed first) is a Scherzo: "Vigorously, not too fast" (Movement III) -- the symphony's shortest large section, but its longest single movement. This emphatically joyous, albeit manic movement puts forward D major as the work's focal key. Although its form has remained a topic of debate since 1904, rondo and sonata-form elements are both present.
Part Three begins with a seraphic Adagietto: "Very slowly" (Movement IV). This is indubitably related to the Rückert song Mahler composed in August 1901, "Ich bin der Welt abhanden gekommen" (I have become lost to the world...I live alone in my heaven, in my loving, in my song). A Rondo-Finale: "Allegro giocoso, lively" (Movement V) concludes the symphony, although Mahler devised a form far removed from classic models. While sectional, in truth episodic, this too has elements of sonata form.
#Adagietto #Mahler #GustavMahler
马勒 頗慢
マーラー 非常に遅い
Малер довольно медленно
Adagietto from the 5th Symphony
08.III.2011
https://wn.com/Gustav_Mahler_Adagietto_|_Leonard_Bernstein_(4K)
Gustav Mahler - Adagietto. Sehr langsam. Symphony No. 5 in C sharp minor, 1901-02.
Wiener Philharmoniker, Vienna Philharmonic Orchestra, Leonard Bernstein, 1973.
Motion Picture Restored
"In the Fourth movement, the famous Adagietto, harp and strings alone play. The opening melody recalls two of Mahler's songs, "Nun seh' ich wohl" (from Kindertotenlieder) and the separate Ruckert setting "Ich bin der Welt abhanden gekommen". The long upbeats and expressive appoggiaturas of the melodic lines give the music a yearning, almost heart-breaking quality. The intensity that builds up inthis movement finaly assuages the darkness and doubts of the earlier movements, making the lighter mood and extrovert energy of the Rondo-Finale acceptable. Together, these two movements form the third part of the symphony. The formal function of the Adagietto is ambiguous. It acts as an introduction to the last movement, which follows without a break, and is thematically bound to it, for twice in the Finale we hear the Adagietto's main theme, now at a fast tempo. The Adagietto also functions as a slow interlude in F major, between two faster movements in D major; but is also has an expressive weight sufficient for it to stand on its own - indeed, it is often performed by itself.
Even without a text or programme, the music's emotional and referential content implies an existential dimension. Without an explicit programme or titles, we have few clues to the "meaning" of the Fifth Symphony other than the music itself. Mahler offers some guidance by grouping the five movements, which share some thematic Material, as well as an obsession with death, from the first part; the central scherzo stands alone as the second part; and the lat two movements, which are also linked thematically, form the third.
An essential aspect of Mahler's symphonies is the idea of emotional and spiritual progression, through various alternatives to a (provisional) conclusion. One important means he uses to articulate this spiritual journey is the technique of progressive tonality. In other symphonies he begins and ends movements in diferent keys, but in the Fifth each movement begins and ends in the same key; however as a whole, it moves from C sharp minor opening movement to the D major of the third and fifth movements.
One reason for Mahler's significance and influence as a composer is that he viewed his music as a means of seeking and expressing solutions to the problems of his personal, spiritual life. The Depth and seriousness of these problems naturally drew him to the largescale form of the symphony, wich he expanded in length and number of movements to unprecedented proportions.
Mahler kept revising the orchestration of this work until his death. He conducted the first performance with the Gürzenich Orchestra in Cologne on October 18, 1904. He'd begun the Fifth Symphony at Maiernegg in 1901 - writing the third, first and second movements in that order, after a death-obsessed song, "Der Tamboursg'sell," and the Kindertotenlieder cycle ("on the death of children"). After nearly bleeding to death the previous winter (from an intestinal hemorrhage), Mahler's symphonic orientation underwent a profound change. Mahler cast his Fifth Symphony in five movements that fall naturally into three parts.
The First begins in C sharp minor with a Funeral March, of measured tread and austere (Movement I). A sonata-form movement follows, marked "Stormily, with greatest vehemence" (Movement II), which shares themes as well as mood with the opening.
The Second Part (which Mahler composed first) is a Scherzo: "Vigorously, not too fast" (Movement III) -- the symphony's shortest large section, but its longest single movement. This emphatically joyous, albeit manic movement puts forward D major as the work's focal key. Although its form has remained a topic of debate since 1904, rondo and sonata-form elements are both present.
Part Three begins with a seraphic Adagietto: "Very slowly" (Movement IV). This is indubitably related to the Rückert song Mahler composed in August 1901, "Ich bin der Welt abhanden gekommen" (I have become lost to the world...I live alone in my heaven, in my loving, in my song). A Rondo-Finale: "Allegro giocoso, lively" (Movement V) concludes the symphony, although Mahler devised a form far removed from classic models. While sectional, in truth episodic, this too has elements of sonata form.
#Adagietto #Mahler #GustavMahler
马勒 頗慢
マーラー 非常に遅い
Малер довольно медленно
Adagietto from the 5th Symphony
08.III.2011
- published: 09 Mar 2021
- views: 679105
1:13:43
Mahler - Symphony No.5 - Abbado - Lucerne Festival Orchestra 2004
Gustav Mahler
Symphony No.5
Claudio Abbado
Lucerne Festival Orchestra, 2004
0:00 - Opening
I.
0:55 - Traeurmarsch. In gemessenem Schritt. Streng. Wie ein Kondu...
Gustav Mahler
Symphony No.5
Claudio Abbado
Lucerne Festival Orchestra, 2004
0:00 - Opening
I.
0:55 - Traeurmarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
13:36 - Stürmisch bewegt. Mit grösster Vehemenz
II.
28:20 - Scherzo. Kräftig, Nicht zu schnell.
III.
45:17 - Adagietto. Sehr langsam.
53:49 - Rondo-Finale. Allegro-Allegro giocoso. Frisch.
1:10:10 - Credits
_________________________
Dear Youtube User
If you are the COPYRIGHT OWNER of this performance I kindly ask you to first contact me requesting to delete the video but avoiding to fill a complaint to YouTube administration and I WILL DELETE IT IMMEDIATELY.
I uploaded the video just to promote the music I love.
I don't want problems with anybody and I never intended to break the copyright law.
Thanks for your understanding
https://wn.com/Mahler_Symphony_No.5_Abbado_Lucerne_Festival_Orchestra_2004
Gustav Mahler
Symphony No.5
Claudio Abbado
Lucerne Festival Orchestra, 2004
0:00 - Opening
I.
0:55 - Traeurmarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
13:36 - Stürmisch bewegt. Mit grösster Vehemenz
II.
28:20 - Scherzo. Kräftig, Nicht zu schnell.
III.
45:17 - Adagietto. Sehr langsam.
53:49 - Rondo-Finale. Allegro-Allegro giocoso. Frisch.
1:10:10 - Credits
_________________________
Dear Youtube User
If you are the COPYRIGHT OWNER of this performance I kindly ask you to first contact me requesting to delete the video but avoiding to fill a complaint to YouTube administration and I WILL DELETE IT IMMEDIATELY.
I uploaded the video just to promote the music I love.
I don't want problems with anybody and I never intended to break the copyright law.
Thanks for your understanding
- published: 10 Sep 2012
- views: 4804500
9:54
Gustav Mahler-Piano Quartet in A minor
Gustav Mahler's Piano Quartet in A minor
For Piano and Strings Trio.
Hope you Enjoy =]
Gustav Mahler's Piano Quartet in A minor
For Piano and Strings Trio.
Hope you Enjoy =]
https://wn.com/Gustav_Mahler_Piano_Quartet_In_A_Minor
Gustav Mahler's Piano Quartet in A minor
For Piano and Strings Trio.
Hope you Enjoy =]
- published: 21 Mar 2010
- views: 2267987
56:47
The Best of Mahler
Gustav Mahler, born on July 7, 1860, in Kalischt, Bohemia (now Czech Republic), was a renowned composer and conductor of the late 19th and early 20th centuries....
Gustav Mahler, born on July 7, 1860, in Kalischt, Bohemia (now Czech Republic), was a renowned composer and conductor of the late 19th and early 20th centuries. He is widely regarded as one of the most influential figures in the realm of classical music.
From a young age, Mahler displayed extraordinary musical talent, showcasing his proficiency on the piano and violin. He pursued formal musical education at the Vienna Conservatory, where he studied composition and conducting. During this time, he also developed a deep appreciation for the works of Ludwig van Beethoven and Richard Wagner, whose musical styles significantly influenced his own compositions.
