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vp.playFromPlaylist(pls[pls.length-1]); vp.playVideo(); scrollToPlaylistPosition(vp); }); return true; } } if(playQueue){ playQueueUpdate(); vp.playVideo(); parsed = true; playShouldStart = 0; } } if(previewMode){ var vids = []; var dur = 0; var pl = vp.getActualPlaylist(); area = parts[0]; if(parts.length == 1 && matchPosition(parts[0])){ vids = parseDash('1-'+pl.length); dur = parsePosition(parts[0]); parts = []; }else if(parts.length == 1 && matchDash(parts[0])){ vids = parseDash(parts[0]); dur = parsePosition("999:59"); parts = []; } if(parts.length == 2 && matchDash(parts[0]) && matchPosition(parts[1])){ vids = parseDash(parts[0]); dur = parsePosition(parts[1]); parts = []; } for(var i = 0; i < vids.length; i++){ playQueue.push({ 'video': pl[vids[i]-1], 'start': 0, 'stop': dur }) } if(playQueue){ playQueueUpdate(); vp.playVideo(); parsed = true; } } if(parts.length>1){ for(var i = 0; i < parts.length; i++){ var sel = findMatchingVideo(vp, parts[i]); if(sel){ playQueue.push({ 'video': sel, 'start': 0, 'stop': null }) } } if(playQueue){ playQueueUpdate(); 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  Heavy Action John Shakespeare

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John Shakespeare

John Shakespeare (c. 1531 – 7 September 1601) was the father of William Shakespeare. He was the son of Richard Shakespeare of Snitterfield, a farmer. He moved to Stratford-upon-Avon and married Mary Arden, with whom he had eight children, five of whom survived into adulthood. A well-to-do glover and whittawer (leather worker) by trade, Shakespeare was a dealer in hides and wool, and was elected to several municipal offices, serving as an alderman and culminating in a term as bailiff, the chief magistrate of the town council, before he fell on hard times for reasons unknown to historians. His fortunes later revived after the success of his son, and he was granted a coat of arms five years before his death, probably at the instigation and expense of his playwright son.

Career and municipal responsibilities

John Shakespeare moved to Stratford-upon-Avon in 1551, where he became a successful businessman involved in several related occupations. From 1556 to 1592, several official records identify him as a glovemaker, which was probably his primary trade, as tradition remembers him as following that trade even into his old age, but the records of his real estate purchases and legal expenses indicate an income much higher than that of a small-town tradesman. The administration of his father's estate in 1561 names him as a farmer. He inherited and leased agricultural lands and is on record as selling timber and barley. Court records also document him as a "brogger", an unlicensed—and therefore illegal—wool dealer. In addition, he bought and leased out houses. He was twice taken to court for violating the usury laws that prohibited charging interest higher than the legal limit of 10 percent.

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This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/John_Shakespeare

Heavy Action

"Heavy Action" is a piece of music composed by Johnny Pearson. Composed in 1970, and featuring a strong brass fanfare opening, "Heavy Action" soon became a well established sporting theme tune, most associated in the UK as the theme for Superstars, and in North America as the theme music for ABC and ESPN's Monday Night Football.

Superstars

The BBC commissioned Pearson to write the piece for its music library, while he was working as a member of the Top of the Pops orchestra accompanying pop stars on the weekly music TV show. During production of the first series of Superstars in 1973, Heavy Action was chosen as the theme music, owing to its high energy brass fanfare opening and Olympian themes. The show (which aired in its first run from 1973 to 1985 and has been revived regularly since then) has always used the theme tune for all episodes of the show in its various incarnations, including the latest 2012 Olympic Superstars edition. The theme is now synonymous with sport in the UK, and was used extensively by the BBC during their coverage of the 2012 Summer Olympics.

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This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Heavy_Action

Podcasts:

John Shakespeare

ALBUMS

John Shakespeare

ALBUMS

• Themes From TV & Radio released: 2005
• Music for TV Dinners released: 1997
• Contemporary Colour released:
• Impact and Action, Volume II released:
• Gentle Sounds, Volume 2 released:
• Happy Novelties released:
• That's Showbiz released:
• The Sixties released:
• Sounds of the Sixties & Seventies, Part 1 released:
• Classic Television and Radio Themes released:

