-
Mahler: Adagietto Symphony 5 - Karajan*
Karajan's Mahler is unsurpassed
See also ( very interesting):
Mahler: Adagietto Symphony 5 arranged for Choir :
https://www.youtube.com/watch?v=YA1c9jZmdag
See also the adagio's from symphony 4 & 6 by Karajan on this channel & Part 1 & 4 of symphony 9:
https://www.youtube.com/watch?v=4kTXstgF20E
https://www.youtube.com/watch?v=jvUego50gVg
https://www.youtube.com/watch?v=NwwhZGtcnSM
https://www.youtube.com/watch?v=KnjnwVS53ko
Symphony 5 part 1 :https://www.youtube.com/watch?v=XUGPzud8rJk
Symphony 5 part 2 :https://www.youtube.com/watch?v=4cyGKsfGXoI
published: 10 Jul 2012
-
Gustav Mahler - Adagietto | Leonard Bernstein (4K)
Gustav Mahler - Adagietto. Sehr langsam. Symphony No. 5 in C sharp minor, 1901-02.
Wiener Philharmoniker, Vienna Philharmonic Orchestra, Leonard Bernstein, 1973.
Motion Picture Restored
"In the Fourth movement, the famous Adagietto, harp and strings alone play. The opening melody recalls two of Mahler's songs, "Nun seh' ich wohl" (from Kindertotenlieder) and the separate Ruckert setting "Ich bin der Welt abhanden gekommen". The long upbeats and expressive appoggiaturas of the melodic lines give the music a yearning, almost heart-breaking quality. The intensity that builds up inthis movement finaly assuages the darkness and doubts of the earlier movements, making the lighter mood and extrovert energy of the Rondo-Finale acceptable. Together, these two movements form the third part of the s...
published: 09 Mar 2021
-
Mahler - Symphony No.5 - Abbado - Lucerne Festival Orchestra 2004
Gustav Mahler
Symphony No.5
Claudio Abbado
Lucerne Festival Orchestra, 2004
0:00 - Opening
I.
0:55 - Traeurmarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
13:36 - Stürmisch bewegt. Mit grösster Vehemenz
II.
28:20 - Scherzo. Kräftig, Nicht zu schnell.
III.
45:17 - Adagietto. Sehr langsam.
53:49 - Rondo-Finale. Allegro-Allegro giocoso. Frisch.
1:10:10 - Credits
_________________________
Dear Youtube User
If you are the COPYRIGHT OWNER of this performance I kindly ask you to first contact me requesting to delete the video but avoiding to fill a complaint to YouTube administration and I WILL DELETE IT IMMEDIATELY.
I uploaded the video just to promote the music I love.
I don't want problems with anybody and I never intended to break the copyright law.
Thanks for your understanding
published: 10 Sep 2012
-
Gustav Mahler-Piano Quartet in A minor
Gustav Mahler's Piano Quartet in A minor
For Piano and Strings Trio.
Hope you Enjoy =]
published: 21 Mar 2010
-
The Best of Mahler
Gustav Mahler, born on July 7, 1860, in Kalischt, Bohemia (now Czech Republic), was a renowned composer and conductor of the late 19th and early 20th centuries. He is widely regarded as one of the most influential figures in the realm of classical music.
From a young age, Mahler displayed extraordinary musical talent, showcasing his proficiency on the piano and violin. He pursued formal musical education at the Vienna Conservatory, where he studied composition and conducting. During this time, he also developed a deep appreciation for the works of Ludwig van Beethoven and Richard Wagner, whose musical styles significantly influenced his own compositions.
Mahler's career took off when he landed his first conducting position in 1880, and he went on to lead prestigious orchestras in various...
published: 23 May 2013
-
Mahler Complete Symphonies (Bernstein)
Symphony 1 in D Major "Titan" (1887-1888)
0:00:00 1 - I. Langsam, schleppend (Slowly, dragging) Immer sehr gemächlich (very restrained throughout) D major
0:15:12 1 - II. Kräftig bewegt, doch nicht zu schnell (Moving strongly, but not too quickly), Recht gemächlich (restrained), a Trio—a Ländler A major
0:23:31 1 - III. Feierlich und gemessen, ohne zu schleppen (Solemnly and measured, without dragging), Sehr einfach und schlicht wie eine Volksweise (very simple, like a folk-tune), and Wieder etwas bewegter, wie im Anfang (once again somewhat more agitated, as at the start)—a funeral march based on the children's song "Frère Jacques" (or "Bruder Jacob") D minor
0:33:51 1 - IV. Stürmisch bewegt – Energisch (Stormily agitated – Energetic) F minor → D major
Symphony 2 in C Minor "Resurrection...
published: 04 Jan 2020
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Keeping Score | Gustav Mahler: Origins (FULL DOCUMENTARY AND CONCERT)
The first of two episodes explores the roots of Gustav Mahler’s music. SFS Music Director Michael Tilson Thomas journeys to rural Bohemia to rediscover the inspirations of Mahler’s music, and traces Mahler’s life through the premiere of his first symphony in 1888. It shocked the contemporary audience, but as MTT and the San Francisco Symphony reveal, on location and in performance, this ground-breaking symphony contains elements of everything else that Mahler composed. Shot on location in the Czech Republic, Austria, Hungary, and in performance in San Francisco’s Davies Symphony Hall.
Bonus Features:
Full-length concert performance of Mahler's Symphony No. 1 by the San Francisco Symphony originally filmed in high-definition 16:9 widescreen and 5.1 surround sound.
More information about ...
published: 29 Mar 2020
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Why Listen to Mahler?
Discover more music with Apple Music Classical, the streaming service for classical music. http://apple.co/InsideTheScore
Search for 'Mahler Essentials' or 'Discover Mahler' to hear much more of his greatest!
Gustav Mahler has been one of my favourite composers since I discovered Classical Music – and in this video I try to explain why he holds that place, from many angles, channelled through the extraordinary, moving story of Mahler’s life and works.
I hope you can consider this a complete introduction to Mahler’s life and works, and a compelling springboard for a musical journey into the depths of Mahler’s soul.
Podcast on Mahler Symphony #2 - https://www.youtube.com/watch?v=IC4y3io-T34
🎁 FREE
Accelerate your ear training, sight reading, and musicianship skills with this free mini-c...
published: 12 Aug 2021
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Mahler Symphony No.1 "Titan" Mvt 4 - Sembawang Wind Orchestra
Mahler Symphony No.1 "Titan", arranged by José Schyns performed by Sembawang Wind Orchestra (SWO) in 2023 at the Victoria Concert Hall, Singapore under the baton of Mr. Desmond Ng.
Website
http://www.swo.sg/
Social Media
Facebook: https://www.facebook.com/SembawangWindOrchestra
Instagram: https://www.instagram.com/SembawangWindOrchestra
published: 25 Feb 2024
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Gustav Mahler: Symphony No. 1 (Lucerne Festival Orchestra, Abbado)
Recorded live at the Lucerne Festival, Summer 2009
Concert Hall of the KKL Luzern, August 2009
Lucerne Festival Orchestra
Claudio Abbado - conductor
Chapters:
0:00 Gustav Mahler: Symphony No. 1
0:30 I. Langsam, schleppend
17:16 II. Kräftig bewegt, doch nicht zu schnell
24:50 III. Feierlich und gemessen, ohne zu schleppen
36:19 IV. Stürmisch bewegt
Watch this work performed by the Asian Youth Orchestra under the baton of James Judd: https://youtu.be/Kj_iBBmGzsU
Whenever Claudio Abbado conducts the LUCERNE FESTIVAL ORCHESTRA, music lovers are in for a very special event. Such was the case in the summer of 2009 when the charismatic Italian conductor opened Lucerne's tradition-rich Festival with a concert featuring Mahler's First Symphony and Prokofiev's Third Piano Concerto. In 2003 Abbad...
published: 14 Mar 2015
11:54
Mahler: Adagietto Symphony 5 - Karajan*
Karajan's Mahler is unsurpassed
See also ( very interesting):
Mahler: Adagietto Symphony 5 arranged for Choir :
https://www.youtube.com/watch?v=YA1c9jZmdag
...
Karajan's Mahler is unsurpassed
See also ( very interesting):
Mahler: Adagietto Symphony 5 arranged for Choir :
https://www.youtube.com/watch?v=YA1c9jZmdag
See also the adagio's from symphony 4 & 6 by Karajan on this channel & Part 1 & 4 of symphony 9:
https://www.youtube.com/watch?v=4kTXstgF20E
https://www.youtube.com/watch?v=jvUego50gVg
https://www.youtube.com/watch?v=NwwhZGtcnSM
https://www.youtube.com/watch?v=KnjnwVS53ko
Symphony 5 part 1 :https://www.youtube.com/watch?v=XUGPzud8rJk
Symphony 5 part 2 :https://www.youtube.com/watch?v=4cyGKsfGXoI
https://wn.com/Mahler_Adagietto_Symphony_5_Karajan
Karajan's Mahler is unsurpassed
See also ( very interesting):
Mahler: Adagietto Symphony 5 arranged for Choir :
https://www.youtube.com/watch?v=YA1c9jZmdag
See also the adagio's from symphony 4 & 6 by Karajan on this channel & Part 1 & 4 of symphony 9:
https://www.youtube.com/watch?v=4kTXstgF20E
https://www.youtube.com/watch?v=jvUego50gVg
https://www.youtube.com/watch?v=NwwhZGtcnSM
https://www.youtube.com/watch?v=KnjnwVS53ko
Symphony 5 part 1 :https://www.youtube.com/watch?v=XUGPzud8rJk
Symphony 5 part 2 :https://www.youtube.com/watch?v=4cyGKsfGXoI
- published: 10 Jul 2012
- views: 8967709
12:08
Gustav Mahler - Adagietto | Leonard Bernstein (4K)
Gustav Mahler - Adagietto. Sehr langsam. Symphony No. 5 in C sharp minor, 1901-02.
Wiener Philharmoniker, Vienna Philharmonic Orchestra, Leonard Bernstein, 1973...
Gustav Mahler - Adagietto. Sehr langsam. Symphony No. 5 in C sharp minor, 1901-02.
Wiener Philharmoniker, Vienna Philharmonic Orchestra, Leonard Bernstein, 1973.
Motion Picture Restored
"In the Fourth movement, the famous Adagietto, harp and strings alone play. The opening melody recalls two of Mahler's songs, "Nun seh' ich wohl" (from Kindertotenlieder) and the separate Ruckert setting "Ich bin der Welt abhanden gekommen". The long upbeats and expressive appoggiaturas of the melodic lines give the music a yearning, almost heart-breaking quality. The intensity that builds up inthis movement finaly assuages the darkness and doubts of the earlier movements, making the lighter mood and extrovert energy of the Rondo-Finale acceptable. Together, these two movements form the third part of the symphony. The formal function of the Adagietto is ambiguous. It acts as an introduction to the last movement, which follows without a break, and is thematically bound to it, for twice in the Finale we hear the Adagietto's main theme, now at a fast tempo. The Adagietto also functions as a slow interlude in F major, between two faster movements in D major; but is also has an expressive weight sufficient for it to stand on its own - indeed, it is often performed by itself.
Even without a text or programme, the music's emotional and referential content implies an existential dimension. Without an explicit programme or titles, we have few clues to the "meaning" of the Fifth Symphony other than the music itself. Mahler offers some guidance by grouping the five movements, which share some thematic Material, as well as an obsession with death, from the first part; the central scherzo stands alone as the second part; and the lat two movements, which are also linked thematically, form the third.
An essential aspect of Mahler's symphonies is the idea of emotional and spiritual progression, through various alternatives to a (provisional) conclusion. One important means he uses to articulate this spiritual journey is the technique of progressive tonality. In other symphonies he begins and ends movements in diferent keys, but in the Fifth each movement begins and ends in the same key; however as a whole, it moves from C sharp minor opening movement to the D major of the third and fifth movements.