Mahler's career took off when he landed his first conducting position in 1880, and he went on to lead prestigious orchestras in various cities across Europe, including Budapest, Hamburg, and Vienna. As a conductor, he was known for his meticulous attention to detail and innovative interpretations, often pushing the boundaries of musical expression.
However, it was as a composer that Mahler truly left an indelible mark on the world of music. His symphonies, characterized by their epic scale and emotional intensity, explored profound themes such as life, death, and the human condition. Mahler's compositions often incorporated diverse musical elements, including folk melodies, military marches, and even elements of Jewish klezmer music.
Despite his professional success, Mahler's personal life was marked by numerous hardships. He experienced the loss of several family members, including the death of his daughter Maria and the deteriorating health of his wife, Alma. These personal tragedies deeply influenced his compositions, infusing them with a sense of melancholy and introspection.
Mahler's works were initially met with mixed reviews, as they challenged the traditional conventions of classical music. However, his reputation as a composer grew steadily, particularly in the years following his death in 1911. Mahler's compositions, with their emotional depth and profound exploration of the human experience, have since become cherished and frequently performed works in the classical repertoire.
Gustav Mahler's legacy endures to this day, with his music captivating audiences and inspiring countless musicians and composers. His innovative approach to composition and his unwavering commitment to artistic expression have firmly established him as a towering figure in the annals of classical music history.
Gustav Mahler
Tracklist:
Sinfonia Nº 1 Em Ré Maior, "Titã"
1. Langsam, Schleppend
2. Kraftig, Bewegt
3. Feierlich Und Gemessen, Ohne Zu Schleppend
4. Sturmisch Bewegt
Royal Philharmonic Orchestra
For more:
http://www.melhoresmusicasclassicas.blogspot.com.br
#MusicHistory
#ClassicalMusic
#Mahler
https://wn.com/The_Best_Of_Mahler
Gustav Mahler, born on July 7, 1860, in Kalischt, Bohemia (now Czech Republic), was a renowned composer and conductor of the late 19th and early 20th centuries. He is widely regarded as one of the most influential figures in the realm of classical music.
From a young age, Mahler displayed extraordinary musical talent, showcasing his proficiency on the piano and violin. He pursued formal musical education at the Vienna Conservatory, where he studied composition and conducting. During this time, he also developed a deep appreciation for the works of Ludwig van Beethoven and Richard Wagner, whose musical styles significantly influenced his own compositions.
Mahler's career took off when he landed his first conducting position in 1880, and he went on to lead prestigious orchestras in various cities across Europe, including Budapest, Hamburg, and Vienna. As a conductor, he was known for his meticulous attention to detail and innovative interpretations, often pushing the boundaries of musical expression.
However, it was as a composer that Mahler truly left an indelible mark on the world of music. His symphonies, characterized by their epic scale and emotional intensity, explored profound themes such as life, death, and the human condition. Mahler's compositions often incorporated diverse musical elements, including folk melodies, military marches, and even elements of Jewish klezmer music.
Despite his professional success, Mahler's personal life was marked by numerous hardships. He experienced the loss of several family members, including the death of his daughter Maria and the deteriorating health of his wife, Alma. These personal tragedies deeply influenced his compositions, infusing them with a sense of melancholy and introspection.
Mahler's works were initially met with mixed reviews, as they challenged the traditional conventions of classical music. However, his reputation as a composer grew steadily, particularly in the years following his death in 1911. Mahler's compositions, with their emotional depth and profound exploration of the human experience, have since become cherished and frequently performed works in the classical repertoire.
Gustav Mahler's legacy endures to this day, with his music captivating audiences and inspiring countless musicians and composers. His innovative approach to composition and his unwavering commitment to artistic expression have firmly established him as a towering figure in the annals of classical music history.
Gustav Mahler
Tracklist:
Sinfonia Nº 1 Em Ré Maior, "Titã"
1. Langsam, Schleppend
2. Kraftig, Bewegt
3. Feierlich Und Gemessen, Ohne Zu Schleppend
4. Sturmisch Bewegt
Royal Philharmonic Orchestra
For more:
http://www.melhoresmusicasclassicas.blogspot.com.br
#MusicHistory
#ClassicalMusic
#Mahler
- published: 23 May 2013
- views: 245569
11:18:29
Mahler Complete Symphonies (Bernstein)
Symphony 1 in D Major "Titan" (1887-1888)
0:00:00 1 - I. Langsam, schleppend (Slowly, dragging) Immer sehr gemächlich (very restrained throughout) D major
0:15:...
Symphony 1 in D Major "Titan" (1887-1888)
0:00:00 1 - I. Langsam, schleppend (Slowly, dragging) Immer sehr gemächlich (very restrained throughout) D major
0:15:12 1 - II. Kräftig bewegt, doch nicht zu schnell (Moving strongly, but not too quickly), Recht gemächlich (restrained), a Trio—a Ländler A major
0:23:31 1 - III. Feierlich und gemessen, ohne zu schleppen (Solemnly and measured, without dragging), Sehr einfach und schlicht wie eine Volksweise (very simple, like a folk-tune), and Wieder etwas bewegter, wie im Anfang (once again somewhat more agitated, as at the start)—a funeral march based on the children's song "Frère Jacques" (or "Bruder Jacob") D minor
0:33:51 1 - IV. Stürmisch bewegt – Energisch (Stormily agitated – Energetic) F minor → D major
Symphony 2 in C Minor "Resurrection" (1888-1894)
0:52:51 2 - I. Allegro maestoso, Mit durchaus ernstem und feierlichem Ausdruck (With complete gravity and solemnity of expression) C minor
1:16:31 2 - II. Andante moderato, Sehr gemächlich. Nie eilen. (Very leisurely. Never rush.) Ländler in A♭ major
1:28:12 2 - III. In ruhig fließender Bewegung (With quietly flowing movement) C minor
1:38:19 2 - IV. "Urlicht" (Primal Light)m Sehr feierlich, aber schlicht (Very solemn, but simple) D♭ major
1:43:48 2 - V. Finale. Im Tempo des Scherzos (In the tempo of the scherzo)
Symphony 3 in D Minor (1893-1896)
2:17:38 3 - I. Kräftig. Entschieden (Strong and decisive) D minor to F major
2:50:58 3 - II. Tempo di Menuetto (In the tempo of a minuet) A major
3:01:10 3 - III. Comodo (Scherzando) (Comfortable (Scherzo)) C minor to C major
3:19:06 3 - IV. Sehr langsam—Misterioso (Very slowly, mysteriously) D major
3:27:55 3 - V. Lustig im Tempo und keck im Ausdruck (Cheerful in tempo and cheeky in expression) F major
3:32:08 3 - VI. Langsam—Ruhevoll—Empfunden (Slowly, tranquil, deeply felt) D major
Symphony 4 in G Major - E major (1899-1900)
3:57:16 4 - I. Bedächtig, nicht eilen (Moderately, not rushed) – sonata form
4:14:10 4 - II. In gemächlicher Bewegung, ohne Hast (Leisurely moving, without haste) – scherzo and trio
4:23:16 4 - III. Ruhevoll, poco adagio (Peacefully, somewhat slowly) – theme and variations
4:43:51 4 - IV. Sehr behaglich (Very comfortably) – strophic
Symphony 5 in C♯ minor - D major (1901-1902)
Part I
4:52:26 5 - I. Trauermarsch (Funeral march). In gemessenem Schritt. Streng. Wie ein Kondukt (At a measured pace. Strict. Like a funeral procession.) C♯ minor
5:04:56 5 - II. Stürmisch bewegt, mit größter Vehemenz (Moving stormily, with the greatest vehemence) A minor
Part II
5:19:15 5 - III. Scherzo. Kräftig, nicht zu schnell (Strong and not too fast) D major
Part III
5:36:55 5 - IV. Adagietto. Sehr langsam (Very slow) F major
5:47:55 5 - V. Rondo-Finale. Allegro – Allegro giocoso. Frisch (Fresh) D major
Symphony 6 in A minor "Tragic" (1903-1904, revised 1906) [This should be the original version]
6:01:45 6 - I. Allegro energico, ma non troppo. Heftig, aber markig.
