-
Mahler: Adagietto Symphony 5 - Karajan*
Karajan's Mahler is unsurpassed
See also ( very interesting):
Mahler: Adagietto Symphony 5 arranged for Choir :
https://www.youtube.com/watch?v=YA1c9jZmdag
See also the adagio's from symphony 4 & 6 by Karajan on this channel & Part 1 & 4 of symphony 9:
https://www.youtube.com/watch?v=4kTXstgF20E
https://www.youtube.com/watch?v=jvUego50gVg
https://www.youtube.com/watch?v=NwwhZGtcnSM
https://www.youtube.com/watch?v=KnjnwVS53ko
Symphony 5 part 1 :https://www.youtube.com/watch?v=XUGPzud8rJk
Symphony 5 part 2 :https://www.youtube.com/watch?v=4cyGKsfGXoI
published: 10 Jul 2012
-
Gustav Mahler - Adagietto | Leonard Bernstein (4K)
Gustav Mahler - Adagietto. Sehr langsam. Symphony No. 5 in C sharp minor, 1901-02.
Wiener Philharmoniker, Vienna Philharmonic Orchestra, Leonard Bernstein, 1973.
Motion Picture Restored
"In the Fourth movement, the famous Adagietto, harp and strings alone play. The opening melody recalls two of Mahler's songs, "Nun seh' ich wohl" (from Kindertotenlieder) and the separate Ruckert setting "Ich bin der Welt abhanden gekommen". The long upbeats and expressive appoggiaturas of the melodic lines give the music a yearning, almost heart-breaking quality. The intensity that builds up inthis movement finaly assuages the darkness and doubts of the earlier movements, making the lighter mood and extrovert energy of the Rondo-Finale acceptable. Together, these two movements form the third part of the s...
published: 09 Mar 2021
-
Mahler - Symphony No.5 - Abbado - Lucerne Festival Orchestra 2004
Gustav Mahler
Symphony No.5
Claudio Abbado
Lucerne Festival Orchestra, 2004
0:00 - Opening
I.
0:55 - Traeurmarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
13:36 - Stürmisch bewegt. Mit grösster Vehemenz
II.
28:20 - Scherzo. Kräftig, Nicht zu schnell.
III.
45:17 - Adagietto. Sehr langsam.
53:49 - Rondo-Finale. Allegro-Allegro giocoso. Frisch.
1:10:10 - Credits
_________________________
Dear Youtube User
If you are the COPYRIGHT OWNER of this performance I kindly ask you to first contact me requesting to delete the video but avoiding to fill a complaint to YouTube administration and I WILL DELETE IT IMMEDIATELY.
I uploaded the video just to promote the music I love.
I don't want problems with anybody and I never intended to break the copyright law.
Thanks for your understanding
published: 10 Sep 2012
-
Gustav Mahler-Piano Quartet in A minor
Gustav Mahler's Piano Quartet in A minor
For Piano and Strings Trio.
Hope you Enjoy =]
published: 21 Mar 2010
-
The Best of Mahler
Gustav Mahler, born on July 7, 1860, in Kalischt, Bohemia (now Czech Republic), was a renowned composer and conductor of the late 19th and early 20th centuries. He is widely regarded as one of the most influential figures in the realm of classical music.
From a young age, Mahler displayed extraordinary musical talent, showcasing his proficiency on the piano and violin. He pursued formal musical education at the Vienna Conservatory, where he studied composition and conducting. During this time, he also developed a deep appreciation for the works of Ludwig van Beethoven and Richard Wagner, whose musical styles significantly influenced his own compositions.
Mahler's career took off when he landed his first conducting position in 1880, and he went on to lead prestigious orchestras in various...
published: 23 May 2013
-
Mahler Complete Symphonies (Bernstein)
Symphony 1 in D Major "Titan" (1887-1888)
0:00:00 1 - I. Langsam, schleppend (Slowly, dragging) Immer sehr gemächlich (very restrained throughout) D major
0:15:12 1 - II. Kräftig bewegt, doch nicht zu schnell (Moving strongly, but not too quickly), Recht gemächlich (restrained), a Trio—a Ländler A major
0:23:31 1 - III. Feierlich und gemessen, ohne zu schleppen (Solemnly and measured, without dragging), Sehr einfach und schlicht wie eine Volksweise (very simple, like a folk-tune), and Wieder etwas bewegter, wie im Anfang (once again somewhat more agitated, as at the start)—a funeral march based on the children's song "Frère Jacques" (or "Bruder Jacob") D minor
0:33:51 1 - IV. Stürmisch bewegt – Energisch (Stormily agitated – Energetic) F minor → D major
Symphony 2 in C Minor "Resurrection...
published: 04 Jan 2020
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Keeping Score | Gustav Mahler: Origins (FULL DOCUMENTARY AND CONCERT)
The first of two episodes explores the roots of Gustav Mahler’s music. SFS Music Director Michael Tilson Thomas journeys to rural Bohemia to rediscover the inspirations of Mahler’s music, and traces Mahler’s life through the premiere of his first symphony in 1888. It shocked the contemporary audience, but as MTT and the San Francisco Symphony reveal, on location and in performance, this ground-breaking symphony contains elements of everything else that Mahler composed. Shot on location in the Czech Republic, Austria, Hungary, and in performance in San Francisco’s Davies Symphony Hall.
Bonus Features:
Full-length concert performance of Mahler's Symphony No. 1 by the San Francisco Symphony originally filmed in high-definition 16:9 widescreen and 5.1 surround sound.
More information about ...
published: 29 Mar 2020
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Why Listen to Mahler?
Discover more music with Apple Music Classical, the streaming service for classical music. http://apple.co/InsideTheScore
Search for 'Mahler Essentials' or 'Discover Mahler' to hear much more of his greatest!
Gustav Mahler has been one of my favourite composers since I discovered Classical Music – and in this video I try to explain why he holds that place, from many angles, channelled through the extraordinary, moving story of Mahler’s life and works.
I hope you can consider this a complete introduction to Mahler’s life and works, and a compelling springboard for a musical journey into the depths of Mahler’s soul.
Podcast on Mahler Symphony #2 - https://www.youtube.com/watch?v=IC4y3io-T34
🎁 FREE
Accelerate your ear training, sight reading, and musicianship skills with this free mini-c...
published: 12 Aug 2021
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Mahler Symphony No.1 "Titan" Mvt 4 - Sembawang Wind Orchestra
Mahler Symphony No.1 "Titan", arranged by José Schyns performed by Sembawang Wind Orchestra (SWO) in 2023 at the Victoria Concert Hall, Singapore under the baton of Mr. Desmond Ng.
Website
http://www.swo.sg/
Social Media
Facebook: https://www.facebook.com/SembawangWindOrchestra
Instagram: https://www.instagram.com/SembawangWindOrchestra
published: 25 Feb 2024
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Gustav Mahler: Symphony No. 1 (Lucerne Festival Orchestra, Abbado)
Recorded live at the Lucerne Festival, Summer 2009
Concert Hall of the KKL Luzern, August 2009
Lucerne Festival Orchestra
Claudio Abbado - conductor
Chapters:
0:00 Gustav Mahler: Symphony No. 1
0:30 I. Langsam, schleppend
17:16 II. Kräftig bewegt, doch nicht zu schnell
24:50 III. Feierlich und gemessen, ohne zu schleppen
36:19 IV. Stürmisch bewegt
Watch this work performed by the Asian Youth Orchestra under the baton of James Judd: https://youtu.be/Kj_iBBmGzsU
Whenever Claudio Abbado conducts the LUCERNE FESTIVAL ORCHESTRA, music lovers are in for a very special event. Such was the case in the summer of 2009 when the charismatic Italian conductor opened Lucerne's tradition-rich Festival with a concert featuring Mahler's First Symphony and Prokofiev's Third Piano Concerto. In 2003 Abbad...
published: 14 Mar 2015
11:54
Mahler: Adagietto Symphony 5 - Karajan*
Karajan's Mahler is unsurpassed
See also ( very interesting):
Mahler: Adagietto Symphony 5 arranged for Choir :
https://www.youtube.com/watch?v=YA1c9jZmdag
...
Karajan's Mahler is unsurpassed
See also ( very interesting):
Mahler: Adagietto Symphony 5 arranged for Choir :
https://www.youtube.com/watch?v=YA1c9jZmdag
See also the adagio's from symphony 4 & 6 by Karajan on this channel & Part 1 & 4 of symphony 9:
https://www.youtube.com/watch?v=4kTXstgF20E
https://www.youtube.com/watch?v=jvUego50gVg
https://www.youtube.com/watch?v=NwwhZGtcnSM
https://www.youtube.com/watch?v=KnjnwVS53ko
Symphony 5 part 1 :https://www.youtube.com/watch?v=XUGPzud8rJk
Symphony 5 part 2 :https://www.youtube.com/watch?v=4cyGKsfGXoI
https://wn.com/Mahler_Adagietto_Symphony_5_Karajan
Karajan's Mahler is unsurpassed
See also ( very interesting):
Mahler: Adagietto Symphony 5 arranged for Choir :
https://www.youtube.com/watch?v=YA1c9jZmdag
See also the adagio's from symphony 4 & 6 by Karajan on this channel & Part 1 & 4 of symphony 9:
https://www.youtube.com/watch?v=4kTXstgF20E
https://www.youtube.com/watch?v=jvUego50gVg
https://www.youtube.com/watch?v=NwwhZGtcnSM
https://www.youtube.com/watch?v=KnjnwVS53ko
Symphony 5 part 1 :https://www.youtube.com/watch?v=XUGPzud8rJk
Symphony 5 part 2 :https://www.youtube.com/watch?v=4cyGKsfGXoI
- published: 10 Jul 2012
- views: 8967709
12:08
Gustav Mahler - Adagietto | Leonard Bernstein (4K)
Gustav Mahler - Adagietto. Sehr langsam. Symphony No. 5 in C sharp minor, 1901-02.
Wiener Philharmoniker, Vienna Philharmonic Orchestra, Leonard Bernstein, 1973...
Gustav Mahler - Adagietto. Sehr langsam. Symphony No. 5 in C sharp minor, 1901-02.
Wiener Philharmoniker, Vienna Philharmonic Orchestra, Leonard Bernstein, 1973.
Motion Picture Restored
"In the Fourth movement, the famous Adagietto, harp and strings alone play. The opening melody recalls two of Mahler's songs, "Nun seh' ich wohl" (from Kindertotenlieder) and the separate Ruckert setting "Ich bin der Welt abhanden gekommen". The long upbeats and expressive appoggiaturas of the melodic lines give the music a yearning, almost heart-breaking quality. The intensity that builds up inthis movement finaly assuages the darkness and doubts of the earlier movements, making the lighter mood and extrovert energy of the Rondo-Finale acceptable. Together, these two movements form the third part of the symphony. The formal function of the Adagietto is ambiguous. It acts as an introduction to the last movement, which follows without a break, and is thematically bound to it, for twice in the Finale we hear the Adagietto's main theme, now at a fast tempo. The Adagietto also functions as a slow interlude in F major, between two faster movements in D major; but is also has an expressive weight sufficient for it to stand on its own - indeed, it is often performed by itself.
Even without a text or programme, the music's emotional and referential content implies an existential dimension. Without an explicit programme or titles, we have few clues to the "meaning" of the Fifth Symphony other than the music itself. Mahler offers some guidance by grouping the five movements, which share some thematic Material, as well as an obsession with death, from the first part; the central scherzo stands alone as the second part; and the lat two movements, which are also linked thematically, form the third.
