- published: 10 Jul 2012
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Gustav Mahler (7 July 1860 – 18 May 1911) was an Austrian late-Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect which included a ban on its performance in much of Europe during the Nazi era. After 1945 his compositions were rediscovered and championed by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers, a position he has sustained into the 21st century.
Born in humble circumstances, Mahler displayed his musical gifts at an early age. After graduating from the Vienna Conservatory in 1878, he held a succession of conducting posts of rising importance in the opera houses of Europe, culminating in his appointment in 1897 as director of the Vienna Court Opera (Hofoper). During his ten years in Vienna, Mahler—who had converted to Catholicism to secure the post—experienced regular opposition and hostility from the anti-Semitic press. Nevertheless, his innovative productions and insistence on the highest performance standards ensured his reputation as one of the greatest of opera conductors, particularly as an interpreter of the stage works of Wagner, Mozart, and Tchaikovsky . Late in his life he was briefly director of New York's Metropolitan Opera and the New York Philharmonic.
Symphony No. 5 by Hans Werner Henze was written in 1962.
Scored for large orchestra, it is in three movements, the first of which quotes directly from the aria My own, my own from Henze's opera Elegie für junge Liebende (Elegy for Young Lovers). This melodic fragment reappears in the lyrical adagio, which takes the form of a series of slow cadenzas for alto flute, viola and cor anglais over hushed strings. The finale is 32 miniature variations on the cadenza material of the slow movement.
Henze composed the symphony for the New York Philharmonic, which premiered the work on May 18, 1963 under Leonard Bernstein. Although it was assumed that, if anywhere, New York was celebrated in the music, Henze later wrote that in the work
In 1965 the symphony was recorded by the Berlin Philharmonic Orchestra under the composer. A broadcast of the world premiere, with Bernstein conducting, was released by the New York Philharmonic as part of a Bernstein Live set.
Symphony No. 5, also called Sinfonía para cuerdas (Symphony for Strings) is a composition for string orchestra by Carlos Chávez, composed in 1953.
The Fifth Symphony was commissioned on 24 September 1952 by the Koussevitsky Music Foundation, and was sketched in July and August 1953. Chávez composed all of it during the month of September, while he was living in Acapulco, completing the fair copy of the score the following month. The score is dedicated to the memory of Serge and Natalie Koussevitsky. It was premiered in Royce Hall, Los Angeles, by the Los Angeles Chamber Orchestra, conducted by the composer, on either 1 December (García Morillo 1960, 164) or 10 December 1953 (Orbón 1987c, 80).
The work is scored for a conventional string orchestra of violins I and II, violas, cellos, and double basses.
The Symphony is in three movements:
In contrast to the Romantic character of the Fourth Symphony, Chávez here adopts a neoclassical orientation. This is especially pronounced in the last movement, whose contrapuntal textures lend it a decidedly baroque character (Orbón 1987c, 73). The first movement is in 12/8 time and in a sort of E minor tonality. The style of the movement resembles the opening of the Allegro of the Third Symphony, though of course without the powerful effect of a large orchestra (García Morillo 1960, 166).
The Symphony No. 5 by Arnold Bax was completed in 1932 and dedicated to Jean Sibelius. It is in many ways heavily influenced by Sibelius.
It is scored for two piccolos, three flutes, two oboes, English horn, three clarinets, bass clarinet, two bassoons, double bassoon, four horns, three trumpets, three trombones, tuba, timpani, bass drum, tenor drum, snare drum, tambourine, cymbals, gong, glockenspiel, harp and strings.
It is in three movements:
It opens with a five-note motif that is used throughout the entire poco lento section, which is heavily reminiscent of Sibelius's Symphony No. 4. The allegro con fuoco section that follows however is highly Baxian, and all the features of his composition style are evident here. The second subject sees the return of Sibelian moods, but Bax's comprehensive musical technique is noticeable. The recapitulation is particularly exciting, making it one of the most energetic opening movements of all Bax's symphonies.
Karajan's Mahler is unsurpassed See also ( very interesting): Mahler: Adagietto Symphony 5 arranged for Choir : https://www.youtube.com/watch?v=YA1c9jZmdag See also the adagio's from symphony 4 & 6 by Karajan on this channel & Part 1 & 4 of symphony 9: https://www.youtube.com/watch?v=4kTXstgF20E https://www.youtube.com/watch?v=jvUego50gVg https://www.youtube.com/watch?v=NwwhZGtcnSM https://www.youtube.com/watch?v=KnjnwVS53ko Symphony 5 part 1 :https://www.youtube.com/watch?v=XUGPzud8rJk Symphony 5 part 2 :https://www.youtube.com/watch?v=4cyGKsfGXoI
Gustav Mahler - Adagietto. Sehr langsam. Symphony No. 5 in C sharp minor, 1901-02. Wiener Philharmoniker, Vienna Philharmonic Orchestra, Leonard Bernstein, 1973. Motion Picture Restored "In the Fourth movement, the famous Adagietto, harp and strings alone play. The opening melody recalls two of Mahler's songs, "Nun seh' ich wohl" (from Kindertotenlieder) and the separate Ruckert setting "Ich bin der Welt abhanden gekommen". The long upbeats and expressive appoggiaturas of the melodic lines give the music a yearning, almost heart-breaking quality. The intensity that builds up inthis movement finaly assuages the darkness and doubts of the earlier movements, making the lighter mood and extrovert energy of the Rondo-Finale acceptable. Together, these two movements form the third part of the s...