Themes From TV & Radio

Released 2005

• March From "A Little Suite" "Dr Finlay's Casebook"
• The Edwardians "Upstairs Downstairs"
• Adagio From Spartacus "The Onedin Line"
• Three Elizabeths Suite: Elizabeth Tudor "The Forsyte Saga" (feat. Cyril Stapleton, His Choir and Orchestra)
• Comedy Hour "Here's Harry"
• Old Ned "Steptoe and Son"
• Who Do You Think You Are Kidding Mr. Hitler? "Dad's Army" (feat. Bud Flanagan)
• Bell Hop "Terry and June"
• The Young Ballerina "The Potters Wheel"
• Left Bank Two "Vision On (The Gallery)" (feat. The Noveltones)
• Blue Peter
• Las Vegas "Animal Magic"
• This Is Your Life
• Approaching Menace "Mastermind"
• Non Stop "ITN News"
• Girls in Grey "BBC Newsreel"
• Drum Majorette "Match of the Day" (feat. The Queen's Hall Light Orchestra conductor Robert Farnon)
• Sporting Occasion "Wimbledon Tennis" (feat. The Queen's Hall Light Orchestra conductor Robert Farnon)
• World of Sport March "World of Sport"
• Johnny Todd "Theme From Z-Cars" (feat. Johnny Keating and His Orchestra)
• Crossroads (feat. The Tony Hatch Orchestra)
• Coronation Street
• Emmerdale Farm (feat. The Tony Hatch Orchestra)
• Piano Parchment "All Creatures Great and Small" (feat. Johnny Pearson)
• Eye Level "Van Der Valk" (feat. The Simon Park Orchestra)
• The Liberty Bell "Monty Python's Flying Circus" (feat. The Band of the Scots Guards)
• William Tell Overture "The Lone Ranger"
• Silks and Satins "Emergency Ward 10"
• The National Anthem "Close Down"

Music for TV Dinners

Released 1997

• In the Limelight
• Happy Go Lively
• Hackney Carriage
• Trafficscape
• Workaday World
• Curley Shirley
• Bell Hop
• Man About Town
• Holiday Playtime
• Bargains Galore
• Speaking Guitar
• Shopping Spree
• Stop Gap
• Toys for Boys
• Gala Performance
• Sleepy Shores

Contemporary Colour

• Pop Package
• Soul for Sale
• Motor Show
• Pop Trumpets
• Fiesta Cha Cha 1
• Fiesta Cha Cha 2
• A Word in Your Ear
• In a Bossa Mood
• Red Carpet Ride
• Red Carpet Ride (short version)
• Full Flight
• Full Flight (Link)
• Go Kart Meeting
• Hells Kitchen
• Music to Drive By
• Hairy Fairy
• Spanish Waltz
• Fine and Funky

Impact and Action, Volume II

• Top Score
• Men on the Move
• Behind the Scene
• The Big Fuzz
• Paper Tiger
• Time and a Half
• Motility
• Swiftly
• Hurry
• Enfant Terrible
• Against the Clock
• Speed Merchant
• Prestige Production
• Full Speed Ahead 1
• Full Speed Ahead 2
• News Link
• Head Start
• Minor Hustle
• Running to Time

Gentle Sounds, Volume 2

• Trombones in the Night
• Je Reviens
• Arpege
• Love Poem
• Love Poem (link)
• Green Room
• Plain Sailing
• Purple Haze
• Sleepy Shores
• Old World Charm
• Sandals in the Sand
• Beguine for Trombone
• Solo Theme (a)
• Solo Theme (b)

Happy Novelties

• The Bowler Hat Brigade
• And a Very Good Morning to You
• I Say, I Say, I Say
• I Say, I Say, I Say (short version)
• I Say, I Say, I Say (link)
• Hop Skip and Jump
• Bell Hop
• Bell Hop (short version a)
• Bell Hop (short version b)
• Bell Hop (link)
• Topeka Square
• College Girl
• Match Play
• Brass but Lightly
• Simple Strings
• Race to the Top
• Play School
• Marching Today
• Tee Shot
• Pop Go the Children
• Parade for Horns

That's Showbiz

• Big Show Theme
• Build Up
• Playbill
• Showtime (a)
• Showtime (b)
• Showtime (c)
• Showtime (d)
• Wrap Up
• Passing the Time
• Stop Gap
• Those Tiller Girls
• This Way Out
• Gala Performance
• Opening Nights (a)
• Opening Nights (b)
• Star Parade
• Miss World (a)
• Miss World (b)
• Miss World (c)
• International Showtime
• Star Prizes (a)
• Star Prizes (b)
• Star Prizes (c)
• Lazy Days
• Quiz Organ (a)
• Quiz Organ (b)
• Quiz Organ (c)
• Tonight in Person
• The Main Attraction
• Premier Night
• Hollywood Premier
• Bridge of Stars
• High Flyer
• Strip Teaser (a)
• Strip Teaser (b)
• Sunset Strip
• Soho Stripper
• Enter Stripper (a)
• Enter Stripper (b)
• Exit Stripper (a)
• Exit Stripper (b)
• Er Indoors
• Bell Hop (a)
• Bell Hop (b)
• Breezing Down to Brighton
• It's Showtime

The Sixties

• Big Tom Cat
• Break-Thru
• Let's Dance
• Discothik
• Raver
• Beautiful Girls
• City to City
• Duke of Carnaby
• Setting the Trends
• Stick Around
• Dream Machine
• Everyday Sunshine
• Make It With Me
• Soft Winds
• World of Sport
• This Is Your Life
• Chase That Car
• Fisticuffs
• Lonely Stranger
• Danger Man
• Secret Agent
• Dave Allen at Large
• Non Stop
• Blue Peter
• Captain Pugwash
• Animal Magic
• World in Action
• Emergency Ward :10
• Charlie Chester Show
• Terry and June
• The Masked Avenger
• The Big Match
• Piccadilly Night Ride
• Beat Boutique
• Chat Show
• The Riviera Affair
• Soul Organ Blues
• The Loner
• Convenience Shopping
• Meet the Family
• Miss World '66
• Soft Lights and Music
• Penthouse Suite
• Hit the Glitz
• Talking Point