6:23:11 6 - II. Scherzo: Wuchtig
6:35:40 6 - III. Andante moderato
6:51:00 6 - IV. Finale: Sostenuto – Allegro moderato – Allegro energico
Symphony 7 in E minor - C major "Song of the Night" (1904-1905)
7:19:40 7 - I. Langsam – Allegro risoluto, ma non troppo (E minor, beginning B minor)
7:40:34 7 - II. Nachtmusik I. Allegro moderato. Molto moderato (Andante) C major — C minor
7:57:16 7 - III. Scherzo. Schattenhaft. Fließend aber nicht zu schnell ("Shadowy. Flowing but not too fast") D major
8:06:53 7 - IV. Nachtmusik II Andante amoroso. F major
8:21:32 7 - V. Rondo finale. C major
Symphony 8 in E♭ major "Symphony of a Thousand" (1906)
8:39:32 8 - Part I: Veni creator spiritus
9:03:36 8 - Part II: Closing scene from Goethe's Faust
Symphony 9 in D major - D♭ major (1908-1909)
9:58:41 9 - I. Andante comodo (D major)
10:27:05 9 - II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb (C major)
10:42:58 9 - III. Rondo-Burleske: Allegro assai. Sehr trotzig (A minor)
10:55:31 9 - IV. Adagio. Sehr langsam und noch zurückhaltend (D♭ major)
Bernstein's first Mahler cycle was the first (of now many) complete Mahler cycles with symphonies 1-9 recorded between 1960 and 1967 on the CBS (now Sony) label.
The cycle used performances by the New York Philharmonic—the same orchestra that Mahler led during a brief tenure between 1909 and his death in 1911—as well as a performance of the 8th symphony by the London Symphony Orchestra.
There was another version of Mahler's symphonic works on my channel, including the tenth symphony ("Unfinished") and Das Lied von der Erde ("8a" to avoid the curse of the ninth), unfortunately it has been blocked by YouTube due to copyright.
https://wn.com/Mahler_Complete_Symphonies_(Bernstein)
Symphony 1 in D Major "Titan" (1887-1888)
0:00:00 1 - I. Langsam, schleppend (Slowly, dragging) Immer sehr gemächlich (very restrained throughout) D major
0:15:12 1 - II. Kräftig bewegt, doch nicht zu schnell (Moving strongly, but not too quickly), Recht gemächlich (restrained), a Trio—a Ländler A major
0:23:31 1 - III. Feierlich und gemessen, ohne zu schleppen (Solemnly and measured, without dragging), Sehr einfach und schlicht wie eine Volksweise (very simple, like a folk-tune), and Wieder etwas bewegter, wie im Anfang (once again somewhat more agitated, as at the start)—a funeral march based on the children's song "Frère Jacques" (or "Bruder Jacob") D minor
0:33:51 1 - IV. Stürmisch bewegt – Energisch (Stormily agitated – Energetic) F minor → D major
Symphony 2 in C Minor "Resurrection" (1888-1894)
0:52:51 2 - I. Allegro maestoso, Mit durchaus ernstem und feierlichem Ausdruck (With complete gravity and solemnity of expression) C minor
1:16:31 2 - II. Andante moderato, Sehr gemächlich. Nie eilen. (Very leisurely. Never rush.) Ländler in A♭ major
1:28:12 2 - III. In ruhig fließender Bewegung (With quietly flowing movement) C minor
1:38:19 2 - IV. "Urlicht" (Primal Light)m Sehr feierlich, aber schlicht (Very solemn, but simple) D♭ major
1:43:48 2 - V. Finale. Im Tempo des Scherzos (In the tempo of the scherzo)
Symphony 3 in D Minor (1893-1896)
2:17:38 3 - I. Kräftig. Entschieden (Strong and decisive) D minor to F major
2:50:58 3 - II. Tempo di Menuetto (In the tempo of a minuet) A major
3:01:10 3 - III. Comodo (Scherzando) (Comfortable (Scherzo)) C minor to C major
3:19:06 3 - IV. Sehr langsam—Misterioso (Very slowly, mysteriously) D major
3:27:55 3 - V. Lustig im Tempo und keck im Ausdruck (Cheerful in tempo and cheeky in expression) F major
3:32:08 3 - VI. Langsam—Ruhevoll—Empfunden (Slowly, tranquil, deeply felt) D major
Symphony 4 in G Major - E major (1899-1900)
3:57:16 4 - I. Bedächtig, nicht eilen (Moderately, not rushed) – sonata form
4:14:10 4 - II. In gemächlicher Bewegung, ohne Hast (Leisurely moving, without haste) – scherzo and trio
4:23:16 4 - III. Ruhevoll, poco adagio (Peacefully, somewhat slowly) – theme and variations
4:43:51 4 - IV. Sehr behaglich (Very comfortably) – strophic
Symphony 5 in C♯ minor - D major (1901-1902)
Part I
4:52:26 5 - I. Trauermarsch (Funeral march). In gemessenem Schritt. Streng. Wie ein Kondukt (At a measured pace. Strict. Like a funeral procession.) C♯ minor
5:04:56 5 - II. Stürmisch bewegt, mit größter Vehemenz (Moving stormily, with the greatest vehemence) A minor
Part II
5:19:15 5 - III. Scherzo. Kräftig, nicht zu schnell (Strong and not too fast) D major
Part III
5:36:55 5 - IV. Adagietto. Sehr langsam (Very slow) F major
5:47:55 5 - V. Rondo-Finale. Allegro – Allegro giocoso. Frisch (Fresh) D major
Symphony 6 in A minor "Tragic" (1903-1904, revised 1906) [This should be the original version]
6:01:45 6 - I. Allegro energico, ma non troppo. Heftig, aber markig.
6:23:11 6 - II. Scherzo: Wuchtig
6:35:40 6 - III. Andante moderato
6:51:00 6 - IV. Finale: Sostenuto – Allegro moderato – Allegro energico
Symphony 7 in E minor - C major "Song of the Night" (1904-1905)
7:19:40 7 - I. Langsam – Allegro risoluto, ma non troppo (E minor, beginning B minor)
7:40:34 7 - II. Nachtmusik I. Allegro moderato. Molto moderato (Andante) C major — C minor
7:57:16 7 - III. Scherzo. Schattenhaft. Fließend aber nicht zu schnell ("Shadowy. Flowing but not too fast") D major
8:06:53 7 - IV. Nachtmusik II Andante amoroso. F major
8:21:32 7 - V. Rondo finale. C major
Symphony 8 in E♭ major "Symphony of a Thousand" (1906)
8:39:32 8 - Part I: Veni creator spiritus
9:03:36 8 - Part II: Closing scene from Goethe's Faust
Symphony 9 in D major - D♭ major (1908-1909)
9:58:41 9 - I. Andante comodo (D major)
10:27:05 9 - II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb (C major)
10:42:58 9 - III. Rondo-Burleske: Allegro assai. Sehr trotzig (A minor)
10:55:31 9 - IV. Adagio. Sehr langsam und noch zurückhaltend (D♭ major)
Bernstein's first Mahler cycle was the first (of now many) complete Mahler cycles with symphonies 1-9 recorded between 1960 and 1967 on the CBS (now Sony) label.
The cycle used performances by the New York Philharmonic—the same orchestra that Mahler led during a brief tenure between 1909 and his death in 1911—as well as a performance of the 8th symphony by the London Symphony Orchestra.
There was another version of Mahler's symphonic works on my channel, including the tenth symphony ("Unfinished") and Das Lied von der Erde ("8a" to avoid the curse of the ninth), unfortunately it has been blocked by YouTube due to copyright.
- published: 04 Jan 2020
- views: 232504
1:49:56
Keeping Score | Gustav Mahler: Origins (FULL DOCUMENTARY AND CONCERT)
The first of two episodes explores the roots of Gustav Mahler’s music. SFS Music Director Michael Tilson Thomas journeys to rural Bohemia to rediscover the insp...
The first of two episodes explores the roots of Gustav Mahler’s music. SFS Music Director Michael Tilson Thomas journeys to rural Bohemia to rediscover the inspirations of Mahler’s music, and traces Mahler’s life through the premiere of his first symphony in 1888. It shocked the contemporary audience, but as MTT and the San Francisco Symphony reveal, on location and in performance, this ground-breaking symphony contains elements of everything else that Mahler composed. Shot on location in the Czech Republic, Austria, Hungary, and in performance in San Francisco’s Davies Symphony Hall.
