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  Gustav Mahler

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Gustav Mahler

Gustav Mahler (7 July 1860 – 18 May 1911) was an Austrian late-Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect which included a ban on its performance in much of Europe during the Nazi era. After 1945 his compositions were rediscovered and championed by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers, a position he has sustained into the 21st century.

Born in humble circumstances, Mahler displayed his musical gifts at an early age. After graduating from the Vienna Conservatory in 1878, he held a succession of conducting posts of rising importance in the opera houses of Europe, culminating in his appointment in 1897 as director of the Vienna Court Opera (Hofoper). During his ten years in Vienna, Mahler—who had converted to Catholicism to secure the post—experienced regular opposition and hostility from the anti-Semitic press. Nevertheless, his innovative productions and insistence on the highest performance standards ensured his reputation as one of the greatest of opera conductors, particularly as an interpreter of the stage works of Wagner, Mozart, and Tchaikovsky . Late in his life he was briefly director of New York's Metropolitan Opera and the New York Philharmonic.

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This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Gustav_Mahler

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Famous quotes by Gustav Mahler:

"If a composer could say what he had to say in words he would not bother trying to say it in music."

"The point is not to take the world's opinion as a guiding star but to go one's way in life and working unerringly, neither depressed by failure nor seduced by applause."

"A symphony must be like the world. It must contain everything."

"At last, fortissimo! [On visiting Niagara]"

"Don't bother looking at the view -- I have already composed it."

"If you think you're boring your audience, go slower not faster."

"The longer you live and the more you learn, the more clearly you will feel the difference between the few men who are truly great and the mere virtuosi . . ."

"Both my marriages were failures! Number one departed, and number two stayed"

"Can this be endured at all? Won't people kill themselves afterwards?"

"Fortissimo at last!"

"Beauty and fullness of tone can be achieved by having the whole orchestra play with high clarinets and a carefully selected number of piccolos."

"To judge a composer's work, one must consider it as a whole."

Gustav Mahler

ALBUMS

• Symphonie Nr.6 released: 2014
• Coleção Folha Mestres da música clássica, volume 22: Gustav Mahler released: 2014
• Symphony No. 2 released: 2013
• Symphony no. 1 Including "Blumine" released: 2013
• Big Mahler Box released: 2012
• Kindertotenlieder / Lieder eines fahrenden Gesellen (contralto: Sara Mingardo; cello and conductor: Luigi Piovano; Musici Aurei) released: 2012
• Symphony no. 8 released: 2011
• Symphony no. 9 released: 2011
• Das Lied von der Erde (Münchener Bach-Orchester feat. conductor: Hansjörg Albrecht) released: 2011
• Symphony no. 10 (Tonhalle Orchestra Zurich feat. conductor David Zinman) released: 2011
• BBC Music, Volume 19, Number 7: Symphony No. 8 (BBC Scottish Symphony Orchestra feat. conductor: Donald Runnicles) released: 2011
• Symphony No. 5 released: 2011
• Songs With Orchestra released: 2010
• Symphony No. 8 released: 2010
• The Complete Symphonies released: 2010
• Symphony no. 2 "Resurrection" released: 2010
• Delta Music & Entertainment released: 2010
• Symphony No. 4 in G Major (Royal Liverpool Philharmonic) released: 2010
• Mahler: The People’s Edition released: 2010
• Symphony No. 7 (Tonhalle Orchestra Zurich feat. conductor David Zinman) released: 2010
• Symphony no. 9 (Tonhalle Orchestra Zurich feat. conductor David Zinman) released: 2010
• Symphony no. 7 released: 2010
• Symphony no. 4 released: 2010
• Symphony No. 4 in G major (Gürzenich-Orchester Köln feat. conductor: Markus Stenz, soprano: Christiane Oelze) released: 2010
• The Complete Works released: 2010
• Gustav Mahler: Complete Edition released: 2010
• Symphonic Poem in Two Parts "Titan" (Netherlands Symphony Orchestra feat. conductor: Jan Willem de Vriend) released: 2010
• 9. Symphonie released: 2010
• Mahler - Lieder (baritone: Christian Gerhaher, piano: Gerold Huber) released: 2010
• The Complete Mahler Symphonies released: 2009
• Das Lied von der Erde released: 2009
• Symphony No. 5 (Tonhalle Orchestra Zurich feat. conductor David Zinman) released: 2009
• Symphony no. 8 in E-flat major / Adagio from Symphony no. 10 released: 2009
• Symphonie No. 9 (Bamberger Symphoniker feat. conductor: Jonathan Nott) released: 2009
• The Complete Symphonies released: 2009
• 4 Movements released: 2009
• Das Lied von der Erde released: 2008
• Symphony no. 7 released: 2008
• Symphony No. 2 in C minor "Resurrection" (University of Chicago Symphony Orchestra, Chorus and Motet Choir; conductor: Barbara Schubert; soprano: Kimberly Jones; mezzo-soprano: Stacy Eckert) released: 2008
• Symphony No. 6 in A Minor "The Tragic Symphony" (Tonhalle Orchestra Zurich feat. Conductor David Zinman) released: 2008
• Symphony No. 1 in D major / Symphony No. 9 in D major (Royal Liverpool Philharmonic Orchestra) released: 2008
• Symphony No. 6 in A minor, "Tragic" (Brown University Orchestra feat. conductor: Paul Phillips) released: 2008
• Symphonie No. 1 (Bamberger Symphoniker feat. conductor: Jonathan Nott) released: 2008
• Invitation au Voyage released: 2006
• Symphony No. 7 (Staatskapelle Berlin feat. conductor: Daniel Barenboim) released: 2006
• Symphony No. 9 (BBC Symphony Orchestra feat. conductor: Bruno Maderna) released: 2006
• Symphony No. 6 "Tragic" (Israel Philharmonic Orchestra feat. conductor: Zubin Mehta) released: 2006
• Symphony No. 1 / Blumine released: 2006
• Symphony No. 2 released: 2006
• Complete Recordings on Deutsche Grammophon, Volume III: Symphonies 8-10 / Das Lied von der Erde released: 2005
• Complete Recordings on Deutsche Grammophon, Volume II: Symphonies 5-7 / Ruckert-Lieder / Kindertotenlieder released: 2005
• Complete Recordings on Deutsche Grammophon, Volume I: Symphonies 1-4 / Lieder eines fahrenden Gesellen / Des Knaben Wunderhorn released: 2005
• Symphony No. 2 in C minor released: 2004
• Symphony no. 1 released: 2004
• Symphony No. 4 in G major (arr. Erwin Stein) / Lieder eines fahrenden Gesellen (arr. Arnold Schönberg) (Smithsonian Chamber Players feat. conductor: Kenneth Slowik) released: 2003
• Symphony no. 3 in D minor / Kindertotenlieder released: 2003
• Kindertotenlieder / Lieder nach Texten von Friedrich Rückert / Lieder eines fahrenden Gesellen (Wiener Symphoniker feat. conductor: Eliahu Inbal, mezzo soprano: Doris Soffel) released: 2002
• Symphony No. 10 (Wheeler, 1966 version) (Polish National Radio Symphony Orchestra feat. conductor: Robert Olson) released: 2002
• Das Lied von der Erde (Bavarian Radio Symphony Orchestra feat. conductor: Rafael Kubelík, 1970) released: 2002
• The Symphonies: Symphony No. 8 in E flat major ''Symphony of a Thousand'' (Wiener Philharmoniker feat. conductor: Lorin Maazel) released: 2002
• Symphony No. 4 released: 2001
• Symphony No. 3 (Bavarian Radio Symphony Orchestra feat. conductor: Rafael Kubelík, 1967) released: 2001
• Mahler: Symphony no. 4 / Berlioz: Overture Le Corsaire released: 1999
• Symphony no. 3 released: 1999
• Lieder eines fahrenden Gesellen / Kindertotenlieder / Ruckert-Lieder released: 1999
• The Klemperer Legacy released: 1999
• Kindertotenlieder / Rückert Lieder / Das Lied von der Erde released: 1997
• Mahler: Kindertotenlieder / Lieder eines fahrenden Gesellen / Strauss: Notturno released: 1997
• Mahler/Sinopoli: The Complete Recordings released: 1997
• Das Lied von der Erde (Staatskapelle Dresden feat. conductor: Giuseppe Sinopoli, alto: Iris Vermillion, tenor: Keith Lewis) released: 1997
• Symphonies 1 & 2 released: 1996
• Lieder aus Des Knaben Wunderhorn / Lieder eines fahrenden Gesellen (Wiener Symphoniker feat. conductor: Eliahu Inbal) released: 1996
• Symphony no. 8 released: 1995
• Symphony no. 3 / Symphony no. 10 (Adagio) released: 1995
• Symphony No. 2 "Resurrection" (Israel Philharmonic Orchestra feat. conductor: Zubin Mehta) released: 1994
• Mahler Symphony No. 4, 8 Songs (Desi Halban, New York Philharmonic cond. Bruno Walter) released: 1994
• Symphony no. 2 in C minor "Resurrection" released: 1993
• Symphony no. 5 released: 1992
• Symphony No. 1 / Blumine released: 1992
• Symphony No. 4 (Los Angeles Philharmonic feat. conductor: Esa-Pekka Salonen, Soprano: Barbara Hendricks) released: 1992
• Symphonien 5, 9 & 10: Adagio released: 1992
• Symphonie No. 5 released: 1991
• Symphony No. 5 in C-sharp minor (New York Philharmonic feat. conductor: Zubin Mehta) released: 1991
• Symphonie No. 1 (Chicago Symphony Orchestra feat. conductor: Klaus Tennstedt) released: 1991
• Symphony No. 1 in D major (Philharmonia Orchestra feat. conductor: Giuseppe Sinopoli) released: 1990
• Des Knaben Wunderhorn released: 1989
• Symphony No. 4 released: 1989
• Symphony No. 2 in C Minor, "Resurrection" released: 1987
• Symphony No. 2 in C minor released: 1987
• Symphonie no. 9 released: 1986
• Quartet no. 14 in D minor / Der Tod und das Mädchen (Lied) released: 1986
• Symphony No. 1 released: 1985
• Symphony No. 5 & 10 released: 1985
• Symphony No. 2 in C minor "Resurrection" released: 1982
• Bernstein Century: Symphony no.1 "Titan" / Symphony no.10 (Adagio) released:
• Symphony no. 7 released:
• Symphony no. 1 "Titan" / Symphony no. 5 released:
• Symphony no. 9 in D major released:
• Symphony No. 3 (Chicago Symphony Orchestra, conductor: Bernard Haitink, mezzo-soprano: Michelle DeYoung) released:
• Symphony No. 5 (Radio Symphony Orchestra, Glasgow) released:

Symphonie Nr.6

Released 2014

• Allegro energico, ma non troppo. Heftig, aber markig
• Andante moderato

Coleção Folha Mestres da música clássica, volume 22: Gustav Mahler

Released 2014

• Sinfonia no. 8 "Sinfonia dos mil": I. "Vem, Espírito criador": a. "Veni creator spiritus"
• Sinfonia no. 8 "Sinfonia dos mil": I. "Vem, Espírito criador": b. "Imple superna gratia"
• Sinfonia no. 8 "Sinfonia dos mil": I. "Vem, Espírito criador": c. "Infirma nostri corporis"
• Sinfonia no. 8 "Sinfonia dos mil": I. "Vem, Espírito criador": d. Tempo I. (Allegro, etwas hastig)
• Sinfonia no. 8 "Sinfonia dos mil": I. "Vem, Espírito criador": e. "Infirma nostri corporis"
• Sinfonia no. 8 "Sinfonia dos mil": I. "Vem, Espírito criador": f. "Accende lumen sensibus"
• Sinfonia no. 8 "Sinfonia dos mil": I. "Vem, Espírito criador": g. "Qui Paraclitus diceris"
• Sinfonia no. 8 "Sinfonia dos mil": I. "Vem, Espírito criador": h. "Gloria sit Patri Domino"
• Sinfonia no. 8 "Sinfonia dos mil": II. "Cena final do Fausto, de Goethe": a. Poco adagio
• Sinfonia no. 8 "Sinfonia dos mil": II. "Cena final do Fausto, de Goethe": b. Piu mosso (Allegro moderato)
• Sinfonia no. 8 "Sinfonia dos mil": II. "Cena final do Fausto, de Goethe": c. "Waldung, sie schwankt heran"
• Sinfonia no. 8 "Sinfonia dos mil": II. "Cena final do Fausto, de Goethe": d. "Ewiger Wonnebrand"
• Sinfonia no. 8 "Sinfonia dos mil": II. "Cena final do Fausto, de Goethe": e. "Wie Felsenabgrund mir zu Füßen"
• Sinfonia no. 8 "Sinfonia dos mil": II. "Cena final do Fausto, de Goethe": f. "Gerettet ist das edle Glied"
• Sinfonia no. 8 "Sinfonia dos mil": II. "Cena final do Fausto, de Goethe": g. "Jene Rosen aus den Händen"
• Sinfonia no. 8 "Sinfonia dos mil": II. "Cena final do Fausto, de Goethe": h. "Uns bleibt ein Erdenrest"
• Sinfonia no. 8 "Sinfonia dos mil": II. "Cena final do Fausto, de Goethe": i. "Ich spür' soeben nebelnd um Felsenhöh"
• Sinfonia no. 8 "Sinfonia dos mil": II. "Cena final do Fausto, de Goethe": j. "Dir, der Unberührbaren"
• Sinfonia no. 8 "Sinfonia dos mil": II. "Cena final do Fausto, de Goethe": k. "Bei der Liebe, die den Füßen"
• Sinfonia no. 8 "Sinfonia dos mil": II. "Cena final do Fausto, de Goethe": l. "Er überwächst uns schon"
• Sinfonia no. 8 "Sinfonia dos mil": II. "Cena final do Fausto, de Goethe": m. "Blicket auf zum Retterblick"
• Sinfonia no. 8 "Sinfonia dos mil": II. "Cena final do Fausto, de Goethe": n. "Alles Vergängliche ist nur ein Gleichnis"

Symphony No. 2

Released 2013

• Symphony No. 2: I. Allegro Maestoso
• Symphony No. 2: II. Andante Moderato
• Symphony No. 2: III. In Ruhig Fliessender Bewegung
• Symphony No. 2: IV. 'Urlicht': Sehr Feierlich, Aber Schlicht
• Symphony No. 2: V. Im Tempo Des Scherzo

Symphony no. 1 Including "Blumine"

Released 2013

• Symphony no. 1 in D major: Langsam - Immer sehr gemächlich
• Symphony no. 1 in D major: "Blumine": Andante allegretto
• Symphony no. 1 in D major: Kräftig bewegt, doch nicht zu schnell - Trio: Recht gemächlich
• Symphony no. 1 in D major: Feierlich und gemessen, ohne zu schleppen - Sehr einfach und schlicht wie eine Volksweise
• Symphony no. 1 in D major: Stürmich bewegt - Sehr gesangvoll