An essential aspect of Mahler's symphonies is the idea of emotional and spiritual progression, through various alternatives to a (provisional) conclusion. One important means he uses to articulate this spiritual journey is the technique of progressive tonality. In other symphonies he begins and ends movements in diferent keys, but in the Fifth each movement begins and ends in the same key; however as a whole, it moves from C sharp minor opening movement to the D major of the third and fifth movements.
One reason for Mahler's significance and influence as a composer is that he viewed his music as a means of seeking and expressing solutions to the problems of his personal, spiritual life. The Depth and seriousness of these problems naturally drew him to the largescale form of the symphony, wich he expanded in length and number of movements to unprecedented proportions.
Mahler kept revising the orchestration of this work until his death. He conducted the first performance with the Gürzenich Orchestra in Cologne on October 18, 1904. He'd begun the Fifth Symphony at Maiernegg in 1901 - writing the third, first and second movements in that order, after a death-obsessed song, "Der Tamboursg'sell," and the Kindertotenlieder cycle ("on the death of children"). After nearly bleeding to death the previous winter (from an intestinal hemorrhage), Mahler's symphonic orientation underwent a profound change. Mahler cast his Fifth Symphony in five movements that fall naturally into three parts.
The First begins in C sharp minor with a Funeral March, of measured tread and austere (Movement I). A sonata-form movement follows, marked "Stormily, with greatest vehemence" (Movement II), which shares themes as well as mood with the opening.
The Second Part (which Mahler composed first) is a Scherzo: "Vigorously, not too fast" (Movement III) -- the symphony's shortest large section, but its longest single movement. This emphatically joyous, albeit manic movement puts forward D major as the work's focal key. Although its form has remained a topic of debate since 1904, rondo and sonata-form elements are both present.
Part Three begins with a seraphic Adagietto: "Very slowly" (Movement IV). This is indubitably related to the Rückert song Mahler composed in August 1901, "Ich bin der Welt abhanden gekommen" (I have become lost to the world...I live alone in my heaven, in my loving, in my song). A Rondo-Finale: "Allegro giocoso, lively" (Movement V) concludes the symphony, although Mahler devised a form far removed from classic models. While sectional, in truth episodic, this too has elements of sonata form.
#Adagietto #Mahler #GustavMahler
马勒 頗慢
マーラー 非常に遅い
Малер довольно медленно
Adagietto from the 5th Symphony
08.III.2011
https://wn.com/Gustav_Mahler_Adagietto_|_Leonard_Bernstein_(4K)
Gustav Mahler - Adagietto. Sehr langsam. Symphony No. 5 in C sharp minor, 1901-02.
Wiener Philharmoniker, Vienna Philharmonic Orchestra, Leonard Bernstein, 1973.
Motion Picture Restored
"In the Fourth movement, the famous Adagietto, harp and strings alone play. The opening melody recalls two of Mahler's songs, "Nun seh' ich wohl" (from Kindertotenlieder) and the separate Ruckert setting "Ich bin der Welt abhanden gekommen". The long upbeats and expressive appoggiaturas of the melodic lines give the music a yearning, almost heart-breaking quality. The intensity that builds up inthis movement finaly assuages the darkness and doubts of the earlier movements, making the lighter mood and extrovert energy of the Rondo-Finale acceptable. Together, these two movements form the third part of the symphony. The formal function of the Adagietto is ambiguous. It acts as an introduction to the last movement, which follows without a break, and is thematically bound to it, for twice in the Finale we hear the Adagietto's main theme, now at a fast tempo. The Adagietto also functions as a slow interlude in F major, between two faster movements in D major; but is also has an expressive weight sufficient for it to stand on its own - indeed, it is often performed by itself.
Even without a text or programme, the music's emotional and referential content implies an existential dimension. Without an explicit programme or titles, we have few clues to the "meaning" of the Fifth Symphony other than the music itself. Mahler offers some guidance by grouping the five movements, which share some thematic Material, as well as an obsession with death, from the first part; the central scherzo stands alone as the second part; and the lat two movements, which are also linked thematically, form the third.
An essential aspect of Mahler's symphonies is the idea of emotional and spiritual progression, through various alternatives to a (provisional) conclusion. One important means he uses to articulate this spiritual journey is the technique of progressive tonality. In other symphonies he begins and ends movements in diferent keys, but in the Fifth each movement begins and ends in the same key; however as a whole, it moves from C sharp minor opening movement to the D major of the third and fifth movements.
One reason for Mahler's significance and influence as a composer is that he viewed his music as a means of seeking and expressing solutions to the problems of his personal, spiritual life. The Depth and seriousness of these problems naturally drew him to the largescale form of the symphony, wich he expanded in length and number of movements to unprecedented proportions.
Mahler kept revising the orchestration of this work until his death. He conducted the first performance with the Gürzenich Orchestra in Cologne on October 18, 1904. He'd begun the Fifth Symphony at Maiernegg in 1901 - writing the third, first and second movements in that order, after a death-obsessed song, "Der Tamboursg'sell," and the Kindertotenlieder cycle ("on the death of children"). After nearly bleeding to death the previous winter (from an intestinal hemorrhage), Mahler's symphonic orientation underwent a profound change. Mahler cast his Fifth Symphony in five movements that fall naturally into three parts.
The First begins in C sharp minor with a Funeral March, of measured tread and austere (Movement I). A sonata-form movement follows, marked "Stormily, with greatest vehemence" (Movement II), which shares themes as well as mood with the opening.
The Second Part (which Mahler composed first) is a Scherzo: "Vigorously, not too fast" (Movement III) -- the symphony's shortest large section, but its longest single movement. This emphatically joyous, albeit manic movement puts forward D major as the work's focal key. Although its form has remained a topic of debate since 1904, rondo and sonata-form elements are both present.
Part Three begins with a seraphic Adagietto: "Very slowly" (Movement IV). This is indubitably related to the Rückert song Mahler composed in August 1901, "Ich bin der Welt abhanden gekommen" (I have become lost to the world...I live alone in my heaven, in my loving, in my song). A Rondo-Finale: "Allegro giocoso, lively" (Movement V) concludes the symphony, although Mahler devised a form far removed from classic models. While sectional, in truth episodic, this too has elements of sonata form.
#Adagietto #Mahler #GustavMahler
马勒 頗慢
マーラー 非常に遅い
Малер довольно медленно
Adagietto from the 5th Symphony
08.III.2011
- published: 09 Mar 2021
- views: 679105
1:13:43
Mahler - Symphony No.5 - Abbado - Lucerne Festival Orchestra 2004
Gustav Mahler
Symphony No.5
Claudio Abbado
Lucerne Festival Orchestra, 2004
0:00 - Opening
I.
0:55 - Traeurmarsch. In gemessenem Schritt. Streng. Wie ein Kondu...
Gustav Mahler
Symphony No.5
Claudio Abbado
Lucerne Festival Orchestra, 2004
0:00 - Opening
I.
0:55 - Traeurmarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
13:36 - Stürmisch bewegt. Mit grösster Vehemenz
II.
28:20 - Scherzo. Kräftig, Nicht zu schnell.
III.
45:17 - Adagietto. Sehr langsam.
53:49 - Rondo-Finale. Allegro-Allegro giocoso. Frisch.
1:10:10 - Credits
_________________________
Dear Youtube User
If you are the COPYRIGHT OWNER of this performance I kindly ask you to first contact me requesting to delete the video but avoiding to fill a complaint to YouTube administration and I WILL DELETE IT IMMEDIATELY.
I uploaded the video just to promote the music I love.
I don't want problems with anybody and I never intended to break the copyright law.
Thanks for your understanding
https://wn.com/Mahler_Symphony_No.5_Abbado_Lucerne_Festival_Orchestra_2004
Gustav Mahler
Symphony No.5
Claudio Abbado
Lucerne Festival Orchestra, 2004
0:00 - Opening
I.
0:55 - Traeurmarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
13:36 - Stürmisch bewegt. Mit grösster Vehemenz
II.
28:20 - Scherzo. Kräftig, Nicht zu schnell.
III.
45:17 - Adagietto. Sehr langsam.
53:49 - Rondo-Finale. Allegro-Allegro giocoso. Frisch.
1:10:10 - Credits
_________________________
Dear Youtube User
If you are the COPYRIGHT OWNER of this performance I kindly ask you to first contact me requesting to delete the video but avoiding to fill a complaint to YouTube administration and I WILL DELETE IT IMMEDIATELY.
I uploaded the video just to promote the music I love.
I don't want problems with anybody and I never intended to break the copyright law.
Thanks for your understanding
- published: 10 Sep 2012
- views: 4804500
9:54
Gustav Mahler-Piano Quartet in A minor
Gustav Mahler's Piano Quartet in A minor
For Piano and Strings Trio.
Hope you Enjoy =]
Gustav Mahler's Piano Quartet in A minor
For Piano and Strings Trio.
Hope you Enjoy =]
https://wn.com/Gustav_Mahler_Piano_Quartet_In_A_Minor
Gustav Mahler's Piano Quartet in A minor
For Piano and Strings Trio.
Hope you Enjoy =]
- published: 21 Mar 2010
- views: 2267987
56:47
The Best of Mahler
Gustav Mahler, born on July 7, 1860, in Kalischt, Bohemia (now Czech Republic), was a renowned composer and conductor of the late 19th and early 20th centuries....
Gustav Mahler, born on July 7, 1860, in Kalischt, Bohemia (now Czech Republic), was a renowned composer and conductor of the late 19th and early 20th centuries. He is widely regarded as one of the most influential figures in the realm of classical music.
From a young age, Mahler displayed extraordinary musical talent, showcasing his proficiency on the piano and violin. He pursued formal musical education at the Vienna Conservatory, where he studied composition and conducting. During this time, he also developed a deep appreciation for the works of Ludwig van Beethoven and Richard Wagner, whose musical styles significantly influenced his own compositions.
Mahler's career took off when he landed his first conducting position in 1880, and he went on to lead prestigious orchestras in various cities across Europe, including Budapest, Hamburg, and Vienna. As a conductor, he was known for his meticulous attention to detail and innovative interpretations, often pushing the boundaries of musical expression.
However, it was as a composer that Mahler truly left an indelible mark on the world of music. His symphonies, characterized by their epic scale and emotional intensity, explored profound themes such as life, death, and the human condition. Mahler's compositions often incorporated diverse musical elements, including folk melodies, military marches, and even elements of Jewish klezmer music.
Despite his professional success, Mahler's personal life was marked by numerous hardships. He experienced the loss of several family members, including the death of his daughter Maria and the deteriorating health of his wife, Alma. These personal tragedies deeply influenced his compositions, infusing them with a sense of melancholy and introspection.
Mahler's works were initially met with mixed reviews, as they challenged the traditional conventions of classical music. However, his reputation as a composer grew steadily, particularly in the years following his death in 1911. Mahler's compositions, with their emotional depth and profound exploration of the human experience, have since become cherished and frequently performed works in the classical repertoire.
Gustav Mahler's legacy endures to this day, with his music captivating audiences and inspiring countless musicians and composers. His innovative approach to composition and his unwavering commitment to artistic expression have firmly established him as a towering figure in the annals of classical music history.
Gustav Mahler
Tracklist:
Sinfonia Nº 1 Em Ré Maior, "Titã"
1. Langsam, Schleppend
2. Kraftig, Bewegt
3. Feierlich Und Gemessen, Ohne Zu Schleppend
4. Sturmisch Bewegt
Royal Philharmonic Orchestra
For more:
http://www.melhoresmusicasclassicas.blogspot.com.br
#MusicHistory
#ClassicalMusic
#Mahler
https://wn.com/The_Best_Of_Mahler
Gustav Mahler, born on July 7, 1860, in Kalischt, Bohemia (now Czech Republic), was a renowned composer and conductor of the late 19th and early 20th centuries. He is widely regarded as one of the most influential figures in the realm of classical music.
