- published: 11 Jun 2021
- views: 2426
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Alban Maria Johannes Berg (/ˈɑːlbɑːn bɛrɡ/;German: [ˈbɛɐ̯k]; February 9, 1885 – December 24, 1935) was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with twelve-tone technique.
Berg was born in Vienna, the third of four children of Johanna and Conrad Berg. His family lived comfortably until the death of his father in 1900.
He was more interested in literature than music as a child and did not begin to compose until he was fifteen, when he started to teach himself music. In late February or early March 1902 he fathered a child with Marie Scheuchl, a servant girl in the Berg family household. His daughter, Albine, was born on December 4, 1902.
Berg had little formal music education before he became a student of Arnold Schoenberg in October 1904. With Schoenberg he studied counterpoint, music theory, and harmony. By 1906, he was studying music full-time; by 1907, he began composition lessons. His student compositions included five drafts for piano sonatas. He also wrote songs, including his Seven Early Songs (Sieben Frühe Lieder), three of which were Berg's first publicly performed work in a concert that featured the music of Schoenberg's pupils in Vienna that year. The early sonata sketches eventually culminated in Berg's Piano Sonata, Op. 1 (1907–1908); it is one of the most formidable "first" works ever written. Berg studied with Schoenberg for six years until 1911. Berg admired him as a composer and mentor, and they remained close lifelong friends.
The Four Last Songs (German: Vier letzte Lieder), Op. posth., for soprano and orchestra are, with the exception of the song "Malven" (Mallows) composed later the same year, the final completed works of Richard Strauss, composed in 1948 when the composer was 84.
The songs are "Frühling" (Spring), "September", "Beim Schlafengehen" (When Falling Asleep) and "Im Abendrot" (At Sunset). The title Four Last Songs was provided posthumously by Strauss's friend Ernst Roth, who published the four songs as a single unit in 1950 after Strauss's death.
Strauss died in September 1949. The premiere was given posthumously at the Royal Albert Hall in London on 22 May 1950 by soprano Kirsten Flagstad and the Philharmonia Orchestra, conducted by Wilhelm Furtwängler.
Strauss had come across the poem Im Abendrot by Joseph von Eichendorff, which he felt had a special meaning for him. He set its text to music in May 1948. Strauss had also recently been given a copy of the complete poems of Hermann Hesse, and was strongly inspired by them. He set three of them – Frühling, September, and Beim Schlafengehen – for soprano and orchestra, and contemplated setting two more, Nacht and Hohe des Sommers, in the same manner. He also embarked on a choral setting of Hesse's Besinnung, but laid it aside after the projected fugue became "too complicated".
Richard Strauss was born on June 11, 1864 in Munich. Best known for his symphonic poems and operas, he is one of my all-time favorite composers. My first approach to R. Strauss was through "Vier Letzte Lieder" op. 150 and it was love at first listen. Vier letzte Lieder (Four Last Songs), op. 150, is a cycle of lieders for soprano and orchestra composed between 1946 and 1948. If there is a heaven, I imagine this could be its soundtrack. In particular the third of these pieces (Beim Schlafengehen - going to sleep) has one of the most beautiful violin solos I have ever heard, when I listen to it it gives me a feeling of fullness and at the same time total peace. The idea of letting music take us into new worlds is something that happens to me every time I listen to some Richard Strauss w...
*GIUSEPPE SINOPOLI | 1983 RAI TELECAST - 1/2* Richard STRAUSS: Vier letzte Lieder (4 Last Songs), TrV 296, Op.150 (1946/48) 00:55 | I. «Frühling» (Allegretto) 04:45 | II. «September» (Andante) 10:40 | III. «Beim Schlafengehen» (Andante) 17:10 | IV. «Im Abendrot» (Andante) (24:25 applause) Karin Ott, soprano Orchestra Sinfonica di Torino della RAI Alfonso Mosesti, concertmaster (19:30 | a solo) Giuseppe Sinopoli, conductor recorded: PAL 4:3 | live, Auditorium RAI, Torino | 25 March 1983 audio remastering: Emilio Pessina, 2014 --- © COPYRIGHT Disclaimer, Under Section 107 of the Copyright Act 1976. Allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise...