Big Mahler Box

Released 2012

• Symphony No. 1 in D Major ('Titan'): i. Langsam. Schleppend
• Symphony No. 1 in D Major ('Titan'): ii. Kräftig bewegt, doch nicht zu schnell
• Symphony No. 1 in D Major ('Titan'): iii. Feierlich und gemessen, ohne zu schleppen
• Symphony No. 1 in D Major ('Titan'): iv. Stürmisch bewegt
• Symphony No. 2 in C Minor ('Resurrection'): i. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
• Symphony No. 2 in C Minor ('Resurrection'): ii. Andante moderato. Sehr gemächlich. Nie Eilen
• Symphony No. 2 in C Minor ('Resurrection'): iii. Scherzo. In ruhig fliessender Bewegung
• Symphony No. 2 in C Minor ('Resurrection'): iv. Urlicht: Sehr feierlich, aber schlicht
• Symphony No. 2 in C Minor ('Resurrection'): v. Im Tempo des Scherzos. Wild herausfahrend
• Symphony No. 3 in D Minor: i. Kraftig Entschieden
• Symphony No. 3 in D Minor: ii. Tempo di Menuetto. Sehr mässig
• Symphony No. 3 in D Minor: iii. Comodo. Scherzando. Ohne Hast Symphony No. 3 in D Minor: iv. Sehr langsam. Misterioso. Durchaus ppp
• Symphony No. 3 in D Minor: iv.Sehr langsam. Misterioso. Durchaus ppp
• Symphony No. 3 in D Minor: v. Lustig im Tempo und keck im Ausdruck
• Symphony No. 3 in D Minor: vi. Langsam. Ruhevoll. Empfunden
• Symphony No. 4 in G Major: i. Bedächtig. Nicht eilen
• Symphony No. 4 in G Major: ii. In gemächlicher Bewegung. Ohne Hast
• Symphony No. 4 in G Major: iii. Ruhevoll
• Symphony No. 4 in G Major: vi. Sehr behaglich: Wir genießen die himmlischen Freuden
• Symphony No. 5 in C-sharp Minor: i. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
• Symphony No. 5 in C-sharp Minor: ii. Stürmisch bewegt. Mit größter Vehemenz
• Symphony No. 5 in C-sharp Minor: iii. Scherzo. Kräftig, nicht zu schnell
• Symphony No. 5 in C-sharp Minor: iv. Adagietto. Sehr langsam
• Symphony No. 5 in C-sharp Minor: v. Rondo-Finale: Allegro
• Symphony No. 6 in A Minor ('Tragic'): i. Allegro energico, ma non troppo
• Symphony No. 6 in A Minor ('Tragic'): ii. Scherzo: Wuchtig
• Symphony No. 6 in A Minor ('Tragic'): iii. Andante moderato
• Symphony No. 6 in A Minor ('Tragic'): iv. Finale: Allegro moderato. Allegro energico
• Symphony No. 7 in E Minor ('Song of the Night'): i. Langsam (Adagio). Allegro con fuoco
• Symphony No. 7 in E Minor ('Song of the Night'): ii. Nachtmusik. Allegro moderato
• Symphony No. 7 in E Minor ('Song of the Night'): iii. Scherzo: Schattenhaft, fließend, aber nicht schnell
• Symphony No. 7 in E Minor ('Song of the Night'): iv. Nachtmusik. Andante amoroso
• Symphony No. 7 in E Minor ('Song of the Night'): v. Rondo-Finale: Allegro ordinario
• Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): i. Veni, Creator Spiritus
• Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): ii. Imple superna gratia
• Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): iii. Infirma nostri corporis
• Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): iv. Accende lumen sensibus
• Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): v. Veni, Creator Spiritus 2
• Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): vi. Gloria Patri Domino
• Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): vii. Poco adagio: Waldung, sie schwankt heran
• Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): viii. Ewiger Wonnebrand
• Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): ix.. Wie Felsenabgrund mir zu Füßen
• Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): x. Gerettet ist das edle Glied
• Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): xi. Uns bleibt ein Erdenrest. Hier ist die Aussicht
• Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): xii. Höchste Herrscherin der Welt. Dir, der Unberührbar
• Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): xiii.. Bei der Liebe, die den Füßen
• Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): xiv. Neige, neige, Du Ohnegleiche
• Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): xv. Blicket auf zum Retterblick
• Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): xvi. Alles Vergängliche
• Symphony No. 9 in D Major: i. Andante comodo
• Symphony No. 9 in D Major: ii. Im Tempo Eines Gemachlichen Landlers. Etwas Tappisch Und Sehr Derb
• Symphony No. 9 in D Major: iii. Rondo-Burleske. Allegro Assai. Sehr Trotzig
• Symphony No. 9 in D Major: iv. Adagio. Sehr Langsam Und Noch Zuruckhaltend
• Symphony No. 10 in F-sharp Minor (unfinished): i. Adagio
• Ruckert Lieder: i. Blicke mir nicht in die Lieder!
• Ruckert Lieder: 56 ii. Ich atmet' einen linden Duft
• Ruckert Lieder: iii. Ich bin der Welt abhanden gekommen
• Ruckert Lieder: iv. Um Mitternacht
• Ruckert Lieder: v. Liebst du um Schönheit
• Aus der Jugendzeit, No. 12 - Scheiden und Meiden
• Aus der Jugendzeit, No. 3 - Hans und Grethe
• Aus der Jugendzeit, No. 7 - Ich ging mit Lust durch einen grünen Wald
• Aus der Jugendzeit, No. 1 - Frühlingsmorgen
• Des knaben Wunderhorn, No. 11 - Es Sungen drei Engle
• Aus der Jugendzeit, No. 10 - Zu Straßburg auf der Schanz'
• Aus der Jugendzeit, No. 11 - Ablösung im Sommer
• Aus der Jugendzeit, No. 4 - Serenade aus Don Juan
• Aus der Jugendzeit, No. 5 - Phantasie aus Don Juan
• Aus der Jugendzeit, No. 1 - Frühlingsmorgen
• Aus der Jugendzeit, No. 12 - Scheiden und Meiden
• Des knaben Wunderhorn, No. 7 Rheinlegendchen
• Aus der Jugendzeit, No. 8 - Aus! Aus!
• Aus der Jugendzeit, No. 6 - Um schlimme Kinder artig zu machen
• Aus der Jugendzeit, No. 14 - Selbstgefühl
• Aus der Jugendzeit, No. 2 - Erinnerung
• Aus der Jugendzeit, No. 13 - Nicht wiedersehen!
• Des knaben Wunderhorn, No. 4 - Wed hat dies Liedlein Erdacht
• Aus der Jugendzeit, No. 7 - Ich ging mit Lust durch einen grünen Wald
• Aus der Jugendzeit, No. 9 - Starke Einbildungskraft
• Des Knaben Wunderhorn: Revelge
• Des Knaben Wunderhorn: Das irdische Leben
• Des Knaben Wunderhorn: Lob des hohen Verstandes
• Des Knaben Wunderhorn: Rheinlegendchen
• Des Knaben Wunderhorn: Der schildwache Nachtlied
• Des Knaben Wunderhorn: Wer hat dies Liedlein erdacht?
• Des Knaben Wunderhorn: Verlorne Müh'
• Des Knaben Wunderhorn: Der Tamboursg'sell
• Des Knaben Wunderhorn: Trost im Unglück
• Des Knaben Wunderhorn: Wo die schönen Trompeten blasen
• Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt
• Des Knaben Wunderhorn: Lied des Verfolgten im Turm
• Des Knaben Wunderhorn: Urlicht

Kindertotenlieder / Lieder eines fahrenden Gesellen (contralto: Sara Mingardo; cello and conductor: Luigi Piovano; Musici Aurei)

Released 2012

• Kindertotenlieder: I. "Nun will die Sonn' so hell aufgeh'n"
• Kindertotenlieder: II. "Nun seh' ich wohl, warum so dunkle Flammen"
• Kindertotenlieder: III. "Wenn dein Mütterlein"
• Kindertotenlieder: IV. "Oft denk' ich, sie sind nur ausgegangen"
• Kindertotenlieder: V. "In diesem Wetter"
• Quartettsatz
• Lieder eines fahrenden Gesellen: I. "Wenn mein Schatz Hochzeit macht"
• Lieder eines fahrenden Gesellen: II. "Ging heut morgen übers Feld"
• Lieder eines fahrenden Gesellen: III. "Ich hab' ein glühend Messer"
• Lieder eines fahrenden Gesellen: IV. "Die zwei blauen Augen von meinem Schatz"
• Berceuse élégiaque

Symphony no. 8

Released 2011

• Symphony no. 8: Part II. Final Scene from Goethe's Faust: Poco adagio
• Symphony no. 8: Part II. Final Scene from Goethe's Faust: Piu mosso: Allegro moderato
• Symphony no. 8: Part II. Final Scene from Goethe's Faust: Waldung, sie schwankt heran
• Symphony no. 8: Part II. Final Scene from Goethe's Faust: Ewiger Wonnebrand
• Symphony no. 8: Part II. Final Scene from Goethe's Faust: Wie Felsenabgrund mir zu Füßen
• Symphony no. 8: Part II. Final Scene from Goethe's Faust: Gerettet ist das edle Glied - Hände verschlinget euch
• Symphony no. 8: Part II. Final Scene from Goethe's Faust: Jene Rosen, aus den Händen
• Symphony no. 8: Part II. Final Scene from Goethe's Faust: Uns bleibt ein Erdenrest
• Symphony no. 8: Part II. Final Scene from Goethe's Faust: Ich spür' soeben nebelnd um Felsenhöh' - Hier ist die Aussicht frei - Freudig empfangen wir
• Symphony no. 8: Part II. Final Scene from Goethe's Faust: Höchste Herrscherin der Welt!
• Symphony no. 8: Part II. Final Scene from Goethe's Faust: Dir, der Unberührbaren - Du schwebst zu Höhen der ewigen Reiche
• Symphony no. 8: Part II. Final Scene from Goethe's Faust: Bei der Liebe, die den Füßen
• Symphony no. 8: Part II. Final Scene from Goethe's Faust: Bei dem Bronn, zu dem schon weiland
• Symphony no. 8: Part II. Final Scene from Goethe's Faust: Bei dem hochgeweihten Orte
• Symphony no. 8: Part II. Final Scene from Goethe's Faust: Neige, neige, du Ohnegleiche
• Symphony no. 8: Part II. Final Scene from Goethe's Faust: Er überwächst uns schon - Vom edlen Geisterchor umgeben
• Symphony no. 8: Part II. Final Scene from Goethe's Faust: Komm! Hebe dich zu höhern Sphären! - Blicket auf zum Retterblick, alle reuig Zarten
• Symphony no. 8: Part II. Final Scene from Goethe's Faust: Alles Vergängliche ist nur ein Gleichnis

Symphony no. 9

Released 2011

• Symphony no. 9 in D major: I. Andante comodo
• Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb
• Symphony no. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig
• Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend

Das Lied von der Erde (Münchener Bach-Orchester feat. conductor: Hansjörg Albrecht)

Released 2011

• Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde
• Das Lied von der Erde: II. Der Einsame im Herbst
• Das Lied von der Erde: III. Von der Jugend
• Das Lied von der Erde: IV. Von der Schönheit
• Das Lied von der Erde: V. Der Trunkene im Frühling
• Das Lied von der Erde: VI. Der Abschied

Symphony no. 10 (Tonhalle Orchestra Zurich feat. conductor David Zinman)

Released 2011

• Symphony No. 10 in F-sharp Major; I. Adagio: Andante - Adagio
• Symphony No. 10 in F-sharp Major; II. Scherzo I: In gemächlicher Bewegung. Ohne Hast
• Symphony No. 10 in F-sharp Major; III. Purgatorio: Unheimlich bewegt
• Symphony No. 10 in F-sharp Major; IV. Scherzo II: Kräftig, nicht zu schnell
• Symphony No. 10 in F-sharp Major; V. Finale. Langsam - Allegro moderato - Andante comodo, aber nicht schleppend

BBC Music, Volume 19, Number 7: Symphony No. 8 (BBC Scottish Symphony Orchestra feat. conductor: Donald Runnicles)

Released 2011

• Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part I. “Veni, Creator Spiritus”
• Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part I. “Imple superna gratia”
• Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part I. “Infirma nostri corporis”
• Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part I. “Accende lumen sensibus”
• Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part I. “Veni, Creator Spiritus”
• Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part I. “Gloria Patri Domino”
• Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Poco adagio “Waldung, sie schwankt heran”
• Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. “Ewiger Wonnebrand”
• Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. “Wie Felsenabgrund mir zu Füssen”
• Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. “Gerettet ist das edle Glied”
• Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. “Uns bleibt ein Erdenrest”
• Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. “Hier ist die Aussicht frei”
• Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. “Höchste Herrscherin der Welt”
• Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. “Dir, der Unberürbaren”
• Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. “Bei der Liebe, die den Füssen”
• Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. “Neige, neige, du Ohnegleiche”
• Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. “Blicket auf zem Retterblick”
• Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. “Alles Vergängliche”

Symphony No. 5

Released 2011

• Symphony no. 5: I. Trauermarsch, In gemessenem Schritt, Streng, Wie ein Kondukt (Cis-Moll)
• Symphony no. 5: II. Stürmisch bewegt, Mit größter Vehemenz (A-Moll)
• Symphony no. 5: III. Scherzo, Kräftig, nicht zu schnell (D-Dur)
• Symphony no. 5: IV. Adagietto, Sehr langsam (F-Dur)
• Symphony no. 5: V. Rondo-Finale, Allegro - Allegro giocoso, Frisch (D-Dur)

Songs With Orchestra

Released 2010

• Lieder eines fahrenden Gesellen; Wenn mein Schatz Hochseit macht
• Lieder eines fahrenden Gesellen; Ging heut Morgen übers Feld
• Lieder eines fahrenden Gesellen; Ich hab ein glühend Messer
• Lieder eines fahrenden Gesellen; Die zwei blauen Augen von meinem Schatz
• Rückert Lieder; Ich atmet einen linden Duft
• Rückert Lieder; Blicke mir nicht in die Lieder
• Rückert Lieder; Liebst du um Schönheit
• Rückert Lieder; Um Mitternacht
• Rückert Lieder; Ich bin ger Welt abhanden gekommen
• Selections from Des Knaben Wunderhorn; Lied des Verfolgten im Turm
• Selections from Des Knaben Wunderhorn; Der Tamboursgsell
• Selections from Des Knaben Wunderhorn; Wo die schönen Trompeten blasen
• Selections from Des Knaben Wunderhorn; Revelge
• Selections from Des Knaben Wunderhorn; Urlicht

Symphony No. 8

Released 2010

• Symphony No. 8 in E-flat major: Teil Hymnus: Veni, creator spiritus. Veni, creator spiritus
• Symphony No. 8 in E-flat major: Teil Hymnus: Veni, creator spiritus. Imple, superna gratia
• Symphony No. 8 in E-flat major: Teil Hymnus: Veni, creator spiritus. Infirma nostri corporis
• Symphony No. 8 in E-flat major: Teil Hymnus: Veni, creator spiritus. Tempo I (Allegro, etwas hastig)
• Symphony No. 8 in E-flat major: Teil Hymnus: Veni, creator spiritus. Sehr fließend
• Symphony No. 8 in E-flat major: Teil Hymnus: Veni, creator spiritus. Accende lumen sensibus
• Symphony No. 8 in E-flat major: Teil Hymnus: Veni, creator spiritus. Veni, creator spiritus
• Symphony No. 8 in E-flat major: Teil Hymnus: Veni, creator spiritus. Gloria sit Patri Domino

The Complete Symphonies

Released 2010

• Symphony no. 1 in D major "Titan": I. Langsam, schleppend
• Symphony no. 1 in D major "Titan": II. Kräftig bewegt, doch nicht zu schnell
• Symphony no. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen
• Symphony no. 1 in D major "Titan": IV. Stürmisch bewegt
• Symphony no. 1 in D major "Titan": II. Blumine (original 2nd movement)

Symphony no. 2 "Resurrection"

Released 2010

• Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso

Delta Music & Entertainment

Released 2010

• Adagietto - Sehr langsam (aus "Symphonie Nr. 5 cis-Moll")
• Misterioso - Sehr langsam (aus "Symphonie Nr. 3 d-Moll" - Text: Friedrich Nietsche)
• Feierlich und gemessen (aus "Symphonie Nr. 1 D-Dur" - "Der Titan")
• "Urlicht" - Sehr feierlich aber schlicht (aus "Symphonie Nr. 2 c-Moll" - "Auferstehung" - Worte aus "Des Knaben Wunderhorn")
• Nachtmusik - Andante amoroso (aus "Symphonie Nr. 7")
• Adagio - Langsam - Ruhevoll - Empfunden (Schlußsatz aus "Symphonie Nr. 3 d-Moll")

Symphony No. 4 in G Major (Royal Liverpool Philharmonic)

Released 2010

• Symphony No. 4 in G major: I. Heiter Bedachtig, nicht eilen
• Symphony No. 4 in G major: II. In gemachlicher Bewegung, ohne Hast
• Symphony No. 4 in G major: III. Ruhevoll, poco adagio
• Symphony No. 4 in G major: IV. Sehr behaglich

Mahler: The People’s Edition

Released 2010

• Symphony No. 3 in D minor: Part 1, I (a). Kräftig. Entschieden
• Symphony No. 3 in D minor: Part 1, I (b). Kräftig. Entschieden: Immer das gleiche Tempo
• Symphony No. 3 in D minor: Part 1, I (c). Kräftig. Entschieden: Tempo I
• Symphony No. 3 in D minor: Part 1, I (d). Kräftig. Entschieden: Zeit lassen
• Symphony No. 3 in D minor: Part 1, I (e). Kräftig. Entschieden: Zeit lassen
• Symphony No. 3 in D minor: Part 1, I (f). Kräftig. Entschieden: Immer dasselbe Tempo. (Marsch.) Nicht eilen
• Symphony No. 3 in D minor: Part 1, I (g). Kräftig. Entschieden: Im alten Marschtempo (Allegro moderato)
• Symphony No. 3 in D minor: Part 1, I (h). Kräftig. Entschieden: Tempo I

Symphony No. 7 (Tonhalle Orchestra Zurich feat. conductor David Zinman)

Released 2010

• Symphony No. 7: I. Langsam (Adagio) - Allegro Risoluto, Ma Non Troppo
• Symphony No. 7: II. Nachtmusik I. Allegro Moderato
• Symphony No. 7: III. Scherzo. Schattenhaft
• Symphony No. 7: IV. Nachtmusik II. Andante Amoroso
• Symphony No. 7: V. Rondo, Finale. Allegro Ordinario

Symphony no. 9 (Tonhalle Orchestra Zurich feat. conductor David Zinman)

Released 2010

• Symphony No. 9 in D Major; IV. Adagio (sehr langsam)

Symphony no. 7

Released 2010

• Symphony no. 7 in E minor: I. Langsam - Allegro con fuoco
• Symphony no. 7 in E minor: II. Nachtmusik: Allegro moderato
• Symphony no. 7 in E minor: III. Scherzo: Schattenhaft
• Symphony no. 7 in E minor: IV. Nachtmusik: Andante amoroso
• Symphony no. 7 in E minor: V. Rondo - Finale

Symphony no. 4

Released 2010

• Symphony no. 4 in G major: I. Bedächtig. Nicht eilen
• Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast
• Symphony no. 4 in G major: III. Ruhevoll (Poco adagio - Allegretto subito - Allegretto subito)
• Symphony no. 4 in G major: IV. Sehr behaglich ('Wir genießen die himmlischen Freuden')

Symphony No. 4 in G major (Gürzenich-Orchester Köln feat. conductor: Markus Stenz, soprano: Christiane Oelze)