Sounds of the Sixties & Seventies, Part 1

• Sporting Highlights
• Kick Off
• Pop March
• World Cup
• Match Play
• Saturday Sport
• Pop Package
• Where the Action Is
• The Beat Moves On
• Gunning for Danger
• Mission Just Possible!
• Flashback
• Dangerous Assignment
• Thunderbird
• 49th Street Shakedown
• Secret Service
• Magnum Force
• Ill Wind
• Crime Squad
• The Hollywood Scene
• Rio Magic
• Club 69
• Celebrity Showtime
• The Big Time
• Green Room
• Hollywood Stars
• The Jet Setters
• Beauty Parade
• Trombones in the Night
• A Kiss in the Moonlight
• Glamorous Nights
• Pacific Playground
• Je Reviens
• The Riviera Set
• Sandals in the Sand

Classic Television and Radio Themes

• Grandstand
• News Scoop
• Wimbledon
• World of Sport
• The Big Match
• Gathering Crowds
• Heavy Action
• International Athletics
• Channel 9 Cricket
• U.S. Open Tennis
• Rugby Special
• The Awakening (a)
• The Awakening (b)
• News at Ten
• Itv Nightly News
• Non Stop
• World in Action
• Roadwalk
• Newsbreaks
• Meridian Tonight
• News on 5
• Newscast
• Boxroom
• Newstime
• Fireblade
• Blue Peter
• Grange Hill
• Animal Magic
• Captain Pugwash
• Quiz Wizard (a)
• Quiz Wizard (b)
• Keystone Chaos
• This Is Your Life
• Dave Allen at Large
• Terry and June
• Mastermind
• The Two Ronnies
• Whicker's World
• Spin and Win
• New Woman
• All Creatures Great and Small
• Sleepy Shores
• Overkill
• Theme to the Bill
• Angels
• People's Court
• Emergency Ward :10
• I.T.M.A.
• The Adventures of P.C. 49
• Charlie Chester Show
• The Navy Lark
• Blue Hills
• The Zodiac
• Time for Romance
• The Best Thing
• News Channel (a)
• News Channel (b)
• News Channel (c)
• News Channel (d)
• Crime Report (a)
• Crime Report (b)
• Newsline
• News and Views (a)
• News and Views (b)
• News and Views (c)
• News and Views (d)
• News and Views (e)
• News and Views (f)
• News and Views :60
• News and Views :30
• News and Views 20
• News and Views :15
• News and Views :10
• News and Views :60 (b)
• News and Views Sting 1
• News and Views Sting 2
• The New Bill
• Sports Roundup 2002
• Topical News
• Topical News Closing
• Topical News :30
• On the Pulse
• On the Pulse Closing
• On the Pulse :30
• Newsbeat
• The Trend-Setters
• Marguerite
• Salute to Thames
• Global Report (a)
• Global Report (b)
• Global Report (c)
• Global Report (d)
• Global Report (e)

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• 

  Hamlet - Richard Burton - John Gielgud - Broadway production - Shakespeare - 1964 - HD Restored - 4K

  Richard Burton as Hamlet - Directed by John Gielgud who also played the Ghost was mounted at the Lunt-Fontanne Theatre - Broadway. It opened April 9, 1964, and played 137 performances before closing August 8, 1964. The landmark revival was directed by noted Shakespeare actor John Gielgud. Formats Available - High Resolution Quality: 4K - HD - DVD - downloadable MP4 files - New 2024 - Resored Version! Buy Now! - STORE: https://tempuscollection.com/en/catalogue/4k-videos-downloads/item/hamlet-richard-burton-john-gielgud-broadway-production-shakespeare-1964-hd-restored-2024-4k Please consider subscribing to our channel for More Insights: https://www.youtube.com/user/ShakespeareNetwork?sub_confirmation=1 Directed by John Gielgud (stage) - Bill Colleran (film) CAST Richard Burton as Hamlet...

  published: 14 May 2021
• 

  William Shakespeare: The Life and Times Of (FULL MOVIE)

  There’s no name better known in the world of Literature than William Shakespeare, and whatever your feelings about such dramatic offerings as “Romeo and Juliet”, “Twelfth Night”, “King Lear”, “Othello”, “Hamlet”, “Julius Caesar”, “Taming of the Shrew” or “Macbeth”, Shakespeare is impossible to ignore. Thousands of books have been written about Shakespeare and even though he lived over four hundred years ago, biographers and literary critics are still inspired to wax lyrical upon the subject in the 21st Century. What’s more there are as few facts as ever to go on, and by the very nature of history, it’s unlikely that any new and dramatic evidence regarding the life and times of William Shakespeare will be revealed. So what exactly is it that makes Shakespeare such a fascinating subject for...

  published: 03 Apr 2017
• 

  Francis Bacon & The Law In His Early Shakespeare Plays Reflected In His Life & Writings

