- published: 22 Feb 2012
- views: 167556
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Alban Maria Johannes Berg (/ˈɑːlbɑːn bɛrɡ/;German: [ˈbɛɐ̯k]; February 9, 1885 – December 24, 1935) was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with twelve-tone technique.
Berg was born in Vienna, the third of four children of Johanna and Conrad Berg. His family lived comfortably until the death of his father in 1900.
He was more interested in literature than music as a child and did not begin to compose until he was fifteen, when he started to teach himself music. In late February or early March 1902 he fathered a child with Marie Scheuchl, a servant girl in the Berg family household. His daughter, Albine, was born on December 4, 1902.
Berg had little formal music education before he became a student of Arnold Schoenberg in October 1904. With Schoenberg he studied counterpoint, music theory, and harmony. By 1906, he was studying music full-time; by 1907, he began composition lessons. His student compositions included five drafts for piano sonatas. He also wrote songs, including his Seven Early Songs (Sieben Frühe Lieder), three of which were Berg's first publicly performed work in a concert that featured the music of Schoenberg's pupils in Vienna that year. The early sonata sketches eventually culminated in Berg's Piano Sonata, Op. 1 (1907–1908); it is one of the most formidable "first" works ever written. Berg studied with Schoenberg for six years until 1911. Berg admired him as a composer and mentor, and they remained close lifelong friends.
Sechs kleine Klavierstücke, Op. 19 (or Six Little Piano Pieces) is a set of pieces for solo piano written by the Austrian composer Arnold Schoenberg, published in 1913.
After having written large, dense works such as Pelleas und Melisande, up until 1907, Schönberg decided to turn away from this style, beginning with his second string quartet of 1908. The following excerpt, translated from a letter written to Ferruccio Busoni in 1909, well expresses his reaction against the excess of the Romantic period:
My goal: complete liberation from form and symbols, context and logic.
Away with motivic work!
Away with harmony as the cement of my architecture!
Harmony is expression and nothing more.
Away with pathos!
Away with 24 pound protracted scores!
My music must be short.
Lean! In two notes, not built, but "expressed".
And the result is, I hope, without stylized and sterilized drawn-out sentiment.
That is not how man feels; it is impossible to feel only one emotion.
Man has many feelings, thousands at a time, and these feelings add up no more than apples and pears add up. Each goes its own way.
This multicoloured, polymorphic, illogical nature of our feelings, and their associations, a rush of blood, reactions in our senses, in our nerves; I must have this in my music.
It should be an expression of feeling, as if really were the feeling, full of unconscious connections, not some perception of "conscious logic".
Now I have said it, and they may burn me.
Opus 19, Sechs Kleine Klavierstücke, recorded in concert. From Performance Recordings (R) album, "20th Century Masters," available at http://shop.PerformanceRecordings.com . Boyk was Pianist in Residence at California Institute of Technology (Caltech) for 30 years, and is known internationally as a recording artist and teacher. To inquire about studying or coaching with James Boyk, write [email protected] .
Arnold Schönberg (1874-1951) Sechs kleine Klavierstücke op. 19 (1911) Amadeus Wiesensee, piano ensemble oktopus für musik der moderne 26.11.2019, Reaktorhalle, Munich www.ensemble-oktopus.de www.facebook.com/oktopusensemble/
Schönberg Sechs kleine klaviersücke op19 (1911) Pollini live Roma 2008 "...Away with 24 pound protracted scores! My music must be short..." from a letter of Schönberg to Busoni.
In the next piece, the rhythmic ostinato of repeated major thirds assures a far greater degree of stability, as though the composer had now underpinned the piano writing with tonality
The Well-Rounded Pianist (subscription website) ► https://wellroundedpianist.com Piano Lessons via Skype or Zoom ► https://www.bachscholar.com/shop/piano-lessons-via-skype-or-zoom Sight-Reading Books & More ► https://www.bachscholar.com/bachscholar-editions-catalogue ABOUT BACHSCHOLAR®: The BachScholar® YouTube channel was established in 2008 by pianist and teacher, Dr. Cory Hall. BachScholar Publishing was established in 2011, whose main mission is to provide books and resources for pianists, students, and teachers. In 2012, Cory began teaching piano full-time worldwide via Skype. "The Well-Rounded Pianist" subscription piano learning website was established in 2017. It is one of the largest piano learning websites in the world with new content uploaded weekly and over 1000 videos alon...
Arnold Schönberg (1873-1951) Sechs kleine Klavierstücke op. 19 (1911), für Kammerensemble bearbeitet von Heinz Holliger (2006) 2. Dezember 2019 - Dampfzentrale Bern Ensemble Proton Bern Dirigent - Matthias Kuhn Flöten - Bettina Berger Oboe & Englischhorn - Martin Bliggenstorfer Klarinetten - Richard Haynes Fagott - Elise Jacoberger Horn - Deepa Goonetilleke Perkussion - Jens Ruland Harfe - Vera Schnider Klavier & Harmonium - Samuel Fried Klavier & Celesta - Yuka Munehisa Violine 1 - Corinna Canzian Violine 2 - Daniella Strasfogel Viola - Corey Worley Violoncello - Jan-Filip Ťupa Kontrabass - Szymon Marciniak Video & Ton - Joël Cormier Grafik - Kaspar Allenbach www.ensembleproton.ch
- I. Leicht, zart (0:00) - II. Langsam (1:25) - III. Sehr langsam (2:27) - IV. Rasch, aber leicht (3:18) - V. Etwas rasch (3:39) - VI. Sehr langsam (4:08)
Arnold Schönberg: Sechs kleine Klavierstücke ("Six little Piano Pieces"), performed by Toni Ming Geiger. 1. Leicht, zart ("Light, gentle") 2. Langsam ("Slow") 3. Sehr langsam ("Very slow") 4. Rasch, aber leicht ("Quick, but light") 5. Etwas rasch ("Slightly quick") 6. Sehr langsam ("Very slow") This recording has not been edited besides the Fade-In and -Outs. Recorded by Andreas Menne on 23rd January, 2012.
Yevgeny Yontov performing Schoenberg's Six (6) Little Piano Pieces, Op. 19, live in Sprague Hall, Yale School of Music
To help us support musicians and produce future concerts, please donate at: https://www.kco.la/support David Kaplan, piano Performance recorded May 2021 at the Thomas Mann House, Los Angeles California
Alban Maria Johannes Berg (/ˈɑːlbɑːn bɛrɡ/;German: [ˈbɛɐ̯k]; February 9, 1885 – December 24, 1935) was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with twelve-tone technique.
Berg was born in Vienna, the third of four children of Johanna and Conrad Berg. His family lived comfortably until the death of his father in 1900.
He was more interested in literature than music as a child and did not begin to compose until he was fifteen, when he started to teach himself music. In late February or early March 1902 he fathered a child with Marie Scheuchl, a servant girl in the Berg family household. His daughter, Albine, was born on December 4, 1902.
Berg had little formal music education before he became a student of Arnold Schoenberg in October 1904. With Schoenberg he studied counterpoint, music theory, and harmony. By 1906, he was studying music full-time; by 1907, he began composition lessons. His student compositions included five drafts for piano sonatas. He also wrote songs, including his Seven Early Songs (Sieben Frühe Lieder), three of which were Berg's first publicly performed work in a concert that featured the music of Schoenberg's pupils in Vienna that year. The early sonata sketches eventually culminated in Berg's Piano Sonata, Op. 1 (1907–1908); it is one of the most formidable "first" works ever written. Berg studied with Schoenberg for six years until 1911. Berg admired him as a composer and mentor, and they remained close lifelong friends.