- published: 08 Nov 2014
- views: 74130
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Alban Maria Johannes Berg (/ˈɑːlbɑːn bɛrɡ/;German: [ˈbɛɐ̯k]; February 9, 1885 – December 24, 1935) was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with twelve-tone technique.
Berg was born in Vienna, the third of four children of Johanna and Conrad Berg. His family lived comfortably until the death of his father in 1900.
He was more interested in literature than music as a child and did not begin to compose until he was fifteen, when he started to teach himself music. In late February or early March 1902 he fathered a child with Marie Scheuchl, a servant girl in the Berg family household. His daughter, Albine, was born on December 4, 1902.
Berg had little formal music education before he became a student of Arnold Schoenberg in October 1904. With Schoenberg he studied counterpoint, music theory, and harmony. By 1906, he was studying music full-time; by 1907, he began composition lessons. His student compositions included five drafts for piano sonatas. He also wrote songs, including his Seven Early Songs (Sieben Frühe Lieder), three of which were Berg's first publicly performed work in a concert that featured the music of Schoenberg's pupils in Vienna that year. The early sonata sketches eventually culminated in Berg's Piano Sonata, Op. 1 (1907–1908); it is one of the most formidable "first" works ever written. Berg studied with Schoenberg for six years until 1911. Berg admired him as a composer and mentor, and they remained close lifelong friends.
Carl Nielsen's String Quartet No. 4 in F major or Quartet for Two Violins, Viola and Cello in F major, Opus 44, was composed between February and July 1906. The last of Nielsen's four string quartets in the official series, its first public performance took place on 30 November 1907 in Copenhagen.
The Fourth String Quartet was composed between two of Nielsen's major dramatic works, the comic opera Maskarade and his music for Holger Drachmann's melodrama Hr. Oluf, han rider -. The first two movements were written in February and March and the last two in June and July 1906.
It was first performed privately at the home of Nielsen's friends, Viggo and Bodil Neergaard, Fuglsang on the island of Lolland. In August 1906, Nielsen wrote to his friend Henrik Knudsen: "Today we played my new quartet and it sounds as I had expected. I am beginning to discover the true nature of string instruments."
The quartet was originally entitled Piacevolezza after the first movement which was marked Allegro piacevolo ed indolente (agreeably and lazily). In the revised 1919 edition, the movement was renamed Allegro non tanto e comodo and the title was dropped. The work remained in manuscript form until 1923 when it was published by Peters of Leipzig.
Provided to YouTube by Warner Classics String Quartet, M. 35: III. Très lent · Alban Berg Quartett Debussy & Ravel: String Quartets & Stravinsky: 3 Pieces, Concertino & Double Canon ℗ 1986 Warner Classics, Warner Music UK Ltd String Quartet: Alban Berg Quartett Violin: Gerhard Schulz Violin: Günter Pichler Recording Engineer: Johann-Nikolaus Matthes Recording Producer: John Fraser Viola: Thomas Kakuska Cello: Valentin Erben Composer: Maurice Ravel Auto-generated by YouTube.
- Composer: Alban Maria Johannes Berg (9 February 1885 -- 24 December 1935) - Performers: New Zealand String Quartet - Year of recording: 2004 String Quartet, Op. 3, written in 1910. 00:00 - I. Langsam 10:19 - II. Mäßige Viertel Alban Berg's String Quartet, Op. 3 (1910) was the last work the composer produced under the tutelage of Arnold Schoenberg. First perfomed in 1911 and published nine years later, the two-movement String Quartet was not well received at its premiere and received no further performances for more than a decade. Schoenberg, however, admired the piece, and the work may rightly be regarded as an appropriate valedictory for Berg's transition from apprenticeship to musical maturity. According to Berg's wife Helene, the inspiration for the Quartet was born of the frustra...
Provided to YouTube by IDOL String Quartet in F Major, M. 35: III. Très lent · Quatuor Van Kuijk Debussy, Ravel & Chausson ℗ Alpha Classics / Outhere Music France Released on: 2017-09-22 Composer: Maurice Ravel Auto-generated by YouTube.