Bonus Features:
Full-length concert performance of Mahler's Symphony No. 1 by the San Francisco Symphony originally filmed in high-definition 16:9 widescreen and 5.1 surround sound.
More information about DVD and Blu-Ray discs available here:
https://www.warnerclassics.com/release/keeping-score-mahler-origins-and-legacy
The music will play on. GIVE TODAY
SFSYMPHONY.org/give
Stay connected with us:
Facebook: http://facebook.com/sfsymphony
Twitter: http://twitter.com/sfsymphony
Instagram: http://instagram.com/sfsymphony
Tumblr: http://sfsymphony.tumblr.com/
https://wn.com/Keeping_Score_|_Gustav_Mahler_Origins_(Full_Documentary_And_Concert)
The first of two episodes explores the roots of Gustav Mahler’s music. SFS Music Director Michael Tilson Thomas journeys to rural Bohemia to rediscover the inspirations of Mahler’s music, and traces Mahler’s life through the premiere of his first symphony in 1888. It shocked the contemporary audience, but as MTT and the San Francisco Symphony reveal, on location and in performance, this ground-breaking symphony contains elements of everything else that Mahler composed. Shot on location in the Czech Republic, Austria, Hungary, and in performance in San Francisco’s Davies Symphony Hall.
Bonus Features:
Full-length concert performance of Mahler's Symphony No. 1 by the San Francisco Symphony originally filmed in high-definition 16:9 widescreen and 5.1 surround sound.
More information about DVD and Blu-Ray discs available here:
https://www.warnerclassics.com/release/keeping-score-mahler-origins-and-legacy
The music will play on. GIVE TODAY
SFSYMPHONY.org/give
Stay connected with us:
Facebook: http://facebook.com/sfsymphony
Twitter: http://twitter.com/sfsymphony
Instagram: http://instagram.com/sfsymphony
Tumblr: http://sfsymphony.tumblr.com/
- published: 29 Mar 2020
- views: 361119
20:11
Why Listen to Mahler?
Discover more music with Apple Music Classical, the streaming service for classical music. http://apple.co/InsideTheScore
Search for 'Mahler Essentials' or 'Dis...
Discover more music with Apple Music Classical, the streaming service for classical music. http://apple.co/InsideTheScore
Search for 'Mahler Essentials' or 'Discover Mahler' to hear much more of his greatest!
Gustav Mahler has been one of my favourite composers since I discovered Classical Music – and in this video I try to explain why he holds that place, from many angles, channelled through the extraordinary, moving story of Mahler’s life and works.
I hope you can consider this a complete introduction to Mahler’s life and works, and a compelling springboard for a musical journey into the depths of Mahler’s soul.
Podcast on Mahler Symphony #2 - https://www.youtube.com/watch?v=IC4y3io-T34
🎁 FREE
Accelerate your ear training, sight reading, and musicianship skills with this free mini-course:
https://www.insidethescore.com/fast-track
Your journey towards musical mastery begins here... 🛤️
🎻 Where to Start with Classical Music? - https://www.insidethescore.com/14-pieces
🎼 The Training Ground for Next-Level Musicianship - https://www.insidethescore.com/musicality
🎹 Learn the Art and Craft of Composing, and Develop Your Unique Musical Voice - https://www.insidethescore.com/composer
💖 Support this Channel - https://www.patreon.com/insidethescore
💬 Join the Discord - https://discord.gg/HSZYJXD5Cj
Music included (Listening List):
Symphony no. 2 (‘Resurrection’) – Finale
Symphony no. 1 (‘Titan’) – First Movement
Symphony no. 1 – Third Movement
Symphony no. 3 – Final Movement (Adagio)
Symphony no. 4 – Das Himmlische Leben
Symphony no. 4 – Third Movement (Adagio)
Symphony no. 5 – Adagietto
Kindertotenlieder - Wenn dein Mütterlein (If your mother…)
Symphony no. 6 (‘Tragic’) – Scherzo
Symphony no. 6 – Finale
Symphony no. 8 (‘Symphony of a Thousand’) – Movement 2 (Closing Scene from Goethe’s Faust)
Symphony no. 9 – First Movement
Symphony no. 9 – Finale
Symphony no. 10 – Adagio (First Movement)
0:00 - Introduction
1:20 – Chapter One: Spring
8:01 – Chapter Two: Summer
13:17 – Chapter Three: Autumn
17:59 – Chapter Four: Winter
https://wn.com/Why_Listen_To_Mahler
Discover more music with Apple Music Classical, the streaming service for classical music. http://apple.co/InsideTheScore
Search for 'Mahler Essentials' or 'Discover Mahler' to hear much more of his greatest!
Gustav Mahler has been one of my favourite composers since I discovered Classical Music – and in this video I try to explain why he holds that place, from many angles, channelled through the extraordinary, moving story of Mahler’s life and works.
I hope you can consider this a complete introduction to Mahler’s life and works, and a compelling springboard for a musical journey into the depths of Mahler’s soul.
Podcast on Mahler Symphony #2 - https://www.youtube.com/watch?v=IC4y3io-T34
🎁 FREE
Accelerate your ear training, sight reading, and musicianship skills with this free mini-course:
https://www.insidethescore.com/fast-track
Your journey towards musical mastery begins here... 🛤️
🎻 Where to Start with Classical Music? - https://www.insidethescore.com/14-pieces
🎼 The Training Ground for Next-Level Musicianship - https://www.insidethescore.com/musicality
🎹 Learn the Art and Craft of Composing, and Develop Your Unique Musical Voice - https://www.insidethescore.com/composer
💖 Support this Channel - https://www.patreon.com/insidethescore
💬 Join the Discord - https://discord.gg/HSZYJXD5Cj
Music included (Listening List):
Symphony no. 2 (‘Resurrection’) – Finale
Symphony no. 1 (‘Titan’) – First Movement
Symphony no. 1 – Third Movement
Symphony no. 3 – Final Movement (Adagio)
Symphony no. 4 – Das Himmlische Leben
Symphony no. 4 – Third Movement (Adagio)
Symphony no. 5 – Adagietto
Kindertotenlieder - Wenn dein Mütterlein (If your mother…)
Symphony no. 6 (‘Tragic’) – Scherzo
Symphony no. 6 – Finale
Symphony no. 8 (‘Symphony of a Thousand’) – Movement 2 (Closing Scene from Goethe’s Faust)
Symphony no. 9 – First Movement
Symphony no. 9 – Finale
Symphony no. 10 – Adagio (First Movement)
0:00 - Introduction
1:20 – Chapter One: Spring
8:01 – Chapter Two: Summer
13:17 – Chapter Three: Autumn
17:59 – Chapter Four: Winter
- published: 12 Aug 2021
- views: 610772
19:06
Mahler Symphony No.1 "Titan" Mvt 4 - Sembawang Wind Orchestra
Mahler Symphony No.1 "Titan", arranged by José Schyns performed by Sembawang Wind Orchestra (SWO) in 2023 at the Victoria Concert Hall, Singapore under the bato...
Mahler Symphony No.1 "Titan", arranged by José Schyns performed by Sembawang Wind Orchestra (SWO) in 2023 at the Victoria Concert Hall, Singapore under the baton of Mr. Desmond Ng.
Website
http://www.swo.sg/
Social Media
Facebook: https://www.facebook.com/SembawangWindOrchestra
Instagram: https://www.instagram.com/SembawangWindOrchestra
https://wn.com/Mahler_Symphony_No.1_Titan_Mvt_4_Sembawang_Wind_Orchestra
Mahler Symphony No.1 "Titan", arranged by José Schyns performed by Sembawang Wind Orchestra (SWO) in 2023 at the Victoria Concert Hall, Singapore under the baton of Mr. Desmond Ng.
Website
http://www.swo.sg/
Social Media
Facebook: https://www.facebook.com/SembawangWindOrchestra
Instagram: https://www.instagram.com/SembawangWindOrchestra
- published: 25 Feb 2024
- views: 107
1:02:14
Gustav Mahler: Symphony No. 1 (Lucerne Festival Orchestra, Abbado)
Recorded live at the Lucerne Festival, Summer 2009
Concert Hall of the KKL Luzern, August 2009
Lucerne Festival Orchestra
Claudio Abbado - conductor
Chapters:...
