- published: 10 Dec 2013
- views: 1194710
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Gustav Mahler (7 July 1860 – 18 May 1911) was an Austrian late-Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect which included a ban on its performance in much of Europe during the Nazi era. After 1945 his compositions were rediscovered and championed by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers, a position he has sustained into the 21st century.
Born in humble circumstances, Mahler displayed his musical gifts at an early age. After graduating from the Vienna Conservatory in 1878, he held a succession of conducting posts of rising importance in the opera houses of Europe, culminating in his appointment in 1897 as director of the Vienna Court Opera (Hofoper). During his ten years in Vienna, Mahler—who had converted to Catholicism to secure the post—experienced regular opposition and hostility from the anti-Semitic press. Nevertheless, his innovative productions and insistence on the highest performance standards ensured his reputation as one of the greatest of opera conductors, particularly as an interpreter of the stage works of Wagner, Mozart, and Tchaikovsky . Late in his life he was briefly director of New York's Metropolitan Opera and the New York Philharmonic.
No. 7 may refer to:
The Seventh Symphony by the German composer Hans Werner Henze was written in 1983-84. It was commissioned by the Berliner Philharmoniker as part of the orchestra's centenary celebrations in 1982.
Unlike its immediate predecessors, Henze has stated that this work is very much a 'German' symphony, in the Beethovenian tradition. Accordingly, it is cast in four movements and is broadly analogous to the 'classical' form: Introduction, slow movement, Scherzo and Finale. However Henze uses even more traditional German motifs across the movements: an allemande (a German dance) in the first and Liedform in the second. For the two final movements he focuses on the eighteenth-century poet Friedrich Hölderlin, incarcerated at Tübingen where he was subjected to what amounted to torture in the name of medical intervention. The final movement is a deeply lyrical orchestral setting of Hölderlin's late poem Hälfte des Lebens (Half of Life).
The premiere was given by the Berliner Philharmoniker under Gianluigi Gelmetti in 1984. In that performance the work took 46 minutes. Sir Simon Rattle's 1992 recording takes 38 minutes, and Marek Janowski's 2007 recording slightly under 35.
The Symphony No. 7 by Walter Piston is a symphony dating from 1960.
Piston's Seventh Symphony was commissioned by the Philadelphia Orchestra Association, and was premiered by that orchestra, conducted by Eugene Ormandy, on February 10, 1961. The symphony was awarded a Pulitzer Prize in 1961, which was the second time for Piston—his first was in 1948 for his Third Symphony (Archibald 1978, 266–67). It bears some resemblance to Piston's Three New England Sketches, composed in 1959, and for this reason as well as for parallels of structure has been compared to Beethoven's Pastorale Symphony (Pollack 1982, 133).
The work is in three movements:
When Piston was composing his Seventh Symphony he took into account the particular sonic character of the Philadelphia Orchestra's rich string timbres, as well as the acoustics of the Philadelphia Academy of Music where it was to be premiered (Archibald 1978, 267).
The first movement begins with a large, soaring theme, featuring a propulsive rhythm in fast triple meter. The minor mode, forceful rhythms, and cumulative contrapuntal density in both the exposition and recapitulation lend this movement a vehemently passionate character. The second movement, Adagio pastorale, similarly is dominated by serious but not solemn broad melodies. The finale, as in Piston's other symphonies, is sunny and brilliant, including a passage of syncopated wind melodies accompanied by pianissimo percussion, and pizzicato strings, which recalls the scherzo of Piston's Sixth Symphony (Archibald 1978, 266).
The Symphony No. 7, Op. 344, is a work for orchestra by French composer Darius Milhaud. The piece was written in 1955 for a Radio Belge concert in Venice.
Milhaud's Seventh Symphony has three movements and a total running time of about 20 minutes. The titles of the movements, as descriptive of their character as of tempo, are as follows:
This symphony is published by Heugel & Cie.
