- published: 22 Feb 2011
- views: 435689
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Alban Maria Johannes Berg (/ˈɑːlbɑːn bɛrɡ/;German: [ˈbɛɐ̯k]; February 9, 1885 – December 24, 1935) was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with twelve-tone technique.
Berg was born in Vienna, the third of four children of Johanna and Conrad Berg. His family lived comfortably until the death of his father in 1900.
He was more interested in literature than music as a child and did not begin to compose until he was fifteen, when he started to teach himself music. In late February or early March 1902 he fathered a child with Marie Scheuchl, a servant girl in the Berg family household. His daughter, Albine, was born on December 4, 1902.
Berg had little formal music education before he became a student of Arnold Schoenberg in October 1904. With Schoenberg he studied counterpoint, music theory, and harmony. By 1906, he was studying music full-time; by 1907, he began composition lessons. His student compositions included five drafts for piano sonatas. He also wrote songs, including his Seven Early Songs (Sieben Frühe Lieder), three of which were Berg's first publicly performed work in a concert that featured the music of Schoenberg's pupils in Vienna that year. The early sonata sketches eventually culminated in Berg's Piano Sonata, Op. 1 (1907–1908); it is one of the most formidable "first" works ever written. Berg studied with Schoenberg for six years until 1911. Berg admired him as a composer and mentor, and they remained close lifelong friends.
Among the pieces of music with the title Symphony No. 4 are:
Russian composer Alfred Schnittke wrote his Symphony No. 4 in 1983. It is a choral symphony, written for tenor, countertenor, chorus, and orchestra. It was first performed on April 12, 1984, in Moscow.
The symphony is written in a single movement of 22 variations and is approximately 45 minutes in length. Ronald Weitzman writes, "The form of Schnittke's Fourth Symphony [is] at once cross-shaped and spherical.... The composer draws musically on the three main strands of Christianity—Orthodox, Catholic, Protestant—while underlying this is a three–note semitone interval motif representing synagogue chant, thus symbolizing the Jewish source of Christianity." The result, Ivan Moody writes, is that Schnittke "attempts to reconcile elements of znamennïy and Gregorian chant, the Lutheran chorale and Synagogue cantillation ... within a dense, polyphonic orchestral texture" A tenor and a countertenor also sing wordlessly at two points in the symphony. Words are saved for a finale in which all four types of church music are used contrapuntally as a four-part choir sings the Ave Maria. The choir can choose whether to sing the Ave Maria in Russian or Latin. The programmatic intent of using these different types of music, Schnittke biographer Alexander Ivashkin writes, is an insistence by the composer "on the idea ... of the unity of humanity, a synthesis and harmony among various manifestations of belief."
Symphony No. 4, subtitled Sinfonía romántica (Romantic Symphony) is an orchestral composition by Carlos Chávez, composed in 1953.
The score was commissioned by and is dedicated to the Louisville Orchestra, which premiered the work on 11 February 1953, conducted by the composer. After the first few performances, Chávez decided that the final movement, though sound in itself, was not satisfactory as a conclusion to this symphony. Consequently, he composed a new finale in October 1953, and published the original movement as a separate work, titled Baile (cuadro sinfónico) (Dance, Symphonic Picture) (Orbón 1987c, 80).
The Symphony is scored for an orchestra of three flutes (third doubling piccolo), two oboes, cor anglais, two clarinets, three bassoons (third doubling contrabassoon), four horns, two trumpets, three trombones, tuba, timpani, percussion (three players), and strings.
The Symphony is divided into three movements:
The United States Navy Concert Band, guest conducted by Mallory Thompson, performs "Symphony No. 4" by David Maslanka at the Hylton Performing Arts Center on Sept. 19, 2010. Visit our YouTube channel for more great videos!
Ludwig van Beethoven: 4. Sinfonie ∙ (Auftritt) 00:00 ∙ I. Adagio – Allegro vivace 00:37 ∙ II. Adagio 12:09 ∙ III. Allegro molto e vivace – Trio. Un poco meno allegro – Tempo I – Un poco meno allegro – Tempo I 22:05 ∙ IV. Allegro ma non troppo 27:42 ∙ hr-Sinfonieorchester – Frankfurt Radio Symphony ∙ Andrés Orozco-Estrada, Dirigent ∙ Ludwig van ... ∙ Alte Oper Frankfurt, 12. Februar 2016 ∙ Website: http://www.hr-sinfonieorchester.de ∙ Facebook: http://www.facebook.com/hrsinfonieorchester
__ 01:07 - Beethoven: Symphony no. 4 in B♭ major, op. 60 Wiener Philharmoniker Conducted by Christian Thielemann __ Classic Archive, 2020
The Symphony No. 4 in B-flat major, Op. 60, is a symphony in four movements composed by Ludwig van Beethoven in the summer of 1806.[1] It was premiered in March 1807 at a private concert at the home of Joseph Franz von Lobkowitz. The work was dedicated to Count Franz von Oppersdorff, a relative of Beethoven's patron, Prince Lichnowsky. The Count met Beethoven when he traveled to Lichnowsky's summer home, where Beethoven was staying. Von Oppersdorff listened to Beethoven's Symphony No. 2 in D major, and liked it so much that he offered a large amount of money for Beethoven to compose a new symphony for him. Beethoven undertook the new work during the summer of 1806 and completed it in roughly a month, while also working on the Fourth Piano Concerto and revising his opera Fidelio, then still...
