- published: 10 Feb 2019
- views: 9745
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Gustav Mahler (7 July 1860 – 18 May 1911) was an Austrian late-Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect which included a ban on its performance in much of Europe during the Nazi era. After 1945 his compositions were rediscovered and championed by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers, a position he has sustained into the 21st century.
Born in humble circumstances, Mahler displayed his musical gifts at an early age. After graduating from the Vienna Conservatory in 1878, he held a succession of conducting posts of rising importance in the opera houses of Europe, culminating in his appointment in 1897 as director of the Vienna Court Opera (Hofoper). During his ten years in Vienna, Mahler—who had converted to Catholicism to secure the post—experienced regular opposition and hostility from the anti-Semitic press. Nevertheless, his innovative productions and insistence on the highest performance standards ensured his reputation as one of the greatest of opera conductors, particularly as an interpreter of the stage works of Wagner, Mozart, and Tchaikovsky . Late in his life he was briefly director of New York's Metropolitan Opera and the New York Philharmonic.
Among the pieces of music with the title Symphony No. 4 are:
Russian composer Alfred Schnittke wrote his Symphony No. 4 in 1983. It is a choral symphony, written for tenor, countertenor, chorus, and orchestra. It was first performed on April 12, 1984, in Moscow.
The symphony is written in a single movement of 22 variations and is approximately 45 minutes in length. Ronald Weitzman writes, "The form of Schnittke's Fourth Symphony [is] at once cross-shaped and spherical.... The composer draws musically on the three main strands of Christianity—Orthodox, Catholic, Protestant—while underlying this is a three–note semitone interval motif representing synagogue chant, thus symbolizing the Jewish source of Christianity." The result, Ivan Moody writes, is that Schnittke "attempts to reconcile elements of znamennïy and Gregorian chant, the Lutheran chorale and Synagogue cantillation ... within a dense, polyphonic orchestral texture" A tenor and a countertenor also sing wordlessly at two points in the symphony. Words are saved for a finale in which all four types of church music are used contrapuntally as a four-part choir sings the Ave Maria. The choir can choose whether to sing the Ave Maria in Russian or Latin. The programmatic intent of using these different types of music, Schnittke biographer Alexander Ivashkin writes, is an insistence by the composer "on the idea ... of the unity of humanity, a synthesis and harmony among various manifestations of belief."
Symphony No. 4, subtitled Sinfonía romántica (Romantic Symphony) is an orchestral composition by Carlos Chávez, composed in 1953.
The score was commissioned by and is dedicated to the Louisville Orchestra, which premiered the work on 11 February 1953, conducted by the composer. After the first few performances, Chávez decided that the final movement, though sound in itself, was not satisfactory as a conclusion to this symphony. Consequently, he composed a new finale in October 1953, and published the original movement as a separate work, titled Baile (cuadro sinfónico) (Dance, Symphonic Picture) (Orbón 1987c, 80).
The Symphony is scored for an orchestra of three flutes (third doubling piccolo), two oboes, cor anglais, two clarinets, three bassoons (third doubling contrabassoon), four horns, two trumpets, three trombones, tuba, timpani, percussion (three players), and strings.
The Symphony is divided into three movements:
4th movement, Sehr behaglich, from Gustav Mahler's (1860-1911) 4th Symphony in G Major with orchestral score. This video uses the 2000 DG recording of The Cleveland Orchestra conducted by Pierre Boulez.
Provided to YouTube by Sony Classical Symphony No. 4 in G Major: IV. Sehr behaglich: "Wir genießen · Leonard Bernstein · Gustav Mahler · New York Philharmonic Orchestra · Reri Grist Mahler: Symphony No. 4 in G major ℗ 1960 Sony Music Entertainment Released on: 2011-09-19 Lyricist: Traditional Producer: John McClure Auto-generated by YouTube.