Recorded live at the Lucerne Festival, Summer 2009
Concert Hall of the KKL Luzern, August 2009
Lucerne Festival Orchestra
Claudio Abbado - conductor
Chapters:
0:00 Gustav Mahler: Symphony No. 1
0:30 I. Langsam, schleppend
17:16 II. Kräftig bewegt, doch nicht zu schnell
24:50 III. Feierlich und gemessen, ohne zu schleppen
36:19 IV. Stürmisch bewegt
Watch this work performed by the Asian Youth Orchestra under the baton of James Judd: https://youtu.be/Kj_iBBmGzsU
Whenever Claudio Abbado conducts the LUCERNE FESTIVAL ORCHESTRA, music lovers are in for a very special event. Such was the case in the summer of 2009 when the charismatic Italian conductor opened Lucerne's tradition-rich Festival with a concert featuring Mahler's First Symphony and Prokofiev's Third Piano Concerto. In 2003 Abbado, together with Artistic and Executive Director Michael Haefliger, founded the orchestra, which consists of internationally renowned soloists and chamber musicians - just as did its model, the elite body of musicians that Arturo Toscanini gathered around hirn at the Festival's founding in 1938. lt was with this first-class ensemble that Abbado offered a vividly inspired interpretation of the Mahler. In truth - as the audience's response demonstrated - it left nothing to be desired. The twenty-two-year-old Chinese Pianist Yuja Wang likewise earned enthusiastic applause for her account of the Prokofiev Concerto, which she played with character and nuanced expression.
The theme of nature served es the guiding thread for all the programming choices during the summer of 2009 - a theme with obvious relevance for the LUCERNE FESTIVAL, which is held amid one of the most beautitul landscapes of Europe: its concerts incIude unforgettable views of Lake Lucerne and Alpine panoramas. This theme, es it happens, has eminent musical significance es well: 'Like a sound of nature' is the direction Mahler inscribed at the very beginning of the First Symphony.
https://wn.com/Gustav_Mahler_Symphony_No._1_(Lucerne_Festival_Orchestra,_Abbado)
Recorded live at the Lucerne Festival, Summer 2009
Concert Hall of the KKL Luzern, August 2009
Lucerne Festival Orchestra
Claudio Abbado - conductor
Chapters:
0:00 Gustav Mahler: Symphony No. 1
0:30 I. Langsam, schleppend
17:16 II. Kräftig bewegt, doch nicht zu schnell
24:50 III. Feierlich und gemessen, ohne zu schleppen
36:19 IV. Stürmisch bewegt
Watch this work performed by the Asian Youth Orchestra under the baton of James Judd: https://youtu.be/Kj_iBBmGzsU
Whenever Claudio Abbado conducts the LUCERNE FESTIVAL ORCHESTRA, music lovers are in for a very special event. Such was the case in the summer of 2009 when the charismatic Italian conductor opened Lucerne's tradition-rich Festival with a concert featuring Mahler's First Symphony and Prokofiev's Third Piano Concerto. In 2003 Abbado, together with Artistic and Executive Director Michael Haefliger, founded the orchestra, which consists of internationally renowned soloists and chamber musicians - just as did its model, the elite body of musicians that Arturo Toscanini gathered around hirn at the Festival's founding in 1938. lt was with this first-class ensemble that Abbado offered a vividly inspired interpretation of the Mahler. In truth - as the audience's response demonstrated - it left nothing to be desired. The twenty-two-year-old Chinese Pianist Yuja Wang likewise earned enthusiastic applause for her account of the Prokofiev Concerto, which she played with character and nuanced expression.
The theme of nature served es the guiding thread for all the programming choices during the summer of 2009 - a theme with obvious relevance for the LUCERNE FESTIVAL, which is held amid one of the most beautitul landscapes of Europe: its concerts incIude unforgettable views of Lake Lucerne and Alpine panoramas. This theme, es it happens, has eminent musical significance es well: 'Like a sound of nature' is the direction Mahler inscribed at the very beginning of the First Symphony.
- published: 14 Mar 2015
- views: 2636014
-
Schumann: 3. Sinfonie (»Rheinische«) ∙ hr-Sinfonieorchester ∙ Marek Janowski
Robert Schumann:
3. Sinfonie (»Rheinische«) ∙
(Auftritt) 00:00 ∙
I. Lebhaft 00:22 ∙
II. Scherzo. Sehr mäßig 09:10 ∙
III. Nicht schnell 15:57 ∙
IV. Feierlich 21:14 ∙
V. Lebhaft – Schneller 26:16 ∙
hr-Sinfonieorchester – Frankfurt Radio Symphony ∙
Marek Janowski, Dirigent ∙
Alte Oper Frankfurt, 4. März 2016 ∙
Website: http://www.hr-sinfonieorchester.de ∙
Facebook: http://www.facebook.com/hrsinfonieorchester
published: 26 Mar 2016
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Robert Schumann: Symphony No. 3 in E-flat major "Rhenish", op. 97 (1850)
0:00 Lebhaft
9:03 Scherzo. Sehr mässig
15:45 Nicht schnell
21:10 Feierlich
28:02 Lebhaft
Score video of Schumann's Rhenish symphony. Text by Blair Johnston.
Schumann's "Rhenish" Symphony, the Symphony No. 3 in E flat major, Op. 97, is so called because it was written in the fall of 1850 during the composer's tenure as conductor at Düsseldorf on the famous Rhine river. In a letter to the publisher N. Simrock in 1851 Schumann claimed that the history and spirit of that noble river and its people were running through his mind as he composed the work. The Symphony was less successful at its premiere in February 1851 (under the composer's direction) than had his two previous symphonic premieres had been. Although third in number, the "Rhenish" is actually Schumann's final entry in the genre,...
published: 26 May 2020
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Schumann: Symphony nº 3 "Rhenish" - Leonard Bernstein - Wiener Philharmoniker Orchestre
Robert Schumann: Symphony nº 3 in E flat major, op.97 "Rhenish"
Leonard Bernstein
Wiener Philharmoniker Orchestre
published: 17 Sep 2022
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William SCHUMAN Symphony No. 3 - Slatkin - DSO Live
found this saved on my hard drive from a couple of years ago. apparently it's no longer on the DSO website. Please don't delete my channel Leonard Slatkin I'm sorry but this is for educational purposes
Detroit Symphony Orchestra
Leonard Slatkin Conductor
Live Broadcast from 2016
Bass Clarinet solo
snare drum solo
xylophone excerpt
published: 20 Nov 2021
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Schumann: Sinfonie Nr. 3 "Rheinische" mit Christoph Eschenbach | NDR Elbphilharmonie Orchester
Christoph Eschenbach, ehemaliger Chefdirigent des NDR Elbphilharmonie Orchesters, leitet Schumanns "Rheinische Sinfonie" bei der Eröffnung des Schleswig-Holstein Musik Festival 2010 in Lübeck.
ROBERT SCHUMANN
Sinfonie Nr. 3 Es-Dur op. 97
Christoph Eschenbach, Dirigent
NDR Elbphilharmonie Orchester (damals NDR Sinfonieorchester)
Eröffnungskonzert Schleswig-Holstein Musik Festival, Musik- und Kongresshalle Lübeck, 2010
Website: https://www.ndr.de/eo
Facebook: https://www.facebook.com/ndrelbphilharmonieorchester/
Instagram: https://www.instagram.com/ndr.eo
published: 01 Dec 2016
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William Schuman - Symphony No. 3 (Score Video)
This video is provided for educational use only; please email me at [email protected] regarding any copyright issues.
00:03 I. Passacaglia and Fugue
13:46 II. Chorale and Toccata
New York Philharmonic conducted by Leonard Bernstein
William Schuman (1910-1992) was a notable American composer of the 20th century, also known for serving as president of the Juilliard School and of Lincoln Center.
