- published: 14 Oct 2013
- views: 487
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Alban Maria Johannes Berg (/ˈɑːlbɑːn bɛrɡ/;German: [ˈbɛɐ̯k]; February 9, 1885 – December 24, 1935) was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with twelve-tone technique.
Berg was born in Vienna, the third of four children of Johanna and Conrad Berg. His family lived comfortably until the death of his father in 1900.
He was more interested in literature than music as a child and did not begin to compose until he was fifteen, when he started to teach himself music. In late February or early March 1902 he fathered a child with Marie Scheuchl, a servant girl in the Berg family household. His daughter, Albine, was born on December 4, 1902.
Berg had little formal music education before he became a student of Arnold Schoenberg in October 1904. With Schoenberg he studied counterpoint, music theory, and harmony. By 1906, he was studying music full-time; by 1907, he began composition lessons. His student compositions included five drafts for piano sonatas. He also wrote songs, including his Seven Early Songs (Sieben Frühe Lieder), three of which were Berg's first publicly performed work in a concert that featured the music of Schoenberg's pupils in Vienna that year. The early sonata sketches eventually culminated in Berg's Piano Sonata, Op. 1 (1907–1908); it is one of the most formidable "first" works ever written. Berg studied with Schoenberg for six years until 1911. Berg admired him as a composer and mentor, and they remained close lifelong friends.
ORQUESTRA DE CORDAS DA FAMOSP Direção artística e regência: Adriano Del Mastro Contó 24/09/2013 19h Teatro FAMOSP Violinos Michael Nunes Da Silva (spalla) Tales Eduardo Navarro (spalla) Anderson Ancelmo dos Santos Bruna De Araújo César Augusto Bonfim Dos Santos Pinto Cleiton Carlos França de Moraes Diener Lima Pinto Ebenezer Florêncio Dos Santos Edna Santos Ribeiro Filipe Dias Da Costa Ismahel Carvalho De Souza Violas Camila Ribeiro Rodrigues Violoncelos Air Justi Júnior Daniel Soares Henrique Júlio César Martins Pelloso Welington Ramos Contrabaixo Silvio Souza Silva * * músico convidado Regência e Direção Artística : Adriano Del Mastro Contó Inspetora: Magda Portela Assessoria de Imprensa: Ana Carolina Santos Montador: José Aparecido Carvalho Coordenação: Lina Maria Ribeiro de Noro...
Anton Webern - Five Movements for String Orchestra, Op. 5 0:00 Sehr ruhig und zart 0:00 Sehr langsam 0:00 Sehr lebhaft 0:00 Sehr langsam 0:00 In zarter bewegung New York Philharmonic Orchestra conducted by Herbert von Karajan Recorded live: 15 November 1958, Carnegie Hall, New York City Photo: Herbert Von Karajan bows to the audience after leading the Berlin Philharmonic Orchestra in its first concert at Carnegie Hall, 1 March 1955
1909 für streichquartett
From Webern, Haubenstock-Ramati, Urbanner - String Quartets - 1976 - TELDEC 6.41994 AW Webern's music was the most radical of its milieu in its rigorous and resolute apprehension of twelve-tone technique. His innovations in schematic organization of pitch, rhythm, register, timbre, dynamics, articulation, and melodic contour; his eagerness to redefine imitative contrapuntal techniques such as canon and fugue; and his inclination toward athematicism, abstraction, concision, and lyricism all greatly informed and oriented post-war European, typically serial or avant-garde composers such as Pierre Boulez, Karlheinz Stockhausen, Luigi Nono, Bruno Maderna, Henri Pousseur, and György Ligeti. In the United States, meanwhile, Webern's music was very fruitfully reintroduced to Igor Stravinsky by Ro...
Alban Berg: String Quartet, Op. 3 Langsam Massige Viertel Vermeer Quartet Shmuel Ashkenasi, 1st violin Mathias Tacke, 2nd violin Richard Young, viola Marc Johnson, cello November 23, 1993 Northern Illinois University If there is any string quartet that screams from the depths of the soul, it’s this Op. 3 quartet by Alban Berg. The musicologist, Eric Salzman, wrote: “The intensity and diversity of Berg’s ideas come close to shattering their very structure. It is almost as if he wanted to charge his music with more expressive weight than it could bear.” In this work, the density and specificity of Berg’s markings are overwhelming. Cellist Marc Johnson once quipped, “I feel like Berg is constantly telling me seven ways to play every bar!” But observing the black and white instruct...
Provided to YouTube by naïve classique Fünf Orchesterlieder, Op. 4 · Halina Lukomska · Sinfonieorchester des südwestfunks · Ernest Bour Ernest Bour: L'œuvre du XXe siècle, Vol. 2: Vienne - Budapest ℗ Audivis-Astrée Released on: 1991-01-01 Composer: Alban Berg Lyricist: Peter Altenberg Auto-generated by YouTube.
Recorded Live France
Anton Webern's Vier Stucke Op.7 Sehr langsam Rasch Sehr langsam Bewegt
Arnold Schoenberg String Quartet No. 2 First Movement: Mäßig (String Orchestra Arrangement) Kammerorchester der Junge Deutsche Philharmonie Peter Gülke, conductor
Anton Webern - SEI PEZZI PER ORCHESTRA OP. 6 Mario Ruffini, direttore Orchestra Internazionale d'Italia 21° Festival della Valle d'Itria 1995 30 luglio 1995, Martina Franca 31 luglio 1995, Taranto, Castello Aragonese 1 agosto 1995, Otranto, Largo Cattedrale live
Alban Maria Johannes Berg (/ˈɑːlbɑːn bɛrɡ/;German: [ˈbɛɐ̯k]; February 9, 1885 – December 24, 1935) was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with twelve-tone technique.
Berg was born in Vienna, the third of four children of Johanna and Conrad Berg. His family lived comfortably until the death of his father in 1900.
He was more interested in literature than music as a child and did not begin to compose until he was fifteen, when he started to teach himself music. In late February or early March 1902 he fathered a child with Marie Scheuchl, a servant girl in the Berg family household. His daughter, Albine, was born on December 4, 1902.
Berg had little formal music education before he became a student of Arnold Schoenberg in October 1904. With Schoenberg he studied counterpoint, music theory, and harmony. By 1906, he was studying music full-time; by 1907, he began composition lessons. His student compositions included five drafts for piano sonatas. He also wrote songs, including his Seven Early Songs (Sieben Frühe Lieder), three of which were Berg's first publicly performed work in a concert that featured the music of Schoenberg's pupils in Vienna that year. The early sonata sketches eventually culminated in Berg's Piano Sonata, Op. 1 (1907–1908); it is one of the most formidable "first" works ever written. Berg studied with Schoenberg for six years until 1911. Berg admired him as a composer and mentor, and they remained close lifelong friends.