Doctor Strange: Visual effects revealed - BBC Click
Al Moloney sat down with Doctor Strange VFX Supervisor Mark Bakowski from ILM London and talked about the challenges in putting together the film's climatic Hong Kong sequence. The film has been nominated for an Academy Award in the Best Visual Effects category. Footage courtesy of Walt Disney Pictures, Marvel Entertainment and ILM London Subscribe HERE http://bit.ly/1uNQEWR Find us online at w
Full liquid metal, now in 3D: re-visiting the freakin’ T-1000 walking out of the fiery truck crash
Airship Images - Breakdown : Making the Hair on The Division
One of the areas we specialise in here at Airship is the creation of real-time hair. Over the last 5 years we’ve contributed to numerous titles with real-time hair, consistently pushing the bar in terms of quality and efficiency. We have developed our own internal tools to make hair creation a more artistic process. Perhaps surprisingly, one of the tools that plays a huge part in the process is ZB
『シン・ゴジラã€ç™½çµ„ã«ã‚ˆã‚‹CGメイã‚ãƒ³ã‚°æ˜ åƒ
公開日：2016å¹´7月29日全国ãƒãƒ¼ãƒ‰ã‚·ãƒ§ãƒ¼ å…¬å¼ã‚µã‚¤ãƒˆï¼šhttp://www.shin-godzilla.jp/ (C)2016 TOHO CO.,LTD.
3Dãªã‚‰ã§ã¯ã®è¡¨ç¾ã‚’プラスã—ã•ã‚‰ã«é€²åŒ–ã—ãŸãƒŽãƒ³ãƒ•ã‚©ãƒˆãƒ“ジュアル『GUILTY GEAR Xrd -REVELATOR-〠| 特集 | CGWORLD.jp