From a young age, Mahler displayed extraordinary musical talent, showcasing his proficiency on the piano and violin. He pursued formal musical education at the Vienna Conservatory, where he studied composition and conducting. During this time, he also developed a deep appreciation for the works of Ludwig van Beethoven and Richard Wagner, whose musical styles significantly influenced his own compositions.
Mahler's career took off when he landed his first conducting position in 1880, and he went on to lead prestigious orchestras in various cities across Europe, including Budapest, Hamburg, and Vienna. As a conductor, he was known for his meticulous attention to detail and innovative interpretations, often pushing the boundaries of musical expression.
However, it was as a composer that Mahler truly left an indelible mark on the world of music. His symphonies, characterized by their epic scale and emotional intensity, explored profound themes such as life, death, and the human condition. Mahler's compositions often incorporated diverse musical elements, including folk melodies, military marches, and even elements of Jewish klezmer music.
Despite his professional success, Mahler's personal life was marked by numerous hardships. He experienced the loss of several family members, including the death of his daughter Maria and the deteriorating health of his wife, Alma. These personal tragedies deeply influenced his compositions, infusing them with a sense of melancholy and introspection.
Mahler's works were initially met with mixed reviews, as they challenged the traditional conventions of classical music. However, his reputation as a composer grew steadily, particularly in the years following his death in 1911. Mahler's compositions, with their emotional depth and profound exploration of the human experience, have since become cherished and frequently performed works in the classical repertoire.
Gustav Mahler's legacy endures to this day, with his music captivating audiences and inspiring countless musicians and composers. His innovative approach to composition and his unwavering commitment to artistic expression have firmly established him as a towering figure in the annals of classical music history.
Gustav Mahler
Tracklist:
Sinfonia Nº 1 Em Ré Maior, "Titã"
1. Langsam, Schleppend
2. Kraftig, Bewegt
3. Feierlich Und Gemessen, Ohne Zu Schleppend
4. Sturmisch Bewegt
Royal Philharmonic Orchestra
For more:
http://www.melhoresmusicasclassicas.blogspot.com.br
#MusicHistory
#ClassicalMusic
#Mahler
- published: 23 May 2013
- views: 245569
11:18:29
Mahler Complete Symphonies (Bernstein)
Symphony 1 in D Major "Titan" (1887-1888)
0:00:00 1 - I. Langsam, schleppend (Slowly, dragging) Immer sehr gemächlich (very restrained throughout) D major
0:15:...
Symphony 1 in D Major "Titan" (1887-1888)
0:00:00 1 - I. Langsam, schleppend (Slowly, dragging) Immer sehr gemächlich (very restrained throughout) D major
0:15:12 1 - II. Kräftig bewegt, doch nicht zu schnell (Moving strongly, but not too quickly), Recht gemächlich (restrained), a Trio—a Ländler A major
0:23:31 1 - III. Feierlich und gemessen, ohne zu schleppen (Solemnly and measured, without dragging), Sehr einfach und schlicht wie eine Volksweise (very simple, like a folk-tune), and Wieder etwas bewegter, wie im Anfang (once again somewhat more agitated, as at the start)—a funeral march based on the children's song "Frère Jacques" (or "Bruder Jacob") D minor
0:33:51 1 - IV. Stürmisch bewegt – Energisch (Stormily agitated – Energetic) F minor → D major
Symphony 2 in C Minor "Resurrection" (1888-1894)
0:52:51 2 - I. Allegro maestoso, Mit durchaus ernstem und feierlichem Ausdruck (With complete gravity and solemnity of expression) C minor
1:16:31 2 - II. Andante moderato, Sehr gemächlich. Nie eilen. (Very leisurely. Never rush.) Ländler in A♭ major
1:28:12 2 - III. In ruhig fließender Bewegung (With quietly flowing movement) C minor
1:38:19 2 - IV. "Urlicht" (Primal Light)m Sehr feierlich, aber schlicht (Very solemn, but simple) D♭ major
1:43:48 2 - V. Finale. Im Tempo des Scherzos (In the tempo of the scherzo)
Symphony 3 in D Minor (1893-1896)
2:17:38 3 - I. Kräftig. Entschieden (Strong and decisive) D minor to F major
2:50:58 3 - II. Tempo di Menuetto (In the tempo of a minuet) A major
3:01:10 3 - III. Comodo (Scherzando) (Comfortable (Scherzo)) C minor to C major
3:19:06 3 - IV. Sehr langsam—Misterioso (Very slowly, mysteriously) D major
3:27:55 3 - V. Lustig im Tempo und keck im Ausdruck (Cheerful in tempo and cheeky in expression) F major
3:32:08 3 - VI. Langsam—Ruhevoll—Empfunden (Slowly, tranquil, deeply felt) D major
Symphony 4 in G Major - E major (1899-1900)
3:57:16 4 - I. Bedächtig, nicht eilen (Moderately, not rushed) – sonata form
4:14:10 4 - II. In gemächlicher Bewegung, ohne Hast (Leisurely moving, without haste) – scherzo and trio
4:23:16 4 - III. Ruhevoll, poco adagio (Peacefully, somewhat slowly) – theme and variations
4:43:51 4 - IV. Sehr behaglich (Very comfortably) – strophic
Symphony 5 in C♯ minor - D major (1901-1902)
Part I
4:52:26 5 - I. Trauermarsch (Funeral march). In gemessenem Schritt. Streng. Wie ein Kondukt (At a measured pace. Strict. Like a funeral procession.) C♯ minor
5:04:56 5 - II. Stürmisch bewegt, mit größter Vehemenz (Moving stormily, with the greatest vehemence) A minor
Part II
5:19:15 5 - III. Scherzo. Kräftig, nicht zu schnell (Strong and not too fast) D major
Part III
5:36:55 5 - IV. Adagietto. Sehr langsam (Very slow) F major
5:47:55 5 - V. Rondo-Finale. Allegro – Allegro giocoso. Frisch (Fresh) D major
Symphony 6 in A minor "Tragic" (1903-1904, revised 1906) [This should be the original version]
6:01:45 6 - I. Allegro energico, ma non troppo. Heftig, aber markig.
6:23:11 6 - II. Scherzo: Wuchtig
6:35:40 6 - III. Andante moderato
6:51:00 6 - IV. Finale: Sostenuto – Allegro moderato – Allegro energico
Symphony 7 in E minor - C major "Song of the Night" (1904-1905)
7:19:40 7 - I. Langsam – Allegro risoluto, ma non troppo (E minor, beginning B minor)
7:40:34 7 - II. Nachtmusik I. Allegro moderato. Molto moderato (Andante) C major — C minor
7:57:16 7 - III. Scherzo. Schattenhaft. Fließend aber nicht zu schnell ("Shadowy. Flowing but not too fast") D major
8:06:53 7 - IV. Nachtmusik II Andante amoroso. F major
8:21:32 7 - V. Rondo finale. C major
Symphony 8 in E♭ major "Symphony of a Thousand" (1906)
8:39:32 8 - Part I: Veni creator spiritus
9:03:36 8 - Part II: Closing scene from Goethe's Faust
Symphony 9 in D major - D♭ major (1908-1909)
9:58:41 9 - I. Andante comodo (D major)
10:27:05 9 - II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb (C major)
10:42:58 9 - III. Rondo-Burleske: Allegro assai. Sehr trotzig (A minor)
10:55:31 9 - IV. Adagio. Sehr langsam und noch zurückhaltend (D♭ major)
Bernstein's first Mahler cycle was the first (of now many) complete Mahler cycles with symphonies 1-9 recorded between 1960 and 1967 on the CBS (now Sony) label.
The cycle used performances by the New York Philharmonic—the same orchestra that Mahler led during a brief tenure between 1909 and his death in 1911—as well as a performance of the 8th symphony by the London Symphony Orchestra.
There was another version of Mahler's symphonic works on my channel, including the tenth symphony ("Unfinished") and Das Lied von der Erde ("8a" to avoid the curse of the ninth), unfortunately it has been blocked by YouTube due to copyright.
https://wn.com/Mahler_Complete_Symphonies_(Bernstein)
Symphony 1 in D Major "Titan" (1887-1888)
0:00:00 1 - I. Langsam, schleppend (Slowly, dragging) Immer sehr gemächlich (very restrained throughout) D major
0:15:12 1 - II. Kräftig bewegt, doch nicht zu schnell (Moving strongly, but not too quickly), Recht gemächlich (restrained), a Trio—a Ländler A major
0:23:31 1 - III. Feierlich und gemessen, ohne zu schleppen (Solemnly and measured, without dragging), Sehr einfach und schlicht wie eine Volksweise (very simple, like a folk-tune), and Wieder etwas bewegter, wie im Anfang (once again somewhat more agitated, as at the start)—a funeral march based on the children's song "Frère Jacques" (or "Bruder Jacob") D minor
0:33:51 1 - IV. Stürmisch bewegt – Energisch (Stormily agitated – Energetic) F minor → D major
Symphony 2 in C Minor "Resurrection" (1888-1894)
0:52:51 2 - I. Allegro maestoso, Mit durchaus ernstem und feierlichem Ausdruck (With complete gravity and solemnity of expression) C minor
1:16:31 2 - II. Andante moderato, Sehr gemächlich. Nie eilen. (Very leisurely. Never rush.) Ländler in A♭ major
1:28:12 2 - III. In ruhig fließender Bewegung (With quietly flowing movement) C minor
1:38:19 2 - IV. "Urlicht" (Primal Light)m Sehr feierlich, aber schlicht (Very solemn, but simple) D♭ major
1:43:48 2 - V. Finale. Im Tempo des Scherzos (In the tempo of the scherzo)
Symphony 3 in D Minor (1893-1896)
2:17:38 3 - I. Kräftig. Entschieden (Strong and decisive) D minor to F major
2:50:58 3 - II. Tempo di Menuetto (In the tempo of a minuet) A major
3:01:10 3 - III. Comodo (Scherzando) (Comfortable (Scherzo)) C minor to C major
3:19:06 3 - IV. Sehr langsam—Misterioso (Very slowly, mysteriously) D major
3:27:55 3 - V. Lustig im Tempo und keck im Ausdruck (Cheerful in tempo and cheeky in expression) F major
3:32:08 3 - VI. Langsam—Ruhevoll—Empfunden (Slowly, tranquil, deeply felt) D major
Symphony 4 in G Major - E major (1899-1900)
3:57:16 4 - I. Bedächtig, nicht eilen (Moderately, not rushed) – sonata form
4:14:10 4 - II. In gemächlicher Bewegung, ohne Hast (Leisurely moving, without haste) – scherzo and trio
4:23:16 4 - III. Ruhevoll, poco adagio (Peacefully, somewhat slowly) – theme and variations
4:43:51 4 - IV. Sehr behaglich (Very comfortably) – strophic
Symphony 5 in C♯ minor - D major (1901-1902)
Part I
4:52:26 5 - I. Trauermarsch (Funeral march). In gemessenem Schritt. Streng. Wie ein Kondukt (At a measured pace. Strict. Like a funeral procession.) C♯ minor
5:04:56 5 - II. Stürmisch bewegt, mit größter Vehemenz (Moving stormily, with the greatest vehemence) A minor
Part II
5:19:15 5 - III. Scherzo. Kräftig, nicht zu schnell (Strong and not too fast) D major
Part III
5:36:55 5 - IV. Adagietto. Sehr langsam (Very slow) F major
5:47:55 5 - V. Rondo-Finale. Allegro – Allegro giocoso. Frisch (Fresh) D major
Symphony 6 in A minor "Tragic" (1903-1904, revised 1906) [This should be the original version]
6:01:45 6 - I. Allegro energico, ma non troppo. Heftig, aber markig.
