Futura at 90
A favourite of Stanley Kubrick and NASA, the typeface Futura is turning 90 this year. In this article for CR, the authors of a new book on Futura’s history and influence explain the development of its design by Paul Renner. With the design of his typeface Futura in 1927, Paul Renner’s reputation began to grow; he went on to become one of the best-known type designers of his time. As a leading memb
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幾何å¦çš„ãªãƒ‡ã‚¶ã‚¤ãƒ³ãŒå¤šã‹ã£ãŸåˆæœŸã®ãƒ•ã‚©ãƒ³ãƒˆãƒ‡ã‚¶ã‚¤ãƒ³ã®ä¸ã§ã€1920年代ã«ã€ä»ŠãªãŠä¸–ç•Œä¸ã§ä½¿ã‚ã‚Œã¦ã„ã‚‹ç¾ä»£çš„ã§å¯èªæ€§ã®é«˜ã„フォント「Futura(フーツラ)ã€ãŒãƒ‰ã‚¤ãƒ„人デザイナーã®ãƒ‘ウル・レナーã«ã‚ˆã£ã¦ç™ºè¡¨ã•ã‚Œã¾ã—ãŸã€‚フーツラãŒãƒŠãƒã‚¹ãƒ»ãƒ‰ã‚¤ãƒ„ã«ä½¿ç”¨ã‚’ç¦ã˜ã‚‰ã‚Œã‚‹ãªã©ã®å±æ©Ÿã‚’乗り越ãˆã€çµå©šå¼ã®æ‹›å¾…状ã‹ã‚‰èŠ¸è¡“å®¶ãƒ»æ˜ ç”»ç›£ç£ã«ã¾ã§æ„›ã•ã‚Œã‚‹ãƒ•ã‚©ãƒ³ãƒˆã¨ã—ã¦åºƒã¾ã£ãŸçµŒç·¯ãŒãƒ ービーã«ã¾ã¨ã‚られã¦ã„ã¾ã™ã€‚ The font that escaped the Nazis and landed on the moon - YouTube 「Futura(フーツラ)ã€ã¨ã„ã†ãƒ•ã‚©ãƒ³ãƒˆã¯ä¸–ç•Œä¸ã§åºƒã使ã‚ã‚Œã¦ã„ã¾ã™ã€‚ フーツラã®ãƒ•ã‚©ãƒ³ãƒˆã¯ãƒŠã‚¤ãƒ•ã§åˆ‡ã£ãŸã‚ˆã†ãªé‹ã•ã¨â€¦â€¦ 大ãã丸ãæã‹ã‚ŒãŸã‚«ãƒ¼ãƒ–ãŒç‰¹å¾´ã§ã™ã€‚ フーツラã¯èŠ¸è¡“家ã®ãƒãƒ¼ãƒãƒ©ãƒ»ã‚¯ãƒ«ãƒ¼ã‚¬ãƒ¼ã®ãƒãƒƒãƒ—アートã«ä½¿ã‚ã‚Œã¦ãŠã‚Šâ€¦â€¦ ãƒãƒ¼ãƒãƒ©ãƒ»ã‚¯ãƒ«ãƒ¼ã‚¬ãƒ¼ã®ãƒ‘ãƒãƒ‡ã‚£ã‚¢ãƒ¼ãƒˆã¨ã—ã¦ã€ã‚¹
Practical Outlier | Grafik