2016/07/19 3Dãªã‚‰ã§ã¯ã®è¡¨ç¾ã‚’プラスã—ã•ã‚‰ã«é€²åŒ–ã—ãŸãƒŽãƒ³ãƒ•ã‚©ãƒˆãƒ“ジュアル『GUILTY GEAR Xrd -REVELATOR-〠2Dアニメã«ã—ã‹è¦‹ãˆãªã„é©šç•°ã®ãƒ“ジュアルã§ãƒ—レイヤーをé…了ã™ã‚‹æœ¬ã‚·ãƒªãƒ¼ã‚ºã¯ã€æœ€æ–°ä½œã€ŽGUILTY GEAR Xrd -REVELATOR-ã€ã§ã€ã•ã‚‰ã«ãã®è¡¨ç¾åŠ›ã‚’増ã—ã¦ã„る。今回ã¯å‰å·ï¼ˆCGWORLD vol.214）ã§ç´¹ä»‹ã—ãŸã‚¨ãƒ•ã‚§ã‚¯ãƒˆä»¥å¤–ã®è¦ç´ ã«ã‚¹ãƒãƒƒãƒˆã‚’当ã¦ã¦ç´¹ä»‹ã—ã¦ã„ã“ã†ã€‚ ※本記事ã¯æœˆåˆŠã€ŒCGWORLD + digital videoã€vol. 215（2016å¹´7月å·ï¼‰ã‹ã‚‰ã®è»¢è¼‰ã¨ãªã‚Šã¾ã™ TEXT_ æ¦ç”°ã‹ãŠã‚Š EDIT＿藤井紀明 / Noriaki Fujii（CGWORLD）ã€å±±ç”°æ¡ƒå / Momoko Yamada プレイアビリティを阻害ã›ãšç”»ã®å“質をå‘上ã•ã›ã‚‹ 『GUILTY GEAR Xrd -REVELATOR-ã€ã¯ã€2D
ピクサーã®ã‹ã‚ã„ã™ãŽã‚‹çŸç·¨ï½¢Piperï½£ã®ã‚·ãƒ§ãƒƒãƒˆãƒ–レイクダウン
ピクサーã®ã‹ã‚ã„ã™ãŽã‚‹çŸç·¨ï½¢Piperï½£ã®ã‚·ãƒ§ãƒƒãƒˆãƒ–レイクダウン2016.06.29 09:006,661 ä¸å·çœŸçŸ¥å 圧倒的ãªãƒªã‚¢ãƒ«ã•ã¨ã‹ã‚ã„ã•ã®è£å´ã€‚ ï½¢ãƒã‚°ã‚ºãƒ»ãƒ©ã‚¤ãƒ•ï½£ä»¥é™ã€æœ¬ç·¨ã¨ã¨ã‚‚ã«ä¸Šæ˜ ã•ã‚Œã¦ããŸçŸç·¨ã‚¢ãƒ‹ãƒ¡ã¯ä»Šã‚„ãƒ”ã‚¯ã‚µãƒ¼æ˜ ç”»ã«ãªãã¦ã¯ãªã‚‰ãªã„ã‚‚ã®ã€‚ ã©ã®çŸç·¨ã‚‚クオリティーãŒé«˜ãã€è¨˜æ†¶ã«æ®‹ã‚‹ä½œå“ãŒå¤šã„ãŸã‚ã€æœ¬ç·¨ã‚ˆã‚Šã‚‚楽ã—ã¿ã«ã—ã¦ã„ã‚‹ã¨ã„ã†å£°ã‚‚çã—ãã‚ã‚Šã¾ã›ã‚“。çŸç·¨ã‚¢ãƒ‹ãƒ¡ã ã‘を集ã‚ãŸã‚³ãƒ¬ã‚¯ã‚·ãƒ§ãƒ³ã‚‚発売ã•ã‚Œã¦ã„ã‚‹ã“ã¨ã‹ã‚‰ã‚‚ã€ãã®äººæ°—ã®é«˜ã•ãŒä¼ºãˆã¾ã™ã€‚ ãã‚“ãªãƒ”クサーã®æœ€æ–°ä½œã¨ãªã‚‹ï½¢ãƒ•ã‚¡ã‚¤ãƒ³ãƒ‡ã‚£ãƒ³ã‚°ãƒ»ãƒ‰ãƒªãƒ¼ï½£ã®å‰ã«æµã‚Œã‚‹çŸç·¨ï½¢Piper（原題）｣ã¯ã€å°é³¥ï¼ˆã‚¤ã‚½ã‚·ã‚®ï¼‰ã®ãƒ’ナã®å§¿ã‚’æã„ãŸã€ãƒŠãƒ¬ãƒ¼ã‚·ãƒ§ãƒ³ã‚„セリフãŒä¸€åˆ‡ãªã„ã€å‹•ãã ã‘ã§æ怖やãれを克æœã™ã‚‹ã¾ã§ã®è‘›è—¤ã€ãã®å¾Œã®èˆˆå¥®ã‚’æã„ãŸã‚·ãƒ³ãƒ—ルã§å¾®ç¬‘ã¾ã—ãã€ã¨ã¦ã¤ã‚‚ãªãã‹ã‚ã„ã„作å“ã§ã™ã€‚ 今回ã¯æœ¬ä½œã®ã‚·ãƒ§ãƒƒãƒˆãƒ–レイクダウンをã”紹介ã—ã¾ã™ã€‚30秒弱
Cannes Lions Innovation Film: The Mill BLACKBIRD
