- published: 01 Jun 2018
- views: 6790
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Gustav Mahler (7 July 1860 – 18 May 1911) was an Austrian late-Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect which included a ban on its performance in much of Europe during the Nazi era. After 1945 his compositions were rediscovered and championed by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers, a position he has sustained into the 21st century.
Born in humble circumstances, Mahler displayed his musical gifts at an early age. After graduating from the Vienna Conservatory in 1878, he held a succession of conducting posts of rising importance in the opera houses of Europe, culminating in his appointment in 1897 as director of the Vienna Court Opera (Hofoper). During his ten years in Vienna, Mahler—who had converted to Catholicism to secure the post—experienced regular opposition and hostility from the anti-Semitic press. Nevertheless, his innovative productions and insistence on the highest performance standards ensured his reputation as one of the greatest of opera conductors, particularly as an interpreter of the stage works of Wagner, Mozart, and Tchaikovsky . Late in his life he was briefly director of New York's Metropolitan Opera and the New York Philharmonic.
Berceuse élégiaque (BV252) is an orchestral work composed by Ferruccio Busoni in 1909. Originally written for solo piano, to be added as the seventh piece in his 1907 collection Elegies, Busoni adapted it for orchestra later the same year. This orchestral version was sub-titled "Des Mannes Wiegenlied am Sarge seiner Mutter" ("The man's lullaby at his mother's coffin"). The first performance of Berceuse élégiaque was in New York on February 21, 1911, and was conducted by Gustav Mahler.
Ferruccio Busoni (1 April 1866 – 27 July 1924) (given names: Ferruccio Dante Michelangiolo Benvenuto)[i] was an Italian composer, pianist, conductor, editor, writer, and teacher. His international career and reputation meant that he met and had close relations with many of the leading musicians, artists and literary figures of his time, and he was sought-after both as a keyboard instructor and a teacher of composition. Berceuse élégiaque, Op. 42 Originally written for solo piano, to be added as the seventh piece in his 1907 collection Elegies, Busoni adapted it for orchestra later the same year. This orchestral version was sub-titled "Des Mannes Wiegenlied am Sarge seiner Mutter" ("The man's lullaby at his mother's coffin"). The first performance of Berceuse élégiaque was in New York on ...
Berceuse élégiaque op. 42 von Ferruccio Busoni | Erwin Stein aufgeführt vom Klangforum Wien unter der Leitung von Emilio Pomárico GUSTAV MAHLER MUSIKWOCHEN 2021 19.07.2021 Gustav Mahler Saal, Toblach _________________ SÜDTIROL IN CONCERT Youtube: https://www.youtube.com/c/Südtirolinconcert Facebook: https://www.facebook.com/suedtirolinconcert Twitter: https://twitter.com/STinconcert Audio & Video: Simon Lanz | https://www.facebook.com/incantorecordings _________________ #busoni #classical #klassik
Provided to YouTube by RCA Red Seal Berceuse élégiaque, Op. 42 · David Zinman · Ferruccio Busoni Mahler: Das Lied von der Erde, Busoni: Berceuse élégiaque ℗ 2014 Sony Music Entertainment Switzerland GmbH Released on: 2014-03-07 Associated Performer: Tonhalle-Orchester Zürich Auto-generated by YouTube.
Mahler mal ganz anders! Das heutige Konzert "...Schöne Welt" wurde am 1. und 3. Februar als Stream aufgezeichnet und ist nun hier abrufbar. Am 21. Februar 1911 dirigierte Gustav Mahler sein letztes Konzert. Dabei bereitete Mahler für einen Jüngeren den Boden, der die musikalischen Umwälzungen seiner Zeit weiter vorantrieb, an denen auch Mahler Anteil hatte, denn auf dem Programm stand neben anderen Werken die Uraufführung der »Berceuse élégiaque« von Ferruccio Busoni. Hier sehen und hören Sie die Bearbeitung für Kammerensemble von Erwin Stein.
