- published: 12 Feb 2018
- views: 2901
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Gustav Mahler (7 July 1860 – 18 May 1911) was an Austrian late-Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect which included a ban on its performance in much of Europe during the Nazi era. After 1945 his compositions were rediscovered and championed by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers, a position he has sustained into the 21st century.
Born in humble circumstances, Mahler displayed his musical gifts at an early age. After graduating from the Vienna Conservatory in 1878, he held a succession of conducting posts of rising importance in the opera houses of Europe, culminating in his appointment in 1897 as director of the Vienna Court Opera (Hofoper). During his ten years in Vienna, Mahler—who had converted to Catholicism to secure the post—experienced regular opposition and hostility from the anti-Semitic press. Nevertheless, his innovative productions and insistence on the highest performance standards ensured his reputation as one of the greatest of opera conductors, particularly as an interpreter of the stage works of Wagner, Mozart, and Tchaikovsky . Late in his life he was briefly director of New York's Metropolitan Opera and the New York Philharmonic.
Lieder und Gesänge is a collection of fourteen songs with piano accompaniment by Gustav Mahler.
The title of the collection is sometimes given with the addendum aus der Jugendzeit (from the early days), but this addendum is not by Mahler. It is not even clear whether the subtitle refers to the songs being early works of Gustav Mahler (yet Mahler was aged 20 when he composed the earliest of the songs, not an adolescent), or whether the songs are meant to resemble memories of someone's younger days. The title might also simply refer to the source of the major part of the lyrics, Des Knaben Wunderhorn (The Youth's Magic Horn).
The songs were composed from 1880 to 1889 and published in three booklets in 1892.
UND or Und may refer to:
Howard E. Barker (born 28 June 1946) is a British playwright.
Barker has coined the term "Theatre of Catastrophe" to describe his work. His plays often explore violence, sexuality, the desire for power, and human motivation.
Rejecting the widespread notion that an audience should share a single response to the events onstage, Barker works to fragment response, forcing each viewer to wrestle with the play alone. "We must overcome the urge to do things in unison" he writes. "To chant together, to hum banal tunes together, is not collectivity." Where other playwrights might clarify a scene, Barker seeks to render it more complex, ambiguous, and unstable.
Only through a tragic renaissance, Barker argues, will beauty and poetry return to the stage. "Tragedy liberates language from banality" he asserts. "It returns poetry to speech."
Barker frequently turns to historical events for inspiration. His play Scenes from an Execution, for example, centers on the aftermath of the Battle of Lepanto (1571) and a fictional female artist commissioned to create a commemorative painting of the Venetian victory over the Ottoman fleet. Scenes from an Execution, originally written for Radio 3 and starring Glenda Jackson in 1984, was later adapted for the stage. The short play Judith revolves around the Biblical story of Judith, the legendary heroine who decapitated the invading general Holofernes.
Gustav MAHLER (1860-1911) 'Im Lenz' Lied from '5 Lieder' [only 3 composed] (No. 1) Text: Gustav Mahler Composition: completed on 19 February 1880 First performance: 30 September 1934 on Radio Brno Thomas Hampson, baritone David Lutz, piano Recording: January 1992 Text and English translation: http://www.lieder.net/lieder/get_text.html?TextId=103160 My Mahler playlist: https://www.youtube.com/playlist?list=PLLjWO7BtVX006l77c5F9vB7nQ51tMi1cy Marc D.
00:00 Vol. 1 composed 1880-1881 00:23 Frühlingsmorgen (arr. Luciano Berio) 02:30 Erinnerung (arr. Luciano Berio) 05:48 Hans und Grete (arr. Luciano Berio) 08:15 Serenade aus Don Juan (arr. Jiří Jakeš) 10:10 Phantasie aus Don Juan (arr. Luciano Berio)
Siyabonga Maqungo (Tenor) Gary Matthewman (Piano)
Provided to YouTube by Warner Classics International 3 Lieder: I. Im Lenz · Thomas Hampson Mahler : Lieder eines fahrenden Gesellen (Songs of a Wayfarer) & Early Songs ℗ 1991 Teldec Classics International GMBH Unknown: Christoph Classen Piano: David Lutz Producer: Harry Tressel Unknown: Peter Weinsheimer Baritone Vocals: Thomas Hampson Producer: Wolfgang Mohr Composer: Gustav Mahler Auto-generated by YouTube.
