- published: 19 Sep 2021
- views: 40026
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Alban Maria Johannes Berg (/ˈɑːlbɑːn bɛrɡ/;German: [ˈbɛɐ̯k]; February 9, 1885 – December 24, 1935) was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with twelve-tone technique.
Berg was born in Vienna, the third of four children of Johanna and Conrad Berg. His family lived comfortably until the death of his father in 1900.
He was more interested in literature than music as a child and did not begin to compose until he was fifteen, when he started to teach himself music. In late February or early March 1902 he fathered a child with Marie Scheuchl, a servant girl in the Berg family household. His daughter, Albine, was born on December 4, 1902.
Berg had little formal music education before he became a student of Arnold Schoenberg in October 1904. With Schoenberg he studied counterpoint, music theory, and harmony. By 1906, he was studying music full-time; by 1907, he began composition lessons. His student compositions included five drafts for piano sonatas. He also wrote songs, including his Seven Early Songs (Sieben Frühe Lieder), three of which were Berg's first publicly performed work in a concert that featured the music of Schoenberg's pupils in Vienna that year. The early sonata sketches eventually culminated in Berg's Piano Sonata, Op. 1 (1907–1908); it is one of the most formidable "first" works ever written. Berg studied with Schoenberg for six years until 1911. Berg admired him as a composer and mentor, and they remained close lifelong friends.
Apollo (originally Apollon musagète and variously known as Apollo musagetes, Apolo Musageta, and Apollo, Leader of the Muses) is a ballet in two tableaux composed between 1927 and 1928 by Igor Stravinsky. It was choreographed in 1928 by twenty-four-year-old George Balanchine, with the composer contributing the libretto. The scenery and costumes were designed by André Bauchant, with new costumes by Coco Chanel in 1929. The scenery was executed by Alexander Shervashidze, with costumes under the direction of Mme. A. Youkine. The American patron of the arts Elizabeth Sprague Coolidge had commissioned the ballet in 1927 for a festival of contemporary music to be held the following year at the Library of Congress in Washington, D.C.
The story centres on Apollo, the Greek god of music, who is visited by three Muses: Terpsichore, muse of dance and song; Polyhymnia, muse of mime; and Calliope, muse of poetry. The ballet takes Classical antiquity as its subject, though its plot suggests a contemporary situation. It is concerned with the reinvention of tradition, since its inspiration is "classique" or even post-baroque. It uses a chamber orchestra with 34 string instruments (8.8.6.8.4).
Royal Ballet: Matthew Ball, Fumi Kaneko, Melissa Hamilton and Claire Calvert I have no copyright to this video. I just want to share it with the millions of Baletomanes around the world.
"Apollo crafted in 1928 by a then-24-year-old choreographer, is a brief work of rare beauty..." -Seattle Times APOLLO & CARMINA Apr. 13-22, 2012 http://www.pnb.org
2018 February at Auditorium RAI, Torino With: Nicoletta Manni Virna Toppi Martina Arduino
Watch Jonathan Cope teach the role of Apollo to Royal Ballet dancer Nicol Edmonds. Choreography by George Balanchine © The George Balanchine Trust Music - Igor Stravinsky. By kind arrangement with Boosey & Hawkes. Piano - Tim Qualtrough George Balanchine was just 24 when he created his ballet about the youthful Greek god Apollo. It was a landmark in his career, in which he moved from the modernism of earlier works to re-embrace and reinterpret classical choreography. The ballet also marked the start of a long, collaborative relationship with Igor Stravinsky, who produced a score of neoclassical vitality. Apollo had its premiere in 1928 and its success launched Balanchine onto the international stage. The ballet opens with the birth of Apollo against a luminous blue background, evoking t...
selections choreographer: George Balanchine Zhana Ayupova Patricia Barker Isabelle Guérin Nilas Martins New York City Ballet 1993
ENB Principal Francesco Gabriele Frola performs an excerpt from George Balanchine's neoclassical ballet Apollo at our 70th Anniversary Gala in January 2020. Subscribe for regular ENB films ► http://bit.ly/ENBSubscribe Watch more ENB films ► https://www.youtube.com/enballet #EnglishNationalBallet #FrancescoGabrieleFrola #Balanchine #ENB70 #ENBatHome Founded in 1950 as London Festival Ballet by the great English Dancers Alicia Markova and Anton Dolin, English National Ballet has been at the forefront of ballet’s growth and evolution ever since. English National Ballet brings world class ballet to the widest possible audience through performances across the UK and on eminent international stages including The Bolshoi Theatre and Palais Garnier; its distinguished orchestra, English Nati...
This ballet depicts Apollo, the young god of music, who is visited and instructed by three Muses: Calliope, Muse of poetry, whose symbol is a tablet; Polyhymnia, Muse of mime, whose symbol is a mask that represents the power of gesture; and Terpsichore, Muse of dance and song, whose symbol is a lyre. Apollo Choreography by George Balanchine © The George Balanchine Trust Performed by Houston Ballet. Dancers: Andrew Murphy, Mireille Hassenboehler, Kelly Myernick, and Bridgett Zehr. www.houstonballet.org
Entrée d'Apollon - Lully
ドキュメンタリー「ダンスの世紀」より
Apollo Balanchine Ballet
Alban Maria Johannes Berg (/ˈɑːlbɑːn bɛrɡ/;German: [ˈbɛɐ̯k]; February 9, 1885 – December 24, 1935) was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with twelve-tone technique.
Berg was born in Vienna, the third of four children of Johanna and Conrad Berg. His family lived comfortably until the death of his father in 1900.
He was more interested in literature than music as a child and did not begin to compose until he was fifteen, when he started to teach himself music. In late February or early March 1902 he fathered a child with Marie Scheuchl, a servant girl in the Berg family household. His daughter, Albine, was born on December 4, 1902.
Berg had little formal music education before he became a student of Arnold Schoenberg in October 1904. With Schoenberg he studied counterpoint, music theory, and harmony. By 1906, he was studying music full-time; by 1907, he began composition lessons. His student compositions included five drafts for piano sonatas. He also wrote songs, including his Seven Early Songs (Sieben Frühe Lieder), three of which were Berg's first publicly performed work in a concert that featured the music of Schoenberg's pupils in Vienna that year. The early sonata sketches eventually culminated in Berg's Piano Sonata, Op. 1 (1907–1908); it is one of the most formidable "first" works ever written. Berg studied with Schoenberg for six years until 1911. Berg admired him as a composer and mentor, and they remained close lifelong friends.