  The philosophical, political and legal DNA of Francis Bacon runs through the very veins and arteries of the Shakespeare poems and plays. As the son of Sir Nicholas Bacon, the Elizabethan Lord Keeper and de facto Lord Chancellor of England from a very early age he drank in, assimilated and internalised, the inner workings of the law, the superstructure of its legal machinery, and all its procedures, practices and operations. Under the guidance of his father Bacon was admitted to Gray’s Inn where with his extraordinary intellectual gifts and masterful comprehension of the law he enjoyed a stellar rise that eventually led to him occupying all the major legal offices of state, solicitor-general, attorney-general, Lord Keeper and Lord Chancellor of England. During his time at Gray’s Inn Bacon ...

  published: 11 Oct 2021
• 

  Hamlet - Christopher Plummer - Michael Caine - Donald Sutherland - Shakespeare - 1964 - Film - 4K

  HAMLET AT ELSINORE - Christopher Plummer - Michael Caine - Donald Sutherland - Robert Shaw (1964) Please consider subscribing to our channel for More Insights: https://www.youtube.com/user/ShakespeareNetwork?sub_confirmation=1 CAST Christopher Plummer as Hamlet Robert Shaw as Claudius, King of Denmark Alec Clunes as Polonius Michael Caine as Horatio June Tobin as Gertrude, Queen of Denmark Jo Maxwell Muller as Ophelia Dyson Lovell as Laertes Donald Sutherland as Fortinbras Roy Kinnear as the Gravedigger Hamlet at Elsinore is a 1964 television version of the play by William Shakespeare. Produced by the BBC in association with Danish Radio, it was shown in the U.S. on NET. Winning wide acclaim both for its performances and for being shot entirely at Helsingør (Elsinore in English), in the...

  published: 13 Jun 2021
• 

  Shakespeare Alpha Fishing Rod and Reel 8 FT /വിലയോ തുച്ഛം ഗുണമോ മെച്ചം

  Shakespeare Alpha Fishing Rod and Reel 8 FT Make the Shakespeare Alpha the first choice for your next outing. The smooth ball bearing drive and tough drag makes the Alpha the best value for anglers of all skill levels. Features:- Smooth ball bearing drive- Graphite spool pre-spooled with monofilament line- Dependable multi-disc drag system- Strong tubular glass rod with comfortable EVA handles Specifications:- Mono Capacity (Yards/lbs.): 280/12, 215/14, 195/17- Bearing Count: 1- Rod Power: Medium- Rod Length: 8'- Number of Pieces: 2- Technique: Spinning- Line Rating: 10-25- Reel Handle Position: Right/Left Product Dimensions 142.24 x 15.24 x 12.7 cm; 4.54 grams Item model number ALPBW8050CBO Size 8' - Medium Hand Orientation Left/Right Length 8 Feet Weight 2.27 kilograms Number of Items 1 ...

  published: 21 Aug 2020
• 

  Shakespeare's Tragedies and an Acting Lesson: Crash Course Theater #15

  Shakespeare's tragedies...were tragic. But they had some jokes. They also changed the way tragedies were written. Characters like Hamlet, Macbeth, and King Lear had tragic outcomes, but they were sympathetic characters in a lot of ways. This was a big change from the way Seneca and the Greeks wrote tragedies, and it caught on. Crash Course is on Patreon! You can support us directly by signing up at http://www.patreon.com/crashcourse Thanks to the following Patrons for their generous monthly contributions that help keep Crash Course free for everyone forever: Mark Brouwer, Glenn Elliott, Justin Zingsheim, Jessica Wode, Eric Prestemon, Kathrin Benoit, Tom Trval, Jason Saslow, Nathan Taylor, Divonne Holmes à Court, Brian Thomas Gossett, Khaled El Shalakany, Indika Siriwardena, SR Foxley, ...

  published: 25 May 2018

developed with YouTube

1:55:56

Julius Caesar - John Gielgud - Charlton Heston - Jason Robards - Shakespeare - 1970 - Remastered 4K

• Order: Reorder
• Duration: 1:55:56
• Uploaded Date: 05 Dec 2021
• views: 206441

Julius Caesar is a 1970 film adaptation of William Shakespeare's play of the same name, directed by Stuart Burge. It was an independent production of Commonweal...