Schuman's third symphony, written in 1941 and dedicated to the conductor Serge Koussevitzky, is considered one of his finest works; I find it one of the most compelling American symphonic works ever written. Modeled loosely on Baroque forms, it contains two parts: the first comprises a passacaglia and fugue, while the second is composed of a chorale and toccata. What I find most appeal...
published: 22 Mar 2023
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Schumann - Symphony No. 3 in E-flat major, Op. 97 "Rhenish" (Orchestre de Paris, David Zinman)
From the Salle Pleyel, París, 2014
Conductor David Zinman conducts the Orchestre de Paris through a program with Schumann's Symphony No. 3
Watch the full concert: https://bit.ly/DavidZinmanOrchestredeParis2014
Orchestre de Paris
David Zinman - conductor
Chapters:
0:00 Robert Schumann - Symphony No.3, Op.97, "Rhenish"
0:18 I. Lebhaft ∙
10:53 II. Scherzo. Sehr mäßig ∙
17:20 III. Nicht schnell ∙
22:56 IV. Feierlich ∙
28:36 V. Lebhaft – Schneller
Subscribe to wocomoMUSIC: https://goo.gl/ahZRzC
Follow us on Facebook: http://www.facebook.com/wocomo
More concerts by the Orchestre de Paris: https://bit.ly/ConcertsOrchestredeParis
© Licensed by Poorhouse
#wocomoCLASSICAL
published: 22 Aug 2020
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Schumann: Symphony No. 3 in E-flat major, Op. 97 "Rhenish" - philharmonie zuidnederland - Live HD
-- English below --
Het muzikale programma:
Robert Schumann - Symfonie nr.3, op.97 'Rheinische'
De uitvoerenden:
philharmonie zuidnederland
Duncan Ward, dirigent
Opname:
Het Zondagochtend Concert van zondag 28 mei 2023 in Het Concertgebouw te Amsterdam.
Kijk het hele concert op NPO Start:
https://www.npostart.nl/het-zondagochtend-concert-hannes-minnaar-en-philharmonie-zuidnederland/28-05-2023/WO_AT_20064050
Meer AVROTROS Klassiek:
♬ Facebook: https://www.facebook.com/AVROTROS.Klassiek/
♬ Twitter: https://twitter.com/klassiekonline
♬ Instagram: https://www.instagram.com/avrotrosklassiek/
—————————————
On the musical programme:
Robert Schumann - Symphony No. 3 in E-flat major, Op. 97 "Rhenish"
The musicians:
philharmonie zuidnederland
Duncan Ward, conductor
Recording:
The Sunday Mo...
published: 31 May 2023
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Schumann Sinfonie Nr 3 in-Es Dur op 97 Rheinische Paavo Järvi Deutsche Kammerphilharmonie Bremen
Robert Schumann
Sinfonie Nr 3 in Es-Dur op 97, Rheinische
Symphony No. 3 “Rhenish” in E flat major, Op. 97
Paavo Järvi conducts Deutsche Kammerphilharmonie Bremen
Lebhaft 0:00
Scherzo: Sehr mäßig (in C major) 9:40
Nicht schnell (in A-flat major) 15:40
Feierlich (in E-flat minor) 20:56
Lebhaft 27:02
published: 29 Jan 2023
-
Schumann: Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish" - I. Lebhaft
Provided to YouTube by Universal Music Group
Schumann: Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish" - I. Lebhaft · Berliner Philharmoniker · Rafael Kubelík
Schumann: The 4 Symphonies; Overtures Opp.81 "Genoveva" & 115 "Manfred"
℗ 1964 Deutsche Grammophon GmbH, Berlin
Released on: 2010-01-01
Producer, Recording Producer: Hans Weber
Studio Personnel, Balance Engineer: Günter Hermanns
Studio Personnel, Editor: Guenther Dieckmann
Composer: Robert Schumann
Auto-generated by YouTube.
published: 28 Jul 2018
35:32
Schumann: 3. Sinfonie (»Rheinische«) ∙ hr-Sinfonieorchester ∙ Marek Janowski
Robert Schumann:
3. Sinfonie (»Rheinische«) ∙
(Auftritt) 00:00 ∙
I. Lebhaft 00:22 ∙
II. Scherzo. Sehr mäßig 09:10 ∙
III. Nicht schnell 15:57 ∙
IV. Feierli...
Robert Schumann:
3. Sinfonie (»Rheinische«) ∙
(Auftritt) 00:00 ∙
I. Lebhaft 00:22 ∙
II. Scherzo. Sehr mäßig 09:10 ∙
III. Nicht schnell 15:57 ∙
IV. Feierlich 21:14 ∙
V. Lebhaft – Schneller 26:16 ∙
hr-Sinfonieorchester – Frankfurt Radio Symphony ∙
Marek Janowski, Dirigent ∙
Alte Oper Frankfurt, 4. März 2016 ∙
Website: http://www.hr-sinfonieorchester.de ∙
Facebook: http://www.facebook.com/hrsinfonieorchester
https://wn.com/Schumann_3._Sinfonie_(»Rheinische«)_∙_Hr_Sinfonieorchester_∙_Marek_Janowski
Robert Schumann:
3. Sinfonie (»Rheinische«) ∙
(Auftritt) 00:00 ∙
I. Lebhaft 00:22 ∙
II. Scherzo. Sehr mäßig 09:10 ∙
III. Nicht schnell 15:57 ∙
IV. Feierlich 21:14 ∙
V. Lebhaft – Schneller 26:16 ∙
hr-Sinfonieorchester – Frankfurt Radio Symphony ∙
Marek Janowski, Dirigent ∙
Alte Oper Frankfurt, 4. März 2016 ∙
Website: http://www.hr-sinfonieorchester.de ∙
Facebook: http://www.facebook.com/hrsinfonieorchester
- published: 26 Mar 2016
- views: 692607
33:38
Robert Schumann: Symphony No. 3 in E-flat major "Rhenish", op. 97 (1850)
0:00 Lebhaft
9:03 Scherzo. Sehr mässig
15:45 Nicht schnell
21:10 Feierlich
28:02 Lebhaft
Score video of Schumann's Rhenish symphony. Text by Blair Johnston.
...
0:00 Lebhaft
9:03 Scherzo. Sehr mässig
15:45 Nicht schnell
21:10 Feierlich
28:02 Lebhaft
Score video of Schumann's Rhenish symphony. Text by Blair Johnston.
Schumann's "Rhenish" Symphony, the Symphony No. 3 in E flat major, Op. 97, is so called because it was written in the fall of 1850 during the composer's tenure as conductor at Düsseldorf on the famous Rhine river. In a letter to the publisher N. Simrock in 1851 Schumann claimed that the history and spirit of that noble river and its people were running through his mind as he composed the work. The Symphony was less successful at its premiere in February 1851 (under the composer's direction) than had his two previous symphonic premieres had been. Although third in number, the "Rhenish" is actually Schumann's final entry in the genre, the forthcoming Symphony No. 4 in D minor, Op. 120, having been originally composed in 1841.
The heroic main theme of the opening Lebhaft is laced with hemiolas that transform its basic 3/4 time into larger bars of 3/2. A second theme in G minor is offered by the oboe and clarinet before being taken over by the violins. The astute listener will have noticed a keen similarity between the rhythmic outline of Schumann's main theme and that of the main theme to the opening movement of Johannes Brahms' Symphony No. 3 in F major. This similarity is enhanced even further during the transition to the second theme in the recapitulation, when the figure is played out with precisely the same intervallic content as the later Brahms melody -- just one example of the deep and abiding influence Schumann's music had on his younger associate. Schumann incorporates the jovial Rheinweinlied (Rhine-wine Song) into the Scherzo, which, as in the Second Symphony, appears as the second rather than the more traditional third movement. The solid C major foundation is shaken up briefly by the A minor Trio (although, rather stubbornly, the bass continues to putter around on low C). Perhaps the most fascinating aspect of the "Rhenish" Symphony is the interpolation of an extra movement. Marked Feierlich (Solemn), the movement originally carried the inscription, "in the manner of an accompaniment to a solemn ceremony." The Finale is a robust outburst (marked, like the first movement, Lebhaft) which recalls some of the main theme from the fourth movement before plunging into a final burst of joyful E flat.
Wolfgang Sawallisch & Staatskapelle Dresden
Warner Classics
https://wn.com/Robert_Schumann_Symphony_No._3_In_E_Flat_Major_Rhenish_,_Op._97_(1850)
0:00 Lebhaft
9:03 Scherzo. Sehr mässig
15:45 Nicht schnell
21:10 Feierlich
28:02 Lebhaft
Score video of Schumann's Rhenish symphony. Text by Blair Johnston.