Provided to YouTube by NAXOS of America Berceuse elegiaque, Op. 42 · Berlin Radio Symphony Orchestra Orchestral Music - Beethoven / Brahms / Strauss, R. / Dvorak / Britten / Prokofiev / Haydn / Berlioz / Debussy ℗ 2011 Music and Arts Programs of America Released on: 2011-04-01 Conductor: Sergiu Celibidache Orchestra: Berlin Radio Symphony Orchestra Composer: Ferruccio Busoni Auto-generated by YouTube.
Provided to YouTube by NAXOS of America Berceuse elegiaque, Op. 42 · SWR Sinfonieorchester des Südwestrundfunks Scriabin: Symphony No. 3, Op. 43 / Busoni: Berceuse Elegiaque, Op. 42 ℗ 2007 SWR Classic Released on: 2007-01-01 Conductor: Michael Gielen Orchestra: SWR Sinfonieorchester des Südwestrundfunks Composer: Ferruccio Busoni Auto-generated by YouTube.
- - - - Hong Kong Philharmonic Orchestra Conductor: Samuel Wong - - - - Ferruccio Busoni was an Italian composer, pianist, conductor, editor, writer, and teacher. His international career and reputation led him to work closely with many of the leading musicians, artists and literary figures of his time, and he was a sought-after keyboard instructor and a teacher of composition. From an early age, Busoni was an outstanding if sometimes controversial pianist. He studied at the Vienna Conservatory and then with Wilhelm Mayer and Carl Reinecke. After brief periods teaching in Helsinki, Boston, and Moscow, he devoted himself to composing, teaching, and touring as a virtuoso pianist in Europe and the United States. His writings on music were influential, and covered not only aesthetics but cons...
Provided to YouTube by NAXOS of America Berceuse elegiaque, Op. 42 · Berlin Radio Symphony Orchestra Busoni, F.: Orchestral, Chamber and Piano Music ℗ 1995 Capriccio Released on: 1995-01-01 Conductor: Arturo Tamayo Orchestra: Berlin Radio Symphony Orchestra Composer: Ferruccio Busoni Auto-generated by YouTube.
Berceuse élégiaque, for orchestra, Op. 42, KiV 252a (1909) Hong Kong Philharmonic Orchestra Samuel Wong Busoni wrote his Berceuse élégiaque for orchestra (1909) as a memorial to his mother, who died in May of that year. The work, subtitled "Des Mannes Wiegenlied am Sarge seiner Mutter" (The Man's Cradle Song at His Mother's Coffin), also carries the inscription "The child's cradle rocks, the hazard of his fate reels; life's path fades, fades away into the eternal distance." In the Berceuse, Busoni makes one of his first ventures into the realm of atonality, exhibiting a highly original style that is all the more moving and impressive for its resolutely quiet nature. The orchestration is delicate, exploiting the possibilities of tone color in a manner similar to that in Schoenberg's Fiv...
Provided to YouTube by IDOL Berceuse élégiaque · Luigi Piovano · Musici Aurei Mahler: Kindertotenlieder & Lieder eine Fahrenden Gesellen ℗ Eloquentia Released on: 2012-04-03 Conductor: Luigi Piovano Orchestra: Musici Aurei Composer: Gustav Mahler Auto-generated by YouTube.
Gustav Mahler (7 July 1860 – 18 May 1911) was an Austrian late-Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect which included a ban on its performance in much of Europe during the Nazi era. After 1945 his compositions were rediscovered and championed by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers, a position he has sustained into the 21st century.
Born in humble circumstances, Mahler displayed his musical gifts at an early age. After graduating from the Vienna Conservatory in 1878, he held a succession of conducting posts of rising importance in the opera houses of Europe, culminating in his appointment in 1897 as director of the Vienna Court Opera (Hofoper). During his ten years in Vienna, Mahler—who had converted to Catholicism to secure the post—experienced regular opposition and hostility from the anti-Semitic press. Nevertheless, his innovative productions and insistence on the highest performance standards ensured his reputation as one of the greatest of opera conductors, particularly as an interpreter of the stage works of Wagner, Mozart, and Tchaikovsky . Late in his life he was briefly director of New York's Metropolitan Opera and the New York Philharmonic.