Released 2010

• Symphony no. 4: Bedächtig, nicht eilen
• Symphony no. 4: In gemächlicher Bewegung, ohne Hast
• Symphony no. 4: Ruhevoll, poco adagio
• Symphony no. 4: Sehr behaglich (Das himmlische Leben)

The Complete Works

Released 2010

• Kindertotenlieder: Nun will die Sonn' so hell aufgeh'n
• Kindertotenlieder: Nun seh' ich wohl, warum so dunkle Flammen
• Kindertotenlieder - Wenn dein Mütterlein tritt zur Tür herein
• Kindertotenlieder: Oft denk' ich, sie sind nur ausgegangen
• Kindertotenlieder: In diesem Wetter, in diesem Braus
• Rückert-Lieder: Blicke mir nicht in die Lieder!
• Rückert-Lieder: Ich atmet' einen linden Duft!
• Rückert-Lieder: Um Mitternacht
• Rückert-Lieder: Liebst du um Schönheit
• Rückert-Lieder: Ich bin der Welt abhanden gekommen
• Symphony No. 6 in A minor: I. Allegro energico, ma non troppo. Heftig aber Markig

Gustav Mahler: Complete Edition

Released 2010

• Lieder und Gesänge aus der Jugendzeit: I. Frülingsmorgen
• Lieder und Gesänge aus der Jugendzeit: II. Erinnerung
• Lieder und Gesänge aus der Jugendzeit: III. Hans und Grete
• Lieder und Gesänge aus der Jugendzeit: IV. Serenade aus Don Juan
• Lieder und Gesänge aus der Jugendzeit: V. Phantasie aus Don Juan
• Lieder und Gesänge aus der Jugendzeit: VI. Um schlimme Kinder artig zu machen
• Lieder und Gesänge aus der Jugendzeit: VII. Ich ging mit Lust durch einen grünen Wald
• Lieder und Gesänge aus der Jugendzeit: VIII. Aus! Aus!
• Lieder und Gesänge aus der Jugendzeit: IX. Starke Einbildungskraft
• Lieder und Gesänge aus der Jugendzeit: X. Zu Straßburg auf der Schanz
• Lieder und Gesänge aus der Jugendzeit: XI. Ablösung im Sommer
• Lieder und Gesänge aus der Jugendzeit: XII. Scheiden und Meiden
• Lieder und Gesänge aus der Jugendzeit: XIII. Nicht wiedersehen
• Lieder und Gesänge aus der Jugendzeit: XIV. Selbstgefühl
• Lieder und Gesänge aus der Jugendzeit: XV. Im Lenz
• Lieder und Gesänge aus der Jugendzeit: XVI. Winterlied
• Lieder und Gesänge aus der Jugendzeit: XVII. Maitanz im Grünen
• Klavierquartettsatz: Nicht zu schnell. Entschlossen
• Die drei Pintos: Entr'acte

Symphonic Poem in Two Parts "Titan" (Netherlands Symphony Orchestra feat. conductor: Jan Willem de Vriend)

Released 2010

• Symphonic Poem in Two Parts "Titan", Part I "Aus den Tagen der Jugend / Blumen-, Frucht- und Dornstücke": I. Frühling und kein Ende "Langsam, schleppend - Immer sehr gemächlich"
• Symphonic Poem in Two Parts "Titan", Part I "Aus den Tagen der Jugend / Blumen-, Frucht- und Dornstücke": II. Blumine (Andante - allegretto)
• Symphonic Poem in Two Parts "Titan", Part I "Aus den Tagen der Jugend / Blumen-, Frucht- und Dornstücke": III. Mit vollen Segeln "Kräftig bewegt - Langsames Walzertempo"
• Symphonic Poem in Two Parts "Titan", Part II "Commedia umana": IV. Gestrandet! (ein Todtenmarsch in Callots Manier) "Feierlich und gemessen, ohne zu schleppen sehr einfach und schlicht wie eine Volksweise"
• Symphonic Poem in Two Parts "Titan", Part II "Commedia umana": V. Dall' Inferno al Paradiso - "Stürmisch bewegt - Energisch"

9. Symphonie

Released 2010

• 9. Symphonie, Op. 125: I. Allegro ma non troppo, un poco maestoso
• 9. Symphonie, Op. 125: II. Molto vivace
• 9. Symphonie, Op. 125: III. Adagio molto e cantabile
• 9. Symphonie, Op. 125: IV. Finale: Presto - Allegro assai

Mahler - Lieder (baritone: Christian Gerhaher, piano: Gerold Huber)

Released 2010

• Rheinlegendchen
• Ich ging mit Lust
• Frühlingsmorgen
• Ablösung im Sommer
• Wer hat dies Liedlein erdacht?
• Lieder eines fahrenden Gesellen: I. Wenn mein Schatz Hochzeit macht
• Lieder eines fahrenden Gesellen: II. Ging heut Morgen über's Feld
• Lieder eines fahrenden Gesellen: III. Ich hab' ein glühend Messer
• Lieder eines fahrenden Gesellen: IV. Die zwei blauen Augen
• Zu Straßburg auf der Schanz
• Das irdische Leben
• Nicht wiedersehen
• Phantasie
• Wo die schönen Trompeten blasen
• Fünf Lieder nach Texten von Friedrich Rückert: I. Blicke mir nicht in die Lieder
• Fünf Lieder nach Texten von Friedrich Rückert: II. Ich atmet' einen Lindenduft
• Fünf Lieder nach Texten von Friedrich Rückert: III. Um Mitternacht
• Fünf Lieder nach Texten von Friedrich Rückert: IV. Liebst Du um Schönheit
• Fünf Lieder nach Texten von Friedrich Rückert: V. Ich bin der Welt abhanden gekommen
• Urlicht

The Complete Mahler Symphonies

Released 2009

• Symphony no. 1 in D major "Titan": I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich
• Symphony no. 1 in D major "Titan": II. Kräftig bewegt, doch nicht zu schnell
• Symphony no. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen
• Symphony no. 1 in D major "Titan": IV. Stürmisch bewegt - Energisch
• Symphony No. 10: Adagio

Das Lied von der Erde

Released 2009

• Das Lied von der Erde: Das Trinklied vom Jammer der Erde
• Das Lied von der Erde: Der Einsame im Herbst
• Das Lied von der Erde: Von der Jugend
• Das Lied von der Erde: Von der Schönheit
• Das Lied von der Erde: Der Trunkene im Frühling
• Das Lied von der Erde: Der Abschied

Symphony No. 5 (Tonhalle Orchestra Zurich feat. conductor David Zinman)

Released 2009

• Symphony No. 5: I. Trauermarsch
• Symphony No. 5: II. Stuermisch Bewegt, Mit größter Vehemenz
• Symphony No. 5: III. Scherzo
• Symphony No. 5: IV. Adagietto
• Symphony No. 5: V. Rondo - Finale

Symphony no. 8 in E-flat major / Adagio from Symphony no. 10

Released 2009

• Symphony no. 8 in E-flat major: Part II: I. Poco Adagio
• Symphony no. 8 in E-flat major: Part II: II. Waldung, sie schwankt heran
• Symphony no. 8 in E-flat major: Part II: III. Ewiger Wonnebrand
• Symphony no. 8 in E-flat major; Part II: IV. Wie Felsenabgrund mir zu Füßen
• Symphony no. 8 in E-flat major: Part II: V. Gerettet ist das edle Glied
• Symphony no. 8 in E-flat major: Part II: VI. Hier ist die Aussicht frei
• Symphony no. 8 in E-flat major: Part II: VII. Dir, der Unberührbaren
• Symphony no. 8 in E-flat major: Part II: VIII. Du schwebst zu Höhen
• Symphony no. 8 in E-flat major: Part II: IX. Bei dem Bronn, zu dem schon weiland
• Symphony no. 8 in E-flat major: Part II: X. Komm! Hebe dich zu höhern Sphären!
• Symphony no. 8 in E-flat major: Part II: XI. Blicket auf
• Symphony no. 8 in E-flat major: Part II: XII. Alles Vergängliche

Symphonie No. 9 (Bamberger Symphoniker feat. conductor: Jonathan Nott)

Released 2009

• Symphonie No. 9 in D major: I. Andante comodo
• Symphonie No. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb

The Complete Symphonies

Released 2009

• Symphony no. 1 in D major "Titan": I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich
• Symphony no. 1 in D major "Titan": II. Kräftig bewegt, doch nicht zu schnell
• Symphony no. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen
• Symphony no. 1 in D major "Titan": IV. Stürmisch bewegt - Energisch
• Adagio from Symphony no. 10

4 Movements

Released 2009

• Totenfeier
• Symphony no. 10: Adagio
• Blumine
• What the Wild Flowers Tell Me

Das Lied von der Erde

Released 2008

• Das Lied von der Erde - I. Das Trinklied vom Jammer der Erde
• Das Lied von der Erde - II. Der Einsame im Herbst
• Das Lied von der Erde - III. Von der Jugend
• Das Lied von der Erde - IV. Von der Schoenheit
• Das Lied von der Erde - V. Der Trunkene im Fruehling
• Das Lied von der Erde - VI. Der Abschied

Symphony no. 7

Released 2008

• Symphony no. 7 in E minor: I. Langsam (Adagio) - Allegro con fuoco
• Symphony no. 7 in E minor: II. Nachtmusik: Allegro moderato
• Symphony no. 7 in E minor: III. Scherzo: Schattenahft
• Symphony no. 7 in E minor: IV. Nachtmusik: Andante amoroso
• Symphony no. 7 in E minor: V. Rondo-Finale: Allegro ordinario - Allegro moderato ma energico

Symphony No. 2 in C minor "Resurrection" (University of Chicago Symphony Orchestra, Chorus and Motet Choir; conductor: Barbara Schubert; soprano: Kimberly Jones; mezzo-soprano: Stacy Eckert)

Released 2008

• Symphony No. 2 in C minor "Resurrection": I. Allegro maestoso
• Symphony No. 2 in C minor "Resurrection": II. Andante moderato
• Symphony No. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung
• Symphony No. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht
• Symphony No. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend

Symphony No. 6 in A Minor "The Tragic Symphony" (Tonhalle Orchestra Zurich feat. Conductor David Zinman)

Released 2008

• Symphony No. 6 in A Minor: II. Andante moderato
• Symphony No. 6 in A Minor: III. Scherzo: Wuchtig
• Symphony No. 6 in A Minor: IV: Finale: Allegro moderato

Symphony No. 1 in D major / Symphony No. 9 in D major (Royal Liverpool Philharmonic Orchestra)

Released 2008

• Symphony No. 9 in D major: I. Andante comodo
• Symphony No. 9 in D major: II. Im Tempo eines gemachlichen Landlers - Etwas tappisch und sehr derb
• Symphony No. 9 in D major: III. Rondo - Burleske: Allegro assai

Symphony No. 6 in A minor, "Tragic" (Brown University Orchestra feat. conductor: Paul Phillips)

Released 2008

• Symphony No. 6: I. Allegro energico, ma non troppo. Heftig, aber markig
• Symphony No. 6: II. Scherzo. Wuchtig
• Symphony No. 6: III. Andante moderato

Symphonie No. 1 (Bamberger Symphoniker feat. conductor: Jonathan Nott)

Released 2008

• Symphonie No. 1 in D major: I. Langsam. Schleppend. Im Anfang sehr gemächlich
• Symphonie No. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell. Trio. Recht gemächlich
• Symphonie No. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen
• Symphonie No. 1 in D major: IV. Stürmisch bewegt

Invitation au Voyage

Released 2006

• Songs of Travel: The Vagabond
• Songs of Travel: Let Beauty Awake
• Songs of Travel: The Roadside Fire
• Songs of Travel: Youth and Love
• Songs of Travel: In Dreams
• Songs of Travel: The Infinite Shining Heavens
• Songs of Travel: Whither must I wander?
• Songs of Travel: Bright is the ring of words
• Songs of Travel: I have trod the upward and the downward slope
• Lieder eines fahrenden Gesellen: 1. Wenn mein Schatz Hochzeit macht
• Lieder eines fahrenden Gesellen: 2. Ging heut' morgen über's Feld
• Lieder eines fahrenden Gesellen: 3. Ich hab' ein glühend Messer
• Lieder eines fahrenden Gesellen: 4. Die zwei blauen Augen
• La vita fugge e non s'arresta un'ora
• Quel rosigniuol che sì soave piagne
• Levommi il moi pensier in parte ov'era
• L'invitation au voyage
• La vague et la cloche
• Extase
• Phidylé
• Le manoir de Rosemonde
• Soupir

Symphony No. 7 (Staatskapelle Berlin feat. conductor: Daniel Barenboim)

Released 2006

• Symphony No. 7: I. Langsam - Allegro con fuoco
• Symphony No. 7: II. Nachtmusik I. Allegro moderato
• Symphony No. 7: III. Scherzo. Schattenhaft
• Symphony No. 7: IV. Nachtmusik II. Andante amoroso
• Symphony No. 7: V. Rondo-Finale. Allegro ordinario - Allegro moderato, ma energico

Symphony No. 9 (BBC Symphony Orchestra feat. conductor: Bruno Maderna)

Released 2006

• Symphony No. 9 in D major: I. Andante comodo
• Symphony No. 9 in D major: II. Im Tempo eines gemächlichen Ländlers - Etwas täppisch und sehr derb
• Symphony No. 9 in D major: III. Rondo-Burleske: Allegro assai - Sehr trotzig
• Symphony No. 9 in D major: IV. Adagio - Sehr langsam und noch zurückhaltend

Symphony No. 6 "Tragic" (Israel Philharmonic Orchestra feat. conductor: Zubin Mehta)

Released 2006

• Symphony No. 6 in A minor: I. Allegro energico, ma non troppo
• Symphony No. 6 in A minor: II. Scherzo: Wuchtig
• Symphony No. 6 in A minor: III. Andante moderato
• Symphony No. 6 in A minor: IV. Finale: Sostento - Allegro moderato

Symphony No. 1 / Blumine

Released 2006

• Symphony No. 1 in D major: I. Langsam. Schleppend. Wie ein Naturlaut.-Immer sehr gemählich
• Symphony No. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich
• Symphony No. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen
• Symphony No. 1 in D major: IV. Stürmisch bewegt
• Blumine (Andante allegretto)

Symphony No. 2

Released 2006

• Symphony no. 2: III. (Scherzo) In ruhig fließender Bewegung
• Symphony no. 2: IV. "Urlicht" Sehr feierlich, aber schlicht
• Symphony no. 2: V. Im Tempo des Scherzos

Complete Recordings on Deutsche Grammophon, Volume III: Symphonies 8-10 / Das Lied von der Erde

Released 2005

• Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, I. Poco adagio
• Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, II. Più mosso. (Allegro moderato)
• Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, III. Wieder langsam "Waldung, sie schwankt heran"
• Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, IV. Moderato "Ewiger Wonnebrand"
• Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, V. Allegro - (Allegro appassionato) "Wie Felsenabgrund mir zu füßen"
• Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, VI. Allegro deciso. (Im Anfang noch nicht eilen) "Gerettet ist das edle Glied der Geisterwelt vom Bösen"
• Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, VII. Molto leggiero "Jene Rosen aus den Händen"
• Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, VIII. Schon etwas langsamer und immer noch mäßiger "Uns bleibt ein Erdenrest"
• Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, IX. Im Anfang (die ersten vier Takte) noch etwas gehalten "Ich spür' soeben, nebelnd um Felsenhöh"
• Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, X. Sempre l'istesso tempo "Höchste Herrscherin der Welt"
• Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, XI. "Äußerst langsam. Adagissimo "Dir, der Unberührbaren"
• Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, XII. Fließend "Bei der Liebe, die den Füßen"
• Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, XIII. Una poenitentium "Neige, neige, du Ohnegleiche"
• Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, XIV. Unmerklich frischer "Er überwächst uns schon"
• Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, XV. Sehr langsam. "Komm! hebe dich zu höhern Sphären"
• Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, XVI. Hymnenartig (Ungefähr im selben Zeitmaß weiter) "Blicket auf zum Retterblick, alle reuig Zarten"
• Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, XVII. Sehr langsam beginnend "Alles Vergängliche ist nur Gleichnis"

Complete Recordings on Deutsche Grammophon, Volume II: Symphonies 5-7 / Ruckert-Lieder / Kindertotenlieder

Released 2005

• Symphony No. 7 E-moll: V. Rondo-Finale: Tempo I (Allegro ordinario)
• Rückert Lieder No. 1: Liebst du um Schönheit
• Rückert Lieder No. 3: Blicke mir nicht in die Lieder
• Rückert Lieder No. 2: Ich atmet' ein linden Duft
• Rückert Lieder No. 4: Um Mitternacht
• Rückert Lieder No. 5: Ich bin der Welt abhanden gekommen

Complete Recordings on Deutsche Grammophon, Volume I: Symphonies 1-4 / Lieder eines fahrenden Gesellen / Des Knaben Wunderhorn

Released 2005

• Symphony, No. 1 in, D major "Titan": I. Langsam. Schleppend
• Symphony, No. 1 in, D major "Titan": II. Kräftig bewegt
• Symphony, No. 1 in, D major "Titan": III. Feierlich und gemessen, ohne zu schleppen
• Symphony, No. 1 in, D major "Titan": IV. Stürmisch bewegt
• Lieder eines fahrenden gesellen: I. "Wenn mein schatz hochzeit macht"
• Lieder eines fahrenden gesellen: II. "Ging heut morgen übers feld"
• Lieder eines fahrenden gesellen: III. "Ich hab' ein glühend messer"
• Lieder eines fahrenden gesellen: IV. "Die zwei blauen augen von meinem schatz"