Schumann's "Rhenish" Symphony, the Symphony No. 3 in E flat major, Op. 97, is so called because it was written in the fall of 1850 during the composer's tenure as conductor at Düsseldorf on the famous Rhine river. In a letter to the publisher N. Simrock in 1851 Schumann claimed that the history and spirit of that noble river and its people were running through his mind as he composed the work. The Symphony was less successful at its premiere in February 1851 (under the composer's direction) than had his two previous symphonic premieres had been. Although third in number, the "Rhenish" is actually Schumann's final entry in the genre, the forthcoming Symphony No. 4 in D minor, Op. 120, having been originally composed in 1841.
The heroic main theme of the opening Lebhaft is laced with hemiolas that transform its basic 3/4 time into larger bars of 3/2. A second theme in G minor is offered by the oboe and clarinet before being taken over by the violins. The astute listener will have noticed a keen similarity between the rhythmic outline of Schumann's main theme and that of the main theme to the opening movement of Johannes Brahms' Symphony No. 3 in F major. This similarity is enhanced even further during the transition to the second theme in the recapitulation, when the figure is played out with precisely the same intervallic content as the later Brahms melody -- just one example of the deep and abiding influence Schumann's music had on his younger associate. Schumann incorporates the jovial Rheinweinlied (Rhine-wine Song) into the Scherzo, which, as in the Second Symphony, appears as the second rather than the more traditional third movement. The solid C major foundation is shaken up briefly by the A minor Trio (although, rather stubbornly, the bass continues to putter around on low C). Perhaps the most fascinating aspect of the "Rhenish" Symphony is the interpolation of an extra movement. Marked Feierlich (Solemn), the movement originally carried the inscription, "in the manner of an accompaniment to a solemn ceremony." The Finale is a robust outburst (marked, like the first movement, Lebhaft) which recalls some of the main theme from the fourth movement before plunging into a final burst of joyful E flat.
Wolfgang Sawallisch & Staatskapelle Dresden
Warner Classics
- published: 26 May 2020
- views: 140709
38:29
Schumann: Symphony nº 3 "Rhenish" - Leonard Bernstein - Wiener Philharmoniker Orchestre
Robert Schumann: Symphony nº 3 in E flat major, op.97 "Rhenish"
Leonard Bernstein
Wiener Philharmoniker Orchestre
Robert Schumann: Symphony nº 3 in E flat major, op.97 "Rhenish"
Leonard Bernstein
Wiener Philharmoniker Orchestre
https://wn.com/Schumann_Symphony_Nº_3_Rhenish_Leonard_Bernstein_Wiener_Philharmoniker_Orchestre
Robert Schumann: Symphony nº 3 in E flat major, op.97 "Rhenish"
Leonard Bernstein
Wiener Philharmoniker Orchestre
- published: 17 Sep 2022
- views: 37357
32:52
William SCHUMAN Symphony No. 3 - Slatkin - DSO Live
found this saved on my hard drive from a couple of years ago. apparently it's no longer on the DSO website. Please don't delete my channel Leonard Slatkin I'm s...
found this saved on my hard drive from a couple of years ago. apparently it's no longer on the DSO website. Please don't delete my channel Leonard Slatkin I'm sorry but this is for educational purposes
Detroit Symphony Orchestra
Leonard Slatkin Conductor
Live Broadcast from 2016
Bass Clarinet solo
snare drum solo
xylophone excerpt
https://wn.com/William_Schuman_Symphony_No._3_Slatkin_Dso_Live
found this saved on my hard drive from a couple of years ago. apparently it's no longer on the DSO website. Please don't delete my channel Leonard Slatkin I'm sorry but this is for educational purposes
Detroit Symphony Orchestra
Leonard Slatkin Conductor
Live Broadcast from 2016
Bass Clarinet solo
snare drum solo
xylophone excerpt
- published: 20 Nov 2021
- views: 10130
31:50
Schumann: Sinfonie Nr. 3 "Rheinische" mit Christoph Eschenbach | NDR Elbphilharmonie Orchester
Christoph Eschenbach, ehemaliger Chefdirigent des NDR Elbphilharmonie Orchesters, leitet Schumanns "Rheinische Sinfonie" bei der Eröffnung des Schleswig-Holste...
Christoph Eschenbach, ehemaliger Chefdirigent des NDR Elbphilharmonie Orchesters, leitet Schumanns "Rheinische Sinfonie" bei der Eröffnung des Schleswig-Holstein Musik Festival 2010 in Lübeck.
ROBERT SCHUMANN
Sinfonie Nr. 3 Es-Dur op. 97
Christoph Eschenbach, Dirigent
NDR Elbphilharmonie Orchester (damals NDR Sinfonieorchester)
Eröffnungskonzert Schleswig-Holstein Musik Festival, Musik- und Kongresshalle Lübeck, 2010
Website: https://www.ndr.de/eo
Facebook: https://www.facebook.com/ndrelbphilharmonieorchester/
Instagram: https://www.instagram.com/ndr.eo
https://wn.com/Schumann_Sinfonie_Nr._3_Rheinische_Mit_Christoph_Eschenbach_|_Ndr_Elbphilharmonie_Orchester
Christoph Eschenbach, ehemaliger Chefdirigent des NDR Elbphilharmonie Orchesters, leitet Schumanns "Rheinische Sinfonie" bei der Eröffnung des Schleswig-Holstein Musik Festival 2010 in Lübeck.
ROBERT SCHUMANN
Sinfonie Nr. 3 Es-Dur op. 97
Christoph Eschenbach, Dirigent
NDR Elbphilharmonie Orchester (damals NDR Sinfonieorchester)
Eröffnungskonzert Schleswig-Holstein Musik Festival, Musik- und Kongresshalle Lübeck, 2010
Website: https://www.ndr.de/eo
Facebook: https://www.facebook.com/ndrelbphilharmonieorchester/
Instagram: https://www.instagram.com/ndr.eo
- published: 01 Dec 2016
- views: 126165
31:07
William Schuman - Symphony No. 3 (Score Video)
This video is provided for educational use only; please email me at
[email protected] regarding any copyright issues.
00:03 I. Passacaglia and Fugu...
This video is provided for educational use only; please email me at
[email protected] regarding any copyright issues.
00:03 I. Passacaglia and Fugue
13:46 II. Chorale and Toccata
New York Philharmonic conducted by Leonard Bernstein
William Schuman (1910-1992) was a notable American composer of the 20th century, also known for serving as president of the Juilliard School and of Lincoln Center.
Schuman's third symphony, written in 1941 and dedicated to the conductor Serge Koussevitzky, is considered one of his finest works; I find it one of the most compelling American symphonic works ever written. Modeled loosely on Baroque forms, it contains two parts: the first comprises a passacaglia and fugue, while the second is composed of a chorale and toccata. What I find most appealing about the work is its stirring nature and precisely crafted form; every movement is a showcase of orchestrational development from small to large scales.
https://wn.com/William_Schuman_Symphony_No._3_(Score_Video)
This video is provided for educational use only; please email me at
[email protected] regarding any copyright issues.
00:03 I. Passacaglia and Fugue
13:46 II. Chorale and Toccata
New York Philharmonic conducted by Leonard Bernstein
William Schuman (1910-1992) was a notable American composer of the 20th century, also known for serving as president of the Juilliard School and of Lincoln Center.
Schuman's third symphony, written in 1941 and dedicated to the conductor Serge Koussevitzky, is considered one of his finest works; I find it one of the most compelling American symphonic works ever written. Modeled loosely on Baroque forms, it contains two parts: the first comprises a passacaglia and fugue, while the second is composed of a chorale and toccata. What I find most appealing about the work is its stirring nature and precisely crafted form; every movement is a showcase of orchestrational development from small to large scales.
- published: 22 Mar 2023
- views: 5291
36:15
Schumann - Symphony No. 3 in E-flat major, Op. 97 "Rhenish" (Orchestre de Paris, David Zinman)
From the Salle Pleyel, París, 2014
Conductor David Zinman conducts the Orchestre de Paris through a program with Schumann's Symphony No. 3
Watch the full concer...