One reason for Mahler's significance and influence as a composer is that he viewed his music as a means of seeking and expressing solutions to the problems of his personal, spiritual life. The Depth and seriousness of these problems naturally drew him to the largescale form of the symphony, wich he expanded in length and number of movements to unprecedented proportions.
Mahler kept revising the orchestration of this work until his death. He conducted the first performance with the Gürzenich Orchestra in Cologne on October 18, 1904. He'd begun the Fifth Symphony at Maiernegg in 1901 - writing the third, first and second movements in that order, after a death-obsessed song, "Der Tamboursg'sell," and the Kindertotenlieder cycle ("on the death of children"). After nearly bleeding to death the previous winter (from an intestinal hemorrhage), Mahler's symphonic orientation underwent a profound change. Mahler cast his Fifth Symphony in five movements that fall naturally into three parts.
The First begins in C sharp minor with a Funeral March, of measured tread and austere (Movement I). A sonata-form movement follows, marked "Stormily, with greatest vehemence" (Movement II), which shares themes as well as mood with the opening.
The Second Part (which Mahler composed first) is a Scherzo: "Vigorously, not too fast" (Movement III) -- the symphony's shortest large section, but its longest single movement. This emphatically joyous, albeit manic movement puts forward D major as the work's focal key. Although its form has remained a topic of debate since 1904, rondo and sonata-form elements are both present.
Part Three begins with a seraphic Adagietto: "Very slowly" (Movement IV). This is indubitably related to the Rückert song Mahler composed in August 1901, "Ich bin der Welt abhanden gekommen" (I have become lost to the world...I live alone in my heaven, in my loving, in my song). A Rondo-Finale: "Allegro giocoso, lively" (Movement V) concludes the symphony, although Mahler devised a form far removed from classic models. While sectional, in truth episodic, this too has elements of sonata form.
#Adagietto #Mahler #GustavMahler
马勒 頗慢
マーラー 非常に遅い
Малер довольно медленно
Adagietto from the 5th Symphony
08.III.2011
https://wn.com/Gustav_Mahler_Adagietto_|_Leonard_Bernstein_(4K)
Gustav Mahler - Adagietto. Sehr langsam. Symphony No. 5 in C sharp minor, 1901-02.
Wiener Philharmoniker, Vienna Philharmonic Orchestra, Leonard Bernstein, 1973.
Motion Picture Restored
"In the Fourth movement, the famous Adagietto, harp and strings alone play. The opening melody recalls two of Mahler's songs, "Nun seh' ich wohl" (from Kindertotenlieder) and the separate Ruckert setting "Ich bin der Welt abhanden gekommen". The long upbeats and expressive appoggiaturas of the melodic lines give the music a yearning, almost heart-breaking quality. The intensity that builds up inthis movement finaly assuages the darkness and doubts of the earlier movements, making the lighter mood and extrovert energy of the Rondo-Finale acceptable. Together, these two movements form the third part of the symphony. The formal function of the Adagietto is ambiguous. It acts as an introduction to the last movement, which follows without a break, and is thematically bound to it, for twice in the Finale we hear the Adagietto's main theme, now at a fast tempo. The Adagietto also functions as a slow interlude in F major, between two faster movements in D major; but is also has an expressive weight sufficient for it to stand on its own - indeed, it is often performed by itself.
Even without a text or programme, the music's emotional and referential content implies an existential dimension. Without an explicit programme or titles, we have few clues to the "meaning" of the Fifth Symphony other than the music itself. Mahler offers some guidance by grouping the five movements, which share some thematic Material, as well as an obsession with death, from the first part; the central scherzo stands alone as the second part; and the lat two movements, which are also linked thematically, form the third.
An essential aspect of Mahler's symphonies is the idea of emotional and spiritual progression, through various alternatives to a (provisional) conclusion. One important means he uses to articulate this spiritual journey is the technique of progressive tonality. In other symphonies he begins and ends movements in diferent keys, but in the Fifth each movement begins and ends in the same key; however as a whole, it moves from C sharp minor opening movement to the D major of the third and fifth movements.
One reason for Mahler's significance and influence as a composer is that he viewed his music as a means of seeking and expressing solutions to the problems of his personal, spiritual life. The Depth and seriousness of these problems naturally drew him to the largescale form of the symphony, wich he expanded in length and number of movements to unprecedented proportions.
Mahler kept revising the orchestration of this work until his death. He conducted the first performance with the Gürzenich Orchestra in Cologne on October 18, 1904. He'd begun the Fifth Symphony at Maiernegg in 1901 - writing the third, first and second movements in that order, after a death-obsessed song, "Der Tamboursg'sell," and the Kindertotenlieder cycle ("on the death of children"). After nearly bleeding to death the previous winter (from an intestinal hemorrhage), Mahler's symphonic orientation underwent a profound change. Mahler cast his Fifth Symphony in five movements that fall naturally into three parts.
The First begins in C sharp minor with a Funeral March, of measured tread and austere (Movement I). A sonata-form movement follows, marked "Stormily, with greatest vehemence" (Movement II), which shares themes as well as mood with the opening.
The Second Part (which Mahler composed first) is a Scherzo: "Vigorously, not too fast" (Movement III) -- the symphony's shortest large section, but its longest single movement. This emphatically joyous, albeit manic movement puts forward D major as the work's focal key. Although its form has remained a topic of debate since 1904, rondo and sonata-form elements are both present.
Part Three begins with a seraphic Adagietto: "Very slowly" (Movement IV). This is indubitably related to the Rückert song Mahler composed in August 1901, "Ich bin der Welt abhanden gekommen" (I have become lost to the world...I live alone in my heaven, in my loving, in my song). A Rondo-Finale: "Allegro giocoso, lively" (Movement V) concludes the symphony, although Mahler devised a form far removed from classic models. While sectional, in truth episodic, this too has elements of sonata form.
#Adagietto #Mahler #GustavMahler
马勒 頗慢
マーラー 非常に遅い
Малер довольно медленно
Adagietto from the 5th Symphony
08.III.2011
- published: 09 Mar 2021
- views: 679105
1:13:43
Mahler - Symphony No.5 - Abbado - Lucerne Festival Orchestra 2004
Gustav Mahler
Symphony No.5
Claudio Abbado
Lucerne Festival Orchestra, 2004
0:00 - Opening
I.
0:55 - Traeurmarsch. In gemessenem Schritt. Streng. Wie ein Kondu...
Gustav Mahler
Symphony No.5
Claudio Abbado
Lucerne Festival Orchestra, 2004
0:00 - Opening
I.
0:55 - Traeurmarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
13:36 - Stürmisch bewegt. Mit grösster Vehemenz
II.
28:20 - Scherzo. Kräftig, Nicht zu schnell.
III.
45:17 - Adagietto. Sehr langsam.
53:49 - Rondo-Finale. Allegro-Allegro giocoso. Frisch.
1:10:10 - Credits
_________________________
Dear Youtube User
If you are the COPYRIGHT OWNER of this performance I kindly ask you to first contact me requesting to delete the video but avoiding to fill a complaint to YouTube administration and I WILL DELETE IT IMMEDIATELY.
I uploaded the video just to promote the music I love.
I don't want problems with anybody and I never intended to break the copyright law.
Thanks for your understanding
https://wn.com/Mahler_Symphony_No.5_Abbado_Lucerne_Festival_Orchestra_2004
Gustav Mahler
Symphony No.5
Claudio Abbado
Lucerne Festival Orchestra, 2004
0:00 - Opening
I.
0:55 - Traeurmarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
13:36 - Stürmisch bewegt. Mit grösster Vehemenz
II.
28:20 - Scherzo. Kräftig, Nicht zu schnell.
III.
45:17 - Adagietto. Sehr langsam.
53:49 - Rondo-Finale. Allegro-Allegro giocoso. Frisch.
1:10:10 - Credits
_________________________
Dear Youtube User
If you are the COPYRIGHT OWNER of this performance I kindly ask you to first contact me requesting to delete the video but avoiding to fill a complaint to YouTube administration and I WILL DELETE IT IMMEDIATELY.
I uploaded the video just to promote the music I love.
I don't want problems with anybody and I never intended to break the copyright law.
Thanks for your understanding
- published: 10 Sep 2012
- views: 4804500
9:54
Gustav Mahler-Piano Quartet in A minor
Gustav Mahler's Piano Quartet in A minor
For Piano and Strings Trio.
Hope you Enjoy =]
Gustav Mahler's Piano Quartet in A minor
For Piano and Strings Trio.
Hope you Enjoy =]
https://wn.com/Gustav_Mahler_Piano_Quartet_In_A_Minor
Gustav Mahler's Piano Quartet in A minor
For Piano and Strings Trio.
Hope you Enjoy =]
- published: 21 Mar 2010
- views: 2267987
56:47
The Best of Mahler
Gustav Mahler, born on July 7, 1860, in Kalischt, Bohemia (now Czech Republic), was a renowned composer and conductor of the late 19th and early 20th centuries....
Gustav Mahler, born on July 7, 1860, in Kalischt, Bohemia (now Czech Republic), was a renowned composer and conductor of the late 19th and early 20th centuries. He is widely regarded as one of the most influential figures in the realm of classical music.
From a young age, Mahler displayed extraordinary musical talent, showcasing his proficiency on the piano and violin. He pursued formal musical education at the Vienna Conservatory, where he studied composition and conducting. During this time, he also developed a deep appreciation for the works of Ludwig van Beethoven and Richard Wagner, whose musical styles significantly influenced his own compositions.
Mahler's career took off when he landed his first conducting position in 1880, and he went on to lead prestigious orchestras in various cities across Europe, including Budapest, Hamburg, and Vienna. As a conductor, he was known for his meticulous attention to detail and innovative interpretations, often pushing the boundaries of musical expression.
However, it was as a composer that Mahler truly left an indelible mark on the world of music. His symphonies, characterized by their epic scale and emotional intensity, explored profound themes such as life, death, and the human condition. Mahler's compositions often incorporated diverse musical elements, including folk melodies, military marches, and even elements of Jewish klezmer music.
Despite his professional success, Mahler's personal life was marked by numerous hardships. He experienced the loss of several family members, including the death of his daughter Maria and the deteriorating health of his wife, Alma. These personal tragedies deeply influenced his compositions, infusing them with a sense of melancholy and introspection.
Mahler's works were initially met with mixed reviews, as they challenged the traditional conventions of classical music. However, his reputation as a composer grew steadily, particularly in the years following his death in 1911. Mahler's compositions, with their emotional depth and profound exploration of the human experience, have since become cherished and frequently performed works in the classical repertoire.
Gustav Mahler's legacy endures to this day, with his music captivating audiences and inspiring countless musicians and composers. His innovative approach to composition and his unwavering commitment to artistic expression have firmly established him as a towering figure in the annals of classical music history.
Gustav Mahler
Tracklist:
Sinfonia Nº 1 Em Ré Maior, "Titã"
1. Langsam, Schleppend
2. Kraftig, Bewegt
3. Feierlich Und Gemessen, Ohne Zu Schleppend
4. Sturmisch Bewegt
Royal Philharmonic Orchestra
For more:
http://www.melhoresmusicasclassicas.blogspot.com.br
#MusicHistory
#ClassicalMusic
#Mahler
https://wn.com/The_Best_Of_Mahler
Gustav Mahler, born on July 7, 1860, in Kalischt, Bohemia (now Czech Republic), was a renowned composer and conductor of the late 19th and early 20th centuries. He is widely regarded as one of the most influential figures in the realm of classical music.
From a young age, Mahler displayed extraordinary musical talent, showcasing his proficiency on the piano and violin. He pursued formal musical education at the Vienna Conservatory, where he studied composition and conducting. During this time, he also developed a deep appreciation for the works of Ludwig van Beethoven and Richard Wagner, whose musical styles significantly influenced his own compositions.
Mahler's career took off when he landed his first conducting position in 1880, and he went on to lead prestigious orchestras in various cities across Europe, including Budapest, Hamburg, and Vienna. As a conductor, he was known for his meticulous attention to detail and innovative interpretations, often pushing the boundaries of musical expression.