Gustav Mahler Symphony No.5 Claudio Abbado Lucerne Festival Orchestra, 2004 0:00 - Opening I. 0:55 - Traeurmarsch. In gemessenem Schritt. Streng. Wie ein Kondukt 13:36 - Stürmisch bewegt. Mit grösster Vehemenz II. 28:20 - Scherzo. Kräftig, Nicht zu schnell. III. 45:17 - Adagietto. Sehr langsam. 53:49 - Rondo-Finale. Allegro-Allegro giocoso. Frisch. 1:10:10 - Credits _________________________ Dear Youtube User If you are the COPYRIGHT OWNER of this performance I kindly ask you to first contact me requesting to delete the video but avoiding to fill a complaint to YouTube administration and I WILL DELETE IT IMMEDIATELY. I uploaded the video just to promote the music I love. I don't want problems with anybody and I never intended to break the copyright law. Thanks for your understanding
Gustav Mahler's Piano Quartet in A minor For Piano and Strings Trio. Hope you Enjoy =]
Gustav Mahler, born on July 7, 1860, in Kalischt, Bohemia (now Czech Republic), was a renowned composer and conductor of the late 19th and early 20th centuries. He is widely regarded as one of the most influential figures in the realm of classical music. From a young age, Mahler displayed extraordinary musical talent, showcasing his proficiency on the piano and violin. He pursued formal musical education at the Vienna Conservatory, where he studied composition and conducting. During this time, he also developed a deep appreciation for the works of Ludwig van Beethoven and Richard Wagner, whose musical styles significantly influenced his own compositions. Mahler's career took off when he landed his first conducting position in 1880, and he went on to lead prestigious orchestras in various...
Symphony 1 in D Major "Titan" (1887-1888) 0:00:00 1 - I. Langsam, schleppend (Slowly, dragging) Immer sehr gemächlich (very restrained throughout) D major 0:15:12 1 - II. Kräftig bewegt, doch nicht zu schnell (Moving strongly, but not too quickly), Recht gemächlich (restrained), a Trio—a Ländler A major 0:23:31 1 - III. Feierlich und gemessen, ohne zu schleppen (Solemnly and measured, without dragging), Sehr einfach und schlicht wie eine Volksweise (very simple, like a folk-tune), and Wieder etwas bewegter, wie im Anfang (once again somewhat more agitated, as at the start)—a funeral march based on the children's song "Frère Jacques" (or "Bruder Jacob") D minor 0:33:51 1 - IV. Stürmisch bewegt – Energisch (Stormily agitated – Energetic) F minor → D major Symphony 2 in C Minor "Resurrection...
The first of two episodes explores the roots of Gustav Mahler’s music. SFS Music Director Michael Tilson Thomas journeys to rural Bohemia to rediscover the inspirations of Mahler’s music, and traces Mahler’s life through the premiere of his first symphony in 1888. It shocked the contemporary audience, but as MTT and the San Francisco Symphony reveal, on location and in performance, this ground-breaking symphony contains elements of everything else that Mahler composed. Shot on location in the Czech Republic, Austria, Hungary, and in performance in San Francisco’s Davies Symphony Hall. Bonus Features: Full-length concert performance of Mahler's Symphony No. 1 by the San Francisco Symphony originally filmed in high-definition 16:9 widescreen and 5.1 surround sound. More information about ...
Discover more music with Apple Music Classical, the streaming service for classical music. http://apple.co/InsideTheScore Search for 'Mahler Essentials' or 'Discover Mahler' to hear much more of his greatest! Gustav Mahler has been one of my favourite composers since I discovered Classical Music – and in this video I try to explain why he holds that place, from many angles, channelled through the extraordinary, moving story of Mahler’s life and works. I hope you can consider this a complete introduction to Mahler’s life and works, and a compelling springboard for a musical journey into the depths of Mahler’s soul. Podcast on Mahler Symphony #2 - https://www.youtube.com/watch?v=IC4y3io-T34 🎁 FREE Accelerate your ear training, sight reading, and musicianship skills with this free mini-c...