6:23:11 6 - II. Scherzo: Wuchtig
6:35:40 6 - III. Andante moderato
6:51:00 6 - IV. Finale: Sostenuto – Allegro moderato – Allegro energico
Symphony 7 in E minor - C major "Song of the Night" (1904-1905)
7:19:40 7 - I. Langsam – Allegro risoluto, ma non troppo (E minor, beginning B minor)
7:40:34 7 - II. Nachtmusik I. Allegro moderato. Molto moderato (Andante) C major — C minor
7:57:16 7 - III. Scherzo. Schattenhaft. Fließend aber nicht zu schnell ("Shadowy. Flowing but not too fast") D major
8:06:53 7 - IV. Nachtmusik II Andante amoroso. F major
8:21:32 7 - V. Rondo finale. C major
Symphony 8 in E♭ major "Symphony of a Thousand" (1906)
8:39:32 8 - Part I: Veni creator spiritus
9:03:36 8 - Part II: Closing scene from Goethe's Faust
Symphony 9 in D major - D♭ major (1908-1909)
9:58:41 9 - I. Andante comodo (D major)
10:27:05 9 - II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb (C major)
10:42:58 9 - III. Rondo-Burleske: Allegro assai. Sehr trotzig (A minor)
10:55:31 9 - IV. Adagio. Sehr langsam und noch zurückhaltend (D♭ major)
Bernstein's first Mahler cycle was the first (of now many) complete Mahler cycles with symphonies 1-9 recorded between 1960 and 1967 on the CBS (now Sony) label.
The cycle used performances by the New York Philharmonic—the same orchestra that Mahler led during a brief tenure between 1909 and his death in 1911—as well as a performance of the 8th symphony by the London Symphony Orchestra.
There was another version of Mahler's symphonic works on my channel, including the tenth symphony ("Unfinished") and Das Lied von der Erde ("8a" to avoid the curse of the ninth), unfortunately it has been blocked by YouTube due to copyright.
- published: 04 Jan 2020
- views: 232504
1:49:56
Keeping Score | Gustav Mahler: Origins (FULL DOCUMENTARY AND CONCERT)
The first of two episodes explores the roots of Gustav Mahler’s music. SFS Music Director Michael Tilson Thomas journeys to rural Bohemia to rediscover the insp...
The first of two episodes explores the roots of Gustav Mahler’s music. SFS Music Director Michael Tilson Thomas journeys to rural Bohemia to rediscover the inspirations of Mahler’s music, and traces Mahler’s life through the premiere of his first symphony in 1888. It shocked the contemporary audience, but as MTT and the San Francisco Symphony reveal, on location and in performance, this ground-breaking symphony contains elements of everything else that Mahler composed. Shot on location in the Czech Republic, Austria, Hungary, and in performance in San Francisco’s Davies Symphony Hall.
Bonus Features:
Full-length concert performance of Mahler's Symphony No. 1 by the San Francisco Symphony originally filmed in high-definition 16:9 widescreen and 5.1 surround sound.
More information about DVD and Blu-Ray discs available here:
https://www.warnerclassics.com/release/keeping-score-mahler-origins-and-legacy
The music will play on. GIVE TODAY
SFSYMPHONY.org/give
Stay connected with us:
Facebook: http://facebook.com/sfsymphony
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https://wn.com/Keeping_Score_|_Gustav_Mahler_Origins_(Full_Documentary_And_Concert)
The first of two episodes explores the roots of Gustav Mahler’s music. SFS Music Director Michael Tilson Thomas journeys to rural Bohemia to rediscover the inspirations of Mahler’s music, and traces Mahler’s life through the premiere of his first symphony in 1888. It shocked the contemporary audience, but as MTT and the San Francisco Symphony reveal, on location and in performance, this ground-breaking symphony contains elements of everything else that Mahler composed. Shot on location in the Czech Republic, Austria, Hungary, and in performance in San Francisco’s Davies Symphony Hall.
Bonus Features:
Full-length concert performance of Mahler's Symphony No. 1 by the San Francisco Symphony originally filmed in high-definition 16:9 widescreen and 5.1 surround sound.
More information about DVD and Blu-Ray discs available here:
https://www.warnerclassics.com/release/keeping-score-mahler-origins-and-legacy
The music will play on. GIVE TODAY
SFSYMPHONY.org/give
Stay connected with us:
Facebook: http://facebook.com/sfsymphony
Twitter: http://twitter.com/sfsymphony
Instagram: http://instagram.com/sfsymphony
Tumblr: http://sfsymphony.tumblr.com/
- published: 29 Mar 2020
- views: 361119
20:11
Why Listen to Mahler?
Discover more music with Apple Music Classical, the streaming service for classical music. http://apple.co/InsideTheScore
Search for 'Mahler Essentials' or 'Dis...
Discover more music with Apple Music Classical, the streaming service for classical music. http://apple.co/InsideTheScore
Search for 'Mahler Essentials' or 'Discover Mahler' to hear much more of his greatest!
Gustav Mahler has been one of my favourite composers since I discovered Classical Music – and in this video I try to explain why he holds that place, from many angles, channelled through the extraordinary, moving story of Mahler’s life and works.
I hope you can consider this a complete introduction to Mahler’s life and works, and a compelling springboard for a musical journey into the depths of Mahler’s soul.
Podcast on Mahler Symphony #2 - https://www.youtube.com/watch?v=IC4y3io-T34
🎁 FREE
Accelerate your ear training, sight reading, and musicianship skills with this free mini-course:
https://www.insidethescore.com/fast-track
Your journey towards musical mastery begins here... 🛤️
🎻 Where to Start with Classical Music? - https://www.insidethescore.com/14-pieces
🎼 The Training Ground for Next-Level Musicianship - https://www.insidethescore.com/musicality
🎹 Learn the Art and Craft of Composing, and Develop Your Unique Musical Voice - https://www.insidethescore.com/composer
💖 Support this Channel - https://www.patreon.com/insidethescore
💬 Join the Discord - https://discord.gg/HSZYJXD5Cj
Music included (Listening List):
Symphony no. 2 (‘Resurrection’) – Finale
Symphony no. 1 (‘Titan’) – First Movement
Symphony no. 1 – Third Movement
Symphony no. 3 – Final Movement (Adagio)
Symphony no. 4 – Das Himmlische Leben
Symphony no. 4 – Third Movement (Adagio)
Symphony no. 5 – Adagietto
Kindertotenlieder - Wenn dein Mütterlein (If your mother…)
Symphony no. 6 (‘Tragic’) – Scherzo
Symphony no. 6 – Finale
Symphony no. 8 (‘Symphony of a Thousand’) – Movement 2 (Closing Scene from Goethe’s Faust)
Symphony no. 9 – First Movement
Symphony no. 9 – Finale
Symphony no. 10 – Adagio (First Movement)
0:00 - Introduction
1:20 – Chapter One: Spring
8:01 – Chapter Two: Summer
13:17 – Chapter Three: Autumn
17:59 – Chapter Four: Winter
https://wn.com/Why_Listen_To_Mahler
Discover more music with Apple Music Classical, the streaming service for classical music. http://apple.co/InsideTheScore
Search for 'Mahler Essentials' or 'Discover Mahler' to hear much more of his greatest!
Gustav Mahler has been one of my favourite composers since I discovered Classical Music – and in this video I try to explain why he holds that place, from many angles, channelled through the extraordinary, moving story of Mahler’s life and works.
I hope you can consider this a complete introduction to Mahler’s life and works, and a compelling springboard for a musical journey into the depths of Mahler’s soul.
Podcast on Mahler Symphony #2 - https://www.youtube.com/watch?v=IC4y3io-T34
🎁 FREE
Accelerate your ear training, sight reading, and musicianship skills with this free mini-course:
https://www.insidethescore.com/fast-track
Your journey towards musical mastery begins here... 🛤️
🎻 Where to Start with Classical Music? - https://www.insidethescore.com/14-pieces
🎼 The Training Ground for Next-Level Musicianship - https://www.insidethescore.com/musicality
🎹 Learn the Art and Craft of Composing, and Develop Your Unique Musical Voice - https://www.insidethescore.com/composer
💖 Support this Channel - https://www.patreon.com/insidethescore
💬 Join the Discord - https://discord.gg/HSZYJXD5Cj
Music included (Listening List):
Symphony no. 2 (‘Resurrection’) – Finale
Symphony no. 1 (‘Titan’) – First Movement
Symphony no. 1 – Third Movement
Symphony no. 3 – Final Movement (Adagio)
Symphony no. 4 – Das Himmlische Leben
Symphony no. 4 – Third Movement (Adagio)
Symphony no. 5 – Adagietto
Kindertotenlieder - Wenn dein Mütterlein (If your mother…)
Symphony no. 6 (‘Tragic’) – Scherzo
Symphony no. 6 – Finale
Symphony no. 8 (‘Symphony of a Thousand’) – Movement 2 (Closing Scene from Goethe’s Faust)
Symphony no. 9 – First Movement
Symphony no. 9 – Finale
Symphony no. 10 – Adagio (First Movement)
0:00 - Introduction
1:20 – Chapter One: Spring
8:01 – Chapter Two: Summer
13:17 – Chapter Three: Autumn
17:59 – Chapter Four: Winter
- published: 12 Aug 2021
- views: 610772
19:06
Mahler Symphony No.1 "Titan" Mvt 4 - Sembawang Wind Orchestra
Mahler Symphony No.1 "Titan", arranged by José Schyns performed by Sembawang Wind Orchestra (SWO) in 2023 at the Victoria Concert Hall, Singapore under the bato...
Mahler Symphony No.1 "Titan", arranged by José Schyns performed by Sembawang Wind Orchestra (SWO) in 2023 at the Victoria Concert Hall, Singapore under the baton of Mr. Desmond Ng.
Website
http://www.swo.sg/
Social Media
Facebook: https://www.facebook.com/SembawangWindOrchestra
Instagram: https://www.instagram.com/SembawangWindOrchestra
https://wn.com/Mahler_Symphony_No.1_Titan_Mvt_4_Sembawang_Wind_Orchestra
Mahler Symphony No.1 "Titan", arranged by José Schyns performed by Sembawang Wind Orchestra (SWO) in 2023 at the Victoria Concert Hall, Singapore under the baton of Mr. Desmond Ng.
Website
http://www.swo.sg/
Social Media
Facebook: https://www.facebook.com/SembawangWindOrchestra
Instagram: https://www.instagram.com/SembawangWindOrchestra
- published: 25 Feb 2024
- views: 107
1:02:14
Gustav Mahler: Symphony No. 1 (Lucerne Festival Orchestra, Abbado)
Recorded live at the Lucerne Festival, Summer 2009
Concert Hall of the KKL Luzern, August 2009
Lucerne Festival Orchestra
Claudio Abbado - conductor
Chapters:...