Symphony No. 2 in C minor

Released 2004

• Symphony no. 2 in C minor: I. Allegro maestoso

Symphony no. 1

Released 2004

• Symphony No. 1: I. Langsam, schleppend. Wie ein Naturlaut - Im Anfang sehr gemächlich
• Symphony No. 1: II. Kraftig bewegt, doch nicht zu schnell

Symphony No. 4 in G major (arr. Erwin Stein) / Lieder eines fahrenden Gesellen (arr. Arnold Schönberg) (Smithsonian Chamber Players feat. conductor: Kenneth Slowik)

Released 2003

• Symphony No. 4 in G major: I. Bedächtig. Nicht eilen
• Symphony No. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast
• Symphony No. 4 in G major: III. Ruhevoll
• Symphony No. 4 in G major: IV. Sehr behaglich
• Lieder eines fahrenden Gesellen: I. "Wenn mein Schatz Hochzeit macht"
• Lieder eines fahrenden Gesellen: II. "Ging heut' Morgen übers Feld"
• Lieder eines fahrenden Gesellen: III. "Ich hab' ein glühend Messer in meiner Brust"
• Lieder eines fahrenden Gesellen: IV. "Die zwei blauen Augen von meinem Schatz"

Symphony no. 3 in D minor / Kindertotenlieder

Released 2003

• Symphony no. 3 in D minor: Part I: I. Kräftig, entschieden
• Symphony no. 3 in D minor: Part II: II. Tempo di menuetto. Sehr mässig
• Symphony no. 3 in D minor: Part II: III. Comodo. Scherzando. Ohne Hast

Kindertotenlieder / Lieder nach Texten von Friedrich Rückert / Lieder eines fahrenden Gesellen (Wiener Symphoniker feat. conductor: Eliahu Inbal, mezzo soprano: Doris Soffel)

Released 2002

• Kindertotenlieder: "Nun will die Sonn' so hell aufgeh'n"
• Kindertotenlieder: "Nun seh' ich wohl, warum so dunkle Flammen"
• Kindertotenlieder: "Wenn dein Mütterlein"
• Kindertotenlieder: "Oft denk' ich, sie sind nur ausgegangen"
• Kindertotenlieder: "In diesem Wetter"
• Lieder eines fahrenden Gesellen: "Wenn mein Schatz Hochzeit macht"
• Lieder eines fahrenden Gesellen: "Ging heut' morgen übers Feld"
• Lieder eines fahrenden Gesellen: "Ich hab' ein glühend Messer"
• Lieder eines fahrenden Gesellen: "Die zwei blauen Augen von meinem Schatz"
• Wesendonk Lieder (Five Poems for Female Voice): "Der Engel"
• Wesendonk Lieder (Five Poems for Female Voice): "Stehe still"
• Wesendonk Lieder (Five Poems for Female Voice): "Im Treibhaus"
• Wesendonk Lieder (Five Poems for Female Voice): "Schmerzen"
• Wesendonk Lieder (Five Poems for Female Voice): "Träume"
• Lohengrin: Act I. "Einsam in trüben Tagen"
• Parsifal: Act II. "Ich sah das Kind an seiner Mutter Brust"
• Die Walküre: "Erster Aufzug" - "Du bist der Lenz"

Symphony No. 10 (Wheeler, 1966 version) (Polish National Radio Symphony Orchestra feat. conductor: Robert Olson)

Released 2002

• Symphony No. 10 in F-sharp minor (Wheeler, 1966 version): I. Adagio
• Symphony No. 10 in F-sharp minor (Wheeler, 1966 version): II. First Scherzo
• Symphony No. 10 in F-sharp minor (Wheeler, 1966 version): III. Purgatorio oder Inferno
• Symphony No. 10 in F-sharp minor (Wheeler, 1966 version): IV. Second Scherzo
• Symphony No. 10 in F-sharp minor (Wheeler, 1966 version): V. Finale

Das Lied von der Erde (Bavarian Radio Symphony Orchestra feat. conductor: Rafael Kubelík, 1970)

Released 2002

• Das Lied von der Erde: I. Allegro pesante "Das Trinklied vom jammer der Erde"
• Das Lied von der Erde: II. Etwas scheichend. Ermüdet "Der Einsame im Herbst"
• Das Lied von der Erde: III. Behaglich heiter "Von der Jugend"
• Das Lied von der Erde: IV. Comodo. Dolcissimo "Von der Schönheit"
• Das Lied von der Erde: V. Allegro. Keck, aber nicht zu schnell "Der Trunkene im Frühung"
• Das Lied von der Erde: VI. Schwer "Der Abschied"

The Symphonies: Symphony No. 8 in E flat major ''Symphony of a Thousand'' (Wiener Philharmoniker feat. conductor: Lorin Maazel)

Released 2002

• Symphony No. 8 in E-flat major, "Symphony of a Thousand" Part I: I. Veni Creatur Spiritus!
• Symphony No. 8 in E-flat major, "Symphony of a Thousand" Part I: II. Imple superna gratia
• Symphony No. 8 in E-flat major, "Symphony of a Thousand" Part I: III. Infirma nostri corporis
• Symphony No. 8 in E-flat major, "Symphony of a Thousand" Part I: IV. Tempo I. (Allegra, etwas hastig)
• Symphony No. 8 in E-flat major, "Symphony of a Thousand" Part I: V. Infirma nostri corporis
• Symphony No. 8 in E-flat major, "Symphony of a Thousand" Part I: VI. Accende lumen sensibus
• Symphony No. 8 in E-flat major, "Symphony of a Thousand" Part I: VII. Qui Paraclitus diceris
• Symphony No. 8 in E-flat major, "Symphony of a Thousand" Part I: VIII. Gloria Patri Domino

Symphony No. 4

Released 2001

• Symphony No. 4 in G major: I. Bedächtig. Nicht teilen
• Symphony No. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast
• Symphony No. 4 in G major: III. Ruhevoll (Poco adagio)
• Symphony No. 4 in G major: IV. Sehr behaglich

Symphony No. 3 (Bavarian Radio Symphony Orchestra feat. conductor: Rafael Kubelík, 1967)

Released 2001

• Symphony No. 3, Part I: I. Kraftig. Entschieden

Mahler: Symphony no. 4 / Berlioz: Overture Le Corsaire

Released 1999

• Symphony no. 4 in G major: I. Bedächtig, nicht eilen
• Symphony no. 4 in G major: II. In gemächlicher Bewegung, ohne Hast
• Symphony no. 4 in G major: III. Ruhevoll, poco adagio
• Symphony no. 4 in G major: IV. Sehr behaglich
• Overture Le Corsaire

Symphony no. 3

Released 1999

• Symphony no. 3 in D minor: Part I. I. Kräftig. Entschieden
• Symphony no. 3 in D minor: Part I. I. Tempo
• Symphony no. 3 in D minor: Part I. I. Zeit lassen - a tempo
• Symphony no. 3 in D minor: Part I. I. Immer dasselbe Tempo (Marsch). Nicht eilen
• Symphony no. 3 in D minor: Part I. I. Tempo primo. Wie zu anfang
• Symphony no. 3 in D minor: Part I. I. Tempo
• Symphony no. 3 in D minor: Part II. II. Tempo di Menuetto. Sehr mäßig
• Symphony no. 3 in D minor: Part II. III. Comodo. Scherzando. Ohne Hast
• Symphony no. 3 in D minor: Part II. III. Sehr gemächlich. Frei vorgetragen. (Wie die Weise eines Posthorns)
• Symphony no. 3 in D minor: Part II. III. Schnell und schmetternd wie eine Fanfare - Tempo I. Mit geheimnisvoller Hast

Lieder eines fahrenden Gesellen / Kindertotenlieder / Ruckert-Lieder

Released 1999

• Kindertotenlieder: Nun will die Sonn' so hell aufgeh'n
• Kindertotenlieder: Nun seh' ich wohl, warum so dunkle Flammen
• Kindertotenlieder: Wenn dein Mutterlein
• Kindertotenlieder: Oft denk' ich, sie sind nur ausgegangen!
• Kindertotenlieder: In diesem Wetter
• Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht
• Lieder eines fahrenden Gesellen: Ging heut' morgens ubers Feld
• Lieder eines fahrenden Gesellen: Ich hab' ein gluhend Messer
• Lieder eines fahrenden Gesellen: Die zwei blauen Augen
• Ruckert-Lieder (excerpts): No. 1. Blicke mir nicht in die Lieder!
• Ruckert-Lieder (excerpts): No. 2. Ich atmet' einen linden Duft
• Ruckert-Lieder (excerpts): No. 3. Ich bin der Welt abhanden gekommen
• Ruckert-Lieder (excerpts): No. 4. Um Mitternacht

The Klemperer Legacy

Released 1999

• Siegfried Idyll
• Symphony No. 9 in D minor: I. Andante comodo
• Symphony No. 9 in D minor: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb

Kindertotenlieder / Rückert Lieder / Das Lied von der Erde

Released 1997

• Kindertotenlieder: I. Nun will die Sonn’ so hell aufgeh’n
• Kindertotenlieder: II. Nun seh’ ich wohl, warum so dunkle Flammen
• Kindertotenlieder: III. Wenn dein Mütterlein
• Kindertotenlieder: IV. Oft denk’ ich, sie sind nur ausgegangen
• Kindertotenlieder: V. In diesem Wetter
• Lieder nach Texten von Friedrich Rückert: Blicke mir nicht in die Lieder
• Lieder nach Texten von Friedrich Rückert: Ich atmet’ einen linden Duft
• Lieder nach Texten von Friedrich Rückert: Liebst du um Schönheit
• Lieder nach Texten von Friedrich Rückert: Um Mitternacht
• Lieder nach Texten von Friedrich Rückert: Ich bin der Welt abhanden gekommen
• Das Lied von der Erde: II. Der Einsame im Herbst

Mahler: Kindertotenlieder / Lieder eines fahrenden Gesellen / Strauss: Notturno

Released 1997

• Kindertotenlieder: I. Nun will die Sonn’ so hell aufgeh’n…
• Kindertotenlieder: II. Nun seh’ ich wohl, warum so dunkle Flammen…
• Kindertotenlieder: III. Wenn dein Mütterlein…
• Kindertotenlieder: IV. Oft denk’ ich, sie sind nur ausgegangen!
• Kindertotenlieder: V. In diesem Wetter, in diesem Braus…
• Lieder eines fahrenden Gesellen: I. Wenn mein Schatz Hochzeit macht…
• Lieder eines fahrenden Gesellen: II. Ging heut’ Morgen über’s Feld…
• Lieder eines fahrenden Gesellen: III. Ich hab’ ein glühend Messer…
• Lieder eines fahrenden Gesellen: IV. Die zwei blauen Augen von meinem Schatz…
• Notturno, op. 44 no. 1

Mahler/Sinopoli: The Complete Recordings

Released 1997

• Symphony No. 2 in C minor "Resurrection": II. Andante moderato. Sehr gemächlich
• Symphony No. 2 in C minor "Resurrection": III. Scherzo. In ruhig fliessender Bewegung
• Symphony No. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht "O Röschen rot!"
• Symphony No. 2 in C minor "Resurrection": Va. Im Tempo des Scherzos. Wild herausfahrend
• Symphony No. 2 in C minor "Resurrection": Vb. Wieder zurückhaltend. Langsam. Misterioso

Das Lied von der Erde (Staatskapelle Dresden feat. conductor: Giuseppe Sinopoli, alto: Iris Vermillion, tenor: Keith Lewis)

Released 1997

• Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde
• Das Lied von der Erde: II. Der Einsame im Herbst
• Das Lied von der Erde: III. Von der Jugend
• Das Lied von der Erde: IV. Von der Schönheit
• Das Lied von der Erde: V. Der Trunkene im Frühling
• Das Lied von der Erde: VI. Der Abschied

Symphonies 1 & 2

Released 1996

• Symphony no. 1 in D major: I. Langsam, Schleppend
• Symphony no. 1 in D major: II. II Kraftig Bewegt, Doch Nich Zu Schnell
• Symphony no. 1 in D major: III. Feierlich Und Gemessen, Ohne Zu Schleppen - Sehr Einfach Und Schlicht Wie Eine Volksweise
• Symphony no. 1 in D major: IV. Sturmisch Bewegt
• Symphony no. 2 in C minor: I. Allegro Maestoso. Mit Durchaus Ernstem Und Feierlichem Ausdruck

Lieder aus Des Knaben Wunderhorn / Lieder eines fahrenden Gesellen (Wiener Symphoniker feat. conductor: Eliahu Inbal)

Released 1996

• Des Knaben Wunderhorn: Des Schilwache Nachtlied
• Des Knaben Wunderhorn: Wer hat dies Liedlein erdacht
• Des Knaben Wunderhorn: Trost im Unglück
• Des Knaben Wunderhorn: Revelge
• Des Knaben Wunderhorn: Wo die schönen Trompeten blasen
• Des Knaben Wunderhorn: Das irdische Leben
• Des Knaben Wunderhorn: Lied des Verfolgten im Turm
• Des Knaben Wunderhorn: Der Tamboursg'sell
• Des Knaben Wunderhorn: Urlicht
• Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt
• Des Knaben Wunderhorn: Rheinlegendchen
• Des Knaben Wunderhorn: Verolene Muh
• Des Knaben Wunderhorn: Lob des hohen Verstandes.
• Lieder eines Fahrenden Gesellen: I. Wenn mein Schtz Hochzeit macht
• Lieder eines Fahrenden Gesellen: II. Ging heut'morgen über's Feld
• Lieder eines Fahrenden Gesellen: III. Ich hab'ein glühend Messer
• Lieder eines Fahrenden Gesellen: IV. Die zwei blauen Augen

Symphony no. 8

Released 1995

• Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil I, Bar 1. "Veni, creator spiritus"
• Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil I, Bar 46. "Imple superna gratia"
• Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil I, Bar 122. "Infirma nostri corporis"
• Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil I, Bar 169. Tempo I. Allegro impetuoso
• Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil I, Bar 211. "Infirma nostri corporis"
• Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil I, Bar 258. "Accende lumen sensibus"
• Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil I, Bar 408. "Veni, creator spiritus"
• Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil I, Bar 488. "Gloria sit Patri Domino"
• Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 1. Poco adagio
• Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 97. Pìu mosso
• Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 167. Chor und Echo: "Waldung, sie schwankt heran"
• Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 219. "Ewiger Wonnenbrand" (Pater scstaticus)
• Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 261. "Wie Felsenabgrund mir zu Füssen" (Pater profundus)
• Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar Bar 384/385. "Gerettet ist das edle Glied" (Chor der Engel) - "Hände verschlinget euch" (Chor seliger Knaben)
• Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 436. "Jene Rosen aus den Händen" (Chor der jüngeren Engel)
• Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 540. "Uns bleibt ein Erdenrest" (Chor vollendeteren Engel)
• Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 580. "Ich spür' soeben, nebelnd um Felsenhöhe'" (Die jüngeren Engel) - "Freudig empfangen frei" (Chor seliger Knaben) - "Hier ist die Aussicht frei" (Doctor Marianus)
• Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 639. "Höchste Herrscherin in der Welt" (Doctor Marianus)
• Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 780. "Dir, der Unberührbaren" (Chor I/II) - "Du schwebst zu Höhen" (Chor der Büsserinnen und Una poenitentium)
• Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 868. "Bei der Liebe, die den Füssen" (Magna Peccatrix) - "Bei dem Bronn, zu dem schon weiland" (Mulier Samaritana) - "Bei dem hochgeweihten Orte" (Maria Aegyptiaca)
• Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 1093. "Neige, neige" (Una poenitentium)
• Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 1138. "Er überwächst uns schon" (Selige Knaben) - "Vom edlen Geisterchor umgeben" (Una poenitentium)
• Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 1249. "Komm! hebe dich zu höhern Sphären" (Mater gloriosa) - "Blicket auf zum Retterblick alle reuig Zarten" (Doctor Marianus)
• Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 1449. Chorus mysticus: Alles Vergängliche ist nur ein Gleichnis
• [applause]

Symphony no. 3 / Symphony no. 10 (Adagio)

Released 1995

• Symphony no. 3: Part I: 1. Kräftig. Entschieden
• Symphony no. 3: Part II: 2. Tempo di menuetto
• Symphony no. 3: Part II: 3. Comodo. Scherzando

Symphony No. 2 "Resurrection" (Israel Philharmonic Orchestra feat. conductor: Zubin Mehta)

Released 1994

• Sinfonie Nr. 2 in c-Moll : I. Allegro maestoso
• Sinfonie Nr. 2 in c-Moll : II. Andante moderato
• Sinfonie Nr. 2 in c-Moll : III. (Scherzo) In ruhig fließender Bewegung
• Sinfonie Nr. 2 in c-Moll : IV. Urlicht. Sehr feierlich, aber schlicht
• Sinfonie Nr. 2 in c-Moll : V. Im Tempo des Scherzo

Mahler Symphony No. 4, 8 Songs (Desi Halban, New York Philharmonic cond. Bruno Walter)