Mahler Symphony No.1 "Titan", arranged by José Schyns performed by Sembawang Wind Orchestra (SWO) in 2023 at the Victoria Concert Hall, Singapore under the baton of Mr. Desmond Ng. Website http://www.swo.sg/ Social Media Facebook: https://www.facebook.com/SembawangWindOrchestra Instagram: https://www.instagram.com/SembawangWindOrchestra
Recorded live at the Lucerne Festival, Summer 2009 Concert Hall of the KKL Luzern, August 2009 Lucerne Festival Orchestra Claudio Abbado - conductor Chapters: 0:00 Gustav Mahler: Symphony No. 1 0:30 I. Langsam, schleppend 17:16 II. Kräftig bewegt, doch nicht zu schnell 24:50 III. Feierlich und gemessen, ohne zu schleppen 36:19 IV. Stürmisch bewegt Watch this work performed by the Asian Youth Orchestra under the baton of James Judd: https://youtu.be/Kj_iBBmGzsU Whenever Claudio Abbado conducts the LUCERNE FESTIVAL ORCHESTRA, music lovers are in for a very special event. Such was the case in the summer of 2009 when the charismatic Italian conductor opened Lucerne's tradition-rich Festival with a concert featuring Mahler's First Symphony and Prokofiev's Third Piano Concerto. In 2003 Abbad...
Gustav Mahler (7 July 1860 – 18 May 1911) was an Austrian late-Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect which included a ban on its performance in much of Europe during the Nazi era. After 1945 his compositions were rediscovered and championed by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers, a position he has sustained into the 21st century.
Born in humble circumstances, Mahler displayed his musical gifts at an early age. After graduating from the Vienna Conservatory in 1878, he held a succession of conducting posts of rising importance in the opera houses of Europe, culminating in his appointment in 1897 as director of the Vienna Court Opera (Hofoper). During his ten years in Vienna, Mahler—who had converted to Catholicism to secure the post—experienced regular opposition and hostility from the anti-Semitic press. Nevertheless, his innovative productions and insistence on the highest performance standards ensured his reputation as one of the greatest of opera conductors, particularly as an interpreter of the stage works of Wagner, Mozart, and Tchaikovsky . Late in his life he was briefly director of New York's Metropolitan Opera and the New York Philharmonic.
Hollywood, we never going down
Hollywood, we never going down
Hollywood, we never going down
And all the kids in the hood come on wave and shake your hands
Hollywood, we never going down
And when you're drunk shake that ass like you know how to dance
Hollywood, we never going down
Start getting loud, I wanna party now
If you hate on Undead that's a party foul
I only drink Mickey's, I can't afford the cans
I drink so much they call me Charlie 40 Hands
If the keg is tapped, then you're getting capped
Take your girl to the sack and we'll take a nap
Ladies drink them fast so I can have a blast
You got your beer gog's on and I'm getting? ass
Like, oh my God, is that Charlie Scene?
Ladies show me your treats like it's Halloween
You got fake I.D. and you're 17
I'm a complete catastrophe buzzing around you like a bumblebee
So let's take some shots
Do a beer run and flip off a cop
Girls give me props and they're on my jock
Paris Hilton said that's hot, when she saw my cock, that's hot
And all the kids in the hood come on wave and shake your hands
Hollywood, we never going down
And when you're drunk shake that ass like you know how to dance
Hollywood, we never going down
I'm about to serve it up for all you party goers
Scene kids, Meat Heads, Alchi's, Stoners
Dancing around like a bunch of faggots
Funnier than fuck, you can ask Bob Saggot
I never claimed that I knew how to dance
But I'll get drunk, get high and pull down my pants
So fuck five bucks, just fill up my cup
Don't kiss me bitch, you just threw up
Now I'm drunk as fuck about to pass out
Destination your mother's couch
Dude, is it really true you screwed my mom?
Fuck yeah bro, that pussy was bomb
So I'm hopping, jumping, sipping, and skipping
It's nights like these that we all love living
So take out your hands and throw the H.U. up
Now wave it around like you don't give a fuck, check please
And all the kids in the hood come on wave and shake your hands
Hollywood we never going down
And when you're drunk shake that ass like you know how to dance
Hollywood we never going down
Can't stop, won't stop, Charlie make the booty drop
Can't stop, won't stop, Johnny make the booty drop
Can't stop, won't stop, J make the booty drop
Can't stop, won't stop, Peters make the booty drop
Can't stop, won't stop, Kurlzz make the booty drop
Can't stop, won't stop, Funny make the booty drop
Can't stop, won't stop, let me see the panties drop
Producers on the dance floor, let me see your booty pop
Grab your drink, get on the floor
Grab your drink and get on the floor
Let's dance in the hood, shake that ass Hollywood
And all the kids in the hood come on wave and shake your hands
Hollywood, we never going down
And when you're drunk shake that ass like you know how to dance
Hollywood, we never going down
Let's dance in the hood, shake that ass Hollywood
Hollywood, we never going down
Let's dance in the hood, shake that ass Hollywood