However, it was as a composer that Mahler truly left an indelible mark on the world of music. His symphonies, characterized by their epic scale and emotional intensity, explored profound themes such as life, death, and the human condition. Mahler's compositions often incorporated diverse musical elements, including folk melodies, military marches, and even elements of Jewish klezmer music.
Despite his professional success, Mahler's personal life was marked by numerous hardships. He experienced the loss of several family members, including the death of his daughter Maria and the deteriorating health of his wife, Alma. These personal tragedies deeply influenced his compositions, infusing them with a sense of melancholy and introspection.
Mahler's works were initially met with mixed reviews, as they challenged the traditional conventions of classical music. However, his reputation as a composer grew steadily, particularly in the years following his death in 1911. Mahler's compositions, with their emotional depth and profound exploration of the human experience, have since become cherished and frequently performed works in the classical repertoire.
Gustav Mahler's legacy endures to this day, with his music captivating audiences and inspiring countless musicians and composers. His innovative approach to composition and his unwavering commitment to artistic expression have firmly established him as a towering figure in the annals of classical music history.
Gustav Mahler
Tracklist:
Sinfonia Nº 1 Em Ré Maior, "Titã"
1. Langsam, Schleppend
2. Kraftig, Bewegt
3. Feierlich Und Gemessen, Ohne Zu Schleppend
4. Sturmisch Bewegt
Royal Philharmonic Orchestra
For more:
http://www.melhoresmusicasclassicas.blogspot.com.br
#MusicHistory
#ClassicalMusic
#Mahler
- published: 23 May 2013
- views: 245569
11:18:29
Mahler Complete Symphonies (Bernstein)
Symphony 1 in D Major "Titan" (1887-1888)
0:00:00 1 - I. Langsam, schleppend (Slowly, dragging) Immer sehr gemächlich (very restrained throughout) D major
0:15:...
Symphony 1 in D Major "Titan" (1887-1888)
0:00:00 1 - I. Langsam, schleppend (Slowly, dragging) Immer sehr gemächlich (very restrained throughout) D major
0:15:12 1 - II. Kräftig bewegt, doch nicht zu schnell (Moving strongly, but not too quickly), Recht gemächlich (restrained), a Trio—a Ländler A major
0:23:31 1 - III. Feierlich und gemessen, ohne zu schleppen (Solemnly and measured, without dragging), Sehr einfach und schlicht wie eine Volksweise (very simple, like a folk-tune), and Wieder etwas bewegter, wie im Anfang (once again somewhat more agitated, as at the start)—a funeral march based on the children's song "Frère Jacques" (or "Bruder Jacob") D minor
0:33:51 1 - IV. Stürmisch bewegt – Energisch (Stormily agitated – Energetic) F minor → D major
Symphony 2 in C Minor "Resurrection" (1888-1894)
0:52:51 2 - I. Allegro maestoso, Mit durchaus ernstem und feierlichem Ausdruck (With complete gravity and solemnity of expression) C minor
1:16:31 2 - II. Andante moderato, Sehr gemächlich. Nie eilen. (Very leisurely. Never rush.) Ländler in A♭ major
1:28:12 2 - III. In ruhig fließender Bewegung (With quietly flowing movement) C minor
1:38:19 2 - IV. "Urlicht" (Primal Light)m Sehr feierlich, aber schlicht (Very solemn, but simple) D♭ major
1:43:48 2 - V. Finale. Im Tempo des Scherzos (In the tempo of the scherzo)
Symphony 3 in D Minor (1893-1896)
2:17:38 3 - I. Kräftig. Entschieden (Strong and decisive) D minor to F major
2:50:58 3 - II. Tempo di Menuetto (In the tempo of a minuet) A major
3:01:10 3 - III. Comodo (Scherzando) (Comfortable (Scherzo)) C minor to C major
3:19:06 3 - IV. Sehr langsam—Misterioso (Very slowly, mysteriously) D major
3:27:55 3 - V. Lustig im Tempo und keck im Ausdruck (Cheerful in tempo and cheeky in expression) F major
3:32:08 3 - VI. Langsam—Ruhevoll—Empfunden (Slowly, tranquil, deeply felt) D major
Symphony 4 in G Major - E major (1899-1900)
3:57:16 4 - I. Bedächtig, nicht eilen (Moderately, not rushed) – sonata form
4:14:10 4 - II. In gemächlicher Bewegung, ohne Hast (Leisurely moving, without haste) – scherzo and trio
4:23:16 4 - III. Ruhevoll, poco adagio (Peacefully, somewhat slowly) – theme and variations
4:43:51 4 - IV. Sehr behaglich (Very comfortably) – strophic
Symphony 5 in C♯ minor - D major (1901-1902)
Part I
4:52:26 5 - I. Trauermarsch (Funeral march). In gemessenem Schritt. Streng. Wie ein Kondukt (At a measured pace. Strict. Like a funeral procession.) C♯ minor
5:04:56 5 - II. Stürmisch bewegt, mit größter Vehemenz (Moving stormily, with the greatest vehemence) A minor
Part II
5:19:15 5 - III. Scherzo. Kräftig, nicht zu schnell (Strong and not too fast) D major
Part III
5:36:55 5 - IV. Adagietto. Sehr langsam (Very slow) F major
5:47:55 5 - V. Rondo-Finale. Allegro – Allegro giocoso. Frisch (Fresh) D major
Symphony 6 in A minor "Tragic" (1903-1904, revised 1906) [This should be the original version]
6:01:45 6 - I. Allegro energico, ma non troppo. Heftig, aber markig.
6:23:11 6 - II. Scherzo: Wuchtig
6:35:40 6 - III. Andante moderato
6:51:00 6 - IV. Finale: Sostenuto – Allegro moderato – Allegro energico
Symphony 7 in E minor - C major "Song of the Night" (1904-1905)
7:19:40 7 - I. Langsam – Allegro risoluto, ma non troppo (E minor, beginning B minor)
7:40:34 7 - II. Nachtmusik I. Allegro moderato. Molto moderato (Andante) C major — C minor
7:57:16 7 - III. Scherzo. Schattenhaft. Fließend aber nicht zu schnell ("Shadowy. Flowing but not too fast") D major
8:06:53 7 - IV. Nachtmusik II Andante amoroso. F major
8:21:32 7 - V. Rondo finale. C major
Symphony 8 in E♭ major "Symphony of a Thousand" (1906)
8:39:32 8 - Part I: Veni creator spiritus
9:03:36 8 - Part II: Closing scene from Goethe's Faust
Symphony 9 in D major - D♭ major (1908-1909)
9:58:41 9 - I. Andante comodo (D major)
10:27:05 9 - II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb (C major)
10:42:58 9 - III. Rondo-Burleske: Allegro assai. Sehr trotzig (A minor)
10:55:31 9 - IV. Adagio. Sehr langsam und noch zurückhaltend (D♭ major)
Bernstein's first Mahler cycle was the first (of now many) complete Mahler cycles with symphonies 1-9 recorded between 1960 and 1967 on the CBS (now Sony) label.
The cycle used performances by the New York Philharmonic—the same orchestra that Mahler led during a brief tenure between 1909 and his death in 1911—as well as a performance of the 8th symphony by the London Symphony Orchestra.
There was another version of Mahler's symphonic works on my channel, including the tenth symphony ("Unfinished") and Das Lied von der Erde ("8a" to avoid the curse of the ninth), unfortunately it has been blocked by YouTube due to copyright.
https://wn.com/Mahler_Complete_Symphonies_(Bernstein)
Symphony 1 in D Major "Titan" (1887-1888)
0:00:00 1 - I. Langsam, schleppend (Slowly, dragging) Immer sehr gemächlich (very restrained throughout) D major
0:15:12 1 - II. Kräftig bewegt, doch nicht zu schnell (Moving strongly, but not too quickly), Recht gemächlich (restrained), a Trio—a Ländler A major
0:23:31 1 - III. Feierlich und gemessen, ohne zu schleppen (Solemnly and measured, without dragging), Sehr einfach und schlicht wie eine Volksweise (very simple, like a folk-tune), and Wieder etwas bewegter, wie im Anfang (once again somewhat more agitated, as at the start)—a funeral march based on the children's song "Frère Jacques" (or "Bruder Jacob") D minor
0:33:51 1 - IV. Stürmisch bewegt – Energisch (Stormily agitated – Energetic) F minor → D major
Symphony 2 in C Minor "Resurrection" (1888-1894)
0:52:51 2 - I. Allegro maestoso, Mit durchaus ernstem und feierlichem Ausdruck (With complete gravity and solemnity of expression) C minor
1:16:31 2 - II. Andante moderato, Sehr gemächlich. Nie eilen. (Very leisurely. Never rush.) Ländler in A♭ major
1:28:12 2 - III. In ruhig fließender Bewegung (With quietly flowing movement) C minor
1:38:19 2 - IV. "Urlicht" (Primal Light)m Sehr feierlich, aber schlicht (Very solemn, but simple) D♭ major
1:43:48 2 - V. Finale. Im Tempo des Scherzos (In the tempo of the scherzo)
Symphony 3 in D Minor (1893-1896)
2:17:38 3 - I. Kräftig. Entschieden (Strong and decisive) D minor to F major
2:50:58 3 - II. Tempo di Menuetto (In the tempo of a minuet) A major
3:01:10 3 - III. Comodo (Scherzando) (Comfortable (Scherzo)) C minor to C major
3:19:06 3 - IV. Sehr langsam—Misterioso (Very slowly, mysteriously) D major
3:27:55 3 - V. Lustig im Tempo und keck im Ausdruck (Cheerful in tempo and cheeky in expression) F major
3:32:08 3 - VI. Langsam—Ruhevoll—Empfunden (Slowly, tranquil, deeply felt) D major
Symphony 4 in G Major - E major (1899-1900)
3:57:16 4 - I. Bedächtig, nicht eilen (Moderately, not rushed) – sonata form
4:14:10 4 - II. In gemächlicher Bewegung, ohne Hast (Leisurely moving, without haste) – scherzo and trio
4:23:16 4 - III. Ruhevoll, poco adagio (Peacefully, somewhat slowly) – theme and variations
4:43:51 4 - IV. Sehr behaglich (Very comfortably) – strophic
Symphony 5 in C♯ minor - D major (1901-1902)
Part I
4:52:26 5 - I. Trauermarsch (Funeral march). In gemessenem Schritt. Streng. Wie ein Kondukt (At a measured pace. Strict. Like a funeral procession.) C♯ minor
5:04:56 5 - II. Stürmisch bewegt, mit größter Vehemenz (Moving stormily, with the greatest vehemence) A minor
Part II
5:19:15 5 - III. Scherzo. Kräftig, nicht zu schnell (Strong and not too fast) D major
Part III
5:36:55 5 - IV. Adagietto. Sehr langsam (Very slow) F major
5:47:55 5 - V. Rondo-Finale. Allegro – Allegro giocoso. Frisch (Fresh) D major
Symphony 6 in A minor "Tragic" (1903-1904, revised 1906) [This should be the original version]
6:01:45 6 - I. Allegro energico, ma non troppo. Heftig, aber markig.