Released 1994

• Symphony no. 4: I. Bedachtig. Nicht eilen
• Symphony no. 4: II. In gemachlicher Bewegung. Ohne Hast
• Symphony no. 4: III. Ruhevoll
• Symphony no. 4: IV. Sehr behaglich - Soprano Solo: »Wir genießen die himmlischen Freuden«
• Lieder und Gesänge aus der Jugendzeit: Erinnerung
• Lieder und Gesänge aus der Jugendzeit: Scheiden und Meiden
• Lieder und Gesänge aus der Jugendzeit: Nicht wiedersehen!
• Lieder und Gesänge aus der Jugendzeit: Ich ging mit Lust durch einen grünen Wald
• Lieder und Gesänge aus der Jugendzeit: Ablösung im Sommer
• Lieder und Gesänge aus der Jugendzeit: Hans und Grete
• Lieder und Gesänge aus der Jugendzeit: Frühlingsmorgen
• Lieder und Gesänge aus der Jugendzeit: Starke Einbildungskraft

Symphony no. 2 in C minor "Resurrection"

Released 1993

• Symphony no. 2 in C Minor "Resurrection": III. In ruhig flieẞender Bewegung
• Symphony no. 2 in C Minor "Resurrection": IV. Sehr feierlich, aber schlicht
• Symphony no. 2 in C Minor "Resurrection": V. Im Tempo des Scherzo. Wild herausfahrend

Symphony no. 5

Released 1992

• Symphony no. 5 in C-sharp minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt, plötzlich schneller. Leidenschaftlich. Wild, a tempo
• Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz
• Symphony no. 5 in C-sharp minor: III. Scherzo. Kräftig, nicht zu schnell
• Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam
• Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro

Symphony No. 1 / Blumine

Released 1992

• Symphony No. 1: I. Langsam. Schleppend
• Symphony No. 1: II. Kräftig bewegt
• Symphony No. 1: III. Feierlich und gemessen
• Symphony No. 1: IV. Stürmisch bewegt
• Blumine

Symphony No. 4 (Los Angeles Philharmonic feat. conductor: Esa-Pekka Salonen, Soprano: Barbara Hendricks)

Released 1992

• Symphony no. 4: I. Bedächtig. Nicht eilen
• Symphony no. 4: II. In gemälicher Bewegung. Ohne Hast
• Symphony no. 4: III. Ruhevoll
• Symphony no. 4: IV. Sehr behaglich (Soprano Solo: “Wir genießen die himmlischen Freuden”; from Des Knaben Wunderhorn)

Symphonien 5, 9 & 10: Adagio

Released 1992

• Symphony No. 5 in C-sharp minor: I. Trauermarsch
• Symphony No. 5 in C-sharp minor: II. Stürmisch bewegt, mit grösster Vehemenz
• Symphony No. 5 in C-sharp minor: III. Scherzo: Kräftig, nicht zu schnell
• Symphony No. 5 in C-sharp minor: IV. Adagietto: Sehr langsam
• Symphony No. 5 in C-sharp minor: V. Rondo-Finale: Allegro

Symphonie No. 5

Released 1991

• Symphony No. 5: I. Trauermarsch
• Symphony No. 5: II. Stürmisch bewegt, mit größter Vehemenz
• Symphony No. 5: III. Scherzo. Kräftig, nicht zu schnell
• Symphony No. 5: IV. Adagietto. Sehr langsam
• Symphony No. 5: V. Rondo-Finale. Allegro

Symphony No. 5 in C-sharp minor (New York Philharmonic feat. conductor: Zubin Mehta)

Released 1991

• Symphony No. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt)
• Symphony No. 5 in C-sharp minor: II. Stürmisch bewegt, mit größter Vehemenz
• Symphony No. 5 in C-sharp minor: III. Scherzo (Kräftig, nicht zu schnell)
• Symphony No. 5 in C-sharp minor: IV. Adagietto (Sehr langsam)
• Symphony No. 5 in C-sharp minor: V. Rondo-Finale (Allegro)

Symphonie No. 1 (Chicago Symphony Orchestra feat. conductor: Klaus Tennstedt)

Released 1991

• Symphonie No. 1 D-dur "Titan": I. Langsam. Schleppend - Im Anfang sehr gemächlich
• Symphonie No. 1 D-dur "Titan": II. Kräftig bewegt, doch nocht zu schnell
• Symphonie No. 1 D-dur "Titan": III. Feierlich und bemessen, ohne zu schleppen
• Symphonie No. 1 D-dur "Titan": IV. Stürmisch bewegt

Symphony No. 1 in D major (Philharmonia Orchestra feat. conductor: Giuseppe Sinopoli)

Released 1990

• Symphony No. 1 in D major: I. Langsam. Schleppend - Im Anfang sehr gemächlich
• Symphony No. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell
• Symphony No. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen
• Symphony No. 1 in D major: IV. Stürmisch bewegt

Des Knaben Wunderhorn

Released 1989

• Des Knaben Wunderhorn: I. Der Schildwache Nachtlied
• Des Knaben Wunderhorn: II. Wer hat dies Liedlein erdacht?
• Des Knaben Wunderhorn: III. Der Tamboursg'sell
• Des Knaben Wunderhorn: IV. Das irdische Leben
• Des Knaben Wunderhorn: V. Verlor'ne Müh'
• Des Knaben Wunderhorn: VI. Des Antonius von Padua Fischpredigt
• Des Knaben Wunderhorn: VII. Revelge
• Des Knaben Wunderhorn: VIII. Rheinlegendchen
• Des Knaben Wunderhorn: IX. Lob des hohen Verstandes
• Des Knaben Wunderhorn: X. Wo die schönen Trompeten blasen
• Des Knaben Wunderhorn: XI. Lied des Verfolgten im Turm
• Des Knaben Wunderhorn: XII. Trost im Unglück
• Des Knaben Wunderhorn: XIII. Urlicht

Symphony No. 4

Released 1989

• Symphony No. 4 in G major: I. Bedächtig, nicht eilen
• Symphony No. 4 in G major: II. In gemächlicher Bewegung, ohne Hast
• Symphony No. 4 in G major: III. Ruhevoll, poco adagio
• Symphony No. 4 in G major: IV. Sehr behaglich

Symphony No. 2 in C Minor, "Resurrection"

Released 1987

• Symphony No. 2 in C minor, "Resurrection": I. Allegro maestoso

Symphony No. 2 in C minor

Released 1987

• Symphony No. 2 in C minor: I. Allegro maestoso
• Symphony No. 2 in C minor: II. Andante moderato

Symphonie no. 9

Released 1986

• Symphonie No. 9 D-dur: Ia. Andante comodo
• Symphonie No. 9 D-dur: Ib. (Horneinsatz)
• Symphonie No. 9 D-dur: Ic. Bewegter
• Symphonie No. 9 D-dur: Id.
• Symphonie No. 9 D-dur: Ie. Wie von Anfang
• Symphonie No. 9 D-dur: If. Plötzlich bedeutend langsamer (Lento) und leise
• Symphonie No. 9 D-dur: IIa. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb
• Symphonie No. 9 D-dur: IIb. Poco più mosso subito (Tempo II.)
• Symphonie No. 9 D-dur: IIc. Tempo III.
• Symphonie No. 9 D-dur: IId. Tempo II.
• Symphonie No. 9 D-dur: IIe. Tempo I.
• Symphonie No. 9 D-dur: IIf. Tempo II.
• Symphonie No. 9 D-dur: IIg. Tempo I. subito

Quartet no. 14 in D minor / Der Tod und das Mädchen (Lied)

Released 1986

• Der Tod und das Mädchen, D. 531
• Quartet in D minor, D. 810 "Der Tod und das Mädchen" : I. Allegro
• Quartet in D minor, D. 810 "Der Tod und das Mädchen" : II. Andante con moto
• Quartet in D minor, D. 810 "Der Tod und das Mädchen" : III. Scherzo (allegro molto)
• Quartet in D minor, D. 810 "Der Tod und das Mädchen" : IV. Presto

Symphony No. 1

Released 1985

• Symphony No. 1 in D major I. Langsam Schleppend - Im Anfang sehr gemächlich
• Symphony No. 1 in D major II. Kräftig bewegt, doch nicht zu schell
• Symphony No. 1 in D major III. Feierlich und gemessen, ohne zu schleppen
• Symphony No. 1 in D major IV. Stürmisch bewegt

Symphony No. 5 & 10

Released 1985

• Symphony No.5 - I: Trauermarsch (Im gemessenem Schritt - Streng - Wie ein Kondukt)
• Symphony No.5 - II: Stürmisch bewegt, mit grösster Vehemenz
• Symphony No.5 - III: Scherzo (Kräftig, nicht zu schnell)

Symphony No. 2 in C minor "Resurrection"

Released 1982

• Symphony No. 2 in C minor "Resurrection": I. Allegro maestoso
• Symphony No. 2 in C minor "Resurrection": II. Andante moderato
• Symphony No. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung

Bernstein Century: Symphony no.1 "Titan" / Symphony no.10 (Adagio)

• Symphony No. 1 in D major "Titan": Ia. Langsam. Schleppend. Wie ein Naturlaut -
• Symphony No. 1 in D major "Titan": Ib. Immer sehr gemächlich -
• Symphony No. 1 in D major "Titan": Ic. Sehr Gemächlich -
• Symphony No. 1 in D major "Titan": Id. Vorwarts drängend
• Symphony No. 1 in D major "Titan": IIa. Kräftig bewegt -
• Symphony No. 1 in D major "Titan": IIb. Trio. Recht gemächlich -
• Symphony No. 1 in D major "Titan": IIc. Tempo primo
• Symphony No. 1 in D major "Titan": IIIa. Feierlich und gemessen, ohne zu schleppen -
• Symphony No. 1 in D major "Titan": IIIb. A tempo. Ziemlich langsam -
• Symphony No. 1 in D major "Titan": IIIc. Sehr einfach und schlicht wie eine Volksweise -
• Symphony No. 1 in D major "Titan": IIId. Wieder etwas bewegter, wie im Anfang
• Symphony No. 1 in D major "Titan": IVa. Stürmisch bewegt -
• Symphony No. 1 in D major "Titan": IVb. Sehr gesangvoll -
• Symphony No. 1 in D major "Titan": IVc. Wieder wie zu Anfang. Stürmisch bewegt -
• Symphony No. 1 in D major "Titan": IVd. Sehr langsam -
• Symphony No. 1 in D major "Titan": IVe. Wieder vorwärts drängend
• Adagio from Symphony No. 10: a. Andante -
• Adagio from Symphony No. 10: b. Andante come prima -
• Adagio from Symphony No. 10: c. A tempo (fließend) -
• Adagio from Symphony No. 10: d. Measure 104 -
• Adagio from Symphony No. 10: e. Measure 194 -
• Adagio from Symphony No. 10: f. A tempo

Symphony no. 7

• Symphony no. 7 in E minor: Ia. Langsam (Adagio)
• Symphony no. 7 in E minor: Ib. Nicht schleppen
• Symphony no. 7 in E minor: Ic. Allegro risoluto, ma non troppo
• Symphony no. 7 in E minor: Id. A tempo (sempre läistesso)
• Symphony no. 7 in E minor: Ie. Subito Allegro I. Ziemlich ruhig
• Symphony no. 7 in E minor: If. Adagio (Tempo der Einleitung)
• Symphony no. 7 in E minor: Ig. Maestoso. Allegro come prima
• Symphony no. 7 in E minor: IIa. Nachtmusik I. Allegro moderato
• Symphony no. 7 in E minor: IIb. Sempre l'istesso tempo. Nicht eilen, sehr gemächlich
• Symphony no. 7 in E minor: IIc. Tempo
• Symphony no. 7 in E minor: IIIa. Scherzo. Schattenhaft, fließend, aber nicht zu schnell
• Symphony no. 7 in E minor: IIIb. Trio
• Symphony no. 7 in E minor: IIIc. Wieder wie zu Anfang (nicht eilen)
• Symphony no. 7 in E minor: IVa. Nachtmusik II. Andante amoroso
• Symphony no. 7 in E minor: IVb. [Figure 197]
• Symphony no. 7 in E minor: Va. Rondo-Final. Tempo I (Allegro ordinario)
• Symphony no. 7 in E minor: Vb. Gemessen! Nicht schnell! Tempo II (Allegro moderato ma energico)
• Symphony no. 7 in E minor: Vc. Tempo I (Halbe wie die Viertel des Tempo I)
• Symphony no. 7 in E minor: Vd. Sempre l'istesso tempo

Symphony no. 1 "Titan" / Symphony no. 5

• Symphony no. 1 in D major "Titan": I. Langsam. Schleppend
• Symphony no. 1 in D major "Titan": II. Kräftig bewegt
• Symphony no. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen
• Symphony no. 1 in D major "Titan": IV. Stürmisch bewegt

Symphony no. 9 in D major

• Symphony no. 9 in D major: I. Andante comodo
• Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers (Etwas täppisch und sehr derb)
• Symphony no. 9 in D major: III. Rondo - Burlesque
• Symphony no. 9 in D major: IV. Adagio

Symphony No. 3 (Chicago Symphony Orchestra, conductor: Bernard Haitink, mezzo-soprano: Michelle DeYoung)

• Symphony No.3: II. Tempo di Menuetto. Sehr mässig
• Symphony No.3: III. Comodo. Scherzando. Ohne Hast
• Symphony No.3: IV. Sehr langsam. Misterioso
• Symphony No.3: V. Lustig im Tempo und keck im Ausdruck
• Symphony No.3: VI. Langsam. Ruhevoll. Empfunden

Symphony No. 5 (Radio Symphony Orchestra, Glasgow)

• Symphony No. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt, streng)
• Symphony No. 5 in C-sharp minor: II. Stürmisch bewegt, mit größter Vehemenz
• Symphony No. 5 in C-sharp minor: III. Scherzo (Kräftig, nicht zu schnell)
• Symphony No. 5 in C-sharp minor: IV. Adagietto (Sehr langsam)
• Symphony No. 5 in C-sharp minor: V. Rondo-Finale. Allegro

Born: 1860-07-07

Died: 1911-05-18

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Mahler: Adagietto Symphony 5 - Karajan*

• Order: Reorder
• Duration: 11:54
• Uploaded Date: 10 Jul 2012
• views: 9402721

Karajan's Mahler is unsurpassed See also ( very interesting): Mahler: Adagietto Symphony 5 arranged for Choir : https://www.youtube.com/watch?v=YA1c9jZmdag ...

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https://wn.com/Mahler_Adagietto_Symphony_5_Karajan

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• views: 764382

Gustav Mahler - Adagietto. Sehr langsam. Symphony No. 5 in C sharp minor, 1901-02. Wiener Philharmoniker, Vienna Philharmonic Orchestra, Leonard Bernstein, 1973...

Gustav Mahler - Adagietto. Sehr langsam. Symphony No. 5 in C sharp minor, 1901-02. Wiener Philharmoniker, Vienna Philharmonic Orchestra, Leonard Bernstein, 1973. Motion Picture Restored "In the Fourth movement, the famous Adagietto, harp and strings alone play. The opening melody recalls two of Mahler's songs, "Nun seh' ich wohl" (from Kindertotenlieder) and the separate Ruckert setting "Ich bin der Welt abhanden gekommen". The long upbeats and expressive appoggiaturas of the melodic lines give the music a yearning, almost heart-breaking quality. The intensity that builds up inthis movement finaly assuages the darkness and doubts of the earlier movements, making the lighter mood and extrovert energy of the Rondo-Finale acceptable. Together, these two movements form the third part of the symphony. The formal function of the Adagietto is ambiguous. It acts as an introduction to the last movement, which follows without a break, and is thematically bound to it, for twice in the Finale we hear the Adagietto's main theme, now at a fast tempo. The Adagietto also functions as a slow interlude in F major, between two faster movements in D major; but is also has an expressive weight sufficient for it to stand on its own - indeed, it is often performed by itself. Even without a text or programme, the music's emotional and referential content implies an existential dimension. Without an explicit programme or titles, we have few clues to the "meaning" of the Fifth Symphony other than the music itself. Mahler offers some guidance by grouping the five movements, which share some thematic Material, as well as an obsession with death, from the first part; the central scherzo stands alone as the second part; and the lat two movements, which are also linked thematically, form the third. An essential aspect of Mahler's symphonies is the idea of emotional and spiritual progression, through various alternatives to a (provisional) conclusion. One important means he uses to articulate this spiritual journey is the technique of progressive tonality. In other symphonies he begins and ends movements in diferent keys, but in the Fifth each movement begins and ends in the same key; however as a whole, it moves from C sharp minor opening movement to the D major of the third and fifth movements. One reason for Mahler's significance and influence as a composer is that he viewed his music as a means of seeking and expressing solutions to the problems of his personal, spiritual life. The Depth and seriousness of these problems naturally drew him to the largescale form of the symphony, wich he expanded in length and number of movements to unprecedented proportions. Mahler kept revising the orchestration of this work until his death. He conducted the first performance with the Gürzenich Orchestra in Cologne on October 18, 1904. He'd begun the Fifth Symphony at Maiernegg in 1901 - writing the third, first and second movements in that order, after a death-obsessed song, "Der Tamboursg'sell," and the Kindertotenlieder cycle ("on the death of children"). After nearly bleeding to death the previous winter (from an intestinal hemorrhage), Mahler's symphonic orientation underwent a profound change. Mahler cast his Fifth Symphony in five movements that fall naturally into three parts. The First begins in C sharp minor with a Funeral March, of measured tread and austere (Movement I). A sonata-form movement follows, marked "Stormily, with greatest vehemence" (Movement II), which shares themes as well as mood with the opening. The Second Part (which Mahler composed first) is a Scherzo: "Vigorously, not too fast" (Movement III) -- the symphony's shortest large section, but its longest single movement. This emphatically joyous, albeit manic movement puts forward D major as the work's focal key. Although its form has remained a topic of debate since 1904, rondo and sonata-form elements are both present. Part Three begins with a seraphic Adagietto: "Very slowly" (Movement IV). This is indubitably related to the Rückert song Mahler composed in August 1901, "Ich bin der Welt abhanden gekommen" (I have become lost to the world...I live alone in my heaven, in my loving, in my song). A Rondo-Finale: "Allegro giocoso, lively" (Movement V) concludes the symphony, although Mahler devised a form far removed from classic models. While sectional, in truth episodic, this too has elements of sonata form. #Adagietto #Mahler #GustavMahler 马勒 頗慢 マーラー 非常に遅い Малер довольно медленно Adagietto from the 5th Symphony 08.III.2011

https://wn.com/Gustav_Mahler_Adagietto_|_Leonard_Bernstein_(4K)

