- published: 13 Dec 2018
- views: 20587
'+pages+''); $('.stream > div:odd').addClass('bgr_color'); updateHeight('#history'); }); window.activateTabArea = ensure(function(tab, areas){ var parsed = false; var parts = (areas || '').split('/'); window.fsonload = $.inArray('fs', parts) >= 0; if(fsonload){ parts.splice(parts.indexOf('fs'), 1); } var replayMode = false; if($.inArray('replay', parts)>=0){ replayMode = 'replay'; } var noSoundMode = false; if($.inArray('nosound', parts)>=0){ noSoundMode = 'nosound'; } if($.inArray('ns', parts)>=0){ noSoundMode = 'ns'; } var previewMode = null; if($.inArray('p', parts)>=0){ previewMode = 'p'; } if($.inArray('preview', parts)>=0){ previewMode = 'preview'; } if($.inArray('repeat', parts)>=0){ replayMode = 'repeat'; } if($.inArray('r', parts)>=0 || $.inArray('ro', parts)>=0){ replayMode = 'r'; } if(replayMode){ parts.splice(parts.indexOf(replayMode), 1); } if(noSoundMode){ parts.splice(parts.indexOf(noSoundMode), 1); } if(previewMode){ parts.splice(parts.indexOf(previewMode), 1); } if(previewMode){ if(!parts.length){ parts = ['1-14', '999:59']; } } var area = parts[0]; if(tab == 'history' && false){ var page = parseInt(area || '1') || 1; $.ajax({ url: 'https://login.wn.com/recent/json/?pp='+history_pp+'&skip='+history_pp*(page-1), dataType: 'jsonp', success: function(response){ $ensure(function(){ renderHistory(response, page); }); } }); return true; } if(tab == 'global_history' && false){ var page = parseInt(area || '1') || 1; globalHistory.fetchStream(page, '', function(){ updateHeight('#global_history'); }); return true; } if(tab == 'my_playlists' && false){ var page = parseInt(area || '1') || 1; myPlaylists.fetchStream(page, '', function(){ updateHeight('#my_playlists'); }); return true; } if(tab == 'my_videos' && false){ var page = parseInt(area || '1') || 1; myVideos.fetchStream(page, '', function(){ updateHeight('#my_videos'); }); return true; } if(tab == 'related_sites' && areas && matchPosition(areas)){ var seconds = parsePosition(areas); scrollRelated(seconds); return false; } if(matchPosition(area) || matchAction(area)){ parts.unshift('1'); area = parts[0]; } if(tab == 'expand' && area && area.match(/\d+/)) { var num = parseInt(area); if(num < 100){ //FIX ME. Load news page with ajax here } else if(num > 1900){ //FIX ME. Load timeline page with ajax here } } else if(tab.match(/^playlist\d+$/)){ var playerId = parseInt(tab.substring(8)); var vp = videoplayers[playerId]; window.descriptionsholder = $('.descriptionsplace'); if(!vp) return; // why? no player? if(replayMode){ $('.replaycurrent'+playerId).attr('checked', true); vp.setReplayCurrent(true); } var playQueue = []; window.playQueue = playQueue; var playQueuePosition = 0; var playShouldStart = null; var playShouldStop = null; var parseList = function(x){ var items = x.split(/;|,/g); var results = []; for (i in items){ try{ var action = parseAction(vp, items[i]); if(!action.video){ if(window.console && console.log) console.log("Warning: No video for queued entry: " + items[i]); }else{ results.push(action); } }catch(e){ if(window.console && console.log) console.log("Warning: Can''t parse queue entry: " + items[i]); } } return results; }; var scrollToPlaylistPosition = function(vp){ var ppos = vp.getPlaylistPosition(); var el = vp.playlistContainer.find('>li').eq(ppos); 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playShouldStart = null; } }; function loadMoreVideos(playerId, vp, start, finish, callback){ var playlistInfo = playlists[playerId-1]; if(playlistInfo.loading >= finish) return; playlistInfo.loading = finish; $.ajax({ url: '/api/upge/cheetah-photo-search/query_videos2', dataType: 'json', data: { query: playlistInfo.query, orderby: playlistInfo.orderby, start: start, count: finish-start }, success: function(response){ var pl = vp.getPlaylist().slice(0); pl.push.apply(pl, response); vp.setPlaylist(pl); callback(); } }); } if(parts.length == 1 && matchDash(parts[0])){ var pl = vp.getActualPlaylist(); var vids = parseDash(parts[0]); parts = []; for(var i = 0; i < vids.length; i++){ playQueue.push({ 'video': pl[vids[i]-1], 'start': 0, 'stop': null }) } if(vids.length){ if(vids[vids.length-1]-1>=pl.length){ loadMoreVideos(playerId, vp, pl.length, vids[vids.length-1], function(){ if(fsonload){ activateTabArea(tab, parts[0]+'/fs'); }else{ activateTabArea(tab, parts[0]); } var pls = vp.getPlaylist(); vp.playFromPlaylist(pls[pls.length-1]); vp.playVideo(); scrollToPlaylistPosition(vp); }); return true; } } if(playQueue){ playQueueUpdate(); vp.playVideo(); parsed = true; playShouldStart = 0; } } if(previewMode){ var vids = []; var dur = 0; var pl = vp.getActualPlaylist(); area = parts[0]; if(parts.length == 1 && matchPosition(parts[0])){ vids = parseDash('1-'+pl.length); dur = parsePosition(parts[0]); parts = []; }else if(parts.length == 1 && matchDash(parts[0])){ vids = parseDash(parts[0]); dur = parsePosition("999:59"); parts = []; } if(parts.length == 2 && matchDash(parts[0]) && matchPosition(parts[1])){ vids = parseDash(parts[0]); dur = parsePosition(parts[1]); parts = []; } for(var i = 0; i < vids.length; i++){ playQueue.push({ 'video': pl[vids[i]-1], 'start': 0, 'stop': dur }) } if(playQueue){ playQueueUpdate(); vp.playVideo(); parsed = true; } } if(parts.length>1){ for(var i = 0; i < parts.length; i++){ var sel = findMatchingVideo(vp, parts[i]); if(sel){ playQueue.push({ 'video': sel, 'start': 0, 'stop': null }) } } if(playQueue){ playQueueUpdate(); 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if(window.history && history.replaceState && document.location.hostname.match(/^(youtube\.)?(\w{2,3}\.)?wn\.com$/)){ if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = basepath; } else if( path.match('^'+main_tab+'/') ){ path = basepath + '/' + path.replace(main_tab+'/', '').replace('--','/'); } else { path = basepath + '/' + path.replace('--','/'); } if(document.location.search){ path += document.location.search; } if(window.lastHistory) { history.pushState(null, null, path); } else if(window.lastHistory != path){ history.replaceState(null, null, path); window.lastHistory = path; } } else{ path = path.replace('--','/'); if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = ''; } if(window.lastHistory != '/'+path){ window.location.hash = path? '/'+path : ''; window.lastHistory = '/'+path; } } }); $('.tabtrigger li a').live('click', ensure(function() { var tab = $(this).attr('id'); if(tab.substring(0,1) == '#'){ var name = tab.substring(1); if(name in menu_names){ name = menu_names[name][0]; } realTab = rev_names[name]; $('#'+realTab).show(); if(window.console && console.log) console.log("Triggering tab: "+name+(window.activeArea?" activeArea="+window.activeArea:'')); var path = name; if(window.activeArea){ path = path + '/' + window.activeArea; } if(tab.match(/#playlist\d+/) || tab.match(/#details\d+/)){ $('.multiple-playlists').show(); $('.related_playlist').show(); $('.longest_videos_playlist').show(); }else { $('.multiple-playlists').hide(); $('.related_playlist').hide(); $('.longest_videos_playlist').hide(); } // start the related script only when the tab is on screen showing if (tab.match(/related_sites/)) { if (mc) { mc.startCredits(); } } window.activeTab = realTab; addHistory(path); setTimeout(ensure(function(){ if(tab.match(/language--/)){ $('.tabtrigger').offscreentabs('activateTab', 'language'); } if(tab.match(/weather/)) { $('.tabtrigger').offscreentabs('activateTab', 'weather'); loadContinent(); } updateMenus(tab); updateHeight(); }), 10); } return false; })); }); -->
Gustav Mahler (7 July 1860 – 18 May 1911) was an Austrian late-Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect which included a ban on its performance in much of Europe during the Nazi era. After 1945 his compositions were rediscovered and championed by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers, a position he has sustained into the 21st century.
Born in humble circumstances, Mahler displayed his musical gifts at an early age. After graduating from the Vienna Conservatory in 1878, he held a succession of conducting posts of rising importance in the opera houses of Europe, culminating in his appointment in 1897 as director of the Vienna Court Opera (Hofoper). During his ten years in Vienna, Mahler—who had converted to Catholicism to secure the post—experienced regular opposition and hostility from the anti-Semitic press. Nevertheless, his innovative productions and insistence on the highest performance standards ensured his reputation as one of the greatest of opera conductors, particularly as an interpreter of the stage works of Wagner, Mozart, and Tchaikovsky . Late in his life he was briefly director of New York's Metropolitan Opera and the New York Philharmonic.
Provided to YouTube by Universal Music Group Mahler: Symphony No. 2 in C minor - "Resurrection": 1: Allegro maestoso (Totenfeier) · New York Philharmonic · Leonard Bernstein Mahler - Vol. 1 ℗ 1988 Deutsche Grammophon GmbH, Berlin Released on: 2005-01-01 Producer: Hanno Rinke Producer, Recording Producer: Hans Weber Studio Personnel, Balance Engineer: Klaus Scheibe Studio Personnel, Recording Engineer: Jobst Eberhardt Studio Personnel, Recording Engineer: Wolf-Dieter Karwatky Editor: Rainer Maillard Composer: Gustav Mahler Author: Friedrich Gottlieb Klopstock Auto-generated by YouTube.