6:23:11 6 - II. Scherzo: Wuchtig
6:35:40 6 - III. Andante moderato
6:51:00 6 - IV. Finale: Sostenuto – Allegro moderato – Allegro energico
Symphony 7 in E minor - C major "Song of the Night" (1904-1905)
7:19:40 7 - I. Langsam – Allegro risoluto, ma non troppo (E minor, beginning B minor)
7:40:34 7 - II. Nachtmusik I. Allegro moderato. Molto moderato (Andante) C major — C minor
7:57:16 7 - III. Scherzo. Schattenhaft. Fließend aber nicht zu schnell ("Shadowy. Flowing but not too fast") D major
8:06:53 7 - IV. Nachtmusik II Andante amoroso. F major
8:21:32 7 - V. Rondo finale. C major
Symphony 8 in E♭ major "Symphony of a Thousand" (1906)
8:39:32 8 - Part I: Veni creator spiritus
9:03:36 8 - Part II: Closing scene from Goethe's Faust
Symphony 9 in D major - D♭ major (1908-1909)
9:58:41 9 - I. Andante comodo (D major)
10:27:05 9 - II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb (C major)
10:42:58 9 - III. Rondo-Burleske: Allegro assai. Sehr trotzig (A minor)
10:55:31 9 - IV. Adagio. Sehr langsam und noch zurückhaltend (D♭ major)
Bernstein's first Mahler cycle was the first (of now many) complete Mahler cycles with symphonies 1-9 recorded between 1960 and 1967 on the CBS (now Sony) label.
The cycle used performances by the New York Philharmonic—the same orchestra that Mahler led during a brief tenure between 1909 and his death in 1911—as well as a performance of the 8th symphony by the London Symphony Orchestra.
There was another version of Mahler's symphonic works on my channel, including the tenth symphony ("Unfinished") and Das Lied von der Erde ("8a" to avoid the curse of the ninth), unfortunately it has been blocked by YouTube due to copyright.
- published: 04 Jan 2020
- views: 232504
1:49:56
Keeping Score | Gustav Mahler: Origins (FULL DOCUMENTARY AND CONCERT)
The first of two episodes explores the roots of Gustav Mahler’s music. SFS Music Director Michael Tilson Thomas journeys to rural Bohemia to rediscover the insp...
The first of two episodes explores the roots of Gustav Mahler’s music. SFS Music Director Michael Tilson Thomas journeys to rural Bohemia to rediscover the inspirations of Mahler’s music, and traces Mahler’s life through the premiere of his first symphony in 1888. It shocked the contemporary audience, but as MTT and the San Francisco Symphony reveal, on location and in performance, this ground-breaking symphony contains elements of everything else that Mahler composed. Shot on location in the Czech Republic, Austria, Hungary, and in performance in San Francisco’s Davies Symphony Hall.
Bonus Features:
Full-length concert performance of Mahler's Symphony No. 1 by the San Francisco Symphony originally filmed in high-definition 16:9 widescreen and 5.1 surround sound.
More information about DVD and Blu-Ray discs available here:
https://www.warnerclassics.com/release/keeping-score-mahler-origins-and-legacy
The music will play on. GIVE TODAY
SFSYMPHONY.org/give
Stay connected with us:
Facebook: http://facebook.com/sfsymphony
Twitter: http://twitter.com/sfsymphony
Instagram: http://instagram.com/sfsymphony
Tumblr: http://sfsymphony.tumblr.com/
https://wn.com/Keeping_Score_|_Gustav_Mahler_Origins_(Full_Documentary_And_Concert)
The first of two episodes explores the roots of Gustav Mahler’s music. SFS Music Director Michael Tilson Thomas journeys to rural Bohemia to rediscover the inspirations of Mahler’s music, and traces Mahler’s life through the premiere of his first symphony in 1888. It shocked the contemporary audience, but as MTT and the San Francisco Symphony reveal, on location and in performance, this ground-breaking symphony contains elements of everything else that Mahler composed. Shot on location in the Czech Republic, Austria, Hungary, and in performance in San Francisco’s Davies Symphony Hall.
Bonus Features:
Full-length concert performance of Mahler's Symphony No. 1 by the San Francisco Symphony originally filmed in high-definition 16:9 widescreen and 5.1 surround sound.
More information about DVD and Blu-Ray discs available here:
https://www.warnerclassics.com/release/keeping-score-mahler-origins-and-legacy
The music will play on. GIVE TODAY
SFSYMPHONY.org/give
Stay connected with us:
Facebook: http://facebook.com/sfsymphony
Twitter: http://twitter.com/sfsymphony
Instagram: http://instagram.com/sfsymphony
Tumblr: http://sfsymphony.tumblr.com/
- published: 29 Mar 2020
- views: 361119
20:11
Why Listen to Mahler?
Discover more music with Apple Music Classical, the streaming service for classical music. http://apple.co/InsideTheScore
Search for 'Mahler Essentials' or 'Dis...
Discover more music with Apple Music Classical, the streaming service for classical music. http://apple.co/InsideTheScore
Search for 'Mahler Essentials' or 'Discover Mahler' to hear much more of his greatest!
Gustav Mahler has been one of my favourite composers since I discovered Classical Music – and in this video I try to explain why he holds that place, from many angles, channelled through the extraordinary, moving story of Mahler’s life and works.
I hope you can consider this a complete introduction to Mahler’s life and works, and a compelling springboard for a musical journey into the depths of Mahler’s soul.
Podcast on Mahler Symphony #2 - https://www.youtube.com/watch?v=IC4y3io-T34
🎁 FREE
Accelerate your ear training, sight reading, and musicianship skills with this free mini-course:
https://www.insidethescore.com/fast-track
Your journey towards musical mastery begins here... 🛤️
🎻 Where to Start with Classical Music? - https://www.insidethescore.com/14-pieces
🎼 The Training Ground for Next-Level Musicianship - https://www.insidethescore.com/musicality
🎹 Learn the Art and Craft of Composing, and Develop Your Unique Musical Voice - https://www.insidethescore.com/composer
💖 Support this Channel - https://www.patreon.com/insidethescore
💬 Join the Discord - https://discord.gg/HSZYJXD5Cj
Music included (Listening List):
Symphony no. 2 (‘Resurrection’) – Finale
Symphony no. 1 (‘Titan’) – First Movement
Symphony no. 1 – Third Movement
Symphony no. 3 – Final Movement (Adagio)
Symphony no. 4 – Das Himmlische Leben
Symphony no. 4 – Third Movement (Adagio)
Symphony no. 5 – Adagietto
Kindertotenlieder - Wenn dein Mütterlein (If your mother…)
Symphony no. 6 (‘Tragic’) – Scherzo
Symphony no. 6 – Finale
Symphony no. 8 (‘Symphony of a Thousand’) – Movement 2 (Closing Scene from Goethe’s Faust)
Symphony no. 9 – First Movement
Symphony no. 9 – Finale
Symphony no. 10 – Adagio (First Movement)
0:00 - Introduction
1:20 – Chapter One: Spring
8:01 – Chapter Two: Summer
13:17 – Chapter Three: Autumn
17:59 – Chapter Four: Winter
https://wn.com/Why_Listen_To_Mahler
Discover more music with Apple Music Classical, the streaming service for classical music. http://apple.co/InsideTheScore
Search for 'Mahler Essentials' or 'Discover Mahler' to hear much more of his greatest!
Gustav Mahler has been one of my favourite composers since I discovered Classical Music – and in this video I try to explain why he holds that place, from many angles, channelled through the extraordinary, moving story of Mahler’s life and works.
I hope you can consider this a complete introduction to Mahler’s life and works, and a compelling springboard for a musical journey into the depths of Mahler’s soul.
Podcast on Mahler Symphony #2 - https://www.youtube.com/watch?v=IC4y3io-T34
🎁 FREE
Accelerate your ear training, sight reading, and musicianship skills with this free mini-course:
https://www.insidethescore.com/fast-track
Your journey towards musical mastery begins here... 🛤️
🎻 Where to Start with Classical Music? - https://www.insidethescore.com/14-pieces
🎼 The Training Ground for Next-Level Musicianship - https://www.insidethescore.com/musicality
🎹 Learn the Art and Craft of Composing, and Develop Your Unique Musical Voice - https://www.insidethescore.com/composer
💖 Support this Channel - https://www.patreon.com/insidethescore
💬 Join the Discord - https://discord.gg/HSZYJXD5Cj
Music included (Listening List):
Symphony no. 2 (‘Resurrection’) – Finale
Symphony no. 1 (‘Titan’) – First Movement
Symphony no. 1 – Third Movement
Symphony no. 3 – Final Movement (Adagio)
Symphony no. 4 – Das Himmlische Leben
Symphony no. 4 – Third Movement (Adagio)
Symphony no. 5 – Adagietto
Kindertotenlieder - Wenn dein Mütterlein (If your mother…)
Symphony no. 6 (‘Tragic’) – Scherzo
Symphony no. 6 – Finale
Symphony no. 8 (‘Symphony of a Thousand’) – Movement 2 (Closing Scene from Goethe’s Faust)
Symphony no. 9 – First Movement
Symphony no. 9 – Finale
Symphony no. 10 – Adagio (First Movement)
0:00 - Introduction
1:20 – Chapter One: Spring
8:01 – Chapter Two: Summer
13:17 – Chapter Three: Autumn
17:59 – Chapter Four: Winter
- published: 12 Aug 2021
- views: 610772
19:06
Mahler Symphony No.1 "Titan" Mvt 4 - Sembawang Wind Orchestra
Mahler Symphony No.1 "Titan", arranged by José Schyns performed by Sembawang Wind Orchestra (SWO) in 2023 at the Victoria Concert Hall, Singapore under the bato...
Mahler Symphony No.1 "Titan", arranged by José Schyns performed by Sembawang Wind Orchestra (SWO) in 2023 at the Victoria Concert Hall, Singapore under the baton of Mr. Desmond Ng.
Website
http://www.swo.sg/
Social Media
Facebook: https://www.facebook.com/SembawangWindOrchestra
Instagram: https://www.instagram.com/SembawangWindOrchestra
https://wn.com/Mahler_Symphony_No.1_Titan_Mvt_4_Sembawang_Wind_Orchestra
Mahler Symphony No.1 "Titan", arranged by José Schyns performed by Sembawang Wind Orchestra (SWO) in 2023 at the Victoria Concert Hall, Singapore under the baton of Mr. Desmond Ng.
Website
http://www.swo.sg/
Social Media
Facebook: https://www.facebook.com/SembawangWindOrchestra
Instagram: https://www.instagram.com/SembawangWindOrchestra
- published: 25 Feb 2024
- views: 107
1:02:14
Gustav Mahler: Symphony No. 1 (Lucerne Festival Orchestra, Abbado)
Recorded live at the Lucerne Festival, Summer 2009
Concert Hall of the KKL Luzern, August 2009
Lucerne Festival Orchestra
Claudio Abbado - conductor
Chapters:...
Recorded live at the Lucerne Festival, Summer 2009
Concert Hall of the KKL Luzern, August 2009
Lucerne Festival Orchestra
Claudio Abbado - conductor
Chapters:
0:00 Gustav Mahler: Symphony No. 1
0:30 I. Langsam, schleppend
17:16 II. Kräftig bewegt, doch nicht zu schnell
24:50 III. Feierlich und gemessen, ohne zu schleppen
36:19 IV. Stürmisch bewegt
Watch this work performed by the Asian Youth Orchestra under the baton of James Judd: https://youtu.be/Kj_iBBmGzsU
Whenever Claudio Abbado conducts the LUCERNE FESTIVAL ORCHESTRA, music lovers are in for a very special event. Such was the case in the summer of 2009 when the charismatic Italian conductor opened Lucerne's tradition-rich Festival with a concert featuring Mahler's First Symphony and Prokofiev's Third Piano Concerto. In 2003 Abbado, together with Artistic and Executive Director Michael Haefliger, founded the orchestra, which consists of internationally renowned soloists and chamber musicians - just as did its model, the elite body of musicians that Arturo Toscanini gathered around hirn at the Festival's founding in 1938. lt was with this first-class ensemble that Abbado offered a vividly inspired interpretation of the Mahler. In truth - as the audience's response demonstrated - it left nothing to be desired. The twenty-two-year-old Chinese Pianist Yuja Wang likewise earned enthusiastic applause for her account of the Prokofiev Concerto, which she played with character and nuanced expression.