Recorded live at the Lucerne Festival, Summer 2009
Concert Hall of the KKL Luzern, August 2009
Lucerne Festival Orchestra
Claudio Abbado - conductor
Chapters:
0:00 Gustav Mahler: Symphony No. 1
0:30 I. Langsam, schleppend
17:16 II. Kräftig bewegt, doch nicht zu schnell
24:50 III. Feierlich und gemessen, ohne zu schleppen
36:19 IV. Stürmisch bewegt
Watch this work performed by the Asian Youth Orchestra under the baton of James Judd: https://youtu.be/Kj_iBBmGzsU
Whenever Claudio Abbado conducts the LUCERNE FESTIVAL ORCHESTRA, music lovers are in for a very special event. Such was the case in the summer of 2009 when the charismatic Italian conductor opened Lucerne's tradition-rich Festival with a concert featuring Mahler's First Symphony and Prokofiev's Third Piano Concerto. In 2003 Abbado, together with Artistic and Executive Director Michael Haefliger, founded the orchestra, which consists of internationally renowned soloists and chamber musicians - just as did its model, the elite body of musicians that Arturo Toscanini gathered around hirn at the Festival's founding in 1938. lt was with this first-class ensemble that Abbado offered a vividly inspired interpretation of the Mahler. In truth - as the audience's response demonstrated - it left nothing to be desired. The twenty-two-year-old Chinese Pianist Yuja Wang likewise earned enthusiastic applause for her account of the Prokofiev Concerto, which she played with character and nuanced expression.
The theme of nature served es the guiding thread for all the programming choices during the summer of 2009 - a theme with obvious relevance for the LUCERNE FESTIVAL, which is held amid one of the most beautitul landscapes of Europe: its concerts incIude unforgettable views of Lake Lucerne and Alpine panoramas. This theme, es it happens, has eminent musical significance es well: 'Like a sound of nature' is the direction Mahler inscribed at the very beginning of the First Symphony.
https://wn.com/Gustav_Mahler_Symphony_No._1_(Lucerne_Festival_Orchestra,_Abbado)
Recorded live at the Lucerne Festival, Summer 2009
Concert Hall of the KKL Luzern, August 2009
Lucerne Festival Orchestra
Claudio Abbado - conductor
Chapters:
0:00 Gustav Mahler: Symphony No. 1
0:30 I. Langsam, schleppend
17:16 II. Kräftig bewegt, doch nicht zu schnell
24:50 III. Feierlich und gemessen, ohne zu schleppen
36:19 IV. Stürmisch bewegt
Watch this work performed by the Asian Youth Orchestra under the baton of James Judd: https://youtu.be/Kj_iBBmGzsU
Whenever Claudio Abbado conducts the LUCERNE FESTIVAL ORCHESTRA, music lovers are in for a very special event. Such was the case in the summer of 2009 when the charismatic Italian conductor opened Lucerne's tradition-rich Festival with a concert featuring Mahler's First Symphony and Prokofiev's Third Piano Concerto. In 2003 Abbado, together with Artistic and Executive Director Michael Haefliger, founded the orchestra, which consists of internationally renowned soloists and chamber musicians - just as did its model, the elite body of musicians that Arturo Toscanini gathered around hirn at the Festival's founding in 1938. lt was with this first-class ensemble that Abbado offered a vividly inspired interpretation of the Mahler. In truth - as the audience's response demonstrated - it left nothing to be desired. The twenty-two-year-old Chinese Pianist Yuja Wang likewise earned enthusiastic applause for her account of the Prokofiev Concerto, which she played with character and nuanced expression.
The theme of nature served es the guiding thread for all the programming choices during the summer of 2009 - a theme with obvious relevance for the LUCERNE FESTIVAL, which is held amid one of the most beautitul landscapes of Europe: its concerts incIude unforgettable views of Lake Lucerne and Alpine panoramas. This theme, es it happens, has eminent musical significance es well: 'Like a sound of nature' is the direction Mahler inscribed at the very beginning of the First Symphony.
- published: 14 Mar 2015
- views: 2636014
-
DIE WALKÜRE Wagner – Longborough Festival Opera
Siegmund and Sieglinde find themselves drawn together during a storm. Unbeknown to them their father Wotan, chief of the gods, hopes through Siegmund to retrieve a ring of ultimate power.
Die Walküre stands at the pinnacle of Romantic musical drama. Barely has the curtain opened when Wagner unleashes orchestral writing that sweeps everything away in its path. Storm, incest, divine wrath, irrepressible passion: everything is there to announce the tortuous destiny of the heroes. Through a composition in which every instrument contributes to the tragedy, Wagner begins the story proper, illuminating words and scenes with his famous leitmotifs that run beneath the singers, pass into their voices, transform and resurface as the plot develops. It is not surprising that Die Walküre (second part o...
published: 09 Aug 2024
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Wagner Die Walküre
Richard Wagner. Die Walküre. Adam Fischer, Vienna State Opera, 2016.
published: 23 Jun 2019
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DIE WALKÜRE by Richard Wagner (Audio + Full Score)
pf: Georg Solti cond/ Vienna Philharmonic Orchestra
Year/Date of Composition: 1854-6
Siegmund: James King
Sieglinde: Régine Crespin
Wotan: Hans Hotter
Brünnhilde: Birgit Nilsson
Hunding: Gottlob Frick
Fricka: Christa Ludwig
Gerhilde: Vera Schlosser
Ortlinde: Helga Dernesch
Waltraute: Brigitte Fassbaender
Schwertleite: Helen Watts
Helmwige: Berit Lindholm
Siegrune: Vera Little
Grimgerde: Marilyn Tyler
Roßweiße: Claudia Hellmann
SYNOPSIS: http://www.wagneroperas.com/indexwalkure1.html
LIBRETTO: http://www.murashev.com/opera/Die_Walk%C3%BCre_libretto_English_German
0:00 - ACT ONE, SCENE ONE (Storm prelude)
4:44 - (Sieglinde sees Siegmund)
16:50 - SCENE TWO (Return of Hunding, Sieglinde's husband; Hunding challenges Siegmund to a duel in the morning)
38:05 -SCENE THREE
40:35 - (Siegmund: ...
published: 20 Nov 2017
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Richard Wagner - The ride of the Valkyries from "Die Walküre"
Richard Wagner
The ride of the Valkyries, from Die Walküre
Richard Wagner is considered the master of German opera, and one of the most progressive composers in history.
The philosophical issues that Wagner considered vital to society were the tension between good and evil, between the physical and spiritual, and between selfishness and redemptive love.
Wagner is also one to the most controversial composers of our time, his music was breathtaking, his politics left many cold.
Der Ring des Nibelungen, (The Ring of the Nibelung), is a cycle of four epic music dramas by the German composer Richard Wagner.
published: 25 Nov 2007
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Die Walküre: “Hojotoho!”
Christine Goerke sings Brünnhilde’s Act II battle cry in the final dress rehearsal. Production: Robert Lepage. Conductor: Philippe Jordan. 2018–19 season.
published: 25 Mar 2019
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UBC Symphony Orchestra - Wagner - Ride of the Valkyries from "Die Walküre"
Jonathan Girard leads the UBC Symphony Orchestra in a performance of Wagner - Wotan's Ride of the Valkyries from "Die Walküre" on Friday February 9, 2018 at the Chan Centre for the Performing Arts in Vancouver, BC, Canada.
published: 03 Apr 2020
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The MET Live in HD 2019: Die Walkure - Ride of the Valkyries
The Valkyries are arriving at Bethanie Theatre on 9 November, 5:00pm. Their war cries are booming in the distance already! Have a look at "Ride of the Valkyries", one of the most famous scenes from Wagner's Die Walkure.
In what is expected to be a Wagnerian event for the ages, soprano Christine Goerke plays Brünnhilde, Wotan’s willful warrior daughter, who loses her immortality in opera’s most famous act of filial defiance. Tenor Stuart Skelton and soprano Eva-Maria Westbroek play the incestuous twins Siegmund and Sieglinde. Greer Grimsley sings Wotan. Philippe Jordan conducts.
萬眾期待的一場華格納盛宴,將由女高音克莉斯汀哥爾克 (Christine Goerke) 演繹沃坦的女兒布倫希爾德,在失去女武神資格的一幕可謂歌劇中違抗至親的著名經典。男高音斯圖亞特斯克爾頓 (Stuart Skelton) 和女高音艾娃瑪麗亞魏絲珀克 (Eva-Maria Westbroek) 則演出亂倫雙胞胎齊格蒙德和齊格林德。沃坦由格里爾格里斯利 (Greer Grimsley) 演唱,該劇由菲利浦約丹 (Phil...
published: 14 Oct 2019
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Episode 4: Die Walküre (The Ring) by Richard Wagner
This one is INTENSE - but we ARE talking about Wagner and we ARE distilling a multi-hour opera into 12 minutes! Sit back and immerse yourself in the 19th Century's Teutonic Game of Thrones! Note that this video only considers Die Walkure, the second of Wagner's Ring Cycle operas.
Like, share, leave your comments and support us on PATREON! 👇
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MUSIC CREDITS:
Composer: Richard Wagner
Work: Die Walkure, WWV 86B
Performer: James King, Regine Crespin, Gottlob Frick, Hans Hotter, Birgit Nilsson, Christa Ludwig
Conductor: Sir Georg Solti
Year: 2015 (recorded 1965)
Label: Decca
Catalogue No: 4788...
published: 18 Jun 2018
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Götterdämmerung - Full Lyric Video (English/German)
The final opera of Wagner's epic Ring Cycle, Götterdämmerung, with audio synced to libretto in "lyric video" format.
Timestamps:
00:00 - Vorspiel
02:26 - Scene 2
18:43 - Scene 3
27:29 - Scene 4
33:43 - Siegfrieds Rheinfahrt
39:18 - Scene 6
51:30 - Scene 7
58:41 - Scene 8
1:01:57 - Scene 9
1:09:27 - Scene 10
1:13:00 - Scene 11
1:23:55 - Scene 12
1:31:48 - Scene 13
1:42:50 - Scene 14
1:49:27 - Scene 15
1:52:53 - Scene 16
2:02:22 - Scene 17
2:05:42 - Scene 18
2:15:11 - Scene 19
2:21:29 - Scene 20
2:31:45 - Scene 21
2:39:45 - Scene 22
2:40:52 - Scene 23
2:48:26 - Scene 24
2:49:54 - Scene 25
2:53:34 - Scene 26
3:09:26 - Scene 27
3:16:29 - Scene 28
3:24:34 - Scene 29
3:30:23 - Scene 30
3:46:58 - Scene 31
3:52:37 - Siegfried's Funeral March
3:58:45 - Scene 33
4:10:36 - Scene 34
The recording is...
published: 10 Dec 2024
-
Richard Wagner - Ride of The Valkyries
The "Ride of the Valkyries" refers to the beginning of act 3 of Die Walküre, the second of the four operas constituting Richard Wagner's Der Ring des Nibelungen.
▶️ More from Richard Wagner: https://youtube.com/playlist?list=PLO09Th4dLYVlOoVSMlOn5iuiNYXvL2ubp
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published: 20 Nov 2008
3:46:54
DIE WALKÜRE Wagner – Longborough Festival Opera
Siegmund and Sieglinde find themselves drawn together during a storm. Unbeknown to them their father Wotan, chief of the gods, hopes through Siegmund to retriev...
Siegmund and Sieglinde find themselves drawn together during a storm. Unbeknown to them their father Wotan, chief of the gods, hopes through Siegmund to retrieve a ring of ultimate power.
Die Walküre stands at the pinnacle of Romantic musical drama. Barely has the curtain opened when Wagner unleashes orchestral writing that sweeps everything away in its path. Storm, incest, divine wrath, irrepressible passion: everything is there to announce the tortuous destiny of the heroes. Through a composition in which every instrument contributes to the tragedy, Wagner begins the story proper, illuminating words and scenes with his famous leitmotifs that run beneath the singers, pass into their voices, transform and resurface as the plot develops. It is not surprising that Die Walküre (second part of the Ring of the Nibelung) is widely regarded as the most popular and the most moving. Likened to a Bayreuth in the English countryside, Longborough Festival stages a new production following the socially-distanced concert performance of Die Walküre in 2021. This new 2024 production is seen for the first time as part of Longborough’s 2024 Ring cycle. It is directed by Amy Lane, Artistic Director of Copenhagen Opera Festival, and conducted by Anthony Negus, Longborough Music Director and eminent Wagnerian.