- Composer: Joseph-Maurice Ravel (7 March 1875 -- 28 December 1937) - Performers: Alban Berg Quartett - Year of recording: 1984 String quartet in F major, written in 1903. 00:00 - I. Allegro moderato. Très doux 07:41 - II. Assez vif. Très rythmé 14:34 - III. Très lent 23:53 - IV. Vif et agité The Quartet in F major was Ravel's final submission to the Prix de Rome and the Conservatoire de Paris. The composition was rejected by both institutions soon after its premier on 5 March 1904 by the Heymann Quartet. The quartet received mixed reviews from the Parisian press and local academia. Gabriel Fauré, to whom the work is dedicated, described the last movement as "stunted, badly balanced, in fact a failure." Ravel himself commented on the work, "My Quartet in F major responds to a de...
Provided to YouTube by NAXOS of America String Quartet in F Major, M. 35: III. Tres Lent · Satie String Quartet Quatuor Satie ℗ 2016 Skylark Music Released on: 2016-10-28 Ensemble: Satie String Quartet Composer: Maurice Ravel Auto-generated by YouTube.
Provided to YouTube by Warner Classics 3 Pieces for String Quartet: No. 3 · Alban Berg Quartett Stravinsky, Haubenstock-Ramati & von Einem: String Quartets ℗ 1984 Warner Music Group Germany Holding GmbH, a Warner Music Group Company String Quartet: Alban Berg Quartett Engineer: Hilmar Kerp Producer: Johann Nikolaus Matthes Composer: Igor Stravinsky Auto-generated by YouTube.
Alban Berg String Quartet
The third movement of 28 year-old Ravel's Quatuor à Cordes. He is said to have been meticulous in his writing, and, finally, a group of musicians have matched his efforts in terms of attention. This is, in my opinion, the best performance and recording of this piece. Following assez vif is a leisurely-paced third movement, which replays the theme from the first movement all through-out. Très lent is beautifully mysterious and possibly the least accessible of all of the movements, showing a rather unconventional structure. It is just as passionate as assez vif; but instead of heroic, the passages and melodies are quiet, introverted, and deeply romantic. The 2nd violin solo is an example of this, as its melody and style is carried over by the others before exploding into a climax of rhyth...
Provided to YouTube by Warner Classics String Quartet No. 4 in C Major, Sz. 91: III. Non troppo lento · Alban Berg Quartett Bartók: String Quartets No. 1 - 6 ℗ A Warner Classics release, ℗ 1987 Parlophone Records Limited. Remastered 2002 Parlophone Records Limited String Quartet: Alban Berg Quartett Engineer: Allan Ramsay Producer: David R. Murray Producer: Johann-Nikolaus Matthes Producer: John Fraser Composer: Bela Bartok Auto-generated by YouTube.
Alban Berg Quartett Beethoven String Quartet No 7 Op 59 No 1 in F major
Alban Maria Johannes Berg (/ˈɑːlbɑːn bɛrɡ/;German: [ˈbɛɐ̯k]; February 9, 1885 – December 24, 1935) was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with twelve-tone technique.
Berg was born in Vienna, the third of four children of Johanna and Conrad Berg. His family lived comfortably until the death of his father in 1900.
He was more interested in literature than music as a child and did not begin to compose until he was fifteen, when he started to teach himself music. In late February or early March 1902 he fathered a child with Marie Scheuchl, a servant girl in the Berg family household. His daughter, Albine, was born on December 4, 1902.
Berg had little formal music education before he became a student of Arnold Schoenberg in October 1904. With Schoenberg he studied counterpoint, music theory, and harmony. By 1906, he was studying music full-time; by 1907, he began composition lessons. His student compositions included five drafts for piano sonatas. He also wrote songs, including his Seven Early Songs (Sieben Frühe Lieder), three of which were Berg's first publicly performed work in a concert that featured the music of Schoenberg's pupils in Vienna that year. The early sonata sketches eventually culminated in Berg's Piano Sonata, Op. 1 (1907–1908); it is one of the most formidable "first" works ever written. Berg studied with Schoenberg for six years until 1911. Berg admired him as a composer and mentor, and they remained close lifelong friends.