For whatever reason I’ve been watching this show since day 1. It isn’t anything close to being high-brow or insightful , a lot of bits just do not work, and truthfully once in a while there’s an episode that doesn’t make me laugh at all.
And that’s sort of what this “movie” is. Highs and lows. The scripted bits and most of the staged stuff is meh, but there’s some magic that happens when these guys click.…
For a multitude of reasons, I picked this for my office Oscar pool. One being it seems like it’s showing up on a lot of those cringe secret ballots that have popped up. And another being that Hollywood loves movies about Hollywood. Add a prestige director into the mix, and a surefire Best Supporting Winner and you’ve got yourself a contender as far as I’m concerned. Since Irishman won’t win for dumb reasons, I’ll take this as a good consolation.
All…
We used to say,
That’s my heart right there.
As if to say,
Don’t mess with her right there.
As if, don’t even play,
That’s a part of me right there.
In other words, okay okay,
That’s the start of me right there.
As if, come that day,
That’s the end of me right there.
As if, push come to shove,
I would fend for her right there.
As if, come what may,
I would lie for her right there.
As if, come love to pay,
I would die for that right there.
- Willie Perdomo
EDIT: THIS ONLY COST $90 MILLION TO MAKE?!?!?!?!?
Even though this was certified a couple months ago with the video-game, Spider-Man: Into the Spider-Verse is yet another piece of evidence that no single property has had a better year than Spider-Man in 2018.
And Spider-Verse just might be the best of them all.
Eye-popping visuals, pitch-perfect comedy, touching dramatic moments, the best Stan Lee cameo, and a fantastic script add up to make this a movie you need to see…
One of the things I love most about going to the movies as much as I do (this year was an aberration, back to the 70ish range next year) is that every now and again you get to see a classic become a classic in real time.
For anyone that's wondering, I realized this was one of those movies after Daniel Kaluuya did his thing in the gymnasium.
Widows kicks ass not just in the 18th ward, but in every…
bUt ThEy DiDnT sHoW hIm PlaCiNg ThE fLag.
First Man isn't interested in jacking up America's needlessly inflated ego. It's interested in grabbing the audience by the shoulders and hammering home how goddamn impossible it was to get to the moon and how we did it anyway. The ingenuity of the human spirit is much more powerful than that of any given nationality.
Damien Chazelle's third film isn't his best, or perhaps his most memorable, but it just might be…
For a while there, we had it pretty nice.
Cinemas reaction to the Trump world were mostly coincidental and just frequent enough to not get annoying. Now we've reached a point where movies have been conceived, written, shot and released well into this embarrassment of a presidency. While I'm sure people's hearts are in the right place, it's still annoying.
There are much worse offenders than The Front Runner, but not too many have been as disappointing. In fairness to…
Does this even count as a movie?
The Predator is very, very, very, very, very odd.
It’s directed by a man in Shane Black who is a master of weaving compelling characters with a story that teeters on the edge of being more interesting than the people in it.
This movie sacrifices having a story for a bunch of zany characters, but the movie also is crushed under the weight of the plot, but it doesn’t ever end up telling…
And they say nobody makes movies for the heartland anymore.
Mile 22 is ridiculously plotted, shoddily acted, as over-the-top as it could possibly get, and has some of Mark Wahlberg's most awkward line deliveries since The Happening.
But it still does its job appealing to the human love of carnage and military stuff.
As for the job of making a legitimately good movie? I'm not sure it even applied. Easily the worst Wahl/Berg collaboration, but it might be the most enjoyable?
Grade: 5/10
“It’s called Mamma Mia: Here We Go Again, not Mamma Mia: Here We Go Once” - a wonderful person on Twitter.
Hell yeah.
I got a job in Manhattan a week or two ago. Tonight, I got an apartment and celebrated the only way I knew how.
This movie is magical, triumphant, joyful, and a little gay. I love it for all of those reasons.
If you don’t think this’ll get a spot on my end-of-the-year list, you must not know me that well.
Lily James 2020
Grade: 9/10
The key to power, and the currency through which you can obtain it is information. James Ponsoldt understands this, and that thesis is why The Circle will go down as one of the year's most underappreciated movies.
If you have a shred of critical thinking ability, this movie should scare you just as much as any horror film. What sets this apart is that there are no nuns, blind men or evil goats, there's just the fallibility of human nature,…