The Mill has created The Mill BLACKBIRD, the first fully adjustable car rig that creates photoreal CG cars – it’s a car rig that can be shot at any time, in any location, without the need to rely on a physical car. Created in collaboration with JemFX, Performance Filmworks and Keslow, Mill Blackbird inspires and expands creative opportunities, offering a truly flexible production tool without sacr
連載第2回：ディズニーã§åƒã日本人ãŒèªžã‚‹ã€Œã“ã“ãŒã™ã”ã„よï¼ãƒ‡ã‚£ã‚ºãƒ‹ãƒ¼ã€ï¼šã€Žã‚ºãƒ¼ãƒˆãƒ”ã‚¢ã€ã®ãƒ’・ミ・ツ｜シãƒãƒžãƒˆã‚¥ãƒ‡ã‚¤
「ディズニーã®ã™ã”ã„ã¨ã“ã‚ã£ã¦ã€ãšã°ã‚Šä½•ï¼Ÿã€ã‚¦ã‚©ãƒ«ãƒˆãƒ»ãƒ‡ã‚£ã‚ºãƒ‹ãƒ¼ãƒ»ã‚¢ãƒ‹ãƒ¡ãƒ¼ã‚·ãƒ§ãƒ³ã§åƒã日本人アーティストãŸã¡ã«ã€ã‚¢ãƒ¡ãƒªã‚«ã§å¤§ãƒ’ットä¸ã®æ–°ä½œã€Žã‚ºãƒ¼ãƒˆãƒ”ã‚¢ã€ã®ã“ã¨ã‚’å«ã‚ã¦èžã„ã¦ãã¾ã—ãŸã€‚（å–æ・文：編集部・井本早紀） 斉藤åƒä½³ã•ã‚“　部署：モデラー（セット・ã‚ャラクター製作） (C)KaoriSuzuki ディズニーã®ã‚¤ãƒ³ã‚¿ãƒ¼ãƒ³ã‚·ãƒƒãƒ—プãƒã‚°ãƒ©ãƒ ã§1年間仕事ã«ã¤ã„ã¦å¦ã³ã€ã€Žãƒ™ã‚¤ãƒžãƒƒã‚¯ã‚¹ã€ã«å‚åŠ ã€‚ãã®å¾Œã¯çµŒé¨“ã‚’ç©ã‚€ãŸã‚ã«é•ã†ã‚¹ã‚¿ã‚¸ã‚ªã«å‘ã‹ã„ã€æ–°ä½œã€Žã‚ºãƒ¼ãƒˆãƒ”ã‚¢ã€ã‹ã‚‰å†ã³ã‚¦ã‚©ãƒ«ãƒˆãƒ»ãƒ‡ã‚£ã‚ºãƒ‹ãƒ¼ãƒ»ã‚¢ãƒ‹ãƒ¡ãƒ¼ã‚·ãƒ§ãƒ³ã§åƒã。 ã“ã“ãŒã™ã”ã„よï¼ãƒ‡ã‚£ã‚ºãƒ‹ãƒ¼ãƒã‚¤ãƒ³ãƒˆ 社員全員ã®é¡”ãŒãƒ‘ッã¨å¤‰ã‚る瞬間ãŒã‚ã‚‹ã‚“ã§ã™ã€‚今ã¯ä»®ç¤¾å±‹ã§ä»•äº‹ã—ã¦ã„ã‚‹ã®ã§ã™ãŒã€ã„ã£ã±ã„コンピューターãŒã‚ã‚‹ã®ã§ã€åœé›»ã¨ã‹ãŒèµ·ãã¦ã—ã¾ã†ã‚“ã§ã™ã。システムãŒæ•´ã£ã¦ã‹ã‚‰ã¯å¤§ä¸ˆå¤«ã«ãªã‚Šã¾ã—ãŸãŒã€å¤ã«åœé›»ãŒèµ·ãã¦ã—ã¾ã£ãŸã¨ãã«ã¯ã€ä¿å˜ã—ã¦ã„ãªã„ファイルもã‚ã£ã¦ã€‚ã¿
連載第3回：ã©ã†ã—ã¦ã“ã‚“ãªã«ã‹ã‚ã„ã„ã®!?ディズニーã®ãƒ¢ãƒ•ãƒ¢ãƒ•å‹•ç‰©ãŒã§ãã‚‹ã¾ã§ï¼šã€Žã‚ºãƒ¼ãƒˆãƒ”ã‚¢ã€ã®ãƒ’・ミ・ツ｜シãƒãƒžãƒˆã‚¥ãƒ‡ã‚¤