The Oslo Philharmonic with conductor Vasily Petrenko perform Pyotr Tchaikovsky’s Symphony No. 4 in Oslo Concert Hall. The recording was made on 14th January 2021. #classicalmusic #symphony #tchaikovsky #concert I. Andante sostenuto - Moderato con anima 0:07 II. Andantino in modo di canzone 18:38 III. Scherzo: Pizzicato ostinato 28:58 IV. Finale: Allegro con fuoco 34:30 Video production: Trippel-M Levende Bilder Multicamera director: Georg Kvalsvik Sound production: LAWO Music Producer: Vegard Landaas Lighting design: Petter Dahl Nielsen We take infection control seriously. Everything you see on stage and in the concert hall was in accordance with official Norwegian guidelines at the time of the recording. Read about our musicians: https://oslophil.lnk.to/musiciansID Subscribe to o...
Boyce Symphony no 4 performed by Epiphany at their 'Classics at Christmas' concert on 22nd December 2017 in St George's Church, Poynton. For more information about Epiphany, visit http://epiphanymusic.org.uk Website: http://epiphanymusic.org.uk Facebook: https://facebook.com/epiphanymusicuk Twitter: https://twitter.com/epiphanymusic Instagram: http://instagram.com/epiphanymusicuk
Johannes Brahms: 4. Sinfonie ∙ (Auftritt) 00:00 ∙ I. Allegro non troppo 00:24 ∙ II. Andante moderato 13:00 ∙ III. Allegro giocoso 24:38 ∙ IV. Allegro energico e passionato – Più Allegro 31:01 ∙ hr-Sinfonieorchester – Frankfurt Radio Symphony ∙ Andrés Orozco-Estrada, Dirigent ∙ Alte Oper Frankfurt, 13. Januar 2017 ∙ Website: http://www.hr-sinfonieorchester.de ∙ Facebook: http://www.facebook.com/hrsinfonieorchester
Symphony No 4 in B flat Major, op 60 1. Adagio-Allegro vivace 2. Adagio 3. Menuetto: Allegro vivace-Trio: Un poco meno allegro 4. Allegro ma non troppo Philharmonia Orchestra Herbert von Karajan, conductor London, 13.;16. & 19.XI.1953
Chiptune rendition Johannes Brahms's fourth symphony, first movement: Allegro non troppo (E minor). A playlist of the entire symphony can be found here: https://www.youtube.com/playlist?list=PL0OJsmmFmR2QIwDZkuJ8PL-4fl99Gn18G . The Symphony No. 4 in E minor, Op. 98 by Johannes Brahms is the last of his symphonies. Brahms began working on the piece in Mürzzuschlag, then in the Austro-Hungarian Empire, in 1884, just a year after completing his Symphony No. 3. Brahms conducted the Court Orchestra in Meiningen, Germany, for the work's premiere on 25 October 1885.
Peter Tschaikowsky: 4. Sinfonie f-Moll op. 36 ∙ (Auftritt) 00:00 ∙ I. Andante sostenuto – Moderato con anima 00:26 ∙ II. Andantino in modo di canzona 20:17 ∙ III. Scherzo. Allegro 30:55 ∙ IV. Finale. Allegro con fuoco 36:44 ∙ hr-Sinfonieorchester – Frankfurt Radio Symphony ∙ Carlos Miguel Prieto, Dirigent ∙ hr-Sinfoniekonzert ∙ Alte Oper Frankfurt, 28. Februar 2019 ∙ Website: https://www.hr-sinfonieorchester.de ∙ Facebook: https://www.facebook.com/hrsinfonieorchester
Alban Maria Johannes Berg (/ˈɑːlbɑːn bɛrɡ/;German: [ˈbɛɐ̯k]; February 9, 1885 – December 24, 1935) was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with twelve-tone technique.
Berg was born in Vienna, the third of four children of Johanna and Conrad Berg. His family lived comfortably until the death of his father in 1900.
He was more interested in literature than music as a child and did not begin to compose until he was fifteen, when he started to teach himself music. In late February or early March 1902 he fathered a child with Marie Scheuchl, a servant girl in the Berg family household. His daughter, Albine, was born on December 4, 1902.
Berg had little formal music education before he became a student of Arnold Schoenberg in October 1904. With Schoenberg he studied counterpoint, music theory, and harmony. By 1906, he was studying music full-time; by 1907, he began composition lessons. His student compositions included five drafts for piano sonatas. He also wrote songs, including his Seven Early Songs (Sieben Frühe Lieder), three of which were Berg's first publicly performed work in a concert that featured the music of Schoenberg's pupils in Vienna that year. The early sonata sketches eventually culminated in Berg's Piano Sonata, Op. 1 (1907–1908); it is one of the most formidable "first" works ever written. Berg studied with Schoenberg for six years until 1911. Berg admired him as a composer and mentor, and they remained close lifelong friends.
Everyone here's in trouble
The man with the megaphone
Smoke and mirrors and crystal balls and red alerts and all because
Of the king who hides behind the pawns
I can see what's really going on
I can see what's really going on
Everyone here's a bubble
Merrily floating on
Manicured suburban lawns and patriotic country songs
Pledge allegiance, sing along
I can see what's really going on
I can see what's really going on
Everyone here's in trouble
Angels abandon guard
History is cyclical
Crusaders and the biblical
Light the torches bang the gongs
I can see what's really going on
I can see what's really going on
Na na na na-na
Na na na na-na
Na na, na na
Na na, na na
Na na na na-na
Na na na na-na
Na na, na na