Orquestra de Viena com regência do maestro Leonardo Bernstein. Executando a melhor Interpretação da sinfonia no. 7 de Gustav Mahler
The Bavarian Radio Symphony Orchestra has a long tradition of performing works by the Austrian composer. British conductor Daniel Harding, a Mahler specialist, conducts the seventh symphony from the Gewandhaus concert hall in Leipzig. Production: Accentus TV GmbH Producer: Paul Smaczny TV production: Michael Beyer Music director: Daniel Harding Orchestra: Symphonieorchester des Bayerischen Rundfunks Country: Germany Year: 2023 Source: Arte Live TV
Licht- und Schattenseiten des Lebens: Erleben Sie Gustav Mahlers verkannte Siebte Sinfonie mit dem NDR Elbphilharmonie Orchester unter unter Leitung von Chefdirigent und Mahler-Enthusiast Alan Gilbert. Ein Livestream aus der Elbphilharmonie Hamburg vom 30. Oktober 2022 GUSTAV MAHLER Sinfonie Nr. 7 e-Moll 00:00 I. Langsam (Adagio) – Allegro risoluto, ma non troppo 3:28 II. Nachtmusik. Allegro moderato 26:09 III. Scherzo. Schattenhaft – Trio 42:33 IV. Nachtmusik. Andante amoroso 53:42 V. Rondo-Finale. Tempo I (Allegro ordinario) 1:05:51 Alan Gilbert, Dirigent NDR Elbphilharmonie Orchester Fotorechte: NDR / Peter Hundert Website: https://www.ndr.de/eo Facebook: https://www.facebook.com/ndrelbphilha... Instagram: https://www.instagram.com/ndr.eo #ndrelbphilharmonieorchester #alangilbert...
Gustav Mahler: Symphony No. 7 "Song of the Night" (with Score) Composed: 1904–06 Orchestra: SWR Symphonieorchester Conductor: Michael Gielen 00:00 1. Langsam (B minor – E minor) 22:03 2. Nachtmusik. Allegro moderato (C major – C minor) 38:49 3. Scherzo. Schattenhaft (D minor) 48:36 4. Nachtmusik. Andante amoroso (F major) 1:01:38 5. Rondo - Finale. Tempo I (Allegro ordinario) (C major) The Symphony No. 7 by Gustav Mahler was written in 1904–05, with repeated revisions to the scoring. It is sometimes referred to by the title Song of the Night (German: Lied der Nacht), which Mahler never knew. Although the symphony is often described as being in the key of E minor, its tonal scheme is more complicated. The symphony's first movement moves from B minor (introduction) to E minor, and the work...
re-uploaded, 1st movement should be a bit better
Prom 65 02.09.2007, 7.00pm, Royal Albert Hall Programme Gustav Mahler Symphony No.7 in E minor Performers San Francisco Symphony Michael Tilson Thomas conductor
Gustav Mahler Symphony No.7 in E minor, "The Song of the Night" Chicago Symphony Orchestra Georg Solti, conductor Recorded at the Krannert Centre, University of Illinois, Champaign, Illinois in May 1971 Originally released in 1972 (remastered) Tracklist: 00:00:00 I. Langsam. Adagio – Allegro risoluto, ma non-troppo 00:21:39 II. Nachtmusik I. Allegro moderato – Molto moderato (Andante) 00:37:28 III. Scherzo. Schattenhaft – Trio. Fließend aber nicht zu schnell 00:46:47 IV. Nachtmusik II. Andante amoroso 01:01:15 V. Rondo-Finale. Allegro ordinario – Allegro moderato ma energico
For detailed information and timestamp please see the pinned comment
0:32 Langsam – Allegro risoluto, ma non troppo 24:00 Nachtmusik I 39:08 Scherzo 48:30 Nachtmusik II 1:01:15 Rondo finale 1:18:46 Final Applause Music of shadows and luminance, calm and fanfare, Mahler’s Seventh Symphony has divided opinion with its vivid array of contrasting instrumental range, orchestral colour and moods. Whatever your perception of night, Mahler leads the listener through moonlit dreamscapes and grotesque nightmares, culminating in a finale of daylight. Recorded live at the Esplanade Concert Hall, Singapore, 6 Jan 2018
Gustav Mahler (7 July 1860 – 18 May 1911) was an Austrian late-Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect which included a ban on its performance in much of Europe during the Nazi era. After 1945 his compositions were rediscovered and championed by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers, a position he has sustained into the 21st century.
Born in humble circumstances, Mahler displayed his musical gifts at an early age. After graduating from the Vienna Conservatory in 1878, he held a succession of conducting posts of rising importance in the opera houses of Europe, culminating in his appointment in 1897 as director of the Vienna Court Opera (Hofoper). During his ten years in Vienna, Mahler—who had converted to Catholicism to secure the post—experienced regular opposition and hostility from the anti-Semitic press. Nevertheless, his innovative productions and insistence on the highest performance standards ensured his reputation as one of the greatest of opera conductors, particularly as an interpreter of the stage works of Wagner, Mozart, and Tchaikovsky . Late in his life he was briefly director of New York's Metropolitan Opera and the New York Philharmonic.