- published: 24 Nov 2018
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Alban Maria Johannes Berg (/ˈɑːlbɑːn bɛrɡ/;German: [ˈbɛɐ̯k]; February 9, 1885 – December 24, 1935) was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with twelve-tone technique.
Berg was born in Vienna, the third of four children of Johanna and Conrad Berg. His family lived comfortably until the death of his father in 1900.
He was more interested in literature than music as a child and did not begin to compose until he was fifteen, when he started to teach himself music. In late February or early March 1902 he fathered a child with Marie Scheuchl, a servant girl in the Berg family household. His daughter, Albine, was born on December 4, 1902.
Berg had little formal music education before he became a student of Arnold Schoenberg in October 1904. With Schoenberg he studied counterpoint, music theory, and harmony. By 1906, he was studying music full-time; by 1907, he began composition lessons. His student compositions included five drafts for piano sonatas. He also wrote songs, including his Seven Early Songs (Sieben Frühe Lieder), three of which were Berg's first publicly performed work in a concert that featured the music of Schoenberg's pupils in Vienna that year. The early sonata sketches eventually culminated in Berg's Piano Sonata, Op. 1 (1907–1908); it is one of the most formidable "first" works ever written. Berg studied with Schoenberg for six years until 1911. Berg admired him as a composer and mentor, and they remained close lifelong friends.
The Lyric Suite is a six-movement work for string quartet written by Alban Berg between 1925 and 1926 using methods derived from Schoenberg's twelve-tone technique. Though publicly dedicated to Alexander von Zemlinsky (from whose Lyric Symphony it quotes), the work has been shown to possess a "secret dedication" and to outline a "secret programme" (Perle 1977a, ). Berg arranged three of the "pieces" (movements) for string orchestra in 1928.
As Berg's friend and fellow Schoenberg pupil Erwin Stein wrote in the preface to the score, "The work (Ist and VIth part, the main part of the IIIrd and the middle section of the Vth) has been mostly written strictly in accordance with Schoenberg's technique of the 'Composition with 12 inwardly related tones.' A set of 12 different tones gives the rough material of the composition, and the portions which have been treated more freely still adhere more or less to the technique" (Perle 1990, 123). Perle points out that the first movement is not strictly twelve-tone, with the opening four chords being derived not from the series but from the interval-7 cycle (Perle 1977a, 21).
Edvard Grieg's Lyric Suite is an orchestration of four of the six piano pieces from Book V of his Lyric Pieces, Op. 54. Both Grieg and the Austro-Hungarian conductor Anton Seidl had a hand in the orchestration. It consists of three pieces revised by Grieg from Seidl's arrangements, and one piece arranged by Grieg alone.
Grieg wrote the six Lyric Pieces of Book V for piano in 1891. The original order was:
In 1894, Anton Seidl, the conductor of the New York Philharmonic, orchestrated four of the pieces for his orchestra to play. He gave the work the title of Norwegian Suite. The four pieces he chose were:
Seidl died in 1898. In 1905, with the assistance of Daniela Thode (1860-1940; the daughter of Cosima Wagner by her first husband Hans von Bülow, and the grand-daughter of Franz Liszt), Grieg obtained the score of Seidl's arrangement but was dissatisfied with it in some respects. He wrote to Seidl's widow, saying that, while her late husband's work had considerable merit, it did not fully accord with his own conception of the pieces, and he had therefore revised Seidl's orchestrations. Seidl had worked alongside Richard Wagner for a number of years, making the first copy of the score of Der Ring des Nibelungen, and conducting the Ring Cycle many times in Germany and America. He was undoubtedly influenced by Wagner's heavy Germanic instrumentation, which did not fit well with Grieg's lighter, more subtle and folkloristic approach.
Provided to YouTube by Universal Music Group Berg: Lyric Suite - 3 Pieces For String Orchestra: 3. Adagio appassionato · Berliner Philharmoniker · Herbert von Karajan Schoenberg: Pelleas and Melisande / Berg: Three Pieces for Orchestra / Webern: Passacaglia ℗ 1974 Deutsche Grammophon GmbH, Berlin Released on: 1989-01-01 Producer: Dr. Hans Hirsch Producer, Recording Producer: Hans Weber Studio Personnel, Balance Engineer: Günter Hermanns Composer: Alban Berg Auto-generated by YouTube.