Toshi Omagari looks at the letter ‘c’ from Futura - designed in 1927 by Paul Renner to perfectly accommodate the various idiosyncrasies of his mother tongue. You can type any Latin-based language in the typeface of your choice, provided that it has enough characters. Because of this, a Latin typeface may be perceived as agnostic about language, and it speaks to anyone equally fluently. In fact, th
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自動車ã®ç”º Wolfsburg ã§ä½¿ã‚ã‚Œã¦ã„るフォント㯠| デザインã®ç¾å ´ å°æž—ç« ã®ã€Œã‚¿ã‚¤ãƒ—ディレクターã®çœ¼ã€
Volkswagen ã®å·¥å ´ã®ç”ºã¨ã—ã¦çŸ¥ã‚‰ã‚Œã‚‹ Wolfsburg（ボルフスブルク）ã«è¡Œã£ã¦ãã¾ã—ãŸã€‚Volkswagen ã¯ã€ãƒã‚¹ã‚¿ãƒ¼ãªã©ã‚’見るã¨åˆ†ã‹ã‚‹ã‚ˆã†ã«ã€ãšã£ã¨ Futura (フツラ）ã®ãƒ•ã‚¡ãƒŸãƒªãƒ¼ã‚’使ã£ã¦ã¾ã—ãŸã€‚ 最近ã¯ã€å¾®å¦™ãªãƒžã‚¤ãƒŠãƒ¼ãƒã‚§ãƒ³ã‚¸ã‚’ã—ãŸã‹ãªã‚Šè¿‘ã„カスタムフォントを使ã£ã¦ã„ã¾ã™ã€‚ ã“ã‚Œã¯ã‚µãƒƒã‚«ãƒ¼å ´ Volkswagen Arena。ã“れも Futura ã ã¨æ€ã†ã€‚
Volkswagen ã®ãƒ•ã‚©ãƒ³ãƒˆ | ã“ã“ã«ã‚‚ Futura
Volkswagen ã®å·¥å ´ã®ç”ºã¨ã—ã¦çŸ¥ã‚‰ã‚Œã‚‹ Wolfsburg（ボルフスブルク）ã«è¡Œã£ã¦ãã¾ã—ãŸã€‚å·¥å ´ã«éš£æŽ¥ã™ã‚‹ãƒ†ãƒ¼ãƒžãƒ‘ークã«ã¯è‡ªå‹•è»Šã®åšç‰©é¤¨ãŒã‚ã‚Šã¾ã™ã€‚ Volkswagen ã¯ã€ãšã£ã¨ Futura ã®ãƒ•ã‚¡ãƒŸãƒªãƒ¼ã‚’コーãƒãƒ¬ãƒ¼ãƒˆã‚¿ã‚¤ãƒ—ã«ã—ã¦ãã¾ã—ãŸã€‚ãƒã‚¹ã‚¿ãƒ¼ã‚’見るã¨ã‚ã‹ã‚Šã¾ã™ã€‚ 最近ã¯ã€å¾®å¦™ãªãƒžã‚¤ãƒŠãƒ¼ãƒã‚§ãƒ³ã‚¸ã‚’ã—ãŸã‹ãªã‚Šè¿‘ã„カスタムフォントを使ã£ã¦ã„ã¾ã™ã€‚ ã“ã‚Œã¯ã‚µãƒƒã‚«ãƒ¼å ´ Volkswagen Arena。ã“れも Futura ã ã¨æ€ã†ã€‚
Know your type: Futura: idsgn (a design blog)
This is the third installment in the ‘Know your type’ series, where we take a look into the origins of some of the most interesting and commonly used typefaces in design today. This month, we look at the classic, geometric sans-serif, Futura. Inspired by the Bauhaus Following the Bauhaus design philosophy, German type designer Paul Renner first created Futura between 1924 and 1926. Although Renner