Gustav Mahler - Adagietto. Sehr langsam. Symphony No. 5 in C sharp minor, 1901-02. Wiener Philharmoniker, Vienna Philharmonic Orchestra, Leonard Bernstein, 1973. Motion Picture Restored "In the Fourth movement, the famous Adagietto, harp and strings alone play. The opening melody recalls two of Mahler's songs, "Nun seh' ich wohl" (from Kindertotenlieder) and the separate Ruckert setting "Ich bin der Welt abhanden gekommen". The long upbeats and expressive appoggiaturas of the melodic lines give the music a yearning, almost heart-breaking quality. The intensity that builds up inthis movement finaly assuages the darkness and doubts of the earlier movements, making the lighter mood and extrovert energy of the Rondo-Finale acceptable. Together, these two movements form the third part of the symphony. The formal function of the Adagietto is ambiguous. It acts as an introduction to the last movement, which follows without a break, and is thematically bound to it, for twice in the Finale we hear the Adagietto's main theme, now at a fast tempo. The Adagietto also functions as a slow interlude in F major, between two faster movements in D major; but is also has an expressive weight sufficient for it to stand on its own - indeed, it is often performed by itself. Even without a text or programme, the music's emotional and referential content implies an existential dimension. Without an explicit programme or titles, we have few clues to the "meaning" of the Fifth Symphony other than the music itself. Mahler offers some guidance by grouping the five movements, which share some thematic Material, as well as an obsession with death, from the first part; the central scherzo stands alone as the second part; and the lat two movements, which are also linked thematically, form the third. An essential aspect of Mahler's symphonies is the idea of emotional and spiritual progression, through various alternatives to a (provisional) conclusion. One important means he uses to articulate this spiritual journey is the technique of progressive tonality. In other symphonies he begins and ends movements in diferent keys, but in the Fifth each movement begins and ends in the same key; however as a whole, it moves from C sharp minor opening movement to the D major of the third and fifth movements. One reason for Mahler's significance and influence as a composer is that he viewed his music as a means of seeking and expressing solutions to the problems of his personal, spiritual life. The Depth and seriousness of these problems naturally drew him to the largescale form of the symphony, wich he expanded in length and number of movements to unprecedented proportions. Mahler kept revising the orchestration of this work until his death. He conducted the first performance with the Gürzenich Orchestra in Cologne on October 18, 1904. He'd begun the Fifth Symphony at Maiernegg in 1901 - writing the third, first and second movements in that order, after a death-obsessed song, "Der Tamboursg'sell," and the Kindertotenlieder cycle ("on the death of children"). After nearly bleeding to death the previous winter (from an intestinal hemorrhage), Mahler's symphonic orientation underwent a profound change. Mahler cast his Fifth Symphony in five movements that fall naturally into three parts. The First begins in C sharp minor with a Funeral March, of measured tread and austere (Movement I). A sonata-form movement follows, marked "Stormily, with greatest vehemence" (Movement II), which shares themes as well as mood with the opening. The Second Part (which Mahler composed first) is a Scherzo: "Vigorously, not too fast" (Movement III) -- the symphony's shortest large section, but its longest single movement. This emphatically joyous, albeit manic movement puts forward D major as the work's focal key. Although its form has remained a topic of debate since 1904, rondo and sonata-form elements are both present. Part Three begins with a seraphic Adagietto: "Very slowly" (Movement IV). This is indubitably related to the Rückert song Mahler composed in August 1901, "Ich bin der Welt abhanden gekommen" (I have become lost to the world...I live alone in my heaven, in my loving, in my song). A Rondo-Finale: "Allegro giocoso, lively" (Movement V) concludes the symphony, although Mahler devised a form far removed from classic models. While sectional, in truth episodic, this too has elements of sonata form. #Adagietto #Mahler #GustavMahler 马勒 頗慢 マーラー 非常に遅い Малер довольно медленно Adagietto from the 5th Symphony 08.III.2011

• published: 09 Mar 2021
• views: 764382

9:54

Gustav Mahler-Piano Quartet in A minor

• Order: Reorder
• Duration: 9:54
• Uploaded Date: 21 Mar 2010
• views: 2281108

Gustav Mahler's Piano Quartet in A minor For Piano and Strings Trio. Hope you Enjoy =]

Gustav Mahler's Piano Quartet in A minor For Piano and Strings Trio. Hope you Enjoy =]

https://wn.com/Gustav_Mahler_Piano_Quartet_In_A_Minor

Gustav Mahler's Piano Quartet in A minor For Piano and Strings Trio. Hope you Enjoy =]

• published: 21 Mar 2010
• views: 2281108

1:13:43

Mahler - Symphony No.5 - Abbado - Lucerne Festival Orchestra 2004

• Order: Reorder
• Duration: 1:13:43
• Uploaded Date: 10 Sep 2012
• views: 5108092

Gustav Mahler Symphony No.5 Claudio Abbado Lucerne Festival Orchestra, 2004 0:00 - Opening I. 0:55 - Traeurmarsch. In gemessenem Schritt. Streng. Wie ein Kondu...

Gustav Mahler Symphony No.5 Claudio Abbado Lucerne Festival Orchestra, 2004 0:00 - Opening I. 0:55 - Traeurmarsch. In gemessenem Schritt. Streng. Wie ein Kondukt 13:36 - Stürmisch bewegt. Mit grösster Vehemenz II. 28:20 - Scherzo. Kräftig, Nicht zu schnell. III. 45:17 - Adagietto. Sehr langsam. 53:49 - Rondo-Finale. Allegro-Allegro giocoso. Frisch. 1:10:10 - Credits _________________________ Dear Youtube User If you are the COPYRIGHT OWNER of this performance I kindly ask you to first contact me requesting to delete the video but avoiding to fill a complaint to YouTube administration and I WILL DELETE IT IMMEDIATELY. I uploaded the video just to promote the music I love. I don't want problems with anybody and I never intended to break the copyright law. Thanks for your understanding

https://wn.com/Mahler_Symphony_No.5_Abbado_Lucerne_Festival_Orchestra_2004

Gustav Mahler Symphony No.5 Claudio Abbado Lucerne Festival Orchestra, 2004 0:00 - Opening I. 0:55 - Traeurmarsch. In gemessenem Schritt. Streng. Wie ein Kondukt 13:36 - Stürmisch bewegt. Mit grösster Vehemenz II. 28:20 - Scherzo. Kräftig, Nicht zu schnell. III. 45:17 - Adagietto. Sehr langsam. 53:49 - Rondo-Finale. Allegro-Allegro giocoso. Frisch. 1:10:10 - Credits _________________________ Dear Youtube User If you are the COPYRIGHT OWNER of this performance I kindly ask you to first contact me requesting to delete the video but avoiding to fill a complaint to YouTube administration and I WILL DELETE IT IMMEDIATELY. I uploaded the video just to promote the music I love. I don't want problems with anybody and I never intended to break the copyright law. Thanks for your understanding

• published: 10 Sep 2012
• views: 5108092

1:49:56

Keeping Score | Gustav Mahler: Origins (FULL DOCUMENTARY AND CONCERT)

• Order: Reorder
• Duration: 1:49:56
• Uploaded Date: 29 Mar 2020
• views: 372217

The first of two episodes explores the roots of Gustav Mahler’s music. SFS Music Director Michael Tilson Thomas journeys to rural Bohemia to rediscover the insp...

The first of two episodes explores the roots of Gustav Mahler’s music. SFS Music Director Michael Tilson Thomas journeys to rural Bohemia to rediscover the inspirations of Mahler’s music, and traces Mahler’s life through the premiere of his first symphony in 1888. It shocked the contemporary audience, but as MTT and the San Francisco Symphony reveal, on location and in performance, this ground-breaking symphony contains elements of everything else that Mahler composed. Shot on location in the Czech Republic, Austria, Hungary, and in performance in San Francisco’s Davies Symphony Hall. Bonus Features: Full-length concert performance of Mahler's Symphony No. 1 by the San Francisco Symphony originally filmed in high-definition 16:9 widescreen and 5.1 surround sound. More information about DVD and Blu-Ray discs available here: https://www.warnerclassics.com/release/keeping-score-mahler-origins-and-legacy The music will play on. GIVE TODAY SFSYMPHONY.org/give Stay connected with us: Facebook: http://facebook.com/sfsymphony Twitter: http://twitter.com/sfsymphony Instagram: http://instagram.com/sfsymphony Tumblr: http://sfsymphony.tumblr.com/

https://wn.com/Keeping_Score_|_Gustav_Mahler_Origins_(Full_Documentary_And_Concert)

The first of two episodes explores the roots of Gustav Mahler’s music. SFS Music Director Michael Tilson Thomas journeys to rural Bohemia to rediscover the inspirations of Mahler’s music, and traces Mahler’s life through the premiere of his first symphony in 1888. It shocked the contemporary audience, but as MTT and the San Francisco Symphony reveal, on location and in performance, this ground-breaking symphony contains elements of everything else that Mahler composed. Shot on location in the Czech Republic, Austria, Hungary, and in performance in San Francisco’s Davies Symphony Hall. Bonus Features: Full-length concert performance of Mahler's Symphony No. 1 by the San Francisco Symphony originally filmed in high-definition 16:9 widescreen and 5.1 surround sound. More information about DVD and Blu-Ray discs available here: https://www.warnerclassics.com/release/keeping-score-mahler-origins-and-legacy The music will play on. GIVE TODAY SFSYMPHONY.org/give Stay connected with us: Facebook: http://facebook.com/sfsymphony Twitter: http://twitter.com/sfsymphony Instagram: http://instagram.com/sfsymphony Tumblr: http://sfsymphony.tumblr.com/

• published: 29 Mar 2020
• views: 372217

54:50

Gustav Mahler - Symphony No. 1 "Titan" - Leonard Bernstein - Konzerthaus Vienna - 1974 - REMASTERED

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• Duration: 54:50
• Uploaded Date: 25 Aug 2024
• views: 124832

Gustav Mahler - Symphony No. 1 in D major "Titan" 00:27 I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich 16:04 II. Kräftig bewegt, doch n...

Gustav Mahler - Symphony No. 1 in D major "Titan" 00:27 I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich 16:04 II. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich 24:59 III. Feierlich und gemessen, ohne zu schleppen 35:15 IV. Stürmisch bewegt Conductor: Leonard Bernstein Vienna Philharmonic Orchestra Recording: Vienna, Konzerthaus, October 1974 Remastered: 2024 #mahler #leonardbernstein #symphony #remastered

https://wn.com/Gustav_Mahler_Symphony_No._1_Titan_Leonard_Bernstein_Konzerthaus_Vienna_1974_Remastered

Gustav Mahler - Symphony No. 1 in D major "Titan" 00:27 I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich 16:04 II. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich 24:59 III. Feierlich und gemessen, ohne zu schleppen 35:15 IV. Stürmisch bewegt Conductor: Leonard Bernstein Vienna Philharmonic Orchestra Recording: Vienna, Konzerthaus, October 1974 Remastered: 2024 #mahler #leonardbernstein #symphony #remastered

• published: 25 Aug 2024
• views: 124832

11:20

Why Everyone Loves This Piece by Mahler

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• Duration: 11:20
• Uploaded Date: 22 Jun 2024
• views: 231439

➡ Thank you for supporting me on Patreon! https://www.patreon.com/nahresol ➡ Nahre Sol Sweatshirt: https://www.nahresol.com/sweater (Code CHOPIN4SWEATER for $5 ...

➡ Thank you for supporting me on Patreon! https://www.patreon.com/nahresol ➡ Nahre Sol Sweatshirt: https://www.nahresol.com/sweater (Code CHOPIN4SWEATER for $5 off) Elbphilharmonie: https://www.elbphilharmonie.de/en/ Instagram @nahresol Twitter @nahresol Facebook @practicenotes If you’d like to send mail to my P.O. Box: 3410 La Sierra Ave STE F1123 Riverside, CA 92503 As always, thank you so much for watching, and thank you to all of you that leave comments.

https://wn.com/Why_Everyone_Loves_This_Piece_By_Mahler

➡ Thank you for supporting me on Patreon! https://www.patreon.com/nahresol ➡ Nahre Sol Sweatshirt: https://www.nahresol.com/sweater (Code CHOPIN4SWEATER for $5 off) Elbphilharmonie: https://www.elbphilharmonie.de/en/ Instagram @nahresol Twitter @nahresol Facebook @practicenotes If you’d like to send mail to my P.O. Box: 3410 La Sierra Ave STE F1123 Riverside, CA 92503 As always, thank you so much for watching, and thank you to all of you that leave comments.

• published: 22 Jun 2024
• views: 231439

59:02

The Best of Gustav Mahler

• Order: Reorder
• Duration: 59:02
• Uploaded Date: 07 Oct 2024
• views: 1937

The Best of Gustav Mahler. Classical music in piano and violin. 00:00:00 Symphony No. 1 in D major - III. Feierlich und gemessen, ohne zu schleppen. 00:11:16 S...

The Best of Gustav Mahler. Classical music in piano and violin. 00:00:00 Symphony No. 1 in D major - III. Feierlich und gemessen, ohne zu schleppen. 00:11:16 Symphony No. 2 In C Minor ‘Resurrection’ - V. Im Tempo Des Scherzos. 00:44:17 Symphony No. 3 In D Minor. Gustav Mahler, born on July 7, 1860, in Kaliště, Bohemia (now the Czech Republic), was an influential Czech-Austrian composer and conductor of Jewish descent. Growing up in a humble family, Mahler showed musical talent from an early age, starting to play the accordion at four and performing as a pianist by ten. Mahler began his career as a conductor in various theaters, including the Vienna Court Opera, where he worked from 1897 to 1907. During this period, he distinguished himself with his orchestration skills and the premiere of numerous works, despite facing discrimination due to his Jewish heritage. To advance his career, he converted to Catholicism in 1897. His compositions are known for their emotional and philosophical complexity, reflecting his personal experiences of suffering and loss. Among his most notable works are his symphonies, especially Symphony No. 8, nicknamed the "Symphony of a Thousand" due to the large number of musicians involved. Mahler passed away on May 18, 1911, but his musical legacy solidified posthumously, particularly from the 1960s onward. Thank you for watching Sonatta Classical! #mahler #orchestra #piano #classicalmusic

https://wn.com/The_Best_Of_Gustav_Mahler

The Best of Gustav Mahler. Classical music in piano and violin. 00:00:00 Symphony No. 1 in D major - III. Feierlich und gemessen, ohne zu schleppen. 00:11:16 Symphony No. 2 In C Minor ‘Resurrection’ - V. Im Tempo Des Scherzos. 00:44:17 Symphony No. 3 In D Minor. Gustav Mahler, born on July 7, 1860, in Kaliště, Bohemia (now the Czech Republic), was an influential Czech-Austrian composer and conductor of Jewish descent. Growing up in a humble family, Mahler showed musical talent from an early age, starting to play the accordion at four and performing as a pianist by ten. Mahler began his career as a conductor in various theaters, including the Vienna Court Opera, where he worked from 1897 to 1907. During this period, he distinguished himself with his orchestration skills and the premiere of numerous works, despite facing discrimination due to his Jewish heritage. To advance his career, he converted to Catholicism in 1897. His compositions are known for their emotional and philosophical complexity, reflecting his personal experiences of suffering and loss. Among his most notable works are his symphonies, especially Symphony No. 8, nicknamed the "Symphony of a Thousand" due to the large number of musicians involved. Mahler passed away on May 18, 1911, but his musical legacy solidified posthumously, particularly from the 1960s onward. Thank you for watching Sonatta Classical! #mahler #orchestra #piano #classicalmusic

• published: 07 Oct 2024
• views: 1937

4:25

Gustavo Dudamel Gustav Mahler 2ª Sinfonía Final Palau de la Música de Valencia 3 Febrero 2025

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• Duration: 4:25
• Uploaded Date: 06 Feb 2025
• views: 575

https://wn.com/Gustavo_Dudamel_Gustav_Mahler_2ª_Sinfonía_Final_Palau_De_La_Música_De_Valencia_3_Febrero_2025

• published: 06 Feb 2025
• views: 575

20:11

Why Listen to Mahler?

• Order: Reorder
• Duration: 20:11
• Uploaded Date: 12 Aug 2021
• views: 677518

Discover more music with Apple Music Classical, the streaming service for classical music. http://apple.co/InsideTheScore Search for 'Mahler Essentials' or 'Dis...