Provided to YouTube by Universal Music Group Mahler: Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier) - Allegro maestoso · Wiener Philharmoniker · Gilbert Kaplan · Gustav Mahler Mahler: Symphony No. 2 ℗ 2003 Deutsche Grammophon GmbH, Berlin Released on: 2003-01-01 Producer, Executive Producer: Gail M. Ross Producer, Recording Producer: Christian Gansch Studio Personnel, Balance Engineer, Editor: Rainer Maillard Studio Personnel, Engineer: Wolf-Dieter Karwatky Studio Personnel, Engineer: Jürgen Bulgrin Studio Personnel, Engineer: Tom Lucker Composer: Gustav Mahler Contributor, Work Editor: Gilbert Kaplan Auto-generated by YouTube.
Provided to YouTube by Universal Music Group Mahler: Symphony No. 2 in C minor - "Resurrection" - 1. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck · Wiener Philharmoniker · Zubin Mehta · Gustav Mahler Mahler: Symphony No.2 ℗ 1975 Decca Music Group Limited Released on: 1975-01-01 Producer: Ray Minshull Studio Personnel, Engineer: Jack Law Studio Personnel, Engineer: James Lock Studio Personnel, Engineer: Colin Moorfoot Composer: Gustav Mahler Author: Friedrich Gottlieb Klopstock Auto-generated by YouTube.
Provided to YouTube by Warner Classics Symphony No. 2 in C Minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck · Sir Simon Rattle Mahler: Symphony No. 2 "Resurrection" ℗ A Warner Classics release, ℗ 2011 Parlophone Records Limited Orchestra: Berliner Philharmoniker Producer: Christoph Franke Engineer: René Moeller Conductor: Sir Simon Rattle Composer: Gustav Mahler Auto-generated by YouTube.
Provided to YouTube by SFS Media Symphony No. 2 in C Minor, "Resurrection": I. Allegro maestoso · San Francisco Symphony Mahler: Symphony No. 2, "Resurrection" ℗ 2004 San Francisco Symphony Conductor: Michael Tilson Thomas Orchestra: San Francisco Symphony Composer: Gustav Mahler Auto-generated by YouTube.
Provided to YouTube by Sony Classical Symphony No. 2 in C Minor "Resurrection" (Auferstehung) : I. Allegro maestoso · Leonard Bernstein · Gustav Mahler Mahler: Symphony No. 2 "Resurrection" ℗ 1974 Sony Music Entertainment Released on: 2018-08-24 Producer: John McClure Mezzo- Soprano: Janet Baker Soprano: Sheila Armstrong Chorus Master: Arthur Oldham Associated Performer: Edinburgh Festival Chorus Associated Performer: London Symphony Orchestra Auto-generated by YouTube.
Gustav Mahler: Symphony No 2 in C-moll: 1. Allegro maestoso
Provided to YouTube by Universal Music Group Mahler: Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier) - Im Tempo nachgeben · Wiener Philharmoniker · Gilbert Kaplan · Gustav Mahler Mahler: Symphony No. 2 ℗ 2003 Deutsche Grammophon GmbH, Berlin Released on: 2003-01-01 Producer, Executive Producer: Gail M. Ross Producer, Recording Producer: Christian Gansch Studio Personnel, Balance Engineer, Editor: Rainer Maillard Studio Personnel, Engineer: Wolf-Dieter Karwatky Studio Personnel, Engineer: Jürgen Bulgrin Studio Personnel, Engineer: Tom Lucker Composer: Gustav Mahler Contributor, Work Editor: Gilbert Kaplan Auto-generated by YouTube.
Gustav Mahler's "Resurrection" Symphony was first premiered in 1895 with great acclaim. Here in the first movement, dramatic and stormy tension often collide back and forth with softer and lyrical elements in this movement, aiming to creating a sense of internal strife and discernment with the listener. Originally, Mahler conceived this movement as a musical tone poem about the internal strife with death, and the labeled the movement as "Todtenfeier", which means "Funeral Rites". He later incorporated it as an integral part to his great 2nd Symphony concerning death and resurrection, "Die I will, so that I might live!". Performed by Zubin Mehta; Vienna Philharmonic
Gustav Mahler (7 July 1860 – 18 May 1911) was an Austrian late-Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect which included a ban on its performance in much of Europe during the Nazi era. After 1945 his compositions were rediscovered and championed by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers, a position he has sustained into the 21st century.
Born in humble circumstances, Mahler displayed his musical gifts at an early age. After graduating from the Vienna Conservatory in 1878, he held a succession of conducting posts of rising importance in the opera houses of Europe, culminating in his appointment in 1897 as director of the Vienna Court Opera (Hofoper). During his ten years in Vienna, Mahler—who had converted to Catholicism to secure the post—experienced regular opposition and hostility from the anti-Semitic press. Nevertheless, his innovative productions and insistence on the highest performance standards ensured his reputation as one of the greatest of opera conductors, particularly as an interpreter of the stage works of Wagner, Mozart, and Tchaikovsky . Late in his life he was briefly director of New York's Metropolitan Opera and the New York Philharmonic.