- published: 10 Jan 2013
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Alban Maria Johannes Berg (/ˈɑːlbɑːn bɛrɡ/;German: [ˈbɛɐ̯k]; February 9, 1885 – December 24, 1935) was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with twelve-tone technique.
Berg was born in Vienna, the third of four children of Johanna and Conrad Berg. His family lived comfortably until the death of his father in 1900.
He was more interested in literature than music as a child and did not begin to compose until he was fifteen, when he started to teach himself music. In late February or early March 1902 he fathered a child with Marie Scheuchl, a servant girl in the Berg family household. His daughter, Albine, was born on December 4, 1902.
Berg had little formal music education before he became a student of Arnold Schoenberg in October 1904. With Schoenberg he studied counterpoint, music theory, and harmony. By 1906, he was studying music full-time; by 1907, he began composition lessons. His student compositions included five drafts for piano sonatas. He also wrote songs, including his Seven Early Songs (Sieben Frühe Lieder), three of which were Berg's first publicly performed work in a concert that featured the music of Schoenberg's pupils in Vienna that year. The early sonata sketches eventually culminated in Berg's Piano Sonata, Op. 1 (1907–1908); it is one of the most formidable "first" works ever written. Berg studied with Schoenberg for six years until 1911. Berg admired him as a composer and mentor, and they remained close lifelong friends.
The Alban Berg Quartett was a string quartet founded in Vienna, Austria in 1970, named after Alban Berg.
The Berg Quartet was founded in 1970 by four young professors of the Vienna Academy of Music, and made its debut in the Vienna Konzerthaus in autumn 1971. The widow of the composer Alban Berg, Helene, attended an early private concert after which she gave her consent for the quartet to use her husband's name.
The Quartet's repertoire was centered on the Viennese classics, but with a serious emphasis on the 20th century. It was the stated goal of the quartet to include at least one modern work in each performance. Their repertoire spanned from Early Classicism, Romanticism, to the Second Viennese School (Berg, Schoenberg, Webern), Bartók and embraced many contemporary composers. This took expression not the least in personal statements by composers like Witold Lutosławski and Luciano Berio, of whom the former said: "Personally I am indebted to the Alban Berg Quartet for an unforgettable event. Last year in Vienna, they played my quartet in a way such as will never be likely equaled."
A string quartet is a musical ensemble of four string players – two violin players, a viola player and a cellist – or a piece written to be performed by such a group. The string quartet is one of the most prominent chamber ensembles in classical music, with most major composers, from the mid to late 18th century onwards, writing string quartets.
The string quartet was developed into its current form by the Austrian composer Joseph Haydn, with his works in the 1750s establishing the genre. Ever since Haydn's day the string quartet has been considered a prestigious form and represents one of the true tests of the composer's art. With four parts to play with, a composer working in anything like the classical key system has enough lines to fashion a full argument, but none to spare for padding. The closely related characters of the four instruments, moreover, while they cover in combination an ample compass of pitch, do not lend themselves to indulgence in purely colouristic effects. Thus, where the composer of symphonies commands the means for textural enrichment beyond the call of his harmonic discourse, and where the concerto medium offers the further resource of personal characterization and drama in the individual-pitted-against-the-mass vein, the writer of string quartets must perforce concentrate on the bare bones of musical logic. Thus, in many ways the string quartet is pre-eminently the dialectical form of instrumental music, the one most naturally suited to the activity of logical disputation and philosophical enquiry.
Graham Waterhouse, cellist and composer especially of chamber music, has written a number of works for string quartet, three major works in several movements, several smaller works and compositions for a solo instrument (piccolo, oboe, bassoon, piano) and string quartet.
As a cellist and composer, Waterhouse focuses on chamber music and has composed works for strings from solo cello to string sextet. Several works were written for string quartet, some using it juxtaposed to a solo instrument.
The Austrian composer Arnold Schoenberg published four string quartets, distributed over his lifetime. These were the String Quartet No. 1 in D minor, Op. 7 (1905), String Quartet No. 2 in F sharp minor, Op. 10 (1908), String Quartet No. 3, Op. 30 (1927), and the String Quartet No. 4, Op. 37 (1936).
In addition to these, he wrote several other works for string quartet which were not published. The most notable was his early String Quartet in D major (1897). There was also a Presto in C major (ca. 1895), a Scherzo in F major (1897), and later a Four-part Mirror Canon in A major (ca. 1933). Finally, several string quartets exist in fragmentary form. These include String Quartet in F major (before 1897), String Quartet in D minor (1904), String Quartet in C major (after 1904), String Quartet Movement (1926), String Quartet (1926), String Quartet in C major (after 1927) and String Quartet No. 5 (1949).
Schoenberg also wrote a Concerto for String Quartet and Orchestra in B-flat major (1933): an arrangement of a work by the Baroque composer George Frideric Handel.
PLEASE SUBSCRIBE, LIKE, SHARE AND COMMENT THIS VIDEO TO SHOW YOUR SUPPORT TO THE ARTIST. THANK YOU! Beethoven String Quartet Op.59 No.1 "Razumovsky" Matthew Vera and Michael Rau, violins David Mason, viola Marza Wilks, cello Videographer: Simon Yue (SoundProfessional. Boston) If you have any questions please contact the Simon: [email protected] Jordan Hall, New England Conservatory, December 11th 2012
*Watch in HD* Nordic String Quartet Heiðrun Petersen (Faroe Islands) - Violin Mads Haugsted Hansen (Denmark) - Violin Daniel Eklund (Sweden) - Viola Lea Emilie Brøndal (Denmark) – Cello Video: Jakob Pagel Andersen Recorded at Royal Danish Academy of Music www.nordicstringquartet.com
Mozart with dissonances in a Baroque castle: The Gewandhaus Quartet played the String Quartet No. 19 in C major (K. 465), the “Dissonances Quartet” in the stylish ambience of the Rammenau Baroque Castle in 2005. (00:00) I. Adagio - Allegro (10:00) II. Andante cantabile (17:30) III. Menuetto - Allegretto (22:44) IV. Allegro molto To this day, the epithet “Dissonance Quartet” may be off-putting to some, but it may arouse curiosity in others. Some of Wolfgang Amadeus Mozart’s contemporaries (1756 - 1791) thought that the String Quartet No. 19 in C major (K. 465) was faulty: either the notes were set incorrectly or the musicians simply were not playing it properly. Yet Mozart had composed the slow introduction of his 19th string quartet, to which the epithet refers, with the greatest sophist...