Julius Caesar is a 1970 film adaptation of William Shakespeare's play of the same name, directed by Stuart Burge. It was an independent production of Commonwealth United Entertainment, filmed in England and Spain. It is the first film version of the play made in colour. Watch Heston's Antony and Cleopatra - available on SN: https://youtu.be/MtzHOeZgVD0 Please consider subscribing to our channel for More Insights: https://www.youtube.com/user/ShakespeareNetwork?sub_confirmation=1 CAST John Gielgud as Julius Caesar Charlton Heston as Mark Antony Jason Robards as Brutus Richard Johnson as Cassius Robert Vaughn as Casca Richard Chamberlain as Octavius Diana Rigg as Portia Christopher Lee as Artemidorus Jill Bennett as Calpurnia André Morell as Cicero Derek Godfrey as Decius Brutus David Dodimead as Lepidus Michael Gough as Metellus Cimber David Neal as Cinna Preston Lockwood as Trebonius John Moffatt as Popilius Lena Steven Pacey as Lucius Edwin Finn as Publius Norman Bowler as Titinius Paul Hardwick as Messala John Tate as Clitus Damien Thomas as Pindarus Bob Keegan as Lucilius Ewan Hooper as Strato Andrew Crawford as Volumnius Thomas Heathcote as Flavius Alan Browning as Marullus Christopher Cazenove as a Servant to Antony Liz Gebhardt as Calpurnia’s Maid Laurence Harrington as a Carpenter Ron Pember as a Cobbler Roy Stewart as a Slave Michael Keating, David Leland, Yvette Rees, Michael Wynne, and Ken Hutchison as Citizens of Rome Copyright - All rights reserved to their respective owners. _______________________________ FUNDRAISING CAMPAIGN - Shakespeare Network Website and YouTube Channel: Donate with PayPal today https://shakespearenetwork.net/company/support-us/donate-now _______________________________ Read the unabridged plays online: https://shakespearenetwork.net/works/plays Screen Adaptation - Co-Production : MISANTHROPOS – Official Website - https://www.misanthropos.net Adapted by Maximianno Cobra, from Shakespeare's "Timon of Athens", the film exposes the timeless challenge of social hypocrisy, disillusion and annihilation against the poetics of friendship, love, and beauty. Why Donate? Donations to Shakespeare Network help sustain free knowledge and educational programs on Shakespeare Network and our ecosystem of Shakespeare Network projects. Your contributions ensure these resources remain accessible and valuable for all. Thank you. 25% Direct support to website: Keeping the Shakespeare Network websites online is about more than just servers. It also includes ongoing engineering improvements, product development, design and research, and legal support. 25% Administration and governance: We manage funds and resources responsibly to recruit and support skilled, passionate staff who advance our communities and values. Our operating budget: Transparency is core to our organization. The Shakespeare Network develops our annual plan and operating budget through open processes, which are subject to feedback from our volunteers and Board approval. 50% Direct support to communities: Shakespeare Network projects exist thanks to the communities that create and maintain them. We strengthen these communities through grants, projects, and training programs. Contact us for further info. Updated Date Variants - The Oxford Shakespeare: The Complete Works (Second Edition) Published in print: 2005 (first ed. 1986) 1589-91 The Two Gentlemen of Verona; 1590-1 The Taming of the Shrew; 1590-2 Henry VI, Part III; 1591 Henry VI, Part II; 1592 Henry VI, Part I; Titus Andronicus; 1592-3 Richard III; 1592-4 The Comedy of Errors; 1594-5 Love's Labour's Lost; 1595 Midsummer Night's Dream; Richard II; Romeo and Juliet; 1596 King John; 1596-7 Henry IV, Part I; The Merchant of Venice; 1597-8 Henry IV, Part II; The Merry Wives of Windsor; 1598-9 Henry V; Much Ado About Nothing; 1599 Julius Caesar; 1599-1600 As You Like It; 1600-1 Hamlet; 1601 Twelfth Night; 1602 Troilus and Cressida; 1603-4 Measure for Measure; Othello; 1606 Antony and Cleopatra; Macbeth; Timon of Athens; 1606-7 All's Well That Ends Well; 1607 Pericles; 1608 Coriolanus; 1609-10 The Winter's Tale; 1610 King Lear; 1610-11 Cymbeline; The Tempest; 1613 Henry VIII; The Two Noble Kinsmen. → ______________________________________ Shakespeare Network Educational Program: - A Companion to Shakespeare -masterclasses, reviews, reactions, Academic Studies, historical and original audio-visual content, etc.

https://wn.com/Julius_Caesar_John_Gielgud_Charlton_Heston_Jason_Robards_Shakespeare_1970_Remastered_4K