Avenir 㨠Futura | デザインã®ç¾å ´ å°æž—ç« ã®ã€Œã‚¿ã‚¤ãƒ—ディレクターã®çœ¼ã€
ã“ã¡ã‚‰ã¯ã€æ—¥æœ¬èªžã§ä½•ã¨ã„ã†ã‹çŸ¥ã‚‰ãªã„ã‘ã©ã€ãƒ‘ンやクラッカーã®ä»£ã‚ã‚Šã«é£Ÿã¹ã‚‹ã€å°éº¦ã‚„穀物ã®ã€Œãµã™ã¾ã€ã§ã¤ãã£ãŸã‚ˆã†ãªé£Ÿã¹ç‰©ã€‚ã“ã“ã§ä½¿ã‚ã‚Œã¦ã„ã‚‹ã®ã‚‚ Avenir ã§ã™ã€‚Avenirã£ã¦ã€ãªã‚“ã‹ãƒˆã‚¬ãƒªã™ãŽãªã„ã€ä¸»å¼µã—ã™ãŽãªã„æ„Ÿã˜ãŒã„ã„。 Futura（フツラ）ã«ä¼¼ã¦ã‚‹ã¨è¨€ãˆã°ä¼¼ã¦ã‚‹ã—ã€ã©ã¡ã‚‰ã‚‚「幾何å¦çš„サンセリフ体ã€ã¨ã„ã†ããã‚Šã§ã¯ã„ã£ã—ょãªã‚“ã ã‘ã©ã€ã“ã‚ŒãŒã‚‚ã— Futura ã ã£ãŸã‚‰ã€ã¡ã‚‡ã£ã¨ã‚«ãƒƒãƒãƒªæ§‹ãˆã™ãŽãªæ„Ÿã˜ã«ãªã‚‹ã€‚ 下ã®ï¼’点㯠Futura ã®ä¾‹ã§ã™ã€‚コンタクトレンズを買ã„ã«è¡Œã£ãŸçœ¼é¡å±‹ã•ã‚“ãƒã‚§ãƒ¼ãƒ³ã‹ã‚‰ã®é€šçŸ¥ã€‚ãƒã‚´ä¸‹ã®URL部分ã€æ‰‹ç´™ã®å†…容ã¯ã™ã¹ã¦ Futura。清潔感ã€æ£ç¢ºã•ã€ã¨ã„ã†ã‚¤ãƒ¡ãƒ¼ã‚¸ã‚’å‰é¢ã«å‡ºã—ãŸã„ã¨ãã« Futura ã¯ã´ã£ãŸã‚Šã€‚ Avenir ã®è©±ã«æˆ»ã‚Šã¾ã™ã€‚ フルティガーã•ã‚“ã¨ã®å…±åŒåˆ¶ä½œã§æ”¹åˆ»ã—㟠Avenir Next （アベニール・ãƒã‚¯ã‚¹ãƒˆï¼‰ ã¯ã€ç§ã®ä½ã‚“ã§ã„る町
ダイソン㨠Futura | ã“ã“ã«ã‚‚ Futura
２週間ã»ã©å‰ã€ã†ã¡ã®ä¼šç¤¾ã®ã‚µãƒãƒ¼ãƒˆã‚’通ã˜ã¦ã€ãŠå®¢ã•ã‚“ã‹ã‚‰ã®å•ã„åˆã‚ã›ã§ã€Œdysonã€ãƒã‚´ã«è¿‘ã„デジタル書体ãŒãªã„ã‹æŽ¢ã—ã¦ãã‚Œã¨ã„ã†ã®ã§ã“ã® Horatio （ホレイショ）をãŠã™ã™ã‚ã—ã¾ã—ãŸã€‚ã‚ã®ãƒ¬ãƒˆãƒ©ã‚»ãƒƒãƒˆã‹ã‚‰å‡ºã¦ã„ãŸãƒ‡ã‚¶ã‚¤ãƒ³ã§ã™ã€‚ 「dysonã€ãƒã‚´ã®æ›¸ä½“ã¯è¿‘ã„ã‘ã©åŒã˜ã§ã¯ãªã„。 