- published: 16 May 2020
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Alban Maria Johannes Berg (/ˈɑːlbɑːn bɛrɡ/;German: [ˈbɛɐ̯k]; February 9, 1885 – December 24, 1935) was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with twelve-tone technique.
Berg was born in Vienna, the third of four children of Johanna and Conrad Berg. His family lived comfortably until the death of his father in 1900.
He was more interested in literature than music as a child and did not begin to compose until he was fifteen, when he started to teach himself music. In late February or early March 1902 he fathered a child with Marie Scheuchl, a servant girl in the Berg family household. His daughter, Albine, was born on December 4, 1902.
Berg had little formal music education before he became a student of Arnold Schoenberg in October 1904. With Schoenberg he studied counterpoint, music theory, and harmony. By 1906, he was studying music full-time; by 1907, he began composition lessons. His student compositions included five drafts for piano sonatas. He also wrote songs, including his Seven Early Songs (Sieben Frühe Lieder), three of which were Berg's first publicly performed work in a concert that featured the music of Schoenberg's pupils in Vienna that year. The early sonata sketches eventually culminated in Berg's Piano Sonata, Op. 1 (1907–1908); it is one of the most formidable "first" works ever written. Berg studied with Schoenberg for six years until 1911. Berg admired him as a composer and mentor, and they remained close lifelong friends.
The Alban Berg Quartett was a string quartet founded in Vienna, Austria in 1970, named after Alban Berg.
The Berg Quartet was founded in 1970 by four young professors of the Vienna Academy of Music, and made its debut in the Vienna Konzerthaus in autumn 1971. The widow of the composer Alban Berg, Helene, attended an early private concert after which she gave her consent for the quartet to use her husband's name.
The Quartet's repertoire was centered on the Viennese classics, but with a serious emphasis on the 20th century. It was the stated goal of the quartet to include at least one modern work in each performance. Their repertoire spanned from Early Classicism, Romanticism, to the Second Viennese School (Berg, Schoenberg, Webern), Bartók and embraced many contemporary composers. This took expression not the least in personal statements by composers like Witold Lutosławski and Luciano Berio, of whom the former said: "Personally I am indebted to the Alban Berg Quartet for an unforgettable event. Last year in Vienna, they played my quartet in a way such as will never be likely equaled."
Carl Nielsen's String Quartet No. 4 in F major or Quartet for Two Violins, Viola and Cello in F major, Opus 44, was composed between February and July 1906. The last of Nielsen's four string quartets in the official series, its first public performance took place on 30 November 1907 in Copenhagen.
The Fourth String Quartet was composed between two of Nielsen's major dramatic works, the comic opera Maskarade and his music for Holger Drachmann's melodrama Hr. Oluf, han rider -. The first two movements were written in February and March and the last two in June and July 1906.
It was first performed privately at the home of Nielsen's friends, Viggo and Bodil Neergaard, Fuglsang on the island of Lolland. In August 1906, Nielsen wrote to his friend Henrik Knudsen: "Today we played my new quartet and it sounds as I had expected. I am beginning to discover the true nature of string instruments."
The quartet was originally entitled Piacevolezza after the first movement which was marked Allegro piacevolo ed indolente (agreeably and lazily). In the revised 1919 edition, the movement was renamed Allegro non tanto e comodo and the title was dropped. The work remained in manuscript form until 1923 when it was published by Peters of Leipzig.
Carl Nielsen - String Quartet No. 4 in F Major, Op. 44 (1906, revised 1919) Performed by the Zapolski Quartet Movement One: Allegro non tanto e comodo - 0:00 Movement Two: Adagio con sentimento religioso - 7:36 Movement Three: Allegretto moderato ed innocente - 15:02 Movement Four: Molto adagio-Allegro non tanto, ma molto scherzoso - 19:45 Source of Audio - https://www.youtube.com/watch?v=AyLKnPoIZQM
Carl Nielsen: String Quartet No. 4, op. 44 in F major 1. Allegro non tanto e comodo 2. Adagio con sentimento religioso 7:35 3. Allegretto moderato ed innocente 15:02 4. Finale: Molto adagio - Allegro non tanto ma molto scherzoso 19:45 Zapolski Quartet Alexander Zapolski - violin Jacob Soelberg - violin Flemming Lave - viola Vanja Lauro - cello Chandos Records 1996 Producer, sound engineer and editor - Aksel Kaae Trige
String Quartet No. 4 in F, Op. 44 (1906) I. Allegro non tanto e comodo A string quartet by Danish composer Carl Nielsen (1865-1931). Nielsen published four "official" string quartets as a series (Opp. 13, 5, 14 and 44), with this work listed fourth. However, he had composed two earlier quartets in his conservatory days. This quartet, Nielsen's last, dates from the same period as his comic opera Maskarade. It was first performed privately for the composer's friends in 1906 in Lolland Island. It was not received very well at its public premiere on account of its progressive style. Originally, the quartet had the title "Piacevolezza," but it was dropped when Nielsen revised the work in 1919. Here, the work is performed by the Danish Quartet. The painting in the background, titled "Pioneer...