Julius Caesar is a 1970 film adaptation of William Shakespeare's play of the same name, directed by Stuart Burge. It was an independent production of Commonwealth United Entertainment, filmed in England and Spain. It is the first film version of the play made in colour. Watch Heston's Antony and Cleopatra - available on SN: https://youtu.be/MtzHOeZgVD0 Please consider subscribing to our channel for More Insights: https://www.youtube.com/user/ShakespeareNetwork?sub_confirmation=1 CAST John Gielgud as Julius Caesar Charlton Heston as Mark Antony Jason Robards as Brutus Richard Johnson as Cassius Robert Vaughn as Casca Richard Chamberlain as Octavius Diana Rigg as Portia Christopher Lee as Artemidorus Jill Bennett as Calpurnia André Morell as Cicero Derek Godfrey as Decius Brutus David Dodimead as Lepidus Michael Gough as Metellus Cimber David Neal as Cinna Preston Lockwood as Trebonius John Moffatt as Popilius Lena Steven Pacey as Lucius Edwin Finn as Publius Norman Bowler as Titinius Paul Hardwick as Messala John Tate as Clitus Damien Thomas as Pindarus Bob Keegan as Lucilius Ewan Hooper as Strato Andrew Crawford as Volumnius Thomas Heathcote as Flavius Alan Browning as Marullus Christopher Cazenove as a Servant to Antony Liz Gebhardt as Calpurnia’s Maid Laurence Harrington as a Carpenter Ron Pember as a Cobbler Roy Stewart as a Slave Michael Keating, David Leland, Yvette Rees, Michael Wynne, and Ken Hutchison as Citizens of Rome Copyright - All rights reserved to their respective owners. _______________________________ FUNDRAISING CAMPAIGN - Shakespeare Network Website and YouTube Channel: Donate with PayPal today https://shakespearenetwork.net/company/support-us/donate-now _______________________________ Read the unabridged plays online: https://shakespearenetwork.net/works/plays Screen Adaptation - Co-Production : MISANTHROPOS – Official Website - https://www.misanthropos.net Adapted by Maximianno Cobra, from Shakespeare's "Timon of Athens", the film exposes the timeless challenge of social hypocrisy, disillusion and annihilation against the poetics of friendship, love, and beauty. Why Donate? Donations to Shakespeare Network help sustain free knowledge and educational programs on Shakespeare Network and our ecosystem of Shakespeare Network projects. Your contributions ensure these resources remain accessible and valuable for all. Thank you. 25% Direct support to website: Keeping the Shakespeare Network websites online is about more than just servers. It also includes ongoing engineering improvements, product development, design and research, and legal support. 25% Administration and governance: We manage funds and resources responsibly to recruit and support skilled, passionate staff who advance our communities and values. Our operating budget: Transparency is core to our organization. The Shakespeare Network develops our annual plan and operating budget through open processes, which are subject to feedback from our volunteers and Board approval. 50% Direct support to communities: Shakespeare Network projects exist thanks to the communities that create and maintain them. We strengthen these communities through grants, projects, and training programs. Contact us for further info. Updated Date Variants - The Oxford Shakespeare: The Complete Works (Second Edition) Published in print: 2005 (first ed. 1986) 1589-91 The Two Gentlemen of Verona; 1590-1 The Taming of the Shrew; 1590-2 Henry VI, Part III; 1591 Henry VI, Part II; 1592 Henry VI, Part I; Titus Andronicus; 1592-3 Richard III; 1592-4 The Comedy of Errors; 1594-5 Love's Labour's Lost; 1595 Midsummer Night's Dream; Richard II; Romeo and Juliet; 1596 King John; 1596-7 Henry IV, Part I; The Merchant of Venice; 1597-8 Henry IV, Part II; The Merry Wives of Windsor; 1598-9 Henry V; Much Ado About Nothing; 1599 Julius Caesar; 1599-1600 As You Like It; 1600-1 Hamlet; 1601 Twelfth Night; 1602 Troilus and Cressida; 1603-4 Measure for Measure; Othello; 1606 Antony and Cleopatra; Macbeth; Timon of Athens; 1606-7 All's Well That Ends Well; 1607 Pericles; 1608 Coriolanus; 1609-10 The Winter's Tale; 1610 King Lear; 1610-11 Cymbeline; The Tempest; 1613 Henry VIII; The Two Noble Kinsmen. → ______________________________________ Shakespeare Network Educational Program: - A Companion to Shakespeare -masterclasses, reviews, reactions, Academic Studies, historical and original audio-visual content, etc.

• published: 05 Dec 2021
• views: 206441

2:56

John Shakespeare - Sandals In The Sand

• Order: Reorder
• Duration: 2:56
• Uploaded Date: 19 Apr 2011
• views: 10854

KPM 1000 Series- Gentle Sounds (Volume 2) KPM 1058

KPM 1000 Series- Gentle Sounds (Volume 2) KPM 1058

https://wn.com/John_Shakespeare_Sandals_In_The_Sand

KPM 1000 Series- Gentle Sounds (Volume 2) KPM 1058

• published: 19 Apr 2011
• views: 10854

2:38:34

King Lear - Laurence Olivier and John Hurt - Shakespeare - 1983 - SN ARCHIVES - Remastered - 4K

• Order: Reorder
• Duration: 2:38:34
• Uploaded Date: 24 Jun 2021
• views: 157047

Laurence Olivier and John Hurt played respectively Lear and the Fool in this production to great acclaim, winning an Emmy for his performance. It was the last o...