Full performance streamed on OperaVision from 9 August 2024 at 19:00 CET to 9 February 2025 at 12:00 CET: https://operavision.eu/performance/die-walkure-1
CAST
Siegmund
Mark Le Brocq
Sieglinde
Emma Bell
Wotan
Paul Carey Jones
Fricka
Madeleine Shaw
Brünnhilde
Lee Bisset
Hunding
Julian Close
Gerhilde
Eleanor Dennis
Ortlinde
Cara McHardy
Waltraute
Rebecca Afonwy-Jones
Schwertleite
Verena Gunz
Helmwige
Katie Lowe
Siegrune
Carolyn Dobbin
Grimgerde
Katie Stevenson
Rossweisse
Rozanna Madylus
Orchestra
Longborough Festival Orchestra
Music
Richard Wagner
Text
Richard Wagner
Conductor
Anthony Negus
Director
Amy Lane
Lights
Charlie Morgan Jones
Sets
Rhiannon Newman Brown
Costumes
Emma Ryott
Video
Tim Baxter
Assistant Conductor
Harry Sever
Assistant Director
Leo Doulton
Choreographer
Lorena Randi
OperaVision is a freeview opera streaming platform, supported by the European Union's Creative Europe programme. Watch live streams as the performances themselves unfold in the opera house. Enjoy a variety of shows - including opera, operetta, musical theatre, dance, ballet and concerts. Opera connaisseur or curious newcomer, there is something for everyone on OperaVision.
https://operavision.eu/
https://www.facebook.com/OperaVisionEU/
https://twitter.com/OperaVision_EU
https://www.instagram.com/OperaVision.EU/
https://www.tiktok.com/@operavision
https://wn.com/Die_Walküre_Wagner_–_Longborough_Festival_Opera
Siegmund and Sieglinde find themselves drawn together during a storm. Unbeknown to them their father Wotan, chief of the gods, hopes through Siegmund to retrieve a ring of ultimate power.
Die Walküre stands at the pinnacle of Romantic musical drama. Barely has the curtain opened when Wagner unleashes orchestral writing that sweeps everything away in its path. Storm, incest, divine wrath, irrepressible passion: everything is there to announce the tortuous destiny of the heroes. Through a composition in which every instrument contributes to the tragedy, Wagner begins the story proper, illuminating words and scenes with his famous leitmotifs that run beneath the singers, pass into their voices, transform and resurface as the plot develops. It is not surprising that Die Walküre (second part of the Ring of the Nibelung) is widely regarded as the most popular and the most moving. Likened to a Bayreuth in the English countryside, Longborough Festival stages a new production following the socially-distanced concert performance of Die Walküre in 2021. This new 2024 production is seen for the first time as part of Longborough’s 2024 Ring cycle. It is directed by Amy Lane, Artistic Director of Copenhagen Opera Festival, and conducted by Anthony Negus, Longborough Music Director and eminent Wagnerian.
Full performance streamed on OperaVision from 9 August 2024 at 19:00 CET to 9 February 2025 at 12:00 CET: https://operavision.eu/performance/die-walkure-1
CAST
Siegmund
Mark Le Brocq
Sieglinde
Emma Bell
Wotan
Paul Carey Jones
Fricka
Madeleine Shaw
Brünnhilde
Lee Bisset
Hunding
Julian Close
Gerhilde
Eleanor Dennis
Ortlinde
Cara McHardy
Waltraute
Rebecca Afonwy-Jones
Schwertleite
Verena Gunz
Helmwige
Katie Lowe
Siegrune
Carolyn Dobbin
Grimgerde
Katie Stevenson
Rossweisse
Rozanna Madylus
Orchestra
Longborough Festival Orchestra
Music
Richard Wagner
Text
Richard Wagner
Conductor
Anthony Negus
Director
Amy Lane
Lights
Charlie Morgan Jones
Sets
Rhiannon Newman Brown
Costumes
Emma Ryott
Video
Tim Baxter
Assistant Conductor
Harry Sever
Assistant Director
Leo Doulton
Choreographer
Lorena Randi
OperaVision is a freeview opera streaming platform, supported by the European Union's Creative Europe programme. Watch live streams as the performances themselves unfold in the opera house. Enjoy a variety of shows - including opera, operetta, musical theatre, dance, ballet and concerts. Opera connaisseur or curious newcomer, there is something for everyone on OperaVision.
https://operavision.eu/
https://www.facebook.com/OperaVisionEU/
https://twitter.com/OperaVision_EU
https://www.instagram.com/OperaVision.EU/
https://www.tiktok.com/@operavision
- published: 09 Aug 2024
- views: 52237
4:00:01
Wagner Die Walküre
Richard Wagner. Die Walküre. Adam Fischer, Vienna State Opera, 2016.
Richard Wagner. Die Walküre. Adam Fischer, Vienna State Opera, 2016.
https://wn.com/Wagner_Die_Walküre
Richard Wagner. Die Walküre. Adam Fischer, Vienna State Opera, 2016.
- published: 23 Jun 2019
- views: 207245
3:48:54
DIE WALKÜRE by Richard Wagner (Audio + Full Score)
pf: Georg Solti cond/ Vienna Philharmonic Orchestra
Year/Date of Composition: 1854-6
Siegmund: James King
Sieglinde: Régine Crespin
Wotan: Hans Hotter
Brünnhi...
pf: Georg Solti cond/ Vienna Philharmonic Orchestra
Year/Date of Composition: 1854-6
Siegmund: James King
Sieglinde: Régine Crespin
Wotan: Hans Hotter
Brünnhilde: Birgit Nilsson
Hunding: Gottlob Frick
Fricka: Christa Ludwig
Gerhilde: Vera Schlosser
Ortlinde: Helga Dernesch
Waltraute: Brigitte Fassbaender
Schwertleite: Helen Watts
Helmwige: Berit Lindholm
Siegrune: Vera Little
Grimgerde: Marilyn Tyler
Roßweiße: Claudia Hellmann
SYNOPSIS: http://www.wagneroperas.com/indexwalkure1.html
LIBRETTO: http://www.murashev.com/opera/Die_Walk%C3%BCre_libretto_English_German
0:00 - ACT ONE, SCENE ONE (Storm prelude)
4:44 - (Sieglinde sees Siegmund)
16:50 - SCENE TWO (Return of Hunding, Sieglinde's husband; Hunding challenges Siegmund to a duel in the morning)
38:05 -SCENE THREE
40:35 - (Siegmund: "Wälse! Wälse! Where is thy sword?")
41:10 - (Siegmund spots a sword hilt in the ash tree, lit by flames from the fireplace)
44:42 - (Sieglinde shows Siegmund the sword)
51:02 - Walsung Twins’ Love Duet
1:01:56 - (Sieglinde: "Siegmund, so name I thee!")
1:02:33 - (Siegmund proclaims love as his highest need)
1:03:30 - (Siegmund removes the sword, Nothung, from the tree)
1:05:50 - ACT TWO, SCENE ONE (A mountain pass)
1:08:04 - (Wotan tells Brunnhilde to go and defend the Walsung twins against Hunding.)
1:09:15 - (Brunnhilde warns her father of Fricka's approach...)
1:10:53 - (Fricka approaches, condemning the twins for their adultery and incest, as well as Wotan for his adultery with Erda and the Walsungs' mother)
1:21:12 - (Fricka: "Take back the sword")
1:24:11 - (Fricka: "Shield not the Walsungs!")
1:26:05 - (Brunnhilde appears)
1:30:03 - SCENE TWO (Wotan tells Brunnhilde about the Ring, how he paid for Valhalla with it, and how he planned for Siegmund to take the Ring from Fafner so that Alberich doesn't regain it.)
1:47:13 - (Wotan: "What I love most must I surrender")
1:48:17 - (Wotan: "One thing awaits me; the downfall.")
1:51:31 - (Wotan: "Then take thou my blessing, Nibelung son!")
1:52:15 - (Wotan: "Siegmund shalt thou vanquish")
1:58:24 - SCENE THREE (Siegmund and Sieglinde approach the mountain pass)
2:05:08 - (Sieglinde previsions Hunding's revenge)
2:08:54 - SCENE FOUR (Brunnhilde tells Siegmund he must die and go to Valhalla, whilst Sieglinde will remain on earth)
2:19:36 - (Siegmund: "To them I follow thee not!")
2:21:46 - (Brunnhilde: "[Wotan] takes away the spell from your sword.")
2:26:19 - (Brunnhilde is persuaded to defend Siegmund after he threatens to take Sieglinde's life)
2:28:49 - SCENE FIVE
2:31:38 - (Siegmund rushes off to fight Hunding, Sieglinde dreams about the abduction from her family)
2:33:22 - (Hunding calls for Siegmund)
2:34:36 - (Wotan shatters Nothung, letting Hunding kill Siegmund)
2:38:34 - ACT THREE, SCENE ONE (Ride of the Valkyries)
2:45:28 - (Siegrune spots Brunnhilde, the Valkyries see she is carrying Sieglinde on her horse)
2:46:56 - (Brunnhilde asks for the Valkyries to help Sieglinde)
2:51:40 - (Brunnhilde to Sieglinde: "You bear a Walsung's life!")
2:53:35 - (Brunnhilde tells Sieglinde to go east near Fafner's cave ["dragon" motif at 2:53:11]. Handing over the sword pieces, she names the child Siegfried and proclaims him as the one who will wield Nothung.)
2:56:30 - SCENE TWO (Arrival of Wotan: "Where is Brunnhilde?")
3:04:59 - (As punishment, Wotan will take away Brunnhilde's immortality and leave her alone, asleep on top of the mountain, for any man to find)
3:09:11 - SCENE THREE (Brunnhilde tries to explain herself; she saw what Wotan did not - the twins' love)
3:29:35 - (Brunnhilde begs Wotan to surround her with a ring of fire [3:30:59], so that only the bravest hero could find her)
3:31:40 - "Leb wohl" (Wotan bids farewell to Brunnhilde)
3:43:57 - Magic Fire Music (Wogan summons Loge, who draws a ring of fire around Brunnhilde...)
https://wn.com/Die_Walküre_By_Richard_Wagner_(Audio_Full_Score)
pf: Georg Solti cond/ Vienna Philharmonic Orchestra
Year/Date of Composition: 1854-6
Siegmund: James King
Sieglinde: Régine Crespin
Wotan: Hans Hotter
Brünnhilde: Birgit Nilsson
Hunding: Gottlob Frick
Fricka: Christa Ludwig
Gerhilde: Vera Schlosser
Ortlinde: Helga Dernesch
Waltraute: Brigitte Fassbaender
Schwertleite: Helen Watts
Helmwige: Berit Lindholm
Siegrune: Vera Little
Grimgerde: Marilyn Tyler
Roßweiße: Claudia Hellmann
SYNOPSIS: http://www.wagneroperas.com/indexwalkure1.html
LIBRETTO: http://www.murashev.com/opera/Die_Walk%C3%BCre_libretto_English_German
0:00 - ACT ONE, SCENE ONE (Storm prelude)
4:44 - (Sieglinde sees Siegmund)
16:50 - SCENE TWO (Return of Hunding, Sieglinde's husband; Hunding challenges Siegmund to a duel in the morning)
38:05 -SCENE THREE
40:35 - (Siegmund: "Wälse! Wälse! Where is thy sword?")