d ãŒæŸ”らã‹ã„å°è±¡ã§ã€y も下ãŒé–‹ã気味ã§æ˜Žã‚‹ã„å°è±¡ã§ã™ã€‚ã‘ã£ã“ã†ä¸Šæ‰‹ãアレンジã•ã‚Œã¦ä»•ä¸Šã’られã¦ã‚‹ãªãƒ¼ã¨æ€ã„ã¾ã—ãŸã€‚ ãã†ã—ãŸã‚‰ã€å®¶ã§ã„ã¾ã¾ã§ä½¿ã£ã¦ã„㟠P 社ã®æŽƒé™¤æ©ŸãŒå£Šã‚Œã¦ã—ã¾ã£ãŸã€‚ã„ã¾ã¾ã§ã®ã¯é‡ã‹ã£ãŸã—ã€è¨è¨ˆãŒæ‚ªãã¦ã€æŽƒé™¤ã®é€”ä¸ã§æŽƒé™¤æ©Ÿæœ¬ä½“ã‚’æŒã¡ä¸Šã’よã†ã¨ã™ã‚‹ã¨æ™‚々間é•ã£ã¦ã‚´ãƒŸãŒãŸã¾ã‚‹éƒ¨åˆ†ã‚’å–り外ã—ã¦ã—ã¾ã†ã—ã€ã“ã®æ©Ÿä¼šã«æ–°ã—ã„ã®ã‚’è²·ã†ã“ã¨ã«ã€‚ ãã‚Œã§ã€ãƒ€ã‚¤ã‚½ãƒ³ã§å°ã•ã„ã®ãŒã‚ã£ãŸã‚ˆãªãƒ¼ã¨æ€ã„出ã—ã¦è²·ã£ãŸã®ãŒã“れ。ãã®ã†å±Šãã¾ã—ãŸã€‚é‡ã•ã¯å‰ã®ãŒï¼˜ã‚ãƒã‚ã£ãŸã®ã§ã€ï¼“．５ã‚ãƒã®ãƒ€ã‚¤ã‚½ãƒ³ã¯è»½ãã¦æŽƒé™¤ã—ã‚„ã™ã„。音ã®
パリã§ï¼ˆï¼“） Futura | デザインã®ç¾å ´ å°æž—ç« ã®ã€Œã‚¿ã‚¤ãƒ—ディレクターã®çœ¼ã€
「Futura ã¯ãƒŠãƒã‚¹ã®æ›¸ä½“ã€ãªã‚“ã¦ã„ã†å¤‰ãªå™‚ã‚’ä¿¡ã˜ã¦ã„ã‚‹æ–¹ã¯ã‚‚ã†ã»ã¨ã‚“ã©ã„ãªã„ã¨æ€ã†ã‚“ã§ã™ãŒã€ã‚‚ã—ã„ãŸã‚‰ã€ã¨ã„ã†ã“ã¨ã§å¿µã®ãŸã‚。 パリã®ã‚·ãƒ³ãƒœãƒ«ã€ã‚¨ãƒƒãƒ•ã‚§ãƒ«å¡”。ãã®ä¸‹ã«ã‚ã‚‹ãŠåœŸç”£å±‹ã•ã‚“㧠Futura （フツラ）ãŒä½¿ã‚ã‚Œã¦ã„ã¾ã™ã€‚ ã‘ã£ã“ã†ãƒ‘リã§ã‚‚ã‚ã¡ã“ã¡ã§ä½¿ã‚ã‚Œã¦ã„ã‚‹å°è±¡ã‚’å—ã‘ã¾ã—ãŸã€‚多ã™ãŽã‚‹ã®ã§ã„ã¡ã„ã¡æ’®ã£ã¦ãã¾ã›ã‚“ã§ã—ãŸãŒã€‚ パリæ±é§…ã®é§…åã‚‚ Futura ã§ã™ã€‚フランスã®é‰„é“ SNCF ã¯ç¬¬äºŒæ¬¡å¤§æˆ¦å‰ã‹ã‚‰ Futura を使ã£ã¦ã„ã¾ã—ãŸã€‚
エッフェル塔㧠Futura | ã“ã“ã«ã‚‚ Futura
ã‘ã£ã“ã†ãƒ•ãƒ©ãƒ³ã‚¹ã§ã‚‚ã‚ã¡ã“ã¡ã§ä½¿ã‚ã‚Œã¦ã„ã‚‹å°è±¡ã‚’å—ã‘ã¾ã—ãŸã€‚ パリæ±é§…ã®é§…åã‚‚ Futura ã§ã™ã€‚フランスã®é‰„é“ SNCF ã¯ç¬¬äºŒæ¬¡å¤§æˆ¦å‰ã‹ã‚‰ Futura を使ã£ã¦ã„ã¾ã—ãŸã€‚
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Amazon.co.jp: Futura: The Typeface: Eisele, Petra, Ludwig, Annette, Naegele, Isabel: 本
Amazon.co.jp: Never Use Futura (The history of a typeface): Thomas, Douglas (è‘—), Lupton, Ellen (ã¯ã—ãŒã): 本
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