- published: 30 Jun 2018
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Alban Maria Johannes Berg (/ˈɑːlbɑːn bɛrɡ/;German: [ˈbɛɐ̯k]; February 9, 1885 – December 24, 1935) was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with twelve-tone technique.
Berg was born in Vienna, the third of four children of Johanna and Conrad Berg. His family lived comfortably until the death of his father in 1900.
He was more interested in literature than music as a child and did not begin to compose until he was fifteen, when he started to teach himself music. In late February or early March 1902 he fathered a child with Marie Scheuchl, a servant girl in the Berg family household. His daughter, Albine, was born on December 4, 1902.
Berg had little formal music education before he became a student of Arnold Schoenberg in October 1904. With Schoenberg he studied counterpoint, music theory, and harmony. By 1906, he was studying music full-time; by 1907, he began composition lessons. His student compositions included five drafts for piano sonatas. He also wrote songs, including his Seven Early Songs (Sieben Frühe Lieder), three of which were Berg's first publicly performed work in a concert that featured the music of Schoenberg's pupils in Vienna that year. The early sonata sketches eventually culminated in Berg's Piano Sonata, Op. 1 (1907–1908); it is one of the most formidable "first" works ever written. Berg studied with Schoenberg for six years until 1911. Berg admired him as a composer and mentor, and they remained close lifelong friends.
The Concerto for Piano and Orchestra in G minor, Op. 33, was the first of three concertos that Antonín Dvořák completed—it was followed by a violin concerto and then a cello concerto—and the piano concerto is probably the least known and least performed.
As the eminent music critic Harold C. Schonberg put it, Dvořák wrote "an attractive Piano Concerto in G minor with a rather ineffective piano part, a beautiful Violin Concerto in A minor, and a supreme Cello Concerto in B minor".
Dvořák composed his piano concerto from late August through 14 September 1876. Its autograph version contains many corrections, erasures, cuts and additions, the bulk of which were made in the piano part. The work was premiered in Prague on 24 March 1878, with the orchestra of the Prague Provisional Theatre conducted by Adolf Čech with the pianist Karel Slavkovsky.
While working on the concerto, Dvořák himself realized that he had not created a virtuosic piece in which the piano does battle with the orchestra. Dvořák wrote: "I see I am unable to write a Concerto for a virtuoso; I must think of other things." What Dvořák composed instead was a symphonic concerto in which the piano plays a leading part in the orchestra, rather than opposed to it.
Maurice Ravel's Piano Concerto in G major was composed between 1929 and 1931. The concerto is in three movements and is heavily influenced by jazz, which Ravel had encountered on a concert tour of the United States in 1928.
The concerto was deeply infused with jazz idioms and harmonies, which, at the time, were highly popular in Paris as well as the United States, where Ravel was traveling on a piano tour. Ravel remarked that "The most captivating part of jazz is its rich and diverting rhythm. ...Jazz is a very rich and vital source of inspiration for modern composers and I am astonished that so few Americans are influenced by it." After his well-received tour, Ravel wanted to give the first public performance of this new work himself. However, health issues precluded this possibility, with his preparatory practice of Liszt's and Chopin's etudes leading to fatigue. He then planned a premiere for March 9, 1931, in Amsterdam, but these plans also were canceled due to his work on the Concerto for the Left Hand, his many public appearances, and his performances of his other works.
The Concerto for Piano and Wind Instruments was written by Igor Stravinsky in Paris in 1923–24. This work was revised in 1950.
It was composed four years after the Symphonies of Wind Instruments, which he wrote upon his arrival in Paris after his stay in Switzerland. These two compositions are from Stravinsky's neoclassical period, and represent a departure from the composer's previous Russian style of The Rite of Spring.
This concerto numbers among many works for piano written about the same time to be played by the composer himself. This is also true of Capriccio for Piano and Orchestra (1929), his Sonata of 1924 and his Serenade in A (1925). He kept the performance rights to himself for a number of years, wanting the engagements for playing this work for himself, as well as urgently desiring to keep "incompetent or Romantic hands" from "interpreting" the piece before undiscriminating audiences.
The orchestra is scored for two flutes, piccolo, two oboes, cor anglais, two clarinets, two bassoons (second bassoon doubling contrabassoon), four horns, four trumpets, three trombones and tuba and accompanied by timpani, cymbals. Although combining winds and piano was unusual at the time, the form had been explored earlier in the twentieth century and would be explored later.
From the Stockholm Concert Hall, The Nobel Prize Concert with the Crown Princess, Victoria Martha Argerich - piano The Royal Stockholm Philharmonic Orchestra Yuri Temirkanov - conductor Maurice Ravel - Piano Concerto in G Major 0:00 I. Allegramente 8:40 II. Adagio assai 18:44 III. Presto Click here to watch the full Nobel Prize Concert: https://goo.gl/7thmTX Click here to compare Martha Argerich's interpretation with David Fray's: https://youtu.be/cJOW5mlhH_Y Subscribe to EuroArts: https://goo.gl/jrui3M As part of the official Nobel Week, the world’s most renowned artists are gathering each year to pay tribute to the Nobel Laureates. The 2009 concert offered a special highlight in the series with Martha Argerich performing Ravel’s Piano Concerto in G Major by Maurice Ravel under Yuri...