41:10 - (Siegmund spots a sword hilt in the ash tree, lit by flames from the fireplace)
44:42 - (Sieglinde shows Siegmund the sword)
51:02 - Walsung Twins’ Love Duet
1:01:56 - (Sieglinde: "Siegmund, so name I thee!")
1:02:33 - (Siegmund proclaims love as his highest need)
1:03:30 - (Siegmund removes the sword, Nothung, from the tree)
1:05:50 - ACT TWO, SCENE ONE (A mountain pass)
1:08:04 - (Wotan tells Brunnhilde to go and defend the Walsung twins against Hunding.)
1:09:15 - (Brunnhilde warns her father of Fricka's approach...)
1:10:53 - (Fricka approaches, condemning the twins for their adultery and incest, as well as Wotan for his adultery with Erda and the Walsungs' mother)
1:21:12 - (Fricka: "Take back the sword")
1:24:11 - (Fricka: "Shield not the Walsungs!")
1:26:05 - (Brunnhilde appears)
1:30:03 - SCENE TWO (Wotan tells Brunnhilde about the Ring, how he paid for Valhalla with it, and how he planned for Siegmund to take the Ring from Fafner so that Alberich doesn't regain it.)
1:47:13 - (Wotan: "What I love most must I surrender")
1:48:17 - (Wotan: "One thing awaits me; the downfall.")
1:51:31 - (Wotan: "Then take thou my blessing, Nibelung son!")
1:52:15 - (Wotan: "Siegmund shalt thou vanquish")
1:58:24 - SCENE THREE (Siegmund and Sieglinde approach the mountain pass)
2:05:08 - (Sieglinde previsions Hunding's revenge)
2:08:54 - SCENE FOUR (Brunnhilde tells Siegmund he must die and go to Valhalla, whilst Sieglinde will remain on earth)
2:19:36 - (Siegmund: "To them I follow thee not!")
2:21:46 - (Brunnhilde: "[Wotan] takes away the spell from your sword.")
2:26:19 - (Brunnhilde is persuaded to defend Siegmund after he threatens to take Sieglinde's life)
2:28:49 - SCENE FIVE
2:31:38 - (Siegmund rushes off to fight Hunding, Sieglinde dreams about the abduction from her family)
2:33:22 - (Hunding calls for Siegmund)
2:34:36 - (Wotan shatters Nothung, letting Hunding kill Siegmund)
2:38:34 - ACT THREE, SCENE ONE (Ride of the Valkyries)
2:45:28 - (Siegrune spots Brunnhilde, the Valkyries see she is carrying Sieglinde on her horse)
2:46:56 - (Brunnhilde asks for the Valkyries to help Sieglinde)
2:51:40 - (Brunnhilde to Sieglinde: "You bear a Walsung's life!")
2:53:35 - (Brunnhilde tells Sieglinde to go east near Fafner's cave ["dragon" motif at 2:53:11]. Handing over the sword pieces, she names the child Siegfried and proclaims him as the one who will wield Nothung.)
2:56:30 - SCENE TWO (Arrival of Wotan: "Where is Brunnhilde?")
3:04:59 - (As punishment, Wotan will take away Brunnhilde's immortality and leave her alone, asleep on top of the mountain, for any man to find)
3:09:11 - SCENE THREE (Brunnhilde tries to explain herself; she saw what Wotan did not - the twins' love)
3:29:35 - (Brunnhilde begs Wotan to surround her with a ring of fire [3:30:59], so that only the bravest hero could find her)
3:31:40 - "Leb wohl" (Wotan bids farewell to Brunnhilde)
3:43:57 - Magic Fire Music (Wogan summons Loge, who draws a ring of fire around Brunnhilde...)
- published: 20 Nov 2017
- views: 395585
4:51
Richard Wagner - The ride of the Valkyries from "Die Walküre"
Richard Wagner
The ride of the Valkyries, from Die Walküre
Richard Wagner is considered the master of German opera, and one of the most progressive composer...
Richard Wagner
The ride of the Valkyries, from Die Walküre
Richard Wagner is considered the master of German opera, and one of the most progressive composers in history.
The philosophical issues that Wagner considered vital to society were the tension between good and evil, between the physical and spiritual, and between selfishness and redemptive love.
Wagner is also one to the most controversial composers of our time, his music was breathtaking, his politics left many cold.
Der Ring des Nibelungen, (The Ring of the Nibelung), is a cycle of four epic music dramas by the German composer Richard Wagner.
https://wn.com/Richard_Wagner_The_Ride_Of_The_Valkyries_From_Die_Walküre
Richard Wagner
The ride of the Valkyries, from Die Walküre
Richard Wagner is considered the master of German opera, and one of the most progressive composers in history.
The philosophical issues that Wagner considered vital to society were the tension between good and evil, between the physical and spiritual, and between selfishness and redemptive love.
Wagner is also one to the most controversial composers of our time, his music was breathtaking, his politics left many cold.
Der Ring des Nibelungen, (The Ring of the Nibelung), is a cycle of four epic music dramas by the German composer Richard Wagner.
- published: 25 Nov 2007
- views: 9996992
0:43
Die Walküre: “Hojotoho!”
Christine Goerke sings Brünnhilde’s Act II battle cry in the final dress rehearsal. Production: Robert Lepage. Conductor: Philippe Jordan. 2018–19 season.
Christine Goerke sings Brünnhilde’s Act II battle cry in the final dress rehearsal. Production: Robert Lepage. Conductor: Philippe Jordan. 2018–19 season.
https://wn.com/Die_Walküre_“Hojotoho_”
Christine Goerke sings Brünnhilde’s Act II battle cry in the final dress rehearsal. Production: Robert Lepage. Conductor: Philippe Jordan. 2018–19 season.
- published: 25 Mar 2019
- views: 64535
5:43
UBC Symphony Orchestra - Wagner - Ride of the Valkyries from "Die Walküre"
Jonathan Girard leads the UBC Symphony Orchestra in a performance of Wagner - Wotan's Ride of the Valkyries from "Die Walküre" on Friday February 9, 2018 at the...
Jonathan Girard leads the UBC Symphony Orchestra in a performance of Wagner - Wotan's Ride of the Valkyries from "Die Walküre" on Friday February 9, 2018 at the Chan Centre for the Performing Arts in Vancouver, BC, Canada.
https://wn.com/Ubc_Symphony_Orchestra_Wagner_Ride_Of_The_Valkyries_From_Die_Walküre
Jonathan Girard leads the UBC Symphony Orchestra in a performance of Wagner - Wotan's Ride of the Valkyries from "Die Walküre" on Friday February 9, 2018 at the Chan Centre for the Performing Arts in Vancouver, BC, Canada.
- published: 03 Apr 2020
- views: 391959
4:51
The MET Live in HD 2019: Die Walkure - Ride of the Valkyries
The Valkyries are arriving at Bethanie Theatre on 9 November, 5:00pm. Their war cries are booming in the distance already! Have a look at "Ride of the Valkyries...
The Valkyries are arriving at Bethanie Theatre on 9 November, 5:00pm. Their war cries are booming in the distance already! Have a look at "Ride of the Valkyries", one of the most famous scenes from Wagner's Die Walkure.
In what is expected to be a Wagnerian event for the ages, soprano Christine Goerke plays Brünnhilde, Wotan’s willful warrior daughter, who loses her immortality in opera’s most famous act of filial defiance. Tenor Stuart Skelton and soprano Eva-Maria Westbroek play the incestuous twins Siegmund and Sieglinde. Greer Grimsley sings Wotan. Philippe Jordan conducts.
萬眾期待的一場華格納盛宴,將由女高音克莉斯汀哥爾克 (Christine Goerke) 演繹沃坦的女兒布倫希爾德,在失去女武神資格的一幕可謂歌劇中違抗至親的著名經典。男高音斯圖亞特斯克爾頓 (Stuart Skelton) 和女高音艾娃瑪麗亞魏絲珀克 (Eva-Maria Westbroek) 則演出亂倫雙胞胎齊格蒙德和齊格林德。沃坦由格里爾格里斯利 (Greer Grimsley) 演唱,該劇由菲利浦約丹 (Philippe Jordan) 指揮。
More details: http://www.themetinhongkong.info/
https://wn.com/The_Met_Live_In_Hd_2019_Die_Walkure_Ride_Of_The_Valkyries
The Valkyries are arriving at Bethanie Theatre on 9 November, 5:00pm. Their war cries are booming in the distance already! Have a look at "Ride of the Valkyries", one of the most famous scenes from Wagner's Die Walkure.
In what is expected to be a Wagnerian event for the ages, soprano Christine Goerke plays Brünnhilde, Wotan’s willful warrior daughter, who loses her immortality in opera’s most famous act of filial defiance. Tenor Stuart Skelton and soprano Eva-Maria Westbroek play the incestuous twins Siegmund and Sieglinde. Greer Grimsley sings Wotan. Philippe Jordan conducts.
萬眾期待的一場華格納盛宴,將由女高音克莉斯汀哥爾克 (Christine Goerke) 演繹沃坦的女兒布倫希爾德,在失去女武神資格的一幕可謂歌劇中違抗至親的著名經典。男高音斯圖亞特斯克爾頓 (Stuart Skelton) 和女高音艾娃瑪麗亞魏絲珀克 (Eva-Maria Westbroek) 則演出亂倫雙胞胎齊格蒙德和齊格林德。沃坦由格里爾格里斯利 (Greer Grimsley) 演唱,該劇由菲利浦約丹 (Philippe Jordan) 指揮。
More details: http://www.themetinhongkong.info/
- published: 14 Oct 2019
- views: 166729
12:28
Episode 4: Die Walküre (The Ring) by Richard Wagner
This one is INTENSE - but we ARE talking about Wagner and we ARE distilling a multi-hour opera into 12 minutes! Sit back and immerse yourself in the 19th Centur...
This one is INTENSE - but we ARE talking about Wagner and we ARE distilling a multi-hour opera into 12 minutes! Sit back and immerse yourself in the 19th Century's Teutonic Game of Thrones! Note that this video only considers Die Walkure, the second of Wagner's Ring Cycle operas.
Like, share, leave your comments and support us on PATREON! 👇
https://www.patreon.com/classics
👇Visit https://www.classicsexplained.com for official merch👇
Follow us on Facebook for channel news and more classical music: https://www.facebook.com/ClassicsEnjoyed
MUSIC CREDITS:
Composer: Richard Wagner
Work: Die Walkure, WWV 86B
Performer: James King, Regine Crespin, Gottlob Frick, Hans Hotter, Birgit Nilsson, Christa Ludwig
Conductor: Sir Georg Solti
Year: 2015 (recorded 1965)
Label: Decca
Catalogue No: 4788370
With thanks to Emilia Strachevskaia.
https://wn.com/Episode_4_Die_Walküre_(The_Ring)_By_Richard_Wagner
This one is INTENSE - but we ARE talking about Wagner and we ARE distilling a multi-hour opera into 12 minutes! Sit back and immerse yourself in the 19th Century's Teutonic Game of Thrones! Note that this video only considers Die Walkure, the second of Wagner's Ring Cycle operas.
Like, share, leave your comments and support us on PATREON! 👇
https://www.patreon.com/classics
👇Visit https://www.classicsexplained.com for official merch👇
Follow us on Facebook for channel news and more classical music: https://www.facebook.com/ClassicsEnjoyed
MUSIC CREDITS:
Composer: Richard Wagner
Work: Die Walkure, WWV 86B
Performer: James King, Regine Crespin, Gottlob Frick, Hans Hotter, Birgit Nilsson, Christa Ludwig
Conductor: Sir Georg Solti
Year: 2015 (recorded 1965)
Label: Decca
Catalogue No: 4788370
With thanks to Emilia Strachevskaia.
