- published: 02 Jun 2017
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Alban Maria Johannes Berg (/ˈɑːlbɑːn bɛrɡ/;German: [ˈbɛɐ̯k]; February 9, 1885 – December 24, 1935) was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with twelve-tone technique.
Berg was born in Vienna, the third of four children of Johanna and Conrad Berg. His family lived comfortably until the death of his father in 1900.
He was more interested in literature than music as a child and did not begin to compose until he was fifteen, when he started to teach himself music. In late February or early March 1902 he fathered a child with Marie Scheuchl, a servant girl in the Berg family household. His daughter, Albine, was born on December 4, 1902.
Berg had little formal music education before he became a student of Arnold Schoenberg in October 1904. With Schoenberg he studied counterpoint, music theory, and harmony. By 1906, he was studying music full-time; by 1907, he began composition lessons. His student compositions included five drafts for piano sonatas. He also wrote songs, including his Seven Early Songs (Sieben Frühe Lieder), three of which were Berg's first publicly performed work in a concert that featured the music of Schoenberg's pupils in Vienna that year. The early sonata sketches eventually culminated in Berg's Piano Sonata, Op. 1 (1907–1908); it is one of the most formidable "first" works ever written. Berg studied with Schoenberg for six years until 1911. Berg admired him as a composer and mentor, and they remained close lifelong friends.
Alban Berg composed his Three Pieces for Orchestra (German – Drei Orchesterstücke), Op. 6 between 1913 and 1915. It is dedicated "to my teacher and friend Arnold Schoenberg in immeasurable gratitude and love". A revised version of the score was published in 1929 by Universal Edition.
The three pieces are:
The work is scored for:
pf: Berlin Philharmonic cond/ Herbert Von Karajan 0:00 - Präludium (Prelude) 5:32 - Reigen (Round Dance) 11:05 - Marsch (March) The Three Pieces mark a turning point in Berg’s work; after composing Lieder in particular until then, he began to think of writing “something large” after completing his studies. This idea was preceded by a contention with his teacher Arnold Schönberg, who was dissatisfied with his pupil’s artistic development in the Altenberg lieder and the clarinet pieces and wanted “character pieces” from him instead. Berg initially thought of a suite or a symphony but eventually decided on a purely orchestral piece in the summer of 1914. He began working on it in Trahütten, Styria on his parents-in-law’s country estate and completed the full score on 23 August 1914. Berg d...
Alban Berg: Drei Orchesterstücke op. 6 ∙ (Auftritt) 00:00 ∙ I. Präludium 00:41 ∙ II. Reigen 05:48 ∙ III. Marsch 11:46 ∙ hr-Sinfonieorchester – Frankfurt Radio Symphony ∙ David Afkham, Dirigent ∙ hr-Sinfoniekonzert ∙ Alte Oper Frankfurt, 13. Dezember 2019 ∙ Website: https://www.hr-sinfonieorchester.de ∙ Facebook: https://www.facebook.com/hrsinfonieorchester
Provided to YouTube by Universal Music Group Berg: 3 Pieces for Orchestra, Op. 6 - No. 3, Marsch · London Symphony Orchestra · Claudio Abbado Berg: Lulu-Suite; Altenberg-Lieder; 3 Pieces for Orchestra Op.6 ℗ 1971 Deutsche Grammophon GmbH, Berlin Released on: 1971-01-01 Producer: Karl Faust Producer, Recording Producer: Rainer Brock Studio Personnel, Recording Engineer: Wolfgang Werner Studio Personnel, Balance Engineer: Günter Hermanns Studio Personnel, Editor: Christa Conrad Studio Personnel, Editor: Helmut Najda Composer: Alban Berg Auto-generated by YouTube.
Three Orchestral Pieces, Op. 6 (1913-1929) I. "Präludium" (Prelude) II. "Reigen" (Round Dances) III. "Marsch" (March) Vienna Philharmonic Orchestra Claudio Abbado In mid-1913 Berg was deeply depressed by the disastrous premiere of some of his Altenberg Lieder as well as by scorching criticism from his mentor Arnold Schoenberg, of the aphoristic nature of his recent music. Berg resolved to write a large-form orchestral work, his first, and initially tried to compose a one-movement symphony more or less in the manner of Schoenberg's first Chamber Symphony. Progress soon stalled, but Berg transferred some of this material into a new project that he called "a suite of character pieces for orchestra." The resulting Pieces (3) for orchestra came to be regarded as one of Berg's most ambitiou...
