- published: 18 Jul 2020
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Alban Maria Johannes Berg (/ˈɑːlbɑːn bɛrɡ/;German: [ˈbɛɐ̯k]; February 9, 1885 – December 24, 1935) was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with twelve-tone technique.
Berg was born in Vienna, the third of four children of Johanna and Conrad Berg. His family lived comfortably until the death of his father in 1900.
He was more interested in literature than music as a child and did not begin to compose until he was fifteen, when he started to teach himself music. In late February or early March 1902 he fathered a child with Marie Scheuchl, a servant girl in the Berg family household. His daughter, Albine, was born on December 4, 1902.
Berg had little formal music education before he became a student of Arnold Schoenberg in October 1904. With Schoenberg he studied counterpoint, music theory, and harmony. By 1906, he was studying music full-time; by 1907, he began composition lessons. His student compositions included five drafts for piano sonatas. He also wrote songs, including his Seven Early Songs (Sieben Frühe Lieder), three of which were Berg's first publicly performed work in a concert that featured the music of Schoenberg's pupils in Vienna that year. The early sonata sketches eventually culminated in Berg's Piano Sonata, Op. 1 (1907–1908); it is one of the most formidable "first" works ever written. Berg studied with Schoenberg for six years until 1911. Berg admired him as a composer and mentor, and they remained close lifelong friends.
The Sonata in A minor for Arpeggione and Piano, D. 821, was written by Franz Schubert in Vienna in November 1824. The sonata is the only substantial composition for the arpeggione (which was essentially a bowed guitar) which remains extant today. It belongs to the same period as the Death and the Maiden Quartet, when Schubert was suffering from the advanced stages of syphilis and lapsing into increasingly frequent episodes of depression.
The piece was probably commissioned by Schubert's friend Vincenz Schuster, who was a virtuoso of the arpeggione, an instrument which had been invented only the previous year. By the time the sonata was published posthumously in 1871, the enthusiasm for the novelty of the arpeggione had long since vanished, together with the instrument itself.
Today, the piece is heard almost exclusively in transcriptions for cello and piano or viola and piano that were arranged after the posthumous publication, although versions that substitute other instruments, including the double bass, the flute, the euphonium and the clarinet, or the guitar for the piano part are also performed. Transcribers have attempted to address the problems posed by the smaller playing range of these alternative instruments, in comparison with the arpeggione, as well as the attendant modifications in articulation (4 versus 6 strings).
🔊 Download high-fidelity classical music: https://classicalmusicreference.com/ Franz Schubert (1797-1828) Sonata for Arpeggione and Piano D821. *Click to activate the English subtitles for the presentation* (00:00-03:08) I.Allegro moderato (00:00) II.Adagio (13:32) III.Allegretto (18:06) Cello : Mstislav Rostropovich Piano : Benjamin Britten Recorded in 1968 New Mastering in 2020 by AB for CMRR 🔊 Join us with your phone on our WhatsApp fanpage (our latest album preview): https://cutt.ly/5eathESK 🔊 Find our entire catalog on Qobuz: https://cutt.ly/geathMhL 🔊 Discover our playlists on Spotify: https://cutt.ly/ceatjtlB ❤️ Support us on Patreon https://www.patreon.com/cmrr/about Do we know that this work, which remains very popular, was in fact a kind of " spotlight "?! Johan Georg Staufer ...