Nielsen: String Quartet No. 4 in F Major, Op. 44 (1906) The Erling Bloch String Quartet: Erling Bloch, violin I Knud Pedersen, violin II Hans Kassow, viola Torben Svendsen, cello Recorded October 26, 1940, in Copenhagen, Denmark, on Gramophone Company 78=rpm matrices 2CS 1742 through 2CS 1747. Issued c. 1941 as HMV DB 1 through DB 3, the wartime automatic sequence series in the Danish Red Label series. Nielsen's Quartet in F Major is in four movements: 1. Allegro non tanto e comodo) 2. Adagio con sentimento religioso (at 8:00) 3. Allegretto moderato ed innocente (at 16:50) 4. Finale: Allegro non tanto e molto scherzoso (at 20:29)
I. Allegro non tanto e comodo 00:00-07:20 II. Adagio con sentimentio religioso 07:20-14:15 III. Allegretto moderato ed innocente 14:15-17:50 IV. Molto adagio - Allegro non tanto, ma molto scherzoso 17:50-24:45 Performed by the Kontra Quartet.
String Quartet No. 4 in F, Op. 44 (1906) III. Allegretto moderato e innocente IV. Finale: Molto adagio - Allegro non tanto, ma molto scherzoso - Andante - Molto adagio - Tempo primo A string quartet by Danish composer Carl Nielsen (1865-1931). Nielsen published four "official" string quartets as a series (Opp. 13, 5, 14 and 44), with this work listed fourth. However, he had composed two earlier quartets in his conservatory days. This quartet, Nielsen's last, dates from the same period as his comic opera Maskarade. It was first performed privately for the composer's friends in 1906 in Lolland Island. It was not received very well at its public premiere on account of its progressive style. Originally, the quartet had the title "Piacevolezza," but it was dropped when Nielsen revised the wor...
Performance from the Series of Four (@danishquartet) concert at the Royal Danish Academy of Music. I. mov: Allegro non tanto e comodo II. mov: Adagio con sentimentio religioso III. mov: Allegretto moderato ed innocento IV. mov: Molto adagio - Allegro non tanto, ma molto scherzoso Follow us on: Instagram: https://www.instagram.com/akela.quartet/ Facebook: https://www.facebook.com/StrygekvartettenAKELA . . . Video credit: @kehletvideo @danishquartet - Series of Four
String Quartet No. 4 in F, Op. 44 (1906) II. Andante con sentimento religioso A string quartet by Danish composer Carl Nielsen (1865-1931). Nielsen published four "official" string quartets as a series (Opp. 13, 5, 14 and 44), with this work listed fourth. However, he had composed two earlier quartets in his conservatory days. This quartet, Nielsen's last, dates from the same period as his comic opera Maskarade. It was first performed privately for the composer's friends in 1906 in Lolland Island. It was not received very well at its public premiere on account of its progressive style. Originally, the quartet had the title "Piacevolezza," but it was dropped when Nielsen revised the work in 1919. Here, the work is performed by the Danish Quartet. The painting in the background, titled "...
Provided to YouTube by The Orchard Enterprises String Quartet (No. 4) in F-Major, Op. 44: I. Allegro non troppo ma energico · Carl Nielsen · The Koppel Quartet · Else Marie Bruun · Andreas Thyregod Carl Nielsen: String Quartets No. 1, 2 & 4 ℗ 2015 Danacord Records Released on: 2015-10-21 Auto-generated by YouTube.
Carl Nielsen: String Quartet No. 1, op. 13 in G minor 1. Allegro energico 2. Andante amoroso - Agitato - Tempo 1 10:56 3. Scherzo: Allegro molto 16:35 4. Finale: Allegro 21:25 Zapolski Quartet Alexander Zapolski - violin Jacob Soelberg - violin Flemming Lave - viola Vanja Lauro - cello Chandos Records 1996 Producer, sound engineer and editor - Aksel Kaae Trige
Alban Maria Johannes Berg (/ˈɑːlbɑːn bɛrɡ/;German: [ˈbɛɐ̯k]; February 9, 1885 – December 24, 1935) was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with twelve-tone technique.
Berg was born in Vienna, the third of four children of Johanna and Conrad Berg. His family lived comfortably until the death of his father in 1900.
He was more interested in literature than music as a child and did not begin to compose until he was fifteen, when he started to teach himself music. In late February or early March 1902 he fathered a child with Marie Scheuchl, a servant girl in the Berg family household. His daughter, Albine, was born on December 4, 1902.
Berg had little formal music education before he became a student of Arnold Schoenberg in October 1904. With Schoenberg he studied counterpoint, music theory, and harmony. By 1906, he was studying music full-time; by 1907, he began composition lessons. His student compositions included five drafts for piano sonatas. He also wrote songs, including his Seven Early Songs (Sieben Frühe Lieder), three of which were Berg's first publicly performed work in a concert that featured the music of Schoenberg's pupils in Vienna that year. The early sonata sketches eventually culminated in Berg's Piano Sonata, Op. 1 (1907–1908); it is one of the most formidable "first" works ever written. Berg studied with Schoenberg for six years until 1911. Berg admired him as a composer and mentor, and they remained close lifelong friends.