Berliner Philharmoniker conducted by Sir Simon Rattle November 4, 2017 Berliner Philharmonie 00:00 I. Allegrament 09:05 II. Adagio assai 18:25 III. Presto
- Composer: Joseph-Maurice Ravel (7 March 1875 -- 28 December 1937) - Orchestra: Philharmonia Orchestra - Conductor: Ettore Gracis - Soloist: Arturo Benedetti Michelangeli - Year of recording: 1957 Piano Concerto in G major, written in 1929-1931. 00:00 - I. Allegramente 08:37 - II. Adagio assai 18:02 - III. Presto The piano was Ravel's favorite instrument, and of his two extraordinary concertos, the Piano Concerto in G major was, in his opinion, "more Ravelian." Indeed, the two works are profoundly different, but without being, as Vladimir Jankélévitch observed in his book about the composer, more (or less) Ravelian than the other. Nevertheless, Ravel's opinion should not be dismissed, for it reflects his personal predilection, and, as any listener can tell, the work literally ...
Support us on Patreon and get more content: https://www.patreon.com/classicalvault --- Maurice Ravel Piano Concerto in G major 1 Allegramente 2 Adagio assai 3 Presto Jean-Yves Thibaudet, piano Gustav Mahler Jugendorchester Philippe Jordan. conductor Live recording. London, Proms 2013
Yuja Wang plays Ravel's piano concerto in G minor with Orchestra dell'Accademia Nazionale di Santa Cecilia in Rome in June 2016. Lionel Bringuier conducting. Encores: Carmen Variations (Horowitz), Melody (Guck/Sgambati)
Provided to YouTube by Universal Music Group Ravel: Piano Concerto in G Major, M. 83 - II. Adagio assai · Krystian Zimerman · The Cleveland Orchestra · Pierre Boulez · Maurice Ravel Ravel: Piano Concertos; Valses nobles et sentimentales ℗ 1998 Deutsche Grammophon GmbH, Berlin Released on: 1998-01-01 Producer: Roger Wright Producer: Dr. Marion Thiem Producer, Recording Producer: Helmut Burk Studio Personnel, Balance Engineer: Rainer Maillard Studio Personnel, Recording Engineer: Klaus Behrens Studio Personnel, Recording Engineer: Stephan Flock Studio Personnel, Recording Engineer: Reinhard Lagemann Editor: Jürgen Bulgrin Composer: Maurice Ravel Auto-generated by YouTube.
Ravel: Concerto in Sol per pianoforte e orchestra Arturo Benedetti Michelangeli London Symphony Orchestra - Sergiu Celibidache 1982 sobriofestival.com
Martha Argerich interprète le Concerto pour piano et orchestre en sol majeur de Maurice Ravel aux côtés de l’Orchestre National de France, dirigé par Emmanuel Krivine. Enregistré le 5 octobre 2017 à l’Auditorium de la Maison de la Radio (Paris). #MauriceRavel #argerich #OrchestreNationalDeFrance #piano 00:00 - Début du concert 01:11 - 1er mouvement : Allegramente 09:30 - 2ème mouvement : Adagio assai 18:46 - 3ème mouvement : Presto 25:37 - Encore 1: Kreisler - Schon Rosmarin 28:47 - Encore 2: Scarlatti - Sonata K141 in D minor La composition du Concerto pour piano en sol majeur de Ravel est contemporaine de celle de son Concerto pour la main gauche, en 1929. Le premier est « solaire et turbulent », le second « sombre et désespéré », note le musicologue Nicolas Southon. A la fois po...
Maurice Ravel M. 83, Piano Concerto in G major Performer : Seong-Jin Cho 00:00 I. Allegramente 06:00 Cadenza 06:56 I. Allegramente 08:37 II. Adagio assai 18:27 III. Presto Original Video : https://youtu.be/qJFLrGQMJZ4?si=AOcWWJi9aDABu8li
From Alte Oper Frankfurt, 1990 Pianist Martha Argerich and the Orchestre National de France under the baton of Charles Dutoit Are you a Martha Argerich fan? Don't miss this intimate documentary on Martha Argerich, recorded by her daughter Stéphanie Argerich on @Euroarts: https://youtu.be/WV2jPWyQOqE You may also find it with Spanish subtitles: https://youtu.be/22PvxFcMFxA Subscribe to wocomoMUSIC: https://goo.gl/ahZRzC Follow us on Facebook: http://www.facebook.com/wocomo Maurice Ravel - Concerto for Piano and Orchestra in G Major 0:00 Intro 0:44 I. Allegramente 9:00 II. Adagio assai 17:55 III. Presto © Licensed by Digital Classics Distribution
Alban Maria Johannes Berg (/ˈɑːlbɑːn bɛrɡ/;German: [ˈbɛɐ̯k]; February 9, 1885 – December 24, 1935) was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with twelve-tone technique.
Berg was born in Vienna, the third of four children of Johanna and Conrad Berg. His family lived comfortably until the death of his father in 1900.
He was more interested in literature than music as a child and did not begin to compose until he was fifteen, when he started to teach himself music. In late February or early March 1902 he fathered a child with Marie Scheuchl, a servant girl in the Berg family household. His daughter, Albine, was born on December 4, 1902.
Berg had little formal music education before he became a student of Arnold Schoenberg in October 1904. With Schoenberg he studied counterpoint, music theory, and harmony. By 1906, he was studying music full-time; by 1907, he began composition lessons. His student compositions included five drafts for piano sonatas. He also wrote songs, including his Seven Early Songs (Sieben Frühe Lieder), three of which were Berg's first publicly performed work in a concert that featured the music of Schoenberg's pupils in Vienna that year. The early sonata sketches eventually culminated in Berg's Piano Sonata, Op. 1 (1907–1908); it is one of the most formidable "first" works ever written. Berg studied with Schoenberg for six years until 1911. Berg admired him as a composer and mentor, and they remained close lifelong friends.