The theme of nature served es the guiding thread for all the programming choices during the summer of 2009 - a theme with obvious relevance for the LUCERNE FESTIVAL, which is held amid one of the most beautitul landscapes of Europe: its concerts incIude unforgettable views of Lake Lucerne and Alpine panoramas. This theme, es it happens, has eminent musical significance es well: 'Like a sound of nature' is the direction Mahler inscribed at the very beginning of the First Symphony.
https://wn.com/Gustav_Mahler_Symphony_No._1_(Lucerne_Festival_Orchestra,_Abbado)
Recorded live at the Lucerne Festival, Summer 2009
Concert Hall of the KKL Luzern, August 2009
Lucerne Festival Orchestra
Claudio Abbado - conductor
Chapters:
0:00 Gustav Mahler: Symphony No. 1
0:30 I. Langsam, schleppend
17:16 II. Kräftig bewegt, doch nicht zu schnell
24:50 III. Feierlich und gemessen, ohne zu schleppen
36:19 IV. Stürmisch bewegt
Watch this work performed by the Asian Youth Orchestra under the baton of James Judd: https://youtu.be/Kj_iBBmGzsU
Whenever Claudio Abbado conducts the LUCERNE FESTIVAL ORCHESTRA, music lovers are in for a very special event. Such was the case in the summer of 2009 when the charismatic Italian conductor opened Lucerne's tradition-rich Festival with a concert featuring Mahler's First Symphony and Prokofiev's Third Piano Concerto. In 2003 Abbado, together with Artistic and Executive Director Michael Haefliger, founded the orchestra, which consists of internationally renowned soloists and chamber musicians - just as did its model, the elite body of musicians that Arturo Toscanini gathered around hirn at the Festival's founding in 1938. lt was with this first-class ensemble that Abbado offered a vividly inspired interpretation of the Mahler. In truth - as the audience's response demonstrated - it left nothing to be desired. The twenty-two-year-old Chinese Pianist Yuja Wang likewise earned enthusiastic applause for her account of the Prokofiev Concerto, which she played with character and nuanced expression.
The theme of nature served es the guiding thread for all the programming choices during the summer of 2009 - a theme with obvious relevance for the LUCERNE FESTIVAL, which is held amid one of the most beautitul landscapes of Europe: its concerts incIude unforgettable views of Lake Lucerne and Alpine panoramas. This theme, es it happens, has eminent musical significance es well: 'Like a sound of nature' is the direction Mahler inscribed at the very beginning of the First Symphony.
- published: 14 Mar 2015
- views: 2636014
-
Mahler - Lieder eines fahrenden Gesellen - Dietrich Fischer-Dieskau
Mahler - Lieder eines fahrenden Gesellen - Dietrich Fischer-Dieskau
Lieder eines fahrenden Gesellen 'Songs of a Wayfarer' or more accurately 'Songs of a Journeyman' is a song cycle by Gustav Mahler on his own texts. The cycle of four Lieder for medium voice (often performed by women as well as men) was written around 1884–85 in the wake of Mahler's unhappy love for soprano Johanna Richter.
GERMAN Text (also click CC closed captioning for English & German Subtitles).
1.Wenn mein Schatz Hochzeit macht
Wenn mein Schatz Hochzeit macht,
Fröhliche Hochzeit macht,
Hab' ich meinen traurigen Tag!
Geh' ich in mein Kämmerlein,
Dunkles Kämmerlein,
Weine, wein' um meinen Schatz,
Um meinen lieben Schatz!
Blümlein blau! Verdorre nicht!
Vöglein süß!
Du singst auf grüner Heide.
Ach, wie ist die Welt s...
published: 09 Oct 2015
-
Christian Gerhaher - Mahler - Lieder eines fahrenden Gesellen
Support us on Patreon and get more content: https://www.patreon.com/classicalvault
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Gustav Mahler
Lieder eines fahrenden Gesellen
Christian Gerhaher, baritone
Gustav Mahler Jugendorchester
Herbert Blomstedt
London, Proms 2010
published: 08 May 2015
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Sasha Cooke "Lieder eines fahrenden Gesellen' (Mahler)
The Netherlands Radio Philharmonic Orchestra
Vasily Petrenko, conductor
Sasha Cooke, mezzo-soprano
NTR Saturday Matinee on April 24, 2021
published: 01 May 2021
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Gustav Mahler - Lieder eines fahrenden Gesellen (1885) (Full Score)
Gustav Mahler - Lieder eines fahrenden Gesellen (Songs of a Wayfarer) (1885)
Hermann Prey (Baritone), Bernard Haitink conducting the Concertgebouw Orchestra
0:00 I. Wenn mein Schatz Hochzeit macht
4:01 II. Ging heut' Morgen über's Feld
8:18 III. Ich hab' ein glühend Messer
11:15 IV. Die zwei blauen Augen von meinem Schatz
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Recording: https://www.amazon.com/Mahler-fahrend...
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Support this channel!: https://ko-fi.com/imwaldevesteel
published: 06 Jul 2020
-
Janet Baker: The complete "Lieder eines fahrenden Gesellen" (Mahler)
Lieder eines fahrenden Gesellen (1883-85):
I. Wenn mein Schatz Hochzeit macht 00:00
II. Ging heut’ Morgen über’s Feld 04:20
III. Ich hab’ ein glühend Messer 09:03
IV. Die zwei blauen Augen von meinem Schatz 12:37
Mahler, Gustav (1860-1911) -composer
Janet Baker -mezzosoprano
Sir John Barbirolli -conductor
Hallé Orchestra
Scores: Available for free at imslp.org
For more of Austrian songs check out my "The art of Austrian song: Haydn, Mozart, Schubert, Mahler, Berg" playlist.
Description by Steven Coburn:
This is Mahler's first completely mature work. It is also his first full-fledged orchestral song cycle, a genre Mahler was eventually to bring to its height. Unlike its two predecessors, Berlioz's Nuits d'été (Summer Nights) and Wagner's Wesendonck-Lieder (Wesendonck Songs), Mahler's c...
published: 21 Jan 2016
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Gustav Mahler - Lieder eines fahrenden Gesellen
"Lieder eines fahrenden Gesellen" (Songs of a Wayfarer) is Mahler's first song cycle. While he had previously written other lieder, they were grouped by source of text or time of composition as opposed to common theme.
Mahler appears to have begun composing the songs in December 1884 and to have completed them in 1885. He subjected the score to a great deal of revision, however, probably between 1891 and 1896, and some time in the early 1890s orchestrated the original piano accompaniments. As a result of this situation, various discrepancies exist between the different sources.
It appears to have been in the orchestral version that the cycle was first performed, in 1896, but possible indications of an earlier, voice-and-piano performance cannot be discounted.
The first movement is entitled...
published: 20 Nov 2011
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Mahler - Lieder eines fahrenden Gesellen - Ludwig / Philharmonia / Boult
Gustav Mahler
Lieder eines fahrenden Gesellen
Wenn mein Schatz Hochzeit macht 0:00
Ging heut' morgen übers Feld 4:23
Ich hab' ein glühend Messer 9:12
Die zwei blauen Augen von meinem Schatz 12:21
Christa Ludwig
Philharmonia Orchestra
Adrian Boult
Studio recording, London, 18.X.1958
published: 27 Apr 2021
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Mahler: Lieder eines fahrenden Gesellen - Catriona Morison & Radio Filharmonisch Orkest - Live HD
-- English below --
Het muzikale programma:
Gustav Mahler - Lieder eines fahrenden Gesellen
[0:00] I. Wenn mein Schatz Hochzeit macht
[4:07] II. Ging heut' Morgen über's Feld
[7:58] III. Ich hab' ein glühend Messer
[10:58] IV. Die zwei blauen Augen von meinem Schatz
De uitvoerenden:
Radio Filharmonisch Orkest
Nuno Coelho, dirigent
Catriona Morison, mezzosopraan
Opname:
Het Zondagochtend Concert op 14 april 2024 in het Concertgebouw te Amsterdam.
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—————————————
On the musical programme:
Gustav Mahler - Lieder eines fahrenden Gesellen
The musicians:
Radio Filharmonisch Orkest
Nuno Coelho, conductor
Catrion...
published: 16 Apr 2024
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Daniel Lozakovich with BBC Proms 다니엘 로자코비치 Beethoven Violin Concerto ,바리톤 김태한 커튼콜8.Dec.2024 Seoul
[Last Night of the Proms]
BBC Scotland Symphony Orchestra & Daniel Lozakovich, Teahan Kim 김태한 with Ryan Wiggleworth
8.Dec.2024 @LOTTECONCERTHALL #daniellozakovich #curtaincall #beethoven #violin #concerto #seoul #korea #BBCProms#Lotteconcerthall #classicalmusic
———Programme———
베를리오즈 '로마의 사육제' 서곡, Op.9, H.45
H. Berlioz 'Roman Carnival' Overture, Op.9, H.45
바그너 오페라 '탄호이저' 3막 2당, "오 나의 사랑스런 저녁별이여"
R. Wagner "O, du mein holder Aberdstern", Act 3 Scene 2 from Opera 'Tannhäuser'
김태한(바리톤) I Taehan Kim(Baritone)
말러 연가곡 ‘방황하는 젊은이의 노래’ 중 "타는 듯한 단검으로"
G. Mahler "Ich hab' ein glühend Messer in meiner Brust" from 'Lieder eines fahrenden Gesellen'
김태한(바리톤) I Taehan Kim(Baritone)
베토벤 바이올린 협주곡 D장조, Op.61
L.v. Beethoven Violin Concerto in D Major, Op.61
I. Alle...
published: 09 Dec 2024
16:24
Mahler - Lieder eines fahrenden Gesellen - Dietrich Fischer-Dieskau
Mahler - Lieder eines fahrenden Gesellen - Dietrich Fischer-Dieskau
Lieder eines fahrenden Gesellen 'Songs of a Wayfarer' or more accurately 'Songs of a Journe...
Mahler - Lieder eines fahrenden Gesellen - Dietrich Fischer-Dieskau
Lieder eines fahrenden Gesellen 'Songs of a Wayfarer' or more accurately 'Songs of a Journeyman' is a song cycle by Gustav Mahler on his own texts. The cycle of four Lieder for medium voice (often performed by women as well as men) was written around 1884–85 in the wake of Mahler's unhappy love for soprano Johanna Richter.
GERMAN Text (also click CC closed captioning for English & German Subtitles).
1.Wenn mein Schatz Hochzeit macht
Wenn mein Schatz Hochzeit macht,
Fröhliche Hochzeit macht,
Hab' ich meinen traurigen Tag!
Geh' ich in mein Kämmerlein,
Dunkles Kämmerlein,
Weine, wein' um meinen Schatz,
Um meinen lieben Schatz!
Blümlein blau! Verdorre nicht!
Vöglein süß!
Du singst auf grüner Heide.
Ach, wie ist die Welt so schön!
Ziküth! Ziküth!
Singet nicht! Blühet nicht!
Lenz ist ja vorbei!
Alles Singen ist nun aus!
Des Abends, wenn ich schlafen geh',
Denk'ich an mein Leide!
An mein Leide!
2.Ging heut Morgen übers Feld
Ging heut Morgen übers Feld,
Tau noch auf den Gräsern hing;
Sprach zu mir der lust'ge Fink:
"Ei du! Gelt? Guten Morgen! Ei gelt?
Du! Wird's nicht eine schöne Welt?
Zink! Zink! Schön und flink!
Wie mir doch die Welt gefällt!"
Auch die Glockenblum' am Feld
Hat mir lustig, guter Ding',
Mit den Glöckchen, klinge, kling,
Ihren Morgengruß geschellt:
"Wird's nicht eine schöne Welt?
Kling, kling! Schönes Ding!
Wie mir doch die Welt gefällt! Heia!"
Und da fing im Sonnenschein
Gleich die Welt zu funkeln an;
Alles Ton und Farbe gewann
Im Sonnenschein!
Blum' und Vogel, groß und Klein!
"Guten Tag,
ist's nicht eine schöne Welt?
Ei du, gelt? Schöne Welt!"
Nun fängt auch mein Glück wohl an?
Nein, nein, das ich mein',
Mir nimmer blühen kann!