Lise Davidsen sings Beim Schlafengehen (Four Last Songs) from her debut album, available here: https://decca.lnk.to/LiseDavidsenVD Sign up to Lise's official mailing list: https://LiseDavidsen.lnk.to/NewsletterVD
Richard Strauß (1864-1949) Vier letzte Lieder für Sopran und Orchester / Four last Songs / Quatre derniers Lieder 1. Frühling 0:00 2. September 3:02 3. Beim Schlafengehen 6:56 4. Im Abendrot 12:05 Hanne-Lore Kuhse (1925-1999) Gewandhausorchester Leipzig Conducted by Václav Neumann 1967 _
The soprano sings the "Four Last Songs" by Richard Strauss in this concert from 1983 with the Louisville Symphony Orchestra under the direction of David Stahl. I. "Frühling" 0:00 II. "September" 3:51 III. "Beim Schlafengehen" 9:01 IV. "Im Abendrot" 15:11
Richard Strauß (1864-1949) Vier letzte Lieder: Im Abendrot Barbara Bonney, soprano Malcolm Martineau, piano 1999 _
This channel is the re-establishment of previous channels that have been sadly terminated. ========================= Marlis Petersen--soprano Stephan Matthias Lademann--piano Violin--? 2019 ====================== "Marlis Petersen (born 3 February 1968)[2][1] is a German operatic coloratura soprano. Career Born in Sindelfingen, Baden-Württemberg,[1] Marlis Petersen won six important piano competitions before eventually going to the Stuttgart Conservatory where she studied music education, flute and dance as well as voice. She made her operatic debut at the Staatstheater Nürnberg as Ännchen in Der Freischütz which led to a contract with the Deutsche Oper am Rhein, where she primarily sang in operas by Mozart and Strauss. On 6 September 2007, Petersen sang the role of Aphrodite in the world...
Teréz ILLÉS, Sopran Vienna, 2015
Am Flügel: Hans Adolfsen
Natalia Labourdette, soprano Victoria Guerrero, piano Antoni Salvador, credits 31.08.2020, Festival de Musica d'Estiú de Ciutadella (Menorca) Zueignung Hermann von Gilm Ja, du weißt es, teure Seele, Daß ich fern von dir mich quäle, Liebe macht die Herzen krank, Habe Dank. Einst hielt ich, der Freiheit Zecher, Hoch den Amethysten-Becher, Und du segnetest den Trank, Habe Dank. Und beschworst darin die Bösen, Bis ich, was ich nie gewesen, Heilig, heilig an’s Herz dir sank, Habe Dank!
Alban Maria Johannes Berg (/ˈɑːlbɑːn bɛrɡ/;German: [ˈbɛɐ̯k]; February 9, 1885 – December 24, 1935) was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with twelve-tone technique.
Berg was born in Vienna, the third of four children of Johanna and Conrad Berg. His family lived comfortably until the death of his father in 1900.
He was more interested in literature than music as a child and did not begin to compose until he was fifteen, when he started to teach himself music. In late February or early March 1902 he fathered a child with Marie Scheuchl, a servant girl in the Berg family household. His daughter, Albine, was born on December 4, 1902.
Berg had little formal music education before he became a student of Arnold Schoenberg in October 1904. With Schoenberg he studied counterpoint, music theory, and harmony. By 1906, he was studying music full-time; by 1907, he began composition lessons. His student compositions included five drafts for piano sonatas. He also wrote songs, including his Seven Early Songs (Sieben Frühe Lieder), three of which were Berg's first publicly performed work in a concert that featured the music of Schoenberg's pupils in Vienna that year. The early sonata sketches eventually culminated in Berg's Piano Sonata, Op. 1 (1907–1908); it is one of the most formidable "first" works ever written. Berg studied with Schoenberg for six years until 1911. Berg admired him as a composer and mentor, and they remained close lifelong friends.
Ich stah dah nd sing es Lied für dech
Es ish es simpels, ich hoff s gfallt dir glich
Ohni leeri Wort nd ohni Hollywood
Nur en Gedankä wo mi nümm loslaht
Es geb tusig Songs woni dir chönnt singe
Abr de Song de giltet für immr
Egal was d Zukunft alles brengt
Egal was abverheit nd was glingt
Ich will nur dech, nd dass du weish
Du bliebsh immr mini Nr. 1
Egal was s Schicksal mit eus macht
Du hesh neus Läbä i mis Läbä bracht
Ich weiss ned vell doch wasi weiss
Du h immr mini Nr. 1, mini Nr. 1
Es send nur die Ziiele, nume die paar Wort
Ich wott ken Nobelpriis, ken Weltrekord
Ich wotts dr nume gseit hah uni Liebesschmerz
Das ish min halbä Song vo ganzem Herz
Es gäb tusig Wort woni dir möcht singe
Aber die Wort die giltet für immr
Egal was d Zukunft alles brengt
Egal was abverheit nd was glingt
Ich will nur dech, nd dass du weish
Du bliebsh immr mini Nr. 1
Egal was s Schicksal mit eus macht
Du hesh neus Läbä i mis Läbä bracht
Ich weiss ned vell doch wasi weiss
Du h immr mini Nr. 1
Aah
Das Lied ish ganz ellei für dich
All mis Herzbluet liiet i dere Melodie
Es gäb na besseri Wort
Ich benn sichr irgendwänn findi siie
Nume für dii
Egal was d Zukunft alles brengt
Egal was abverheit nd was glingt
Ich will nur dech, nd dass du weish
Du bliebsh immr mini Nr. 1
Egal was s Schicksal mit eus macht
Du hesh neus Läbä i mis Läbä bracht
Ich weiss ned vell doch wasi weiss
Du h immr mini Nr. 1, mini Nr. 1