Provided to YouTube by Universal Music Group Berg: Lyric Suite, 3 Pieces for String Orchestra - III. Adagio appassionato · Wiener Philharmoniker · Claudio Abbado Alban Berg Collection ℗ 1996 Deutsche Grammophon GmbH, Berlin Released on: 2003-01-01 Producer, Executive Producer, Recording Producer: Christopher Alder Producer, Executive Producer: Ewald Markl Studio Personnel, Balance Engineer: Ulrich Vette Studio Personnel, Recording Engineer: Rainer Hoepfner Studio Personnel, Recording Engineer: Jobst Eberhardt Studio Personnel, Recording Engineer: Hans-Rudolf Müller Studio Personnel, Editor: Stephan Flock Composer: Alban Berg Auto-generated by YouTube.
Alban Berg Three Pieces from "The Lyric Suite" for String Orchestra Movement 3: Adagio appasionato Kammerochester der Junge Deutsche Philharmonie Peter Gülke, conductor
Provided to YouTube by Warner Classics International 3 Pieces from Lyric Suite : III Adagio appassionato · Giuseppe Sinopoli Sinopoli conducts Schoenberg, Berg & Webern ℗ 1996 Teldec Classics International GmbH Conductor: Giuseppe Sinopoli Orchestra: Staatskapelle Dresden Composer: Alban Berg Auto-generated by YouTube.
Provided to YouTube by Universal Music Group Berg: Lyric Suite - 3 pieces for string orchestra - 3. Adagio appassionato · Deutsches Symphonie-Orchester Berlin · Vladimir Ashkenazy Berg: Altenberg-Lieder; 7 Frühe Lieder; 3 Pieces from 'Lyric Suite', etc. ℗ 1993 Decca Music Group Limited Released on: 1993-01-01 Composer: Alban Berg Auto-generated by YouTube.
Provided to YouTube by Warner Classics Lyric Suite for String Quartet: III. Allegro misterioso - Trio estatico · Alban Berg Quartet Berg: 7 Early Songs; Piano Sonata; Opera Extracts etc ℗ 1994 Warner Classics, Warner Music UK Ltd String Quartet: Alban Berg Quartet Composer: Alban Berg Auto-generated by YouTube.
Berlin Philharmonic Orchestra Conductor: Herbert Von Karajan The Lyric Suite is a six-movement work for string quartet written by Alban Berg between 1925 and 1926 using methods derived from Arnold Schoenberg's twelve-tone technique. Berg arranged three of the "pieces" (movements) for string orchestra in 1928. https://en.wikipedia.org/wiki/Lyric_Suite_(Berg) 1. Andante amoroso - 0:00 2. Allegro misterioso - 6:44 3. Adagio appassionato - 10:16 Join the Score Video Creator Discord Server: https://discord.gg/QRbwTRs Support me on Patreon: https://www.patreon.com/ryanpower
Alban Berg Three Pieces from "The Lyric Suite" for String Orchestra Movement 2: Allegro misterioso — trio estatico Kammerochester der Junge Deutsche Philharmonie Peter Gülke, conductor
Alban Maria Johannes Berg (/ˈɑːlbɑːn bɛrɡ/;German: [ˈbɛɐ̯k]; February 9, 1885 – December 24, 1935) was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with twelve-tone technique.
Berg was born in Vienna, the third of four children of Johanna and Conrad Berg. His family lived comfortably until the death of his father in 1900.
He was more interested in literature than music as a child and did not begin to compose until he was fifteen, when he started to teach himself music. In late February or early March 1902 he fathered a child with Marie Scheuchl, a servant girl in the Berg family household. His daughter, Albine, was born on December 4, 1902.
Berg had little formal music education before he became a student of Arnold Schoenberg in October 1904. With Schoenberg he studied counterpoint, music theory, and harmony. By 1906, he was studying music full-time; by 1907, he began composition lessons. His student compositions included five drafts for piano sonatas. He also wrote songs, including his Seven Early Songs (Sieben Frühe Lieder), three of which were Berg's first publicly performed work in a concert that featured the music of Schoenberg's pupils in Vienna that year. The early sonata sketches eventually culminated in Berg's Piano Sonata, Op. 1 (1907–1908); it is one of the most formidable "first" works ever written. Berg studied with Schoenberg for six years until 1911. Berg admired him as a composer and mentor, and they remained close lifelong friends.