Discover more music with Apple Music Classical, the streaming service for classical music. http://apple.co/InsideTheScore Search for 'Mahler Essentials' or 'Discover Mahler' to hear much more of his greatest! Gustav Mahler has been one of my favourite composers since I discovered Classical Music – and in this video I try to explain why he holds that place, from many angles, channelled through the extraordinary, moving story of Mahler’s life and works. I hope you can consider this a complete introduction to Mahler’s life and works, and a compelling springboard for a musical journey into the depths of Mahler’s soul. Podcast on Mahler Symphony #2 - https://www.youtube.com/watch?v=IC4y3io-T34 🎁 FREE Accelerate your ear training, sight reading, and musicianship skills with this free mini-course: https://www.insidethescore.com/fast-track Your journey towards musical mastery begins here... 🛤️ 🎻 Where to Start with Classical Music? - https://www.insidethescore.com/14-pieces 🎼 The Training Ground for Next-Level Musicianship - https://www.insidethescore.com/musicality 🎹 Learn the Art and Craft of Composing, and Develop Your Unique Musical Voice - https://www.insidethescore.com/composer 💖 Support this Channel - https://www.patreon.com/insidethescore 💬 Join the Discord - https://discord.gg/HSZYJXD5Cj Music included (Listening List): Symphony no. 2 (‘Resurrection’) – Finale Symphony no. 1 (‘Titan’) – First Movement Symphony no. 1 – Third Movement Symphony no. 3 – Final Movement (Adagio) Symphony no. 4 – Das Himmlische Leben Symphony no. 4 – Third Movement (Adagio) Symphony no. 5 – Adagietto Kindertotenlieder - Wenn dein Mütterlein (If your mother…) Symphony no. 6 (‘Tragic’) – Scherzo Symphony no. 6 – Finale Symphony no. 8 (‘Symphony of a Thousand’) – Movement 2 (Closing Scene from Goethe’s Faust) Symphony no. 9 – First Movement Symphony no. 9 – Finale Symphony no. 10 – Adagio (First Movement) 0:00 - Introduction 1:20 – Chapter One: Spring 8:01 – Chapter Two: Summer 13:17 – Chapter Three: Autumn 17:59 – Chapter Four: Winter

https://wn.com/Why_Listen_To_Mahler

Discover more music with Apple Music Classical, the streaming service for classical music. http://apple.co/InsideTheScore Search for 'Mahler Essentials' or 'Discover Mahler' to hear much more of his greatest! Gustav Mahler has been one of my favourite composers since I discovered Classical Music – and in this video I try to explain why he holds that place, from many angles, channelled through the extraordinary, moving story of Mahler’s life and works. I hope you can consider this a complete introduction to Mahler’s life and works, and a compelling springboard for a musical journey into the depths of Mahler’s soul. Podcast on Mahler Symphony #2 - https://www.youtube.com/watch?v=IC4y3io-T34 🎁 FREE Accelerate your ear training, sight reading, and musicianship skills with this free mini-course: https://www.insidethescore.com/fast-track Your journey towards musical mastery begins here... 🛤️ 🎻 Where to Start with Classical Music? - https://www.insidethescore.com/14-pieces 🎼 The Training Ground for Next-Level Musicianship - https://www.insidethescore.com/musicality 🎹 Learn the Art and Craft of Composing, and Develop Your Unique Musical Voice - https://www.insidethescore.com/composer 💖 Support this Channel - https://www.patreon.com/insidethescore 💬 Join the Discord - https://discord.gg/HSZYJXD5Cj Music included (Listening List): Symphony no. 2 (‘Resurrection’) – Finale Symphony no. 1 (‘Titan’) – First Movement Symphony no. 1 – Third Movement Symphony no. 3 – Final Movement (Adagio) Symphony no. 4 – Das Himmlische Leben Symphony no. 4 – Third Movement (Adagio) Symphony no. 5 – Adagietto Kindertotenlieder - Wenn dein Mütterlein (If your mother…) Symphony no. 6 (‘Tragic’) – Scherzo Symphony no. 6 – Finale Symphony no. 8 (‘Symphony of a Thousand’) – Movement 2 (Closing Scene from Goethe’s Faust) Symphony no. 9 – First Movement Symphony no. 9 – Finale Symphony no. 10 – Adagio (First Movement) 0:00 - Introduction 1:20 – Chapter One: Spring 8:01 – Chapter Two: Summer 13:17 – Chapter Three: Autumn 17:59 – Chapter Four: Winter

• published: 12 Aug 2021
• views: 677518

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  11:54

  Mahler: Adagietto Symphony 5 - Karajan*remove from playlistshare this video

  Mahler: Adagietto Symphony 5 - Karajan*

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  • published: 10 Jul 2012
  • views: 9402721

  Karajan's Mahler is unsurpassed See also ( very interesting): Mahler: Adagietto Symphony 5 arranged for Choir : https://www.youtube.com/watch?v=YA1c9jZmdag See also the adagio's from symphony 4 & 6 by Karajan on this channel & Part 1 & 4 of symphony 9: https://www.youtube.com/watch?v=4kTXstgF20E https://www.youtube.com/watch?v=jvUego50gVg https://www.youtube.com/watch?v=NwwhZGtcnSM https://www.youtube.com/watch?v=KnjnwVS53ko Symphony 5 part 1 :https://www.youtube.com/watch?v=XUGPzud8rJk Symphony 5 part 2 :https://www.youtube.com/watch?v=4cyGKsfGXoI

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  12:08

  Gustav Mahler - Adagietto | Leonard Bernstein (4K)remove from playlistshare this video

  Gustav Mahler - Adagietto | Leonard Bernstein (4K)

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  • published: 09 Mar 2021
  • views: 764382

  Gustav Mahler - Adagietto. Sehr langsam. Symphony No. 5 in C sharp minor, 1901-02. Wiener Philharmoniker, Vienna Philharmonic Orchestra, Leonard Bernstein, 1973. Motion Picture Restored "In the Fourth movement, the famous Adagietto, harp and strings alone play. The opening melody recalls two of Mahler's songs, "Nun seh' ich wohl" (from Kindertotenlieder) and the separate Ruckert setting "Ich bin der Welt abhanden gekommen". The long upbeats and expressive appoggiaturas of the melodic lines give the music a yearning, almost heart-breaking quality. The intensity that builds up inthis movement finaly assuages the darkness and doubts of the earlier movements, making the lighter mood and extrovert energy of the Rondo-Finale acceptable. Together, these two movements form the third part of the symphony. The formal function of the Adagietto is ambiguous. It acts as an introduction to the last movement, which follows without a break, and is thematically bound to it, for twice in the Finale we hear the Adagietto's main theme, now at a fast tempo. The Adagietto also functions as a slow interlude in F major, between two faster movements in D major; but is also has an expressive weight sufficient for it to stand on its own - indeed, it is often performed by itself. Even without a text or programme, the music's emotional and referential content implies an existential dimension. Without an explicit programme or titles, we have few clues to the "meaning" of the Fifth Symphony other than the music itself. Mahler offers some guidance by grouping the five movements, which share some thematic Material, as well as an obsession with death, from the first part; the central scherzo stands alone as the second part; and the lat two movements, which are also linked thematically, form the third. An essential aspect of Mahler's symphonies is the idea of emotional and spiritual progression, through various alternatives to a (provisional) conclusion. One important means he uses to articulate this spiritual journey is the technique of progressive tonality. In other symphonies he begins and ends movements in diferent keys, but in the Fifth each movement begins and ends in the same key; however as a whole, it moves from C sharp minor opening movement to the D major of the third and fifth movements. One reason for Mahler's significance and influence as a composer is that he viewed his music as a means of seeking and expressing solutions to the problems of his personal, spiritual life. The Depth and seriousness of these problems naturally drew him to the largescale form of the symphony, wich he expanded in length and number of movements to unprecedented proportions. Mahler kept revising the orchestration of this work until his death. He conducted the first performance with the Gürzenich Orchestra in Cologne on October 18, 1904. He'd begun the Fifth Symphony at Maiernegg in 1901 - writing the third, first and second movements in that order, after a death-obsessed song, "Der Tamboursg'sell," and the Kindertotenlieder cycle ("on the death of children"). After nearly bleeding to death the previous winter (from an intestinal hemorrhage), Mahler's symphonic orientation underwent a profound change. Mahler cast his Fifth Symphony in five movements that fall naturally into three parts. The First begins in C sharp minor with a Funeral March, of measured tread and austere (Movement I). A sonata-form movement follows, marked "Stormily, with greatest vehemence" (Movement II), which shares themes as well as mood with the opening. The Second Part (which Mahler composed first) is a Scherzo: "Vigorously, not too fast" (Movement III) -- the symphony's shortest large section, but its longest single movement. This emphatically joyous, albeit manic movement puts forward D major as the work's focal key. Although its form has remained a topic of debate since 1904, rondo and sonata-form elements are both present. Part Three begins with a seraphic Adagietto: "Very slowly" (Movement IV). This is indubitably related to the Rückert song Mahler composed in August 1901, "Ich bin der Welt abhanden gekommen" (I have become lost to the world...I live alone in my heaven, in my loving, in my song). A Rondo-Finale: "Allegro giocoso, lively" (Movement V) concludes the symphony, although Mahler devised a form far removed from classic models. While sectional, in truth episodic, this too has elements of sonata form. #Adagietto #Mahler #GustavMahler 马勒 頗慢 マーラー 非常に遅い Малер довольно медленно Adagietto from the 5th Symphony 08.III.2011

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  9:54

  Gustav Mahler-Piano Quartet in A minorremove from playlistshare this video

  Gustav Mahler-Piano Quartet in A minor

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  • published: 21 Mar 2010
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  Gustav Mahler's Piano Quartet in A minor For Piano and Strings Trio. Hope you Enjoy =]

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  1:13:43

  Mahler - Symphony No.5 - Abbado - Lucerne Festival Orchestra 2004remove from playlistshare this video

  Mahler - Symphony No.5 - Abbado - Lucerne Festival Orchestra 2004

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  Gustav Mahler Symphony No.5 Claudio Abbado Lucerne Festival Orchestra, 2004 0:00 - Opening I. 0:55 - Traeurmarsch. In gemessenem Schritt. Streng. Wie ein Kondukt 13:36 - Stürmisch bewegt. Mit grösster Vehemenz II. 28:20 - Scherzo. Kräftig, Nicht zu schnell. III. 45:17 - Adagietto. Sehr langsam. 53:49 - Rondo-Finale. Allegro-Allegro giocoso. Frisch. 1:10:10 - Credits _________________________ Dear Youtube User If you are the COPYRIGHT OWNER of this performance I kindly ask you to first contact me requesting to delete the video but avoiding to fill a complaint to YouTube administration and I WILL DELETE IT IMMEDIATELY. I uploaded the video just to promote the music I love. I don't want problems with anybody and I never intended to break the copyright law. Thanks for your understanding

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  1:49:56

  Keeping Score | Gustav Mahler: Origins (FULL DOCUMENTARY AND CONCERT)remove from playlistshare this video

  Keeping Score | Gustav Mahler: Origins (FULL DOCUMENTARY AND CONCERT)

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  • published: 29 Mar 2020
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  The first of two episodes explores the roots of Gustav Mahler’s music. SFS Music Director Michael Tilson Thomas journeys to rural Bohemia to rediscover the inspirations of Mahler’s music, and traces Mahler’s life through the premiere of his first symphony in 1888. It shocked the contemporary audience, but as MTT and the San Francisco Symphony reveal, on location and in performance, this ground-breaking symphony contains elements of everything else that Mahler composed. Shot on location in the Czech Republic, Austria, Hungary, and in performance in San Francisco’s Davies Symphony Hall. Bonus Features: Full-length concert performance of Mahler's Symphony No. 1 by the San Francisco Symphony originally filmed in high-definition 16:9 widescreen and 5.1 surround sound. More information about DVD and Blu-Ray discs available here: https://www.warnerclassics.com/release/keeping-score-mahler-origins-and-legacy The music will play on. GIVE TODAY SFSYMPHONY.org/give Stay connected with us: Facebook: http://facebook.com/sfsymphony Twitter: http://twitter.com/sfsymphony Instagram: http://instagram.com/sfsymphony Tumblr: http://sfsymphony.tumblr.com/

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  54:50

  Gustav Mahler - Symphony No. 1 "Titan" - Leonard Bernstein - Konzerthaus Vienna - 1974 - REMASTEREDremove from playlistshare this video

  Gustav Mahler - Symphony No. 1 "Titan" - Leonard Bernstein - Konzerthaus Vienna - 1974 - REMASTERED

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  Gustav Mahler - Symphony No. 1 in D major "Titan" 00:27 I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich 16:04 II. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich 24:59 III. Feierlich und gemessen, ohne zu schleppen 35:15 IV. Stürmisch bewegt Conductor: Leonard Bernstein Vienna Philharmonic Orchestra Recording: Vienna, Konzerthaus, October 1974 Remastered: 2024 #mahler #leonardbernstein #symphony #remastered

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  11:20

  Why Everyone Loves This Piece by Mahlerremove from playlistshare this video

  Why Everyone Loves This Piece by Mahler

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  • published: 22 Jun 2024
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  ➡ Thank you for supporting me on Patreon! https://www.patreon.com/nahresol ➡ Nahre Sol Sweatshirt: https://www.nahresol.com/sweater (Code CHOPIN4SWEATER for $5 off) Elbphilharmonie: https://www.elbphilharmonie.de/en/ Instagram @nahresol Twitter @nahresol Facebook @practicenotes If you’d like to send mail to my P.O. Box: 3410 La Sierra Ave STE F1123 Riverside, CA 92503 As always, thank you so much for watching, and thank you to all of you that leave comments.

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  59:02

  The Best of Gustav Mahlerremove from playlistshare this video

  The Best of Gustav Mahler

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  • published: 07 Oct 2024
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  The Best of Gustav Mahler. Classical music in piano and violin. 00:00:00 Symphony No. 1 in D major - III. Feierlich und gemessen, ohne zu schleppen. 00:11:16 Symphony No. 2 In C Minor ‘Resurrection’ - V. Im Tempo Des Scherzos. 00:44:17 Symphony No. 3 In D Minor. Gustav Mahler, born on July 7, 1860, in Kaliště, Bohemia (now the Czech Republic), was an influential Czech-Austrian composer and conductor of Jewish descent. Growing up in a humble family, Mahler showed musical talent from an early age, starting to play the accordion at four and performing as a pianist by ten. Mahler began his career as a conductor in various theaters, including the Vienna Court Opera, where he worked from 1897 to 1907. During this period, he distinguished himself with his orchestration skills and the premiere of numerous works, despite facing discrimination due to his Jewish heritage. To advance his career, he converted to Catholicism in 1897. His compositions are known for their emotional and philosophical complexity, reflecting his personal experiences of suffering and loss. Among his most notable works are his symphonies, especially Symphony No. 8, nicknamed the "Symphony of a Thousand" due to the large number of musicians involved. Mahler passed away on May 18, 1911, but his musical legacy solidified posthumously, particularly from the 1960s onward. Thank you for watching Sonatta Classical! #mahler #orchestra #piano #classicalmusic

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  4:25

  Gustavo Dudamel Gustav Mahler 2ª Sinfonía Final Palau de la Música de Valencia 3 Febrero 2025remove from playlistshare this video

  Gustavo Dudamel Gustav Mahler 2ª Sinfonía Final Palau de la Música de Valencia 3 Febrero 2025

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  • published: 06 Feb 2025
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  20:11

  Why Listen to Mahler?remove from playlistshare this video

  Why Listen to Mahler?