Laurence Olivier and John Hurt played respectively Lear and the Fool in this production to great acclaim, winning an Emmy for his performance. It was the last of Olivier's appearances in a Shakespeare play. At 75, he was one of the oldest actors to take on this enormously demanding role. (He had previously played Lear in 1946 at the Old Vic) Please consider subscribing to our channel for More Insights: https://www.youtube.com/user/ShakespeareNetwork?sub_confirmation=1 Directed by Michael Elliott CAST Laurence Olivier — King Lear Colin Blakely — Earl of Кеnt Anna Calder-Marshall — Cordelia, King Lear's daughter Jeremy Kemp — Duke of Cornwall Robert Lang — Duke of Albany Robert Lindsay — Edmund, Gloucester's son Leo McKern — Earl of Gloucester David Threlfall — Edgar, Gloucester's son Dorothy Tutin — Goneril, King Lear's daughter John Hurt — Fool Diana Rigg — Regan, King Lear's daughter Brian Cox — Duke of Burgundy Edward Petherbridge — King of France Geoffrey Bateman — Oswald AUDIO / IMAGE HD Restoration - Sources and/or Archive copies quality used for this restoration: good. This recording is for educational purposes only and is covered under Fair Use doctrine - Copyright - All rights reserved to their respective owners. Read the unabridged plays online: https://shakespearenetwork.net/works/plays _______________________________ FUNDRAISING CAMPAIGN - DONATIONS - Shakespeare Network Website and YouTube Channel: Donate with PayPal or GoFundMe today: _______________________________ Screen Adaptation - Co-Production : MISANTHROPOS – Official Website - https://www.misanthropos.net Adapted by Maximianno Cobra, from Shakespeare's "Timon of Athens", the film exposes the timeless challenge of social hypocrisy, disillusion and annihilation against the poetics of friendship, love, and beauty. _______________________________ Why Donate? Please consider giving a donation today to support our HD AUDIO / IMAGE Restoration Program. The main objective of enhancing historical image and sound recordings by digital signal processing is to improve the overall quality of recordings degraded by several distortions. Whether true signal restoration or merely signal enhancement can be achieved depends heavily on the quality of the historical image and sound material. Image and audio restoration is an extremely time-consuming process that requires skilled audio and image engineers with specific experience in motion pictures, sound and music recording techniques as well as high-end hardware and software. Donations to Shakespeare Network help sustain free knowledge and educational programs on Shakespeare Network and our ecosystem of Shakespeare Network projects. Your contributions ensure these resources remain accessible and valuable for all. Thank you. 25% Direct support to website: Keeping the Shakespeare Network websites online is about more than just servers. It also includes ongoing engineering improvements, product development, design and research, and legal support. 25% Administration and governance: We manage funds and resources responsibly to recruit and support skilled, passionate staff who advance our communities and values. Our operating budget: Transparency is core to our organization. The Shakespeare Network develops our annual plan and operating budget through open processes, which are subject to feedback from our volunteers and Board approval. 50% Direct support to communities: Shakespeare Network projects exist thanks to the communities that create and maintain them. We strengthen these communities through grants, projects, and training programs. Contact us for further info. → ______________________________________ Shakespeare Network Educational Program: - A Companion to Shakespeare -masterclasses, reviews, reactions, Academic Studies, historical and original audio-visual content, etc.

https://wn.com/King_Lear_Laurence_Olivier_And_John_Hurt_Shakespeare_1983_Sn_Archives_Remastered_4K

Laurence Olivier and John Hurt played respectively Lear and the Fool in this production to great acclaim, winning an Emmy for his performance. It was the last of Olivier's appearances in a Shakespeare play. At 75, he was one of the oldest actors to take on this enormously demanding role. (He had previously played Lear in 1946 at the Old Vic) Please consider subscribing to our channel for More Insights: https://www.youtube.com/user/ShakespeareNetwork?sub_confirmation=1 Directed by Michael Elliott CAST Laurence Olivier — King Lear Colin Blakely — Earl of Кеnt Anna Calder-Marshall — Cordelia, King Lear's daughter Jeremy Kemp — Duke of Cornwall Robert Lang — Duke of Albany Robert Lindsay — Edmund, Gloucester's son Leo McKern — Earl of Gloucester David Threlfall — Edgar, Gloucester's son Dorothy Tutin — Goneril, King Lear's daughter John Hurt — Fool Diana Rigg — Regan, King Lear's daughter Brian Cox — Duke of Burgundy Edward Petherbridge — King of France Geoffrey Bateman — Oswald AUDIO / IMAGE HD Restoration - Sources and/or Archive copies quality used for this restoration: good. This recording is for educational purposes only and is covered under Fair Use doctrine - Copyright - All rights reserved to their respective owners. Read the unabridged plays online: https://shakespearenetwork.net/works/plays _______________________________ FUNDRAISING CAMPAIGN - DONATIONS - Shakespeare Network Website and YouTube Channel: Donate with PayPal or GoFundMe today: _______________________________ Screen Adaptation - Co-Production : MISANTHROPOS – Official Website - https://www.misanthropos.net Adapted by Maximianno Cobra, from Shakespeare's "Timon of Athens", the film exposes the timeless challenge of social hypocrisy, disillusion and annihilation against the poetics of friendship, love, and beauty. _______________________________ Why Donate? Please consider giving a donation today to support our HD AUDIO / IMAGE Restoration Program. The main objective of enhancing historical image and sound recordings by digital signal processing is to improve the overall quality of recordings degraded by several distortions. Whether true signal restoration or merely signal enhancement can be achieved depends heavily on the quality of the historical image and sound material. Image and audio restoration is an extremely time-consuming process that requires skilled audio and image engineers with specific experience in motion pictures, sound and music recording techniques as well as high-end hardware and software. Donations to Shakespeare Network help sustain free knowledge and educational programs on Shakespeare Network and our ecosystem of Shakespeare Network projects. Your contributions ensure these resources remain accessible and valuable for all. Thank you. 25% Direct support to website: Keeping the Shakespeare Network websites online is about more than just servers. It also includes ongoing engineering improvements, product development, design and research, and legal support. 25% Administration and governance: We manage funds and resources responsibly to recruit and support skilled, passionate staff who advance our communities and values. Our operating budget: Transparency is core to our organization. The Shakespeare Network develops our annual plan and operating budget through open processes, which are subject to feedback from our volunteers and Board approval. 50% Direct support to communities: Shakespeare Network projects exist thanks to the communities that create and maintain them. We strengthen these communities through grants, projects, and training programs. Contact us for further info. → ______________________________________ Shakespeare Network Educational Program: - A Companion to Shakespeare -masterclasses, reviews, reactions, Academic Studies, historical and original audio-visual content, etc.