From the Salle Pleyel, París, 2014
Conductor David Zinman conducts the Orchestre de Paris through a program with Schumann's Symphony No. 3
Watch the full concert: https://bit.ly/DavidZinmanOrchestredeParis2014
Orchestre de Paris
David Zinman - conductor
Chapters:
0:00 Robert Schumann - Symphony No.3, Op.97, "Rhenish"
0:18 I. Lebhaft ∙
10:53 II. Scherzo. Sehr mäßig ∙
17:20 III. Nicht schnell ∙
22:56 IV. Feierlich ∙
28:36 V. Lebhaft – Schneller
Subscribe to wocomoMUSIC: https://goo.gl/ahZRzC
Follow us on Facebook: http://www.facebook.com/wocomo
More concerts by the Orchestre de Paris: https://bit.ly/ConcertsOrchestredeParis
© Licensed by Poorhouse
#wocomoCLASSICAL
https://wn.com/Schumann_Symphony_No._3_In_E_Flat_Major,_Op._97_Rhenish_(Orchestre_De_Paris,_David_Zinman)
From the Salle Pleyel, París, 2014
Conductor David Zinman conducts the Orchestre de Paris through a program with Schumann's Symphony No. 3
Watch the full concert: https://bit.ly/DavidZinmanOrchestredeParis2014
Orchestre de Paris
David Zinman - conductor
Chapters:
0:00 Robert Schumann - Symphony No.3, Op.97, "Rhenish"
0:18 I. Lebhaft ∙
10:53 II. Scherzo. Sehr mäßig ∙
17:20 III. Nicht schnell ∙
22:56 IV. Feierlich ∙
28:36 V. Lebhaft – Schneller
Subscribe to wocomoMUSIC: https://goo.gl/ahZRzC
Follow us on Facebook: http://www.facebook.com/wocomo
More concerts by the Orchestre de Paris: https://bit.ly/ConcertsOrchestredeParis
© Licensed by Poorhouse
#wocomoCLASSICAL
- published: 22 Aug 2020
- views: 39091
32:18
Schumann: Symphony No. 3 in E-flat major, Op. 97 "Rhenish" - philharmonie zuidnederland - Live HD
-- English below --
Het muzikale programma:
Robert Schumann - Symfonie nr.3, op.97 'Rheinische'
De uitvoerenden:
philharmonie zuidnederland
Duncan Ward, dirig...
-- English below --
Het muzikale programma:
Robert Schumann - Symfonie nr.3, op.97 'Rheinische'
De uitvoerenden:
philharmonie zuidnederland
Duncan Ward, dirigent
Opname:
Het Zondagochtend Concert van zondag 28 mei 2023 in Het Concertgebouw te Amsterdam.
Kijk het hele concert op NPO Start:
https://www.npostart.nl/het-zondagochtend-concert-hannes-minnaar-en-philharmonie-zuidnederland/28-05-2023/WO_AT_20064050
Meer AVROTROS Klassiek:
♬ Facebook: https://www.facebook.com/AVROTROS.Klassiek/
♬ Twitter: https://twitter.com/klassiekonline
♬ Instagram: https://www.instagram.com/avrotrosklassiek/
—————————————
On the musical programme:
Robert Schumann - Symphony No. 3 in E-flat major, Op. 97 "Rhenish"
The musicians:
philharmonie zuidnederland
Duncan Ward, conductor
Recording:
The Sunday Morning Concert, Sunday the 28th of May 2023, in The Concertgebouw in Amsterdam, The Netherlands.
Watch the full concert on NPO Start:
https://www.npostart.nl/het-zondagochtend-concert-hannes-minnaar-en-philharmonie-zuidnederland/28-05-2023/WO_AT_20064050
More AVROTROS Klassiek:
♬ Facebook: https://www.facebook.com/AVROTROS.Klassiek/
♬ Twitter: https://twitter.com/klassiekonline
♬ Instagram: https://www.instagram.com/avrotrosklassiek/
https://wn.com/Schumann_Symphony_No._3_In_E_Flat_Major,_Op._97_Rhenish_Philharmonie_Zuidnederland_Live_Hd
-- English below --
Het muzikale programma:
Robert Schumann - Symfonie nr.3, op.97 'Rheinische'
De uitvoerenden:
philharmonie zuidnederland
Duncan Ward, dirigent
Opname:
Het Zondagochtend Concert van zondag 28 mei 2023 in Het Concertgebouw te Amsterdam.
Kijk het hele concert op NPO Start:
https://www.npostart.nl/het-zondagochtend-concert-hannes-minnaar-en-philharmonie-zuidnederland/28-05-2023/WO_AT_20064050
Meer AVROTROS Klassiek:
♬ Facebook: https://www.facebook.com/AVROTROS.Klassiek/
♬ Twitter: https://twitter.com/klassiekonline
♬ Instagram: https://www.instagram.com/avrotrosklassiek/
—————————————
On the musical programme:
Robert Schumann - Symphony No. 3 in E-flat major, Op. 97 "Rhenish"
The musicians:
philharmonie zuidnederland
Duncan Ward, conductor
Recording:
The Sunday Morning Concert, Sunday the 28th of May 2023, in The Concertgebouw in Amsterdam, The Netherlands.
Watch the full concert on NPO Start:
https://www.npostart.nl/het-zondagochtend-concert-hannes-minnaar-en-philharmonie-zuidnederland/28-05-2023/WO_AT_20064050
More AVROTROS Klassiek:
♬ Facebook: https://www.facebook.com/AVROTROS.Klassiek/
♬ Twitter: https://twitter.com/klassiekonline
♬ Instagram: https://www.instagram.com/avrotrosklassiek/
- published: 31 May 2023
- views: 8133
33:20
Schumann Sinfonie Nr 3 in-Es Dur op 97 Rheinische Paavo Järvi Deutsche Kammerphilharmonie Bremen
Robert Schumann
Sinfonie Nr 3 in Es-Dur op 97, Rheinische
Symphony No. 3 “Rhenish” in E flat major, Op. 97
Paavo Järvi conducts Deutsche Kammerphilharmonie Br...
Robert Schumann
Sinfonie Nr 3 in Es-Dur op 97, Rheinische
Symphony No. 3 “Rhenish” in E flat major, Op. 97
Paavo Järvi conducts Deutsche Kammerphilharmonie Bremen
Lebhaft 0:00
Scherzo: Sehr mäßig (in C major) 9:40
Nicht schnell (in A-flat major) 15:40
Feierlich (in E-flat minor) 20:56
Lebhaft 27:02
https://wn.com/Schumann_Sinfonie_Nr_3_In_Es_Dur_Op_97_Rheinische_Paavo_Järvi_Deutsche_Kammerphilharmonie_Bremen
Robert Schumann
Sinfonie Nr 3 in Es-Dur op 97, Rheinische
Symphony No. 3 “Rhenish” in E flat major, Op. 97
Paavo Järvi conducts Deutsche Kammerphilharmonie Bremen
Lebhaft 0:00
Scherzo: Sehr mäßig (in C major) 9:40
Nicht schnell (in A-flat major) 15:40
Feierlich (in E-flat minor) 20:56
Lebhaft 27:02
- published: 29 Jan 2023
- views: 5717
9:49
Schumann: Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish" - I. Lebhaft
Provided to YouTube by Universal Music Group
Schumann: Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish" - I. Lebhaft · Berliner Philharmoniker · Rafael Kubelík...
Provided to YouTube by Universal Music Group
Schumann: Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish" - I. Lebhaft · Berliner Philharmoniker · Rafael Kubelík
Schumann: The 4 Symphonies; Overtures Opp.81 "Genoveva" & 115 "Manfred"
℗ 1964 Deutsche Grammophon GmbH, Berlin
Released on: 2010-01-01
Producer, Recording Producer: Hans Weber
Studio Personnel, Balance Engineer: Günter Hermanns
Studio Personnel, Editor: Guenther Dieckmann
Composer: Robert Schumann
Auto-generated by YouTube.
https://wn.com/Schumann_Symphony_No._3_In_E_Flat_Major,_Op._97_Rhenish_I._Lebhaft
Provided to YouTube by Universal Music Group
Schumann: Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish" - I. Lebhaft · Berliner Philharmoniker · Rafael Kubelík
Schumann: The 4 Symphonies; Overtures Opp.81 "Genoveva" & 115 "Manfred"
℗ 1964 Deutsche Grammophon GmbH, Berlin
Released on: 2010-01-01
Producer, Recording Producer: Hans Weber
Studio Personnel, Balance Engineer: Günter Hermanns
Studio Personnel, Editor: Guenther Dieckmann
Composer: Robert Schumann
Auto-generated by YouTube.
- published: 28 Jul 2018
- views: 9203