Provided to YouTube by Universal Music Group Berg: 3 Pieces for Orchestra, Op. 6 - 3. Marsch (March) · Berliner Philharmoniker · Herbert von Karajan Schoenberg: Pelleas and Melisande / Berg: Three Pieces for Orchestra / Webern: Passacaglia ℗ 1973 Deutsche Grammophon GmbH, Berlin Released on: 1989-01-01 Producer: Dr. Hans Hirsch Producer, Recording Producer: Hans Weber Studio Personnel, Balance Engineer: Günter Hermanns Studio Personnel, Recording Engineer: Wolfgang Werner Studio Personnel, Editor: Volker Martin Studio Personnel, Editor: Hans-Rudolf Müller Studio Personnel, Editor: Helmut Najda Studio Personnel, Editor: Klaus Behrens Composer: Alban Berg Auto-generated by YouTube.
Provided to YouTube by Universal Music Group Berg: 3 Pieces for Orchestra, Op. 6 - 3. Marsch · London Symphony Orchestra · Antal Doráti Schoenberg: 5 Pieces for Orchestra, Op. 16; Webern: 5 Pieces for Orchestra, Op. 10; Berg: Three Pieces for Orchestra, Op. 6 / Lulu Suite ℗ 1962 Universal International Music B.V. Released on: 1990-01-01 Producer, Recording Producer: Harold Lawrence Studio Personnel, Recording Engineer: C. Robert Fine Composer: Alban Berg Auto-generated by YouTube.
Provided to YouTube by SFS Media Three Pieces for Orchestra, Op. 6: III. Marsch · San Francisco Symphony Berg: Three Pieces for Orchestra ℗ 2017 San Francisco Symphony Conductor: Michael Tilson Thomas Orchestra: San Francisco Symphony Composer: Alban Berg Auto-generated by YouTube.
New videos and pieces everyday. Like and subscribe to our channel: https://www.youtube.com/channel/UCnecaf9_nSWT__lhfu4EYpg Alban Berg composed his Three Pieces for Orchestra (German: Drei Orchesterstücke), Op. 6, between 1913 and 1915. They are dedicated to his teacher Arnold Schoenberg. A revised version of the score was published in 1929 by Universal Edition. While the composer conducted a first performance of only the first two movements in 1923, the complete work was premiered in the revised version in Oldenburg in 1930, conducted by Johannes Schüler. The three pieces are: I. Präludium (Prelude) An instrumentally colourful, impressionistic prelude. After a murmuring introduction, an evocative, wide-ranging theme is stated by bassoons and violins, and then fully developed. II. Reigen ...
Provided to YouTube by PIAS Three Orchestral Pieces, Op. 6: III. Marsch · BBC Symphony Orchestra · Andrew Davis Berg: Violin Concerto, Three Pieces for Orchestra ℗ Chandos Records Ltd Released on: 2022-09-30 Conductor: Andrew Davis Orchestra: BBC Symphony Orchestra Composer: Alban Berg Auto-generated by YouTube.
Alban Maria Johannes Berg (/ˈɑːlbɑːn bɛrɡ/;German: [ˈbɛɐ̯k]; February 9, 1885 – December 24, 1935) was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with twelve-tone technique.
Berg was born in Vienna, the third of four children of Johanna and Conrad Berg. His family lived comfortably until the death of his father in 1900.
He was more interested in literature than music as a child and did not begin to compose until he was fifteen, when he started to teach himself music. In late February or early March 1902 he fathered a child with Marie Scheuchl, a servant girl in the Berg family household. His daughter, Albine, was born on December 4, 1902.
Berg had little formal music education before he became a student of Arnold Schoenberg in October 1904. With Schoenberg he studied counterpoint, music theory, and harmony. By 1906, he was studying music full-time; by 1907, he began composition lessons. His student compositions included five drafts for piano sonatas. He also wrote songs, including his Seven Early Songs (Sieben Frühe Lieder), three of which were Berg's first publicly performed work in a concert that featured the music of Schoenberg's pupils in Vienna that year. The early sonata sketches eventually culminated in Berg's Piano Sonata, Op. 1 (1907–1908); it is one of the most formidable "first" works ever written. Berg studied with Schoenberg for six years until 1911. Berg admired him as a composer and mentor, and they remained close lifelong friends.