Provided to YouTube by Sony Classical Symphony No. 4 in G Major: Movement IV. Sehr behaglich · Leonard Bernstein · Reri Grist · New York Philharmonic Orchestra · Gustav Mahler Mahler: Symphony No. 4 in G Major ℗ Originally released 1960 SONY BMG MUSIC ENTERTAINMENT Released on: 1999-02-26 Producer: John McClure Lyricist: Traditional Auto-generated by YouTube.
THE BEST OF CLASSICAL►https://goo.gl/52K6r3 SUBSCRIBE ►https://goo.gl/HL68dd TWITTER►https://twitter.com/MelodyClassical GUSTAV MAHLER ( (7 July 1860 – 18 May 1911) AUSTRIA, LATE ROMANTICISM/MODERNISM (MAHLER PAGE►https://goo.gl/nnLg8W) The Symphony No. 4 in G major by Gustav Mahler was written in 1899 and 1900, though it incorporates a song originally written in 1892. The song, "Das himmlische Leben", presents a child's vision of Heaven. It is sung by a soprano in the work's fourth and last movement. Although typically described as being in the key of G major, the symphony employs a progressive tonal scheme ('(b)/G--E'). A typical performance of the Fourth lasts about an hour, making it one of Mahler's shorter symphonies. The performing forces are also small by Mahler's usual standard....
Ridgewood Symphony Orchestra Kyunghun Kim, Conductor May 6, 2022 https://ridgewoodsymphony.org/
Provided to YouTube by NAXOS of America Symphony No. 4 in G Major: IV. Sehr behaglich · Mojca Erdmann Mahler: Symphony No. 4 ℗ 2010 Tudor Released on: 2010-06-29 Artist: Mojca Erdmann Conductor: Jonathan Nott Orchestra: Bamberger Symphoniker Composer: Gustav Mahler Auto-generated by YouTube.
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Provided to YouTube by Royal Concertgebouw Orchestra Symphony No. 4 in G Major: IV. Sehr behaglich (Live) · Royal Concertgebouw Orchestra · Christine Schäfer Mahler: Symphony No. 4 ℗ 2007 RCO Live Conductor: Bernard Haitink Soprano Vocals: Christine Schäfer Orchestra: Royal Concertgebouw Orchestra Composer: Gustav Mahler Auto-generated by YouTube.
Gustav Mahler (7 July 1860 – 18 May 1911) was an Austrian late-Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect which included a ban on its performance in much of Europe during the Nazi era. After 1945 his compositions were rediscovered and championed by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers, a position he has sustained into the 21st century.
Born in humble circumstances, Mahler displayed his musical gifts at an early age. After graduating from the Vienna Conservatory in 1878, he held a succession of conducting posts of rising importance in the opera houses of Europe, culminating in his appointment in 1897 as director of the Vienna Court Opera (Hofoper). During his ten years in Vienna, Mahler—who had converted to Catholicism to secure the post—experienced regular opposition and hostility from the anti-Semitic press. Nevertheless, his innovative productions and insistence on the highest performance standards ensured his reputation as one of the greatest of opera conductors, particularly as an interpreter of the stage works of Wagner, Mozart, and Tchaikovsky . Late in his life he was briefly director of New York's Metropolitan Opera and the New York Philharmonic.
Everyone here's in trouble
The man with the megaphone
Smoke and mirrors and crystal balls and red alerts and all because
Of the king who hides behind the pawns
I can see what's really going on
I can see what's really going on
Everyone here's a bubble
Merrily floating on
Manicured suburban lawns and patriotic country songs
Pledge allegiance, sing along
I can see what's really going on
I can see what's really going on
Everyone here's in trouble
Angels abandon guard
History is cyclical
Crusaders and the biblical
Light the torches bang the gongs
I can see what's really going on
I can see what's really going on
Na na na na-na
Na na na na-na
Na na, na na
Na na, na na
Na na na na-na
Na na na na-na
Na na, na na