3.Ich hab'ein glühend Messer
Ich hab'ein glühend Messer,
Ein Messer in meiner Brust,
O weh! Das schneid't so tief
in jede Freud' und jede Lust.
Ach, was ist das für ein böser Gast!
Nimmer hält er Ruh',
nimmer hält er Rast,
Nicht bei Tag, noch bei Nacht,
wenn ich schlief!
O weh!
Wenn ich den Himmel seh',
Seh'ich zwei blaue Augen stehn!
O weh! Wenn ich im gelben Felde geh',
Seh'ich von fern das blonde Haar
Im Winde weh'n!
O weh!
Wenn ich aus dem Traum auffahr'
Und höre klingen ihr silbern Lachen,
O weh!
Ich wollt', ich läg auf der
Schwarzen Bahr',
Könnt' nimmer die Augen aufmachen!
4.Die zwei blauen Augen von meinem Schatz
Die zwei blauen Augen
von meinem Schatz,
Die haben mich in die
weite Welt geschickt.
Da mußt ich Abschied nehmen vom allerliebsten Platz!
O Augen blau,
warum habt ihr mich angeblickt?
Nun hab' ich ewig Leid und Grämen!
Ich bin ausgegangen
in stiller Nacht
wohl über die dunkle Heide.
Hat mir niemand Ade gesagt
Ade!
Mein Gesell' war Lieb und Leide!
Auf der Straße steht ein Lindenbaum,
Da hab' ich zum ersten Mal
im Schlaf geruht!
Unter dem Lindenbaum,
Der hat seine Blüten
über mich geschneit,
Da wußt' ich nicht, wie das Leben tut,
War alles, alles wieder gut!
Alles! Alles, Lieb und Leid
Und Welt und Traum!
ENGLISH Translation:
1.When My Sweetheart is Married
When my darling has her wedding-day,
her joyous wedding-day,
I will have my day of mourning!
I will go to my little room,
my dark little room,
and weep, weep for my darling,
for my dear darling!
Blue flower! Do not wither!
Sweet little bird
you sing on the green heath!
Alas, how can the world be so fair? Chirp! Chirp!
Do not sing; do not bloom!
Spring is over.
All singing must now be done.
At night when I go to sleep,
I think of my sorrow,
of my sorrow!
2. I Went This Morning over the Field
I walked across the fields this morning;
dew still hung on every blade of grass.
The merry finch spoke to me:
“Hey! Isn’t it? Good morning! Isn’t it?
You! Isn’t it becoming a fine world?
Chirp! Chirp! Fair and sharp!
How the world delights me!”
Also, the bluebells in the field merrily with good spirits
tolled out to me with bells (ding, ding) their morning greeting:
“Isn’t it becoming a fine world?
Ding, ding! Fair thing!
How the world delights me!”
And then, in the sunshine,
the world suddenly began to glitter;
everything gained sound and color in the sunshine!
Flower and bird, great and small!
“Good day,
Is it not a fine world?
Hey, isn’t it? A fair world?”
Now will my happiness also begin?
No, no – the happiness I mean
can never bloom!
3. I Have a Gleaming Knife
I have a red-hot knife,
a knife in my breast.
O woe! It cuts so deeply into every joy and delight.
why did you gaze on me?
Now I have eternal sorrow and grief.
I went out into the quiet night
well across the dark heath.
To me no one bade farewell. Farewell!
My companions are love and sorrow!
By the road stood a linden tree,
Where, for the first time,
I found rest in sleep!
Under the linden tree
that snowed its blossoms
over me,
I did not know how life went on,
and all was well again!
All! All, love and sorrow
and world and dream!
https://wn.com/Mahler_Lieder_Eines_Fahrenden_Gesellen_Dietrich_Fischer_Dieskau
Mahler - Lieder eines fahrenden Gesellen - Dietrich Fischer-Dieskau
Lieder eines fahrenden Gesellen 'Songs of a Wayfarer' or more accurately 'Songs of a Journeyman' is a song cycle by Gustav Mahler on his own texts. The cycle of four Lieder for medium voice (often performed by women as well as men) was written around 1884–85 in the wake of Mahler's unhappy love for soprano Johanna Richter.
GERMAN Text (also click CC closed captioning for English & German Subtitles).
1.Wenn mein Schatz Hochzeit macht
Wenn mein Schatz Hochzeit macht,
Fröhliche Hochzeit macht,
Hab' ich meinen traurigen Tag!
Geh' ich in mein Kämmerlein,
Dunkles Kämmerlein,
Weine, wein' um meinen Schatz,
Um meinen lieben Schatz!
Blümlein blau! Verdorre nicht!
Vöglein süß!
Du singst auf grüner Heide.
Ach, wie ist die Welt so schön!
Ziküth! Ziküth!
Singet nicht! Blühet nicht!
Lenz ist ja vorbei!
Alles Singen ist nun aus!
Des Abends, wenn ich schlafen geh',
Denk'ich an mein Leide!
An mein Leide!
2.Ging heut Morgen übers Feld
Ging heut Morgen übers Feld,
Tau noch auf den Gräsern hing;
Sprach zu mir der lust'ge Fink:
"Ei du! Gelt? Guten Morgen! Ei gelt?
Du! Wird's nicht eine schöne Welt?
Zink! Zink! Schön und flink!
Wie mir doch die Welt gefällt!"
Auch die Glockenblum' am Feld
Hat mir lustig, guter Ding',
Mit den Glöckchen, klinge, kling,
Ihren Morgengruß geschellt:
"Wird's nicht eine schöne Welt?
Kling, kling! Schönes Ding!
Wie mir doch die Welt gefällt! Heia!"
Und da fing im Sonnenschein
Gleich die Welt zu funkeln an;
Alles Ton und Farbe gewann
Im Sonnenschein!
Blum' und Vogel, groß und Klein!
"Guten Tag,
ist's nicht eine schöne Welt?
Ei du, gelt? Schöne Welt!"
Nun fängt auch mein Glück wohl an?
Nein, nein, das ich mein',
Mir nimmer blühen kann!
3.Ich hab'ein glühend Messer
Ich hab'ein glühend Messer,
Ein Messer in meiner Brust,
O weh! Das schneid't so tief
in jede Freud' und jede Lust.
Ach, was ist das für ein böser Gast!
Nimmer hält er Ruh',
nimmer hält er Rast,
Nicht bei Tag, noch bei Nacht,
wenn ich schlief!
O weh!
Wenn ich den Himmel seh',
Seh'ich zwei blaue Augen stehn!
O weh! Wenn ich im gelben Felde geh',
Seh'ich von fern das blonde Haar
Im Winde weh'n!
O weh!
Wenn ich aus dem Traum auffahr'
Und höre klingen ihr silbern Lachen,
O weh!
Ich wollt', ich läg auf der
Schwarzen Bahr',
Könnt' nimmer die Augen aufmachen!
4.Die zwei blauen Augen von meinem Schatz
Die zwei blauen Augen
von meinem Schatz,
Die haben mich in die
weite Welt geschickt.
Da mußt ich Abschied nehmen vom allerliebsten Platz!
O Augen blau,
warum habt ihr mich angeblickt?
Nun hab' ich ewig Leid und Grämen!
Ich bin ausgegangen
in stiller Nacht
wohl über die dunkle Heide.
Hat mir niemand Ade gesagt
Ade!
Mein Gesell' war Lieb und Leide!
Auf der Straße steht ein Lindenbaum,
Da hab' ich zum ersten Mal
im Schlaf geruht!
Unter dem Lindenbaum,
Der hat seine Blüten
über mich geschneit,
Da wußt' ich nicht, wie das Leben tut,
War alles, alles wieder gut!
Alles! Alles, Lieb und Leid
Und Welt und Traum!
ENGLISH Translation:
1.When My Sweetheart is Married
When my darling has her wedding-day,
her joyous wedding-day,
I will have my day of mourning!
I will go to my little room,
my dark little room,
and weep, weep for my darling,
for my dear darling!
Blue flower! Do not wither!
Sweet little bird
you sing on the green heath!
Alas, how can the world be so fair? Chirp! Chirp!
Do not sing; do not bloom!
Spring is over.
All singing must now be done.
At night when I go to sleep,
I think of my sorrow,
of my sorrow!
2. I Went This Morning over the Field
I walked across the fields this morning;
dew still hung on every blade of grass.
The merry finch spoke to me:
“Hey! Isn’t it? Good morning! Isn’t it?
You! Isn’t it becoming a fine world?
Chirp! Chirp! Fair and sharp!
How the world delights me!”
Also, the bluebells in the field merrily with good spirits
tolled out to me with bells (ding, ding) their morning greeting:
“Isn’t it becoming a fine world?
Ding, ding! Fair thing!
How the world delights me!”
And then, in the sunshine,
the world suddenly began to glitter;
everything gained sound and color in the sunshine!
Flower and bird, great and small!
“Good day,
Is it not a fine world?
Hey, isn’t it? A fair world?”
Now will my happiness also begin?
No, no – the happiness I mean
can never bloom!
3. I Have a Gleaming Knife
I have a red-hot knife,
a knife in my breast.
O woe! It cuts so deeply into every joy and delight.
why did you gaze on me?
Now I have eternal sorrow and grief.
I went out into the quiet night
well across the dark heath.
To me no one bade farewell. Farewell!
My companions are love and sorrow!
By the road stood a linden tree,
Where, for the first time,
I found rest in sleep!
Under the linden tree
that snowed its blossoms
over me,
I did not know how life went on,
and all was well again!
All! All, love and sorrow
and world and dream!
- published: 09 Oct 2015
- views: 107694
16:55
Christian Gerhaher - Mahler - Lieder eines fahrenden Gesellen
Support us on Patreon and get more content: https://www.patreon.com/classicalvault
---
Gustav Mahler
Lieder eines fahrenden Gesellen
Christian Gerhaher, ba...
Support us on Patreon and get more content: https://www.patreon.com/classicalvault
---
Gustav Mahler
Lieder eines fahrenden Gesellen
Christian Gerhaher, baritone
Gustav Mahler Jugendorchester
Herbert Blomstedt
London, Proms 2010
https://wn.com/Christian_Gerhaher_Mahler_Lieder_Eines_Fahrenden_Gesellen
Support us on Patreon and get more content: https://www.patreon.com/classicalvault
---
Gustav Mahler
Lieder eines fahrenden Gesellen
Christian Gerhaher, baritone
Gustav Mahler Jugendorchester
Herbert Blomstedt
London, Proms 2010
- published: 08 May 2015
- views: 209176
17:42
Sasha Cooke "Lieder eines fahrenden Gesellen' (Mahler)
The Netherlands Radio Philharmonic Orchestra
Vasily Petrenko, conductor
Sasha Cooke, mezzo-soprano
NTR Saturday Matinee on April 24, 2021
The Netherlands Radio Philharmonic Orchestra
Vasily Petrenko, conductor
Sasha Cooke, mezzo-soprano
NTR Saturday Matinee on April 24, 2021
https://wn.com/Sasha_Cooke_Lieder_Eines_Fahrenden_Gesellen'_(Mahler)
The Netherlands Radio Philharmonic Orchestra
Vasily Petrenko, conductor
Sasha Cooke, mezzo-soprano
NTR Saturday Matinee on April 24, 2021
- published: 01 May 2021
- views: 21053
16:49
Gustav Mahler - Lieder eines fahrenden Gesellen (1885) (Full Score)
Gustav Mahler - Lieder eines fahrenden Gesellen (Songs of a Wayfarer) (1885)
Hermann Prey (Baritone), Bernard Haitink conducting the Concertgebouw Orchestra
0...
Gustav Mahler - Lieder eines fahrenden Gesellen (Songs of a Wayfarer) (1885)
Hermann Prey (Baritone), Bernard Haitink conducting the Concertgebouw Orchestra
0:00 I. Wenn mein Schatz Hochzeit macht
4:01 II. Ging heut' Morgen über's Feld
8:18 III. Ich hab' ein glühend Messer
11:15 IV. Die zwei blauen Augen von meinem Schatz
------------------
Recording: https://www.amazon.com/Mahler-fahrend...