Provided to YouTube by Sony Classical Lieder und Gesänge aus der Jugendzeit: IV. Ich ging mit Lust durch einen grunen Wald · Desi Halban · Gustav Mahler · Bruno Walter Bruno Walter conducts Mahler ℗ 1952 Sony Music Entertainment Released on: 2012-02-13 Auto-generated by YouTube.
Provided to YouTube by Warner Classics 3 Lieder (1880) : I. Im Lenz, "Sag' an, du Träumer am lichten Tag" · Ian Bostridge/Antonio Pappano 150th Anniversary Box - Mahler ℗ 2010 Warner Classics, Warner Music UK Ltd Piano: Antonio Pappano Tenor Vocals: Ian Bostridge Composer: Gustav Mahler Auto-generated by YouTube.
„Das Firmament blaut ewig und die Erde wird lange fest stehen und aufblühn im Lenz“ schreibt Gustav Mahler 1907 in seinem legendären Liederzyklus Das Lied von der Erde. Wie geht es Ihnen, wenn Sie das hören? Gemeinsam mit dem Stegreif Orchester und internationalen Autorinnen haben sich Künstlerinnen der Neuköllner Oper auf den Weg gemacht, heutige Erfahrungen, Bilder und Gefühle zum Konzept „Mutter Erde“ in einem musikalisch-szenischen Mosaik zu fassen, das die originale Musik zitiert und in neuen Kompositionen weiterführt – sinfonisch und kammermusikalisch, mit Gesang und auch rein instrumental..
Gustav MAHLER (1860-1911) 'Winterlied' Lied from '5 Lieder' [only 3 composed] (No. 2) Text: Gustav Mahler Composition: completed on 27 February 1880 First performance: 30 September 1934 on Radio Brno Thomas Hampson, baritone David Lutz, piano Recording: January 1992 Text and English translation: http://www.lieder.net/lieder/get_text.html?TextId=103161 My Mahler playlist: https://www.youtube.com/playlist?list=PLLjWO7BtVX006l77c5F9vB7nQ51tMi1cy Marc D.
Gustav MAHLER (1860-1911) 'Maitanz im Grünen' Lied from '5 Lieder' [only 3 composed] (No. 3) Text: Gustav Mahler Composition: completed on 5 March 1880 First performance: 30 September 1934 on Radio Brno Later reworked as 'Hans und Grete' ('Lieder und Gesänge', Vol. 1, No. 3) Thomas Hampson, baritone David Lutz, piano Recording: January 1992 Text and English translation: http://www.lieder.net/lieder/get_text.html?TextId=115769 My Mahler playlist: https://www.youtube.com/playlist?list=PLLjWO7BtVX006l77c5F9vB7nQ51tMi1cy Marc D.
Provided to YouTube by Believe SAS Des Knaben Wunderhorn: Aus! Aus! · Bernhard Renzikowski, Frauke May Es sungen drei Engel ℗ Klaus-Jürgen Kamprad Released on: 2015-12-15 Music Publisher: D.R Composer: Gustav Mahler Author: Traditional Auto-generated by YouTube.
Gustav Mahler (7 July 1860 – 18 May 1911) was an Austrian late-Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect which included a ban on its performance in much of Europe during the Nazi era. After 1945 his compositions were rediscovered and championed by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers, a position he has sustained into the 21st century.
Born in humble circumstances, Mahler displayed his musical gifts at an early age. After graduating from the Vienna Conservatory in 1878, he held a succession of conducting posts of rising importance in the opera houses of Europe, culminating in his appointment in 1897 as director of the Vienna Court Opera (Hofoper). During his ten years in Vienna, Mahler—who had converted to Catholicism to secure the post—experienced regular opposition and hostility from the anti-Semitic press. Nevertheless, his innovative productions and insistence on the highest performance standards ensured his reputation as one of the greatest of opera conductors, particularly as an interpreter of the stage works of Wagner, Mozart, and Tchaikovsky . Late in his life he was briefly director of New York's Metropolitan Opera and the New York Philharmonic.