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  • published: 12 Aug 2021
  • views: 677518

  Discover more music with Apple Music Classical, the streaming service for classical music. http://apple.co/InsideTheScore Search for 'Mahler Essentials' or 'Discover Mahler' to hear much more of his greatest! Gustav Mahler has been one of my favourite composers since I discovered Classical Music – and in this video I try to explain why he holds that place, from many angles, channelled through the extraordinary, moving story of Mahler’s life and works. I hope you can consider this a complete introduction to Mahler’s life and works, and a compelling springboard for a musical journey into the depths of Mahler’s soul. Podcast on Mahler Symphony #2 - https://www.youtube.com/watch?v=IC4y3io-T34 🎁 FREE Accelerate your ear training, sight reading, and musicianship skills with this free mini-course: https://www.insidethescore.com/fast-track Your journey towards musical mastery begins here... 🛤️ 🎻 Where to Start with Classical Music? - https://www.insidethescore.com/14-pieces 🎼 The Training Ground for Next-Level Musicianship - https://www.insidethescore.com/musicality 🎹 Learn the Art and Craft of Composing, and Develop Your Unique Musical Voice - https://www.insidethescore.com/composer 💖 Support this Channel - https://www.patreon.com/insidethescore 💬 Join the Discord - https://discord.gg/HSZYJXD5Cj Music included (Listening List): Symphony no. 2 (‘Resurrection’) – Finale Symphony no. 1 (‘Titan’) – First Movement Symphony no. 1 – Third Movement Symphony no. 3 – Final Movement (Adagio) Symphony no. 4 – Das Himmlische Leben Symphony no. 4 – Third Movement (Adagio) Symphony no. 5 – Adagietto Kindertotenlieder - Wenn dein Mütterlein (If your mother…) Symphony no. 6 (‘Tragic’) – Scherzo Symphony no. 6 – Finale Symphony no. 8 (‘Symphony of a Thousand’) – Movement 2 (Closing Scene from Goethe’s Faust) Symphony no. 9 – First Movement Symphony no. 9 – Finale Symphony no. 10 – Adagio (First Movement) 0:00 - Introduction 1:20 – Chapter One: Spring 8:01 – Chapter Two: Summer 13:17 – Chapter Three: Autumn 17:59 – Chapter Four: Winter

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Mahler: Adagietto Symphony 5 - Karajan*

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• published: 10 Jul 2012
• views: 9402721

Karajan's Mahler is unsurpassed See also ( very interesting): Mahler: Adagietto Symphony 5 arranged for Choir : https://www.youtube.com/watch?v=YA1c9jZmdag See also the adagio's from symphony 4 & 6 by Karajan on this channel & Part 1 & 4 of symphony 9: https://www.youtube.com/watch?v=4kTXstgF20E https://www.youtube.com/watch?v=jvUego50gVg https://www.youtube.com/watch?v=NwwhZGtcnSM https://www.youtube.com/watch?v=KnjnwVS53ko Symphony 5 part 1 :https://www.youtube.com/watch?v=XUGPzud8rJk Symphony 5 part 2 :https://www.youtube.com/watch?v=4cyGKsfGXoI

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11:54

Mahler: Adagietto Symphony 5 - Karajan*

Karajan's Mahler is unsurpassed See also ( very interesting): Mahler: Adagietto Symphony...

published: 10 Jul 2012

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Mahler: Adagietto Symphony 5 - Karajan*

Mahler: Adagietto Symphony 5 - Karajan*

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• published: 10 Jul 2012
• views: 9402721

Karajan's Mahler is unsurpassed See also ( very interesting): Mahler: Adagietto Symphony 5 arranged for Choir : https://www.youtube.com/watch?v=YA1c9jZmdag See also the adagio's from symphony 4 & 6 by Karajan on this channel & Part 1 & 4 of symphony 9: https://www.youtube.com/watch?v=4kTXstgF20E https://www.youtube.com/watch?v=jvUego50gVg https://www.youtube.com/watch?v=NwwhZGtcnSM https://www.youtube.com/watch?v=KnjnwVS53ko Symphony 5 part 1 :https://www.youtube.com/watch?v=XUGPzud8rJk Symphony 5 part 2 :https://www.youtube.com/watch?v=4cyGKsfGXoI

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12:08

Gustav Mahler - Adagietto | Leonard Bernstein (4K)

Gustav Mahler - Adagietto. Sehr langsam. Symphony No. 5 in C sharp minor, 1901-02. Wiener ...

published: 09 Mar 2021

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Gustav Mahler - Adagietto | Leonard Bernstein (4K)

Gustav Mahler - Adagietto | Leonard Bernstein (4K)

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• published: 09 Mar 2021
• views: 764382

Gustav Mahler - Adagietto. Sehr langsam. Symphony No. 5 in C sharp minor, 1901-02. Wiener Philharmoniker, Vienna Philharmonic Orchestra, Leonard Bernstein, 1973. Motion Picture Restored "In the Fourth movement, the famous Adagietto, harp and strings alone play. The opening melody recalls two of Mahler's songs, "Nun seh' ich wohl" (from Kindertotenlieder) and the separate Ruckert setting "Ich bin der Welt abhanden gekommen". The long upbeats and expressive appoggiaturas of the melodic lines give the music a yearning, almost heart-breaking quality. The intensity that builds up inthis movement finaly assuages the darkness and doubts of the earlier movements, making the lighter mood and extrovert energy of the Rondo-Finale acceptable. Together, these two movements form the third part of the symphony. The formal function of the Adagietto is ambiguous. It acts as an introduction to the last movement, which follows without a break, and is thematically bound to it, for twice in the Finale we hear the Adagietto's main theme, now at a fast tempo. The Adagietto also functions as a slow interlude in F major, between two faster movements in D major; but is also has an expressive weight sufficient for it to stand on its own - indeed, it is often performed by itself. Even without a text or programme, the music's emotional and referential content implies an existential dimension. Without an explicit programme or titles, we have few clues to the "meaning" of the Fifth Symphony other than the music itself. Mahler offers some guidance by grouping the five movements, which share some thematic Material, as well as an obsession with death, from the first part; the central scherzo stands alone as the second part; and the lat two movements, which are also linked thematically, form the third. An essential aspect of Mahler's symphonies is the idea of emotional and spiritual progression, through various alternatives to a (provisional) conclusion. One important means he uses to articulate this spiritual journey is the technique of progressive tonality. In other symphonies he begins and ends movements in diferent keys, but in the Fifth each movement begins and ends in the same key; however as a whole, it moves from C sharp minor opening movement to the D major of the third and fifth movements. One reason for Mahler's significance and influence as a composer is that he viewed his music as a means of seeking and expressing solutions to the problems of his personal, spiritual life. The Depth and seriousness of these problems naturally drew him to the largescale form of the symphony, wich he expanded in length and number of movements to unprecedented proportions. Mahler kept revising the orchestration of this work until his death. He conducted the first performance with the Gürzenich Orchestra in Cologne on October 18, 1904. He'd begun the Fifth Symphony at Maiernegg in 1901 - writing the third, first and second movements in that order, after a death-obsessed song, "Der Tamboursg'sell," and the Kindertotenlieder cycle ("on the death of children"). After nearly bleeding to death the previous winter (from an intestinal hemorrhage), Mahler's symphonic orientation underwent a profound change. Mahler cast his Fifth Symphony in five movements that fall naturally into three parts. The First begins in C sharp minor with a Funeral March, of measured tread and austere (Movement I). A sonata-form movement follows, marked "Stormily, with greatest vehemence" (Movement II), which shares themes as well as mood with the opening. The Second Part (which Mahler composed first) is a Scherzo: "Vigorously, not too fast" (Movement III) -- the symphony's shortest large section, but its longest single movement. This emphatically joyous, albeit manic movement puts forward D major as the work's focal key. Although its form has remained a topic of debate since 1904, rondo and sonata-form elements are both present. Part Three begins with a seraphic Adagietto: "Very slowly" (Movement IV). This is indubitably related to the Rückert song Mahler composed in August 1901, "Ich bin der Welt abhanden gekommen" (I have become lost to the world...I live alone in my heaven, in my loving, in my song). A Rondo-Finale: "Allegro giocoso, lively" (Movement V) concludes the symphony, although Mahler devised a form far removed from classic models. While sectional, in truth episodic, this too has elements of sonata form. #Adagietto #Mahler #GustavMahler 马勒 頗慢 マーラー 非常に遅い Малер довольно медленно Adagietto from the 5th Symphony 08.III.2011

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9:54

Gustav Mahler-Piano Quartet in A minor

Gustav Mahler's Piano Quartet in A minor For Piano and Strings Trio. Hope you Enjoy =...

published: 21 Mar 2010

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Gustav Mahler-Piano Quartet in A minor

Gustav Mahler-Piano Quartet in A minor

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Gustav Mahler's Piano Quartet in A minor For Piano and Strings Trio. Hope you Enjoy =]

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1:13:43

Mahler - Symphony No.5 - Abbado - Lucerne Festival Orchestra 2004

Gustav Mahler Symphony No.5 Claudio Abbado Lucerne Festival Orchestra, 2004 0:00 - Openin...

published: 10 Sep 2012

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Mahler - Symphony No.5 - Abbado - Lucerne Festival Orchestra 2004

Mahler - Symphony No.5 - Abbado - Lucerne Festival Orchestra 2004

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• views: 5108092

Gustav Mahler Symphony No.5 Claudio Abbado Lucerne Festival Orchestra, 2004 0:00 - Opening I. 0:55 - Traeurmarsch. In gemessenem Schritt. Streng. Wie ein Kondukt 13:36 - Stürmisch bewegt. Mit grösster Vehemenz II. 28:20 - Scherzo. Kräftig, Nicht zu schnell. III. 45:17 - Adagietto. Sehr langsam. 53:49 - Rondo-Finale. Allegro-Allegro giocoso. Frisch. 1:10:10 - Credits _________________________ Dear Youtube User If you are the COPYRIGHT OWNER of this performance I kindly ask you to first contact me requesting to delete the video but avoiding to fill a complaint to YouTube administration and I WILL DELETE IT IMMEDIATELY. I uploaded the video just to promote the music I love. I don't want problems with anybody and I never intended to break the copyright law. Thanks for your understanding

• Show More

1:49:56

Keeping Score | Gustav Mahler: Origins (FULL DOCUMENTARY AND CONCERT)

The first of two episodes explores the roots of Gustav Mahler’s music. SFS Music Director ...

published: 29 Mar 2020

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Keeping Score | Gustav Mahler: Origins (FULL DOCUMENTARY AND CONCERT)

Keeping Score | Gustav Mahler: Origins (FULL DOCUMENTARY AND CONCERT)

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• published: 29 Mar 2020
• views: 372217

The first of two episodes explores the roots of Gustav Mahler’s music. SFS Music Director Michael Tilson Thomas journeys to rural Bohemia to rediscover the inspirations of Mahler’s music, and traces Mahler’s life through the premiere of his first symphony in 1888. It shocked the contemporary audience, but as MTT and the San Francisco Symphony reveal, on location and in performance, this ground-breaking symphony contains elements of everything else that Mahler composed. Shot on location in the Czech Republic, Austria, Hungary, and in performance in San Francisco’s Davies Symphony Hall. Bonus Features: Full-length concert performance of Mahler's Symphony No. 1 by the San Francisco Symphony originally filmed in high-definition 16:9 widescreen and 5.1 surround sound. More information about DVD and Blu-Ray discs available here: https://www.warnerclassics.com/release/keeping-score-mahler-origins-and-legacy The music will play on. GIVE TODAY SFSYMPHONY.org/give Stay connected with us: Facebook: http://facebook.com/sfsymphony Twitter: http://twitter.com/sfsymphony Instagram: http://instagram.com/sfsymphony Tumblr: http://sfsymphony.tumblr.com/

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54:50

Gustav Mahler - Symphony No. 1 "Titan" - Leonard Bernstein - Konzerthaus Vienna - 1974 - REMASTERED

Gustav Mahler - Symphony No. 1 in D major "Titan" 00:27 I. Langsam. Schleppend. Wie ein ...

published: 25 Aug 2024

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Gustav Mahler - Symphony No. 1 "Titan" - Leonard Bernstein - Konzerthaus Vienna - 1974 - REMASTERED

Gustav Mahler - Symphony No. 1 "Titan" - Leonard Bernstein - Konzerthaus Vienna - 1974 - REMASTERED

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• published: 25 Aug 2024
• views: 124832

Gustav Mahler - Symphony No. 1 in D major "Titan" 00:27 I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich 16:04 II. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich 24:59 III. Feierlich und gemessen, ohne zu schleppen 35:15 IV. Stürmisch bewegt Conductor: Leonard Bernstein Vienna Philharmonic Orchestra Recording: Vienna, Konzerthaus, October 1974 Remastered: 2024 #mahler #leonardbernstein #symphony #remastered

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11:20

Why Everyone Loves This Piece by Mahler

➡ Thank you for supporting me on Patreon! https://www.patreon.com/nahresol ➡ Nahre Sol Swe...

published: 22 Jun 2024

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Why Everyone Loves This Piece by Mahler

Why Everyone Loves This Piece by Mahler

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• published: 22 Jun 2024
• views: 231439

➡ Thank you for supporting me on Patreon! https://www.patreon.com/nahresol ➡ Nahre Sol Sweatshirt: https://www.nahresol.com/sweater (Code CHOPIN4SWEATER for $5 off) Elbphilharmonie: https://www.elbphilharmonie.de/en/ Instagram @nahresol Twitter @nahresol Facebook @practicenotes If you’d like to send mail to my P.O. Box: 3410 La Sierra Ave STE F1123 Riverside, CA 92503 As always, thank you so much for watching, and thank you to all of you that leave comments.

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59:02

The Best of Gustav Mahler

The Best of Gustav Mahler. Classical music in piano and violin. 00:00:00 Symphony No. 1 i...

published: 07 Oct 2024

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The Best of Gustav Mahler

The Best of Gustav Mahler

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• published: 07 Oct 2024
• views: 1937

The Best of Gustav Mahler. Classical music in piano and violin. 00:00:00 Symphony No. 1 in D major - III. Feierlich und gemessen, ohne zu schleppen. 00:11:16 Symphony No. 2 In C Minor ‘Resurrection’ - V. Im Tempo Des Scherzos. 00:44:17 Symphony No. 3 In D Minor. Gustav Mahler, born on July 7, 1860, in Kaliště, Bohemia (now the Czech Republic), was an influential Czech-Austrian composer and conductor of Jewish descent. Growing up in a humble family, Mahler showed musical talent from an early age, starting to play the accordion at four and performing as a pianist by ten. Mahler began his career as a conductor in various theaters, including the Vienna Court Opera, where he worked from 1897 to 1907. During this period, he distinguished himself with his orchestration skills and the premiere of numerous works, despite facing discrimination due to his Jewish heritage. To advance his career, he converted to Catholicism in 1897. His compositions are known for their emotional and philosophical complexity, reflecting his personal experiences of suffering and loss. Among his most notable works are his symphonies, especially Symphony No. 8, nicknamed the "Symphony of a Thousand" due to the large number of musicians involved. Mahler passed away on May 18, 1911, but his musical legacy solidified posthumously, particularly from the 1960s onward. Thank you for watching Sonatta Classical! #mahler #orchestra #piano #classicalmusic

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4:25

Gustavo Dudamel Gustav Mahler 2ª Sinfonía Final Palau de la Música de Valencia 3 Febrero 2025

published: 06 Feb 2025

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Gustavo Dudamel Gustav Mahler 2ª Sinfonía Final Palau de la Música de Valencia 3 Febrero 2025

Gustavo Dudamel Gustav Mahler 2ª Sinfonía Final Palau de la Música de Valencia 3 Febrero 2025

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• published: 06 Feb 2025
• views: 575

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20:11

Why Listen to Mahler?

Discover more music with Apple Music Classical, the streaming service for classical music....

published: 12 Aug 2021

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Why Listen to Mahler?

Why Listen to Mahler?

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• published: 12 Aug 2021
• views: 677518

Discover more music with Apple Music Classical, the streaming service for classical music. http://apple.co/InsideTheScore Search for 'Mahler Essentials' or 'Discover Mahler' to hear much more of his greatest! Gustav Mahler has been one of my favourite composers since I discovered Classical Music – and in this video I try to explain why he holds that place, from many angles, channelled through the extraordinary, moving story of Mahler’s life and works. I hope you can consider this a complete introduction to Mahler’s life and works, and a compelling springboard for a musical journey into the depths of Mahler’s soul. Podcast on Mahler Symphony #2 - https://www.youtube.com/watch?v=IC4y3io-T34 🎁 FREE Accelerate your ear training, sight reading, and musicianship skills with this free mini-course: https://www.insidethescore.com/fast-track Your journey towards musical mastery begins here... 🛤️ 🎻 Where to Start with Classical Music? - https://www.insidethescore.com/14-pieces 🎼 The Training Ground for Next-Level Musicianship - https://www.insidethescore.com/musicality 🎹 Learn the Art and Craft of Composing, and Develop Your Unique Musical Voice - https://www.insidethescore.com/composer 💖 Support this Channel - https://www.patreon.com/insidethescore 💬 Join the Discord - https://discord.gg/HSZYJXD5Cj Music included (Listening List): Symphony no. 2 (‘Resurrection’) – Finale Symphony no. 1 (‘Titan’) – First Movement Symphony no. 1 – Third Movement Symphony no. 3 – Final Movement (Adagio) Symphony no. 4 – Das Himmlische Leben Symphony no. 4 – Third Movement (Adagio) Symphony no. 5 – Adagietto Kindertotenlieder - Wenn dein Mütterlein (If your mother…) Symphony no. 6 (‘Tragic’) – Scherzo Symphony no. 6 – Finale Symphony no. 8 (‘Symphony of a Thousand’) – Movement 2 (Closing Scene from Goethe’s Faust) Symphony no. 9 – First Movement Symphony no. 9 – Finale Symphony no. 10 – Adagio (First Movement) 0:00 - Introduction 1:20 – Chapter One: Spring 8:01 – Chapter Two: Summer 13:17 – Chapter Three: Autumn 17:59 – Chapter Four: Winter

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Gustav Mahler

Gustav Mahler (7 July 1860 – 18 May 1911) was an Austrian late-Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect which included a ban on its performance in much of Europe during the Nazi era. After 1945 his compositions were rediscovered and championed by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers, a position he has sustained into the 21st century.

Born in humble circumstances, Mahler displayed his musical gifts at an early age. After graduating from the Vienna Conservatory in 1878, he held a succession of conducting posts of rising importance in the opera houses of Europe, culminating in his appointment in 1897 as director of the Vienna Court Opera (Hofoper). During his ten years in Vienna, Mahler—who had converted to Catholicism to secure the post—experienced regular opposition and hostility from the anti-Semitic press. Nevertheless, his innovative productions and insistence on the highest performance standards ensured his reputation as one of the greatest of opera conductors, particularly as an interpreter of the stage works of Wagner, Mozart, and Tchaikovsky . Late in his life he was briefly director of New York's Metropolitan Opera and the New York Philharmonic.

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