------------------
Support this channel!: https://ko-fi.com/imwaldevesteel
https://wn.com/Gustav_Mahler_Lieder_Eines_Fahrenden_Gesellen_(1885)_(Full_Score)
Gustav Mahler - Lieder eines fahrenden Gesellen (Songs of a Wayfarer) (1885)
Hermann Prey (Baritone), Bernard Haitink conducting the Concertgebouw Orchestra
0:00 I. Wenn mein Schatz Hochzeit macht
4:01 II. Ging heut' Morgen über's Feld
8:18 III. Ich hab' ein glühend Messer
11:15 IV. Die zwei blauen Augen von meinem Schatz
------------------
Recording: https://www.amazon.com/Mahler-fahrend...
------------------
Support this channel!: https://ko-fi.com/imwaldevesteel
- published: 06 Jul 2020
- views: 30132
17:40
Janet Baker: The complete "Lieder eines fahrenden Gesellen" (Mahler)
Lieder eines fahrenden Gesellen (1883-85):
I. Wenn mein Schatz Hochzeit macht 00:00
II. Ging heut’ Morgen über’s Feld 04:20
III. Ich hab’ ein glühend Messer 09:...
Lieder eines fahrenden Gesellen (1883-85):
I. Wenn mein Schatz Hochzeit macht 00:00
II. Ging heut’ Morgen über’s Feld 04:20
III. Ich hab’ ein glühend Messer 09:03
IV. Die zwei blauen Augen von meinem Schatz 12:37
Mahler, Gustav (1860-1911) -composer
Janet Baker -mezzosoprano
Sir John Barbirolli -conductor
Hallé Orchestra
Scores: Available for free at imslp.org
For more of Austrian songs check out my "The art of Austrian song: Haydn, Mozart, Schubert, Mahler, Berg" playlist.
Description by Steven Coburn:
This is Mahler's first completely mature work. It is also his first full-fledged orchestral song cycle, a genre Mahler was eventually to bring to its height. Unlike its two predecessors, Berlioz's Nuits d'été (Summer Nights) and Wagner's Wesendonck-Lieder (Wesendonck Songs), Mahler's cycle was intended from the beginning as orchestral. Despite the fact that it was first sketched with piano and published this way as an alternative, the orchestral version is clearly superior. The texts are all by Mahler, although they were inspired by the collection of German folk poetry entitled Das Knaben Wunderhorn (The Young Boy's Magic Horn); they depict a "Spring Journey" of a young man who has lost his love to a rival. Stylistically, all the elements of Mahler's early work are present: folklike melodies, the invocation of nature through bird calls and open textures, an intensely dramatic and dark Allegro, and a grim military march. Also present is Mahler's lifelong juxtaposition of the love of life and nature with despair, emptiness, and death. Anticipating his later harmonic complexities, none of these songs end in the same key as they began -- a procedure called "progressive tonality."
In "Wenn mein Schatz Hochzeit macht" (When My Sweetheart Has Her Wedding), the protagonist mourns the loss of his love to a rival and attempts to find solace in nature. The first part, in which the lover mourns, is written in a simple and moving folk-Slavic style. This gives way in a central, faster section to the invocation of nature through imitation bird calls, always incorporated into the musical fabric of the accompaniment. A return to the opening mournful music ends the song bleakly.
In "Ging heut' morgens übers Feld" (I Went Out This Morning Through the Fields), the protagonist sets out on a cheerful walk in the country, only to eventually remind himself of his lost love. This is also in a folkish style, with scale-derived melodies and hints of Austrian yodeling. The accompaniment begins with simple open textures, only to give way to a flowing and contrapuntally rich texture. Towards the end, the almost ecstatic quality of much of the song gives way to a wistful melancholy.
"Ich hab' ein glühend Messer" (I Have a Glowing Knife) describes the metaphorical knife the sweetheart plunged into the lover's breast with her betrayal. In what would become Mahler's typical diabolical style, the song features muted trumpets, tremolo strings, and snarling brass. The tortured and aggressive quality of the music perfectly depicts the lover's angst.
in "Die zwei blauen Augen" (The Two Blue Eyes), finally, the protagonist goes out in the night to find peace under the linden tree (a durable Romantic metaphor for death), to the accompaniment of a funeral march the likes of which only Mahler could compose. This march eventually fades into a more folklike style, but it remains colored by its original harmonies. A poignant and grim return to a single repeated phrase of the march concludes the song.
https://wn.com/Janet_Baker_The_Complete_Lieder_Eines_Fahrenden_Gesellen_(Mahler)
Lieder eines fahrenden Gesellen (1883-85):
I. Wenn mein Schatz Hochzeit macht 00:00
II. Ging heut’ Morgen über’s Feld 04:20
III. Ich hab’ ein glühend Messer 09:03
IV. Die zwei blauen Augen von meinem Schatz 12:37
Mahler, Gustav (1860-1911) -composer
Janet Baker -mezzosoprano
Sir John Barbirolli -conductor
Hallé Orchestra
Scores: Available for free at imslp.org
For more of Austrian songs check out my "The art of Austrian song: Haydn, Mozart, Schubert, Mahler, Berg" playlist.
Description by Steven Coburn:
This is Mahler's first completely mature work. It is also his first full-fledged orchestral song cycle, a genre Mahler was eventually to bring to its height. Unlike its two predecessors, Berlioz's Nuits d'été (Summer Nights) and Wagner's Wesendonck-Lieder (Wesendonck Songs), Mahler's cycle was intended from the beginning as orchestral. Despite the fact that it was first sketched with piano and published this way as an alternative, the orchestral version is clearly superior. The texts are all by Mahler, although they were inspired by the collection of German folk poetry entitled Das Knaben Wunderhorn (The Young Boy's Magic Horn); they depict a "Spring Journey" of a young man who has lost his love to a rival. Stylistically, all the elements of Mahler's early work are present: folklike melodies, the invocation of nature through bird calls and open textures, an intensely dramatic and dark Allegro, and a grim military march. Also present is Mahler's lifelong juxtaposition of the love of life and nature with despair, emptiness, and death. Anticipating his later harmonic complexities, none of these songs end in the same key as they began -- a procedure called "progressive tonality."
In "Wenn mein Schatz Hochzeit macht" (When My Sweetheart Has Her Wedding), the protagonist mourns the loss of his love to a rival and attempts to find solace in nature. The first part, in which the lover mourns, is written in a simple and moving folk-Slavic style. This gives way in a central, faster section to the invocation of nature through imitation bird calls, always incorporated into the musical fabric of the accompaniment. A return to the opening mournful music ends the song bleakly.
In "Ging heut' morgens übers Feld" (I Went Out This Morning Through the Fields), the protagonist sets out on a cheerful walk in the country, only to eventually remind himself of his lost love. This is also in a folkish style, with scale-derived melodies and hints of Austrian yodeling. The accompaniment begins with simple open textures, only to give way to a flowing and contrapuntally rich texture. Towards the end, the almost ecstatic quality of much of the song gives way to a wistful melancholy.
"Ich hab' ein glühend Messer" (I Have a Glowing Knife) describes the metaphorical knife the sweetheart plunged into the lover's breast with her betrayal. In what would become Mahler's typical diabolical style, the song features muted trumpets, tremolo strings, and snarling brass. The tortured and aggressive quality of the music perfectly depicts the lover's angst.
in "Die zwei blauen Augen" (The Two Blue Eyes), finally, the protagonist goes out in the night to find peace under the linden tree (a durable Romantic metaphor for death), to the accompaniment of a funeral march the likes of which only Mahler could compose. This march eventually fades into a more folklike style, but it remains colored by its original harmonies. A poignant and grim return to a single repeated phrase of the march concludes the song.
- published: 21 Jan 2016
- views: 34190
17:19
Gustav Mahler - Lieder eines fahrenden Gesellen
"Lieder eines fahrenden Gesellen" (Songs of a Wayfarer) is Mahler's first song cycle. While he had previously written other lieder, they were grouped by source ...
"Lieder eines fahrenden Gesellen" (Songs of a Wayfarer) is Mahler's first song cycle. While he had previously written other lieder, they were grouped by source of text or time of composition as opposed to common theme.
Mahler appears to have begun composing the songs in December 1884 and to have completed them in 1885. He subjected the score to a great deal of revision, however, probably between 1891 and 1896, and some time in the early 1890s orchestrated the original piano accompaniments. As a result of this situation, various discrepancies exist between the different sources.
It appears to have been in the orchestral version that the cycle was first performed, in 1896, but possible indications of an earlier, voice-and-piano performance cannot be discounted.
The first movement is entitled "Wenn mein Schatz Hochzeit macht" (When My Sweetheart is Married), and the text discusses the Wayfarer's grief at losing his love to another. He remarks on the beauty of the surrounding world, but how that cannot keep him from having sad dreams. The orchestral texture is bittersweet, using double reed instruments, clarinets and strings.
The second movement, "Ging heut Morgen übers Feld" (I Went This Morning over the Field), contains the happiest music of the work. Indeed, it is a song of joy and wonder at the beauty of nature in simple actions like birdsong and dew on the grass. "Is it not a lovely world?" is a refrain. However, the Wayfarer is reminded at the end that despite this beauty, his happiness will not blossom anymore now that his love is gone. This movement is orchestrated delicately, making use of high strings and flutes, as well as a fair amount of triangle. The melody of this movement, as well as much of the orchestration, is developed into the 'A' theme of the first movement of the First Symphony.
The third movement is a full display of despair. Entitled "Ich hab'ein glühend Messer" (I Have a Gleaming Knife), the Wayfarer likens his agony of lost love to having an actual metal blade piercing his heart. He obsesses to the point where everything in the environment reminds him of some aspect of his love, and he wishes he actually had the knife. The music is intense and driving, fitting to the agonized nature of the Wayfarer's obsession.
The final movement culminates in a resolution. The music (also reused in the First Symphony) is subdued and gentle, lyrical and often reminiscent of a chorale in its harmonies. Its title, "Die zwei blauen Augen von meinem Schatz" (The Two Blue Eyes of my Beloved), deals with how the image of those eyes has caused the Wayfarer so much grief that he can no longer stand to be in the environment. He describes lying down under a linden tree, allowing the flowers to fall on him. He wishes to return to his life before his travels. He asks that the whole affair had never occurred: "Everything: love and grief, and world, and dreams!"
Conductor: Leonard Bernstein & Wiener Philharmoniker.
https://wn.com/Gustav_Mahler_Lieder_Eines_Fahrenden_Gesellen
"Lieder eines fahrenden Gesellen" (Songs of a Wayfarer) is Mahler's first song cycle. While he had previously written other lieder, they were grouped by source of text or time of composition as opposed to common theme.
Mahler appears to have begun composing the songs in December 1884 and to have completed them in 1885. He subjected the score to a great deal of revision, however, probably between 1891 and 1896, and some time in the early 1890s orchestrated the original piano accompaniments. As a result of this situation, various discrepancies exist between the different sources.
It appears to have been in the orchestral version that the cycle was first performed, in 1896, but possible indications of an earlier, voice-and-piano performance cannot be discounted.
The first movement is entitled "Wenn mein Schatz Hochzeit macht" (When My Sweetheart is Married), and the text discusses the Wayfarer's grief at losing his love to another. He remarks on the beauty of the surrounding world, but how that cannot keep him from having sad dreams. The orchestral texture is bittersweet, using double reed instruments, clarinets and strings.
The second movement, "Ging heut Morgen übers Feld" (I Went This Morning over the Field), contains the happiest music of the work. Indeed, it is a song of joy and wonder at the beauty of nature in simple actions like birdsong and dew on the grass. "Is it not a lovely world?" is a refrain. However, the Wayfarer is reminded at the end that despite this beauty, his happiness will not blossom anymore now that his love is gone. This movement is orchestrated delicately, making use of high strings and flutes, as well as a fair amount of triangle. The melody of this movement, as well as much of the orchestration, is developed into the 'A' theme of the first movement of the First Symphony.