*Watch in HD* Nordic String Quartet Heiðrun Petersen (Faroe Islands) - Violin Mads Haugsted Hansen (Denmark) - Violin Daniel Eklund (Sweden) - Viola Lea Emilie Brøndal (Denmark) – Cello Video: Jakob Pagel Andersen Recorded at Royal Danish Academy of Music Nordicstringquartet.com
Hope you enjoy our cover of Malam Bulan DiPagar Bintang. Original song by Allahyarham Tan Sri P Ramlee. . . Composer : P. Ramlee Singer : P. Ramlee & Saloma Music arrangement : @ilham_flaut Produced & mixed by @casastringquartet . . Casa String Quartet Kuala Lumpur provides live music & sound system for events such as weddings, corporate events, and private functions. Linktree : linktr.ee/Casastringquartet Website : http://www.casastringquartet.com/ Facebook : https://www.facebook.com/casastringquartet/ Instagram : @casastringquartet Don't forget to LIKE, SHARE & SUBSCRIBE to our channel Thank you :) . . #casastringquartet #pramlee #malambulandipagarbintang #klstringquartet #stringquartet
Royal Society of Musicians 2015 Annual Jacqueline Du Pré Concert, Wigmore Hall
FELIX MENDELSSOHN String Quartet in F minor, Op. 80 Alexi Kenney, violin 1 Nathan Meltzer, violin 2 Hsin-Yun Huang, viola Nicholas Canellakis, cello Performed on ChamberFest Cleveland, Season 8 Mixon Hall, Cleveland Institute of Music June 22, 2019 https://chamberfestcleveland.com/ Video Production: Erica Brenner Productions Cameras: Ken Wendt, Emil Agopian, Erica Brenner Editing: Erica Brenner http://www.ericabrennerproductions.com/ Audio Engineer: Bruce Egre, Azica Records https://azica.com/
The New York Philharmonic String Quartet (Frank Huang and Sheryl Staples, violins; Cynthia Phelps, viola; Carter Brey, cello) performs Antonín Dvořák’s String Quartet No. 12 in F (American)*. Allegro ma non troppo 00:00 Lento 09:24 Molto vivace 17:30 Finale: Vivace ma non troppo 21:21 This performance took place on Parlance Chamber Concerts at West Side Presbyterian Church in Ridgewood, New Jersey, on November 20, 2016. *An introduction to the work by Parlance Chamber Concerts’s Artistic Director Michael Parloff can be viewed at https://youtu.be/0I84umM2R6Q Parlance Chamber Concerts (Michael Parloff, Artistic Director) presents 6 to 8 concerts per season featuring world-class performers. Tickets and information at ParlanceChamberConcerts.org Video produced by Darryl KubianA/V Prod...
The first of Mozart’s six ‘Haydn Quartets’: The Gewandhaus Quartet played the String Quartet No. 14 in G major (K. 387), ‘Spring’, in the historic surroundings of the Rammenau Baroque Castle in 2005. (00:00) I. Allegro vivace assai (07:18) II. Menuetto (Allegro) (15:49) III. Andante cantabile (23:02) IV. Molto allegro Wolfgang Amadeus Mozart (1756-1791) was 26 years old when he wrote his String Quartet No. 14 in 1782, after having moved to Vienna shortly before. String Quartet No. 14 is one of the six “Haydn Quartets” that were written between 1782 and 1785 in homage to Joseph Haydn, whom Mozart admired. Haydn’s string quartets Op. 33 had inspired Mozart to write his six quartets and he clearly showed his high regard for the older composer in the dedication of the “Haydn Quartets”, by...
Alban Maria Johannes Berg (/ˈɑːlbɑːn bɛrɡ/;German: [ˈbɛɐ̯k]; February 9, 1885 – December 24, 1935) was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with twelve-tone technique.
Berg was born in Vienna, the third of four children of Johanna and Conrad Berg. His family lived comfortably until the death of his father in 1900.
He was more interested in literature than music as a child and did not begin to compose until he was fifteen, when he started to teach himself music. In late February or early March 1902 he fathered a child with Marie Scheuchl, a servant girl in the Berg family household. His daughter, Albine, was born on December 4, 1902.
Berg had little formal music education before he became a student of Arnold Schoenberg in October 1904. With Schoenberg he studied counterpoint, music theory, and harmony. By 1906, he was studying music full-time; by 1907, he began composition lessons. His student compositions included five drafts for piano sonatas. He also wrote songs, including his Seven Early Songs (Sieben Frühe Lieder), three of which were Berg's first publicly performed work in a concert that featured the music of Schoenberg's pupils in Vienna that year. The early sonata sketches eventually culminated in Berg's Piano Sonata, Op. 1 (1907–1908); it is one of the most formidable "first" works ever written. Berg studied with Schoenberg for six years until 1911. Berg admired him as a composer and mentor, and they remained close lifelong friends.