(C)2016 Disney. All Rights Reserved. 連載第3回ã¯ã€ã¤ã„ã«ãƒ‡ã‚£ã‚ºãƒ‹ãƒ¼ãƒ»ã‚¢ãƒ‹ãƒ¡ãƒ¼ã‚·ãƒ§ãƒ³ã®è¦ã§ã‚ã‚‹ã‚ャラクターã«ã¤ã„ã¦ã€åˆ‡ã‚Šè¾¼ã‚“ã˜ã‚ƒã„ã¾ã™ï¼ã€€ã€Žã‚ºãƒ¼ãƒˆãƒ”ã‚¢ã€ã§ã¯å‹•ç‰©ã‚’モデルã«ã—ãŸã‚ャラクターãŸã¡ãŒç™»å ´ã—ã¾ã™ãŒã€ã©ã‚Œã‚‚動物ã£ã½ãã‚‚ã‚ã‚Šã€äººé–“ã£ã½ãã‚‚ã‚ã‚Šã€ã§ã‚‚é•å’Œæ„Ÿã¯å…¨ããªãã€ã‚€ã—ã‚ã‹ã‚ã„らã—ã™ãŽã‚‹ãらã„!!　ã“ã®ãƒãƒ©ãƒ³ã‚¹ã‚’ã¨ã‚‹ç§˜è¨£ï¼ˆã²ã‘ã¤ï¼‰ã‚’アニメーション担当ã®æ–¹ã‚„ã€ã‚ャラクター担当ã®æ–¹ã«èžã„ã¦ãã¾ã—ãŸã€‚（å–æ・文：編集部・井本早紀） ADVERTISEMENT ■動物を知るï¼ä¸Šå¸ã¨å…±ã«ã‚¢ãƒ•ãƒªã‚«ã¸é£›ã¶ (C)2016 Disney. All Rights Reserved. ã‚„ã¯ã‚Šå‹•ç‰©ã®ã‚ャラクターã¯ä»Šã¾ã§ã®äººé–“ã®ã‚ャラクターã¨ã¯å‹æ‰‹ãŒå…¨ç„¶é•ã†ï¼ã€€ã¨ã€ã‚ャラクターやアニメーションã®æ‹…当者もã‹ãªã‚Šè‹¦æˆ¦ã—ãŸãã†ã§ã™ã€‚ã¾ãšé¼»ã‚„å£éƒ¨ã®ã¤ãã‚ŠãŒäººé–“ã¨ã¯å…¨ç„¶é•ã†ã‚ツãƒã¯ã€
ランã‚ング
ランã‚ング
メンテナンス
リリースã€éšœå®³æƒ…å ±ãªã©ã®ã‚µãƒ¼ãƒ“スã®ãŠçŸ¥ã‚‰ã›
最新ã®äººæ°—エントリーã®é…ä¿¡
j次ã®ãƒ–ックマーク
kå‰ã®ãƒ–ックマーク
lã‚ã¨ã§èªã‚€
eコメント一覧を開ã
oページを開ã
Airship Images: Making Haircuts for Game Characters
Inside the Visual Effects of "Independence Day: Resurgence" | Design FX
Cgsociety.org
TOM CLANCY’S THE DIVISION: “Yesterday" Making Of - The Art of VFX
Welcome to IT'S ART Magazine Community a new Space by Artists for Artists
The Making of UNCHARTED 4: A Thief's End - The Evolution of a Franchise | PS4
Bethesda Softworks
San Andreas | Breakdown Reel | Image Engine VFX
THE CREW - CGI CINEMATICS (Sebastien LABAN)
http://www.youtube.com/watch?v=Ze8zQyaeeb4
Final Fantasy Type-Next Teaser - Behind The Scenes [Type-0 Secret Ending]
{{#tags}}- {{label}}
{{/tags}}