The third movement is a full display of despair. Entitled "Ich hab'ein glühend Messer" (I Have a Gleaming Knife), the Wayfarer likens his agony of lost love to having an actual metal blade piercing his heart. He obsesses to the point where everything in the environment reminds him of some aspect of his love, and he wishes he actually had the knife. The music is intense and driving, fitting to the agonized nature of the Wayfarer's obsession.
The final movement culminates in a resolution. The music (also reused in the First Symphony) is subdued and gentle, lyrical and often reminiscent of a chorale in its harmonies. Its title, "Die zwei blauen Augen von meinem Schatz" (The Two Blue Eyes of my Beloved), deals with how the image of those eyes has caused the Wayfarer so much grief that he can no longer stand to be in the environment. He describes lying down under a linden tree, allowing the flowers to fall on him. He wishes to return to his life before his travels. He asks that the whole affair had never occurred: "Everything: love and grief, and world, and dreams!"
Conductor: Leonard Bernstein & Wiener Philharmoniker.
- published: 20 Nov 2011
- views: 84551
17:43
Mahler - Lieder eines fahrenden Gesellen - Ludwig / Philharmonia / Boult
Gustav Mahler
Lieder eines fahrenden Gesellen
Wenn mein Schatz Hochzeit macht 0:00
Ging heut' morgen übers Feld 4:23
Ich hab' ein glühend Messer 9:12
Die zwei...
Gustav Mahler
Lieder eines fahrenden Gesellen
Wenn mein Schatz Hochzeit macht 0:00
Ging heut' morgen übers Feld 4:23
Ich hab' ein glühend Messer 9:12
Die zwei blauen Augen von meinem Schatz 12:21
Christa Ludwig
Philharmonia Orchestra
Adrian Boult
Studio recording, London, 18.X.1958
https://wn.com/Mahler_Lieder_Eines_Fahrenden_Gesellen_Ludwig_Philharmonia_Boult
Gustav Mahler
Lieder eines fahrenden Gesellen
Wenn mein Schatz Hochzeit macht 0:00
Ging heut' morgen übers Feld 4:23
Ich hab' ein glühend Messer 9:12
Die zwei blauen Augen von meinem Schatz 12:21
Christa Ludwig
Philharmonia Orchestra
Adrian Boult
Studio recording, London, 18.X.1958
- published: 27 Apr 2021
- views: 6063
17:35
Mahler: Lieder eines fahrenden Gesellen - Catriona Morison & Radio Filharmonisch Orkest - Live HD
-- English below --
Het muzikale programma:
Gustav Mahler - Lieder eines fahrenden Gesellen
[0:00] I. Wenn mein Schatz Hochzeit macht
[4:07] II. Ging heut' Mor...
-- English below --
Het muzikale programma:
Gustav Mahler - Lieder eines fahrenden Gesellen
[0:00] I. Wenn mein Schatz Hochzeit macht
[4:07] II. Ging heut' Morgen über's Feld
[7:58] III. Ich hab' ein glühend Messer
[10:58] IV. Die zwei blauen Augen von meinem Schatz
De uitvoerenden:
Radio Filharmonisch Orkest
Nuno Coelho, dirigent
Catriona Morison, mezzosopraan
Opname:
Het Zondagochtend Concert op 14 april 2024 in het Concertgebouw te Amsterdam.
Meer AVROTROS Klassiek:
♬ Facebook: https://www.facebook.com/AVROTROS.Klassiek/
♬ Twitter: https://twitter.com/klassiekonline
♬ Instagram: https://www.instagram.com/avrotrosklassiek/
—————————————
On the musical programme:
Gustav Mahler - Lieder eines fahrenden Gesellen
The musicians:
Radio Filharmonisch Orkest
Nuno Coelho, conductor
Catriona Morison, mezzo-soprano
Recording:
The Sunday Morning Concert, Sunday the 14th of April 2024, in The Concertgebouw in Amsterdam, The Netherlands.
More AVROTROS Klassiek:
♬ Facebook: https://www.facebook.com/AVROTROS.Klassiek/
♬ Twitter: https://twitter.com/klassiekonline
♬ Instagram: https://www.instagram.com/avrotrosklassiek/
https://wn.com/Mahler_Lieder_Eines_Fahrenden_Gesellen_Catriona_Morison_Radio_Filharmonisch_Orkest_Live_Hd
-- English below --
Het muzikale programma:
Gustav Mahler - Lieder eines fahrenden Gesellen
[0:00] I. Wenn mein Schatz Hochzeit macht
[4:07] II. Ging heut' Morgen über's Feld
[7:58] III. Ich hab' ein glühend Messer
[10:58] IV. Die zwei blauen Augen von meinem Schatz
De uitvoerenden:
Radio Filharmonisch Orkest
Nuno Coelho, dirigent
Catriona Morison, mezzosopraan
Opname:
Het Zondagochtend Concert op 14 april 2024 in het Concertgebouw te Amsterdam.
Meer AVROTROS Klassiek:
♬ Facebook: https://www.facebook.com/AVROTROS.Klassiek/
♬ Twitter: https://twitter.com/klassiekonline
♬ Instagram: https://www.instagram.com/avrotrosklassiek/
—————————————
On the musical programme:
Gustav Mahler - Lieder eines fahrenden Gesellen
The musicians:
Radio Filharmonisch Orkest
Nuno Coelho, conductor
Catriona Morison, mezzo-soprano
Recording:
The Sunday Morning Concert, Sunday the 14th of April 2024, in The Concertgebouw in Amsterdam, The Netherlands.
More AVROTROS Klassiek:
♬ Facebook: https://www.facebook.com/AVROTROS.Klassiek/
♬ Twitter: https://twitter.com/klassiekonline
♬ Instagram: https://www.instagram.com/avrotrosklassiek/
- published: 16 Apr 2024
- views: 6553
9:47
Daniel Lozakovich with BBC Proms 다니엘 로자코비치 Beethoven Violin Concerto ,바리톤 김태한 커튼콜8.Dec.2024 Seoul
[Last Night of the Proms]
BBC Scotland Symphony Orchestra & Daniel Lozakovich, Teahan Kim 김태한 with Ryan Wiggleworth
8.Dec.2024 @LOTTECONCERTHALL #daniellozakov...
[Last Night of the Proms]
BBC Scotland Symphony Orchestra & Daniel Lozakovich, Teahan Kim 김태한 with Ryan Wiggleworth
8.Dec.2024 @LOTTECONCERTHALL #daniellozakovich #curtaincall #beethoven #violin #concerto #seoul #korea #BBCProms#Lotteconcerthall #classicalmusic
———Programme———
베를리오즈 '로마의 사육제' 서곡, Op.9, H.45
H. Berlioz 'Roman Carnival' Overture, Op.9, H.45
바그너 오페라 '탄호이저' 3막 2당, "오 나의 사랑스런 저녁별이여"
R. Wagner "O, du mein holder Aberdstern", Act 3 Scene 2 from Opera 'Tannhäuser'
김태한(바리톤) I Taehan Kim(Baritone)
말러 연가곡 ‘방황하는 젊은이의 노래’ 중 "타는 듯한 단검으로"
G. Mahler "Ich hab' ein glühend Messer in meiner Brust" from 'Lieder eines fahrenden Gesellen'
김태한(바리톤) I Taehan Kim(Baritone)
베토벤 바이올린 협주곡 D장조, Op.61
L.v. Beethoven Violin Concerto in D Major, Op.61
I. Allegro ma non troppo
II. Larghetto
III. Rondo (Allegro)
다니엘 로자코비치 (바이올린) | Daniel Lozakovich(Violin)
앵콜곡 Encore
요한 제바스티안 바흐 바이올린 무반주 소나타 제 1번 G단조, BWV 1001 - 1악장 아다지오
J.S. Bach Sonata for Violin Solo No.1 in G minor,BWV 1001- I. Adagio
———INTERMISSION———
베르디 오페라 '돈 카를로' 중"오 카를로 들으시오"
G. Verdi. "Carlos écoute, Ah je meurs" from Opera 'Don Carlos'
김태한(바리톤) I Taehan Kim(Baritone)
코른골트 오페라 '죽음의 도시' 중"나의 갈망, 나의 망상이여"
E. W. Korngold "Mein Sehnen, mein Wähnen" from Opera 'Die tote Stadt'
김태한(바리톤) | Taehan Kim(Baritone)
우드. 영국 해가에 의한 환상곡
H. Wood Fantasia on British Sea Songs
엘가 위풍당당 행진곡 1번, D장조, 0p 39
E. Elgar Pomp and Circumstance March No. 1 in D Major, Op.39
데이비스 일출이 있는 오크니에서의 결혼식
P.M. Davis An Orkney Wedding with Sunrise
앵콜곡 Encore
스코틀랜드 민요 2곡
Eightsome Reels (arr.Cree)
Auld Lang Syne (arr.Savage) '작별'(作別)
https://wn.com/Daniel_Lozakovich_With_BBC_Proms_다니엘_로자코비치_Beethoven_Violin_Concerto_,바리톤_김태한_커튼콜8.Dec.2024_Seoul
[Last Night of the Proms]
BBC Scotland Symphony Orchestra & Daniel Lozakovich, Teahan Kim 김태한 with Ryan Wiggleworth
8.Dec.2024 @LOTTECONCERTHALL #daniellozakovich #curtaincall #beethoven #violin #concerto #seoul #korea #BBCProms#Lotteconcerthall #classicalmusic
———Programme———
베를리오즈 '로마의 사육제' 서곡, Op.9, H.45
H. Berlioz 'Roman Carnival' Overture, Op.9, H.45
바그너 오페라 '탄호이저' 3막 2당, "오 나의 사랑스런 저녁별이여"
R. Wagner "O, du mein holder Aberdstern", Act 3 Scene 2 from Opera 'Tannhäuser'
김태한(바리톤) I Taehan Kim(Baritone)
말러 연가곡 ‘방황하는 젊은이의 노래’ 중 "타는 듯한 단검으로"
G. Mahler "Ich hab' ein glühend Messer in meiner Brust" from 'Lieder eines fahrenden Gesellen'
김태한(바리톤) I Taehan Kim(Baritone)
베토벤 바이올린 협주곡 D장조, Op.61
L.v. Beethoven Violin Concerto in D Major, Op.61
I. Allegro ma non troppo
II. Larghetto
III. Rondo (Allegro)
다니엘 로자코비치 (바이올린) | Daniel Lozakovich(Violin)
앵콜곡 Encore
요한 제바스티안 바흐 바이올린 무반주 소나타 제 1번 G단조, BWV 1001 - 1악장 아다지오
J.S. Bach Sonata for Violin Solo No.1 in G minor,BWV 1001- I. Adagio
———INTERMISSION———
베르디 오페라 '돈 카를로' 중"오 카를로 들으시오"
G. Verdi. "Carlos écoute, Ah je meurs" from Opera 'Don Carlos'
김태한(바리톤) I Taehan Kim(Baritone)
코른골트 오페라 '죽음의 도시' 중"나의 갈망, 나의 망상이여"
E. W. Korngold "Mein Sehnen, mein Wähnen" from Opera 'Die tote Stadt'
김태한(바리톤) | Taehan Kim(Baritone)
우드. 영국 해가에 의한 환상곡
H. Wood Fantasia on British Sea Songs
엘가 위풍당당 행진곡 1번, D장조, 0p 39
E. Elgar Pomp and Circumstance March No. 1 in D Major, Op.39
데이비스 일출이 있는 오크니에서의 결혼식
P.M. Davis An Orkney Wedding with Sunrise
앵콜곡 Encore
스코틀랜드 민요 2곡
Eightsome Reels (arr.Cree)
Auld Lang Syne (arr.Savage) '작별'(作別)
- published: 09 Dec 2024
- views: 246