- published: 19 Mar 2012
- views: 878
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Gustav Mahler (7 July 1860 – 18 May 1911) was an Austrian late-Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect which included a ban on its performance in much of Europe during the Nazi era. After 1945 his compositions were rediscovered and championed by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers, a position he has sustained into the 21st century.
Born in humble circumstances, Mahler displayed his musical gifts at an early age. After graduating from the Vienna Conservatory in 1878, he held a succession of conducting posts of rising importance in the opera houses of Europe, culminating in his appointment in 1897 as director of the Vienna Court Opera (Hofoper). During his ten years in Vienna, Mahler—who had converted to Catholicism to secure the post—experienced regular opposition and hostility from the anti-Semitic press. Nevertheless, his innovative productions and insistence on the highest performance standards ensured his reputation as one of the greatest of opera conductors, particularly as an interpreter of the stage works of Wagner, Mozart, and Tchaikovsky . Late in his life he was briefly director of New York's Metropolitan Opera and the New York Philharmonic.
Lieder und Gesänge is a collection of fourteen songs with piano accompaniment by Gustav Mahler.
The title of the collection is sometimes given with the addendum aus der Jugendzeit (from the early days), but this addendum is not by Mahler. It is not even clear whether the subtitle refers to the songs being early works of Gustav Mahler (yet Mahler was aged 20 when he composed the earliest of the songs, not an adolescent), or whether the songs are meant to resemble memories of someone's younger days. The title might also simply refer to the source of the major part of the lyrics, Des Knaben Wunderhorn (The Youth's Magic Horn).
The songs were composed from 1880 to 1889 and published in three booklets in 1892.
UND or Und may refer to:
Howard E. Barker (born 28 June 1946) is a British playwright.
Barker has coined the term "Theatre of Catastrophe" to describe his work. His plays often explore violence, sexuality, the desire for power, and human motivation.
Rejecting the widespread notion that an audience should share a single response to the events onstage, Barker works to fragment response, forcing each viewer to wrestle with the play alone. "We must overcome the urge to do things in unison" he writes. "To chant together, to hum banal tunes together, is not collectivity." Where other playwrights might clarify a scene, Barker seeks to render it more complex, ambiguous, and unstable.
Only through a tragic renaissance, Barker argues, will beauty and poetry return to the stage. "Tragedy liberates language from banality" he asserts. "It returns poetry to speech."
Barker frequently turns to historical events for inspiration. His play Scenes from an Execution, for example, centers on the aftermath of the Battle of Lepanto (1571) and a fictional female artist commissioned to create a commemorative painting of the Venetian victory over the Ottoman fleet. Scenes from an Execution, originally written for Radio 3 and starring Glenda Jackson in 1984, was later adapted for the stage. The short play Judith revolves around the Biblical story of Judith, the legendary heroine who decapitated the invading general Holofernes.
Dietrich Fischer-Dieskau, baritone Leonard Bernstein, piano
Provided to YouTube by Sony Classical Lieder und Gesänge aus der Jugendzeit: Nicht wiedersehen! (2017 Remastered Version) · Leonard Bernstein · Dietrich Fischer-Dieskau · Gustav Mahler Mahler: Songs ℗ 1971 Sony Music Entertainment Released on: 2018-06-08 Lyricist: Achim von Arnim Lyricist: C. Brentano Producer: Richard Killough Lyricist: Tirso de Molina Lyricist: R. Leander Auto-generated by YouTube.
Provided to YouTube by Sony Classical/Sony Music Lieder und Gesänge aus der Jugendzeit: XIII. Nicht wiedersehen! (Arr. for Male Voice and Orchestra by Luciano Berio) · Sinfonieorchester Basel · Gustav Mahler · Ivor Bolton · Benjamin Appl Luciano Berio - Transformation ℗ 2019 Sony Music Entertainment Germany GmbH Released on: 2019-11-22 Adapter: Luciano Berio Engineer: Andreas Werner Recording Engineer: Jakob Händel Auto-generated by YouTube.
Philharmonia Orchestra, Luciano Berio Thomas Hampson, baritone
Christian Hilz, baritone; Katia Bouscarrut, piano
Gustav Mahler: Lieder und Gesänge aus der Jugendzeit, 13. Nicht wiedersehen! マーラー『若き日の歌』より『もう会えない!』 ZUSHI Yoshifumi 図子 義文 (Bass-Baritone) ZUSHI Fumiko 図子 史子 (Piano)
Gustav MAHLER (1860-1911) 'Nicht wiedersehen!' Lied from 'Lieder und Gesänge' (Vol. 3, No. 4) Text: anonymous, edited by Achim von Arnim and Clemens Brentano Composition: 1887-1890 First performance: 29 April 1892 in Hamburg Dietrich Henschel, baritone Rotterdam Residentie Orkest, conducted by Cristian Macelaru Orchestration: Detlev Glanert Concert: 23 April 2015 in Rotterdam (De Doelen) Text and English translation: http://www.lieder.net/lieder/get_text.html?TextId=18311 Playlist: https://www.youtube.com/playlist?list=PLLjWO7BtVX006l77c5F9vB7nQ51tMi1cy Marc D.
Provided to YouTube by harmonia mundi Lieder und Gesänge aus der Jugendzeit: Nicht wiedersehen · Christiane Karg · Malcolm Martineau · Gustav Mahler · Traditional Mahler: Lieder ℗ BR / Christiane Karg Released on: 2020-10-09 Soloist: Christiane Karg Associated Performer: Malcolm Martineau Music Publisher: Copyright Control Composer: Gustav Mahler Lyricist: Traditional Auto-generated by YouTube.
Christian Hilz, baritone; Katia Bouscarrut, piano
Poème de Richard von Volkmann/Richard Leander Chant: Svitlana VLASIUK Piano: Marie-Louise TOCCO
Gustav Mahler (7 July 1860 – 18 May 1911) was an Austrian late-Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect which included a ban on its performance in much of Europe during the Nazi era. After 1945 his compositions were rediscovered and championed by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers, a position he has sustained into the 21st century.
Born in humble circumstances, Mahler displayed his musical gifts at an early age. After graduating from the Vienna Conservatory in 1878, he held a succession of conducting posts of rising importance in the opera houses of Europe, culminating in his appointment in 1897 as director of the Vienna Court Opera (Hofoper). During his ten years in Vienna, Mahler—who had converted to Catholicism to secure the post—experienced regular opposition and hostility from the anti-Semitic press. Nevertheless, his innovative productions and insistence on the highest performance standards ensured his reputation as one of the greatest of opera conductors, particularly as an interpreter of the stage works of Wagner, Mozart, and Tchaikovsky . Late in his life he was briefly director of New York's Metropolitan Opera and the New York Philharmonic.