- published: 18 Jun 2018
- views: 148684
4:29:40
Götterdämmerung - Full Lyric Video (English/German)
The final opera of Wagner's epic Ring Cycle, Götterdämmerung, with audio synced to libretto in "lyric video" format.
Timestamps:
00:00 - Vorspiel
02:26 - Scene...
The final opera of Wagner's epic Ring Cycle, Götterdämmerung, with audio synced to libretto in "lyric video" format.
Timestamps:
00:00 - Vorspiel
02:26 - Scene 2
18:43 - Scene 3
27:29 - Scene 4
33:43 - Siegfrieds Rheinfahrt
39:18 - Scene 6
51:30 - Scene 7
58:41 - Scene 8
1:01:57 - Scene 9
1:09:27 - Scene 10
1:13:00 - Scene 11
1:23:55 - Scene 12
1:31:48 - Scene 13
1:42:50 - Scene 14
1:49:27 - Scene 15
1:52:53 - Scene 16
2:02:22 - Scene 17
2:05:42 - Scene 18
2:15:11 - Scene 19
2:21:29 - Scene 20
2:31:45 - Scene 21
2:39:45 - Scene 22
2:40:52 - Scene 23
2:48:26 - Scene 24
2:49:54 - Scene 25
2:53:34 - Scene 26
3:09:26 - Scene 27
3:16:29 - Scene 28
3:24:34 - Scene 29
3:30:23 - Scene 30
3:46:58 - Scene 31
3:52:37 - Siegfried's Funeral March
3:58:45 - Scene 33
4:10:36 - Scene 34
The recording is by the Metropolitan Opera Orchestra. Credits are as follows:
Conductor – James Levine
Vocals [01. Das Rheingold - Alberich], Vocals [03. Siegfried - Alberich], Vocals [04. Götterdämmerung - Alberich] – Ekkehard Wlaschiha
Vocals [01. Das Rheingold - Donner] – Alan Held
Vocals [01. Das Rheingold - Erda], Vocals [03. Siegfried - Erda] – Birgitta Svendén
Vocals [01. Das Rheingold - Fafner], Vocals [03. Siegfried - Fafner], Vocals [04. Götterdämmerung - Hagen] – Matti Salminen (2)
Vocals [01. Das Rheingold - Fasolt] – Jan-Hendrik Rootering
Vocals [01. Das Rheingold - Freia] – MariAnne Häggander
Vocals [01. Das Rheingold - Fricka], Vocals [02. Die Walküre - Fricka], Vocals [04. Götterdämmerung - Waltraute] – Christa Ludwig
Vocals [01. Das Rheingold - Froh] – Mark Baker (10)
Vocals [01. Das Rheingold - Loge], Vocals [03. Siegfried - Siegfried], Vocals [04. Götterdämmerung - Siegfried] – Siegfried Jerusalem
Vocals [01. Das Rheingold - Mime], Vocals [03. Siegfried - Mime] – Heinz Zednik
Vocals [01. Das Rheingold - Rheintöchter Flosshilde], Vocals [04. Götterdämmerung - Rheintöchter Flosshilde] – Meredith Parsons
Vocals [01. Das Rheingold - Rheintöchter Wellgunde], Vocals [02. Die Walküre - Valkyries Siegrune], Vocals [04. Götterdämmerung - Rheintöchter Wellgunde] – Diane Kesling
Vocals [01. Das Rheingold - Rheintöchter Woglinde], Vocals [04. Götterdämmerung - Rheintöchter Woglinde] – Kaaren Erickson
Vocals [01. Das Rheingold - Wotan], Vocals [02. Die Walküre - Wotan], Vocals [03. Siegfried - Der Wanderer] – James Morris (5)
Vocals [02. Die Walküre - Brünnhilde], Vocals [03. Siegfried - Brünnhilde], Vocals [04. Götterdämmerung - Brünnhilde] – Hildegard Behrens
Vocals [02. Die Walküre - Hunding] – Kurt Moll
Vocals [02. Die Walküre - Sieglinde] – Jessye Norman
Vocals [02. Die Walküre - Siegmund] – Gary Lakes
Vocals [02. Die Walküre - Valkyries Gerhilde] – Pyramid Sellers
Vocals [02. Die Walküre - Valkyries Grimgerde] – Wendy Hillhouse
Vocals [02. Die Walküre - Valkyries Helmwige] – Katarina Ikonomu
Vocals [02. Die Walküre - Valkyries Ortlinde] – Martha Thigpen
Vocals [02. Die Walküre - Valkyries Rossweisse] – Jacalyn Bower
Vocals [02. Die Walküre - Valkyries Schwertleite] – Sondra Kelly
Vocals [02. Die Walküre - Valkyries Waltraute] – Joyce Castle
Vocals [03. Siegfried - Stimme des Waldvogels] – Dawn Upshaw
Vocals [04. Götterdämmerung - Die drei Norne/Norn 1] – Gweneth Bean
Vocals [04. Götterdämmerung - Die drei Norne/Norn 2] – Joyce Castle
Vocals [04. Götterdämmerung - Die drei Norne/Norn 3] – Andrea Gruber
Vocals [04. Götterdämmerung - Gunther] – Anthony Raffell
Vocals [04. Götterdämmerung - Gutrune] – Hanna Lisowska
https://wn.com/Götterdämmerung_Full_Lyric_Video_(English_German)
The final opera of Wagner's epic Ring Cycle, Götterdämmerung, with audio synced to libretto in "lyric video" format.
Timestamps:
00:00 - Vorspiel
02:26 - Scene 2
18:43 - Scene 3
27:29 - Scene 4
33:43 - Siegfrieds Rheinfahrt
39:18 - Scene 6
51:30 - Scene 7
58:41 - Scene 8
1:01:57 - Scene 9
1:09:27 - Scene 10
1:13:00 - Scene 11
1:23:55 - Scene 12
1:31:48 - Scene 13
1:42:50 - Scene 14
1:49:27 - Scene 15
1:52:53 - Scene 16
2:02:22 - Scene 17
2:05:42 - Scene 18
2:15:11 - Scene 19
2:21:29 - Scene 20
2:31:45 - Scene 21
2:39:45 - Scene 22
2:40:52 - Scene 23
2:48:26 - Scene 24
2:49:54 - Scene 25
2:53:34 - Scene 26
3:09:26 - Scene 27
3:16:29 - Scene 28
3:24:34 - Scene 29
3:30:23 - Scene 30
3:46:58 - Scene 31
3:52:37 - Siegfried's Funeral March
3:58:45 - Scene 33
4:10:36 - Scene 34
The recording is by the Metropolitan Opera Orchestra. Credits are as follows:
Conductor – James Levine
Vocals [01. Das Rheingold - Alberich], Vocals [03. Siegfried - Alberich], Vocals [04. Götterdämmerung - Alberich] – Ekkehard Wlaschiha
Vocals [01. Das Rheingold - Donner] – Alan Held
Vocals [01. Das Rheingold - Erda], Vocals [03. Siegfried - Erda] – Birgitta Svendén
Vocals [01. Das Rheingold - Fafner], Vocals [03. Siegfried - Fafner], Vocals [04. Götterdämmerung - Hagen] – Matti Salminen (2)
Vocals [01. Das Rheingold - Fasolt] – Jan-Hendrik Rootering
Vocals [01. Das Rheingold - Freia] – MariAnne Häggander
Vocals [01. Das Rheingold - Fricka], Vocals [02. Die Walküre - Fricka], Vocals [04. Götterdämmerung - Waltraute] – Christa Ludwig
Vocals [01. Das Rheingold - Froh] – Mark Baker (10)
Vocals [01. Das Rheingold - Loge], Vocals [03. Siegfried - Siegfried], Vocals [04. Götterdämmerung - Siegfried] – Siegfried Jerusalem
Vocals [01. Das Rheingold - Mime], Vocals [03. Siegfried - Mime] – Heinz Zednik
Vocals [01. Das Rheingold - Rheintöchter Flosshilde], Vocals [04. Götterdämmerung - Rheintöchter Flosshilde] – Meredith Parsons
Vocals [01. Das Rheingold - Rheintöchter Wellgunde], Vocals [02. Die Walküre - Valkyries Siegrune], Vocals [04. Götterdämmerung - Rheintöchter Wellgunde] – Diane Kesling
Vocals [01. Das Rheingold - Rheintöchter Woglinde], Vocals [04. Götterdämmerung - Rheintöchter Woglinde] – Kaaren Erickson
Vocals [01. Das Rheingold - Wotan], Vocals [02. Die Walküre - Wotan], Vocals [03. Siegfried - Der Wanderer] – James Morris (5)
Vocals [02. Die Walküre - Brünnhilde], Vocals [03. Siegfried - Brünnhilde], Vocals [04. Götterdämmerung - Brünnhilde] – Hildegard Behrens
Vocals [02. Die Walküre - Hunding] – Kurt Moll
Vocals [02. Die Walküre - Sieglinde] – Jessye Norman
Vocals [02. Die Walküre - Siegmund] – Gary Lakes
Vocals [02. Die Walküre - Valkyries Gerhilde] – Pyramid Sellers
Vocals [02. Die Walküre - Valkyries Grimgerde] – Wendy Hillhouse
Vocals [02. Die Walküre - Valkyries Helmwige] – Katarina Ikonomu
Vocals [02. Die Walküre - Valkyries Ortlinde] – Martha Thigpen
Vocals [02. Die Walküre - Valkyries Rossweisse] – Jacalyn Bower
Vocals [02. Die Walküre - Valkyries Schwertleite] – Sondra Kelly
Vocals [02. Die Walküre - Valkyries Waltraute] – Joyce Castle
Vocals [03. Siegfried - Stimme des Waldvogels] – Dawn Upshaw
Vocals [04. Götterdämmerung - Die drei Norne/Norn 1] – Gweneth Bean
Vocals [04. Götterdämmerung - Die drei Norne/Norn 2] – Joyce Castle
Vocals [04. Götterdämmerung - Die drei Norne/Norn 3] – Andrea Gruber
Vocals [04. Götterdämmerung - Gunther] – Anthony Raffell
Vocals [04. Götterdämmerung - Gutrune] – Hanna Lisowska
- published: 10 Dec 2024
- views: 42
5:01
Richard Wagner - Ride of The Valkyries
The "Ride of the Valkyries" refers to the beginning of act 3 of Die Walküre, the second of the four operas constituting Richard Wagner's Der Ring des Nibelungen...
The "Ride of the Valkyries" refers to the beginning of act 3 of Die Walküre, the second of the four operas constituting Richard Wagner's Der Ring des Nibelungen.
▶️ More from Richard Wagner: https://youtube.com/playlist?list=PLO09Th4dLYVlOoVSMlOn5iuiNYXvL2ubp
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https://wn.com/Richard_Wagner_Ride_Of_The_Valkyries
The "Ride of the Valkyries" refers to the beginning of act 3 of Die Walküre, the second of the four operas constituting Richard Wagner's Der Ring des Nibelungen.
▶️ More from Richard Wagner: https://youtube.com/playlist?list=PLO09Th4dLYVlOoVSMlOn5iuiNYXvL2ubp
🔔 Subscribe to The Wicked North for the very best in classical music: https://www.youtube.com/c/TheWickedNorth
#ClassicalMusic #RichardWagner
- published: 20 Nov 2008
- views: 30097885