© RTBF, VRT, Queen Elisabeth Competition FRANZ SCHUBERT Sonata in A minor D 821 Woochan Jeong, cello José Gallardo, piano Queen Elisabeth Competition - Cello 2022 | Semi-final Flagey / Studio 4 (Brussels) More #Cello2022 videos: • https://queenelisabethcompetition.be/en/competitions-details-watch-listen/activities/cello-2022/ • https://www.rtbf.be/auvio/emissions/detail_concours-reine-elisabeth?id=11357 • https://www.vrt.be/vrtnu/a-z/koningin-elisabethwedstrijd/
Nicolas Deletaille, arpeggione Alain Roudier, fortepiano Schubert: Sonata for arpeggione and fortepiano in a minor D821 (original version : played on arpeggione and fortepiano) Instruments: Arpeggione: B. Labrique 2001 (Brussels) Fortepiano: Conrad Graf 1827 (Vienna) (collection Association Pianoforte ad libitum, Etobon, France: http://www.pianoforteadlibitum.org) Sound engineer & vidéo : Luc Henrion (http://www.luc-henrion.be) Recorded at the Castle of Corroy-le-Château on July 8, 2012 A CD recording by the same performers is available at http://www.cdbaby.com/cd/alainroudier1 More info: http://www.nicolasdeletaille.com http://www.alainroudier.com http://www.pianoforteadlibitum.org
Franz Schubert (1797-1828) Schubert: Arpeggione Sonata D821 for Cello & Piano (1/3) Yo-Yo Ma (Violincello) Emanuel Ax (Piano) IMHO, the best performance 1st movement's exposition: 00:00 First theme 01:10 Second theme Repeat-Exposition: 02:47 First theme 03:59 Second theme Development: 05:38 Pre-core 05:50 Core 07:01 Standing on the Dominant Recapitulation: 07:43 First theme 08:58 Second theme 10:09 Coda 11:03 2nd movement 15:24 3rd movement Thanks to jeffreyFUU for additional information Dedicated to: http://klasszikusok.blog.hu/2010/08/27/foszerepben_a_csello_1
Arpeggione Sonata (Schubert ) Cello : Yo-Yo Ma Piano : Rudolf Firkušný (1912-1994) 1992.11.20 Suntory Hall (Tokyo) アルペジオーネ・ソナタ (シューベルト) チェロ : ヨーヨー・マ ピアノ : ルドルフ・フィルクスニー(1912-1994) 1992年11月20日 サントリーホール
Franz Schubert Arpeggione Sonata (D821) 1. Allegro moderato Cello: Mstislav Rostropovich Piano: Benjamin Britten
F. SCHUBERT / Arpeggione Sonata (Viola and String Orchestra arr. by Dobrinka Tabakova) - 1. Allegro moderato (00:36) - 2. Adagio (09:43) - 3. Allegretto (14:14) The New York Classical Players Dongmin Kim, conductor Richard Yongjae O'Neill, viola May 1, 2015 W83 Concert Hall, New York, NY __________ Follow us on: Official Website ► http://nycpmusic.org Instagram ► http://www.instagram.com/nycpmusic Facebook page ► http://www.facebook.com/nycpmusic Youtube channel ► http://www.youtube.com/@nycpmusic NYCP edition rental inquiry ► https://www.nycpmusic.org/music-rental __________ "Exuberant chamber orchestra!" "Admirably dedicated to bringing free music!" - TIMEOUT NEW YORK - NEW YORK CLASSICAL PLAYERS Founded in 2010, New York Classical Players (NYCP) is an ensemble dedicated to...
Franz Schubert - Sonata per violoncello e pianoforteD 821 "Arpeggione" - Martha Argerich - Mischa Maisky - Milano 2016 0:29 I. Allegro moderato 12:58 II. Adagio 17:22 III. Allegretto
Live recording from 1984 Pinchas Zukerman - viola Marc Neikrug - piano Pinchas Zukerman, Marc Neikrug: Franz Schubert Sonate für Arpeggione und Klavier D821 0:55 First movement 10:02 Second movement 15:10 Third movement Subscribe to the channel for more content: https://goo.gl/GLSuto An Allegro film by Christopher Nupen
Alban Maria Johannes Berg (/ˈɑːlbɑːn bɛrɡ/;German: [ˈbɛɐ̯k]; February 9, 1885 – December 24, 1935) was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with twelve-tone technique.
Berg was born in Vienna, the third of four children of Johanna and Conrad Berg. His family lived comfortably until the death of his father in 1900.
He was more interested in literature than music as a child and did not begin to compose until he was fifteen, when he started to teach himself music. In late February or early March 1902 he fathered a child with Marie Scheuchl, a servant girl in the Berg family household. His daughter, Albine, was born on December 4, 1902.
Berg had little formal music education before he became a student of Arnold Schoenberg in October 1904. With Schoenberg he studied counterpoint, music theory, and harmony. By 1906, he was studying music full-time; by 1907, he began composition lessons. His student compositions included five drafts for piano sonatas. He also wrote songs, including his Seven Early Songs (Sieben Frühe Lieder), three of which were Berg's first publicly performed work in a concert that featured the music of Schoenberg's pupils in Vienna that year. The early sonata sketches eventually culminated in Berg's Piano Sonata, Op. 1 (1907–1908); it is one of the most formidable "first" works ever written. Berg studied with Schoenberg for six years until 1911. Berg admired him as a composer and mentor, and they remained close lifelong friends.