• published: 24 Jun 2021
• views: 157047

2:38:26

Othello - Laurence Olivier - Maggie Smith - Frank Finlay - Shakespeare - 1965 - Remastered - 4K

• Order: Reorder
• Duration: 2:38:26
• Uploaded Date: 15 Oct 2021
• views: 256745

Othello is a 1965 film based on the National Theatre Company's staging of Shakespeare's Othello (1964-1966) staged by John Dexter. Directed by Stuart Burge, the...

Othello is a 1965 film based on the National Theatre Company's staging of Shakespeare's Othello (1964-1966) staged by John Dexter. Directed by Stuart Burge, the film starred Laurence Olivier, Maggie Smith, Joyce Redman, and Frank Finlay, who all received Oscar nominations, and provided film debuts for both Derek Jacobi and Michael Gambon. Please consider subscribing to our channel for More Insights: https://www.youtube.com/user/ShakespeareNetwork?sub_confirmation=1 Directed by Stuart Burge CAST Othello: Laurence Olivier Desdemona: Maggie Smith Iago: Frank Finlay Emilia: Joyce Redman Cassio: Derek Jacobi Roderigo: Robert Lang Lodovico: Kenneth Mackintosh Brabantio: Anthony Nicholls Bianca: Sheila Reid Gratiano: Michael Turner Michael Gambon: Senator / Soldier / Cypriot Recommended authoritative videos concerning "Shakespeare and Race": - Staging Race in Shakespeare’s Theatres - Prof. Farah Karim - Lecture - Oxford - 2023 - 4K - https://youtu.be/NKoKI6KsKYg - Shakespeare and Race - Book - Prof. Ayanna Thompson - Cambridge University Press - https://youtu.be/s7vIgPxgz20 - Shakespeare and Race - Othello - Prof. Ayanna Thompson - Oxford University Press - https://youtu.be/PeBM31sZYU8 Copyright - All rights reserved to their respective owners. Read the unabridged plays online: https://shakespearenetwork.net/works/plays _______________________________ FUNDRAISING CAMPAIGN - DONATIONS - Shakespeare Network Website and YouTube Channel: Donate with PayPal or GoFundMe today: _______________________________ Screen Adaptation - Co-Production : MISANTHROPOS – Official Website - https://www.misanthropos.net Adapted by Maximianno Cobra, from Shakespeare's "Timon of Athens", the film exposes the timeless challenge of social hypocrisy, disillusion and annihilation against the poetics of friendship, love, and beauty. _______________________________ Why Donate? Donations to Shakespeare Network help sustain free knowledge and educational programs on Shakespeare Network and our ecosystem of Shakespeare Network projects. Your contributions ensure these resources remain accessible and valuable for all. Thank you. 25% Direct support to website: Keeping the Shakespeare Network websites online is about more than just servers. It also includes ongoing engineering improvements, product development, design and research, and legal support. 25% Administration and governance: We manage funds and resources responsibly to recruit and support skilled, passionate staff who advance our communities and values. Our operating budget: Transparency is core to our organization. The Shakespeare Network develops our annual plan and operating budget through open processes, which are subject to feedback from our volunteers and Board approval. 50% Direct support to communities: Shakespeare Network projects exist thanks to the communities that create and maintain them. We strengthen these communities through grants, projects, and training programs. Contact us for further info. → ______________________________________ Shakespeare Network Educational Program: - A Companion to Shakespeare -masterclasses, reviews, reactions, Academic Studies, historical and original audio-visual content, etc.

https://wn.com/Othello_Laurence_Olivier_Maggie_Smith_Frank_Finlay_Shakespeare_1965_Remastered_4K

Othello is a 1965 film based on the National Theatre Company's staging of Shakespeare's Othello (1964-1966) staged by John Dexter. Directed by Stuart Burge, the film starred Laurence Olivier, Maggie Smith, Joyce Redman, and Frank Finlay, who all received Oscar nominations, and provided film debuts for both Derek Jacobi and Michael Gambon. Please consider subscribing to our channel for More Insights: https://www.youtube.com/user/ShakespeareNetwork?sub_confirmation=1 Directed by Stuart Burge CAST Othello: Laurence Olivier Desdemona: Maggie Smith Iago: Frank Finlay Emilia: Joyce Redman Cassio: Derek Jacobi Roderigo: Robert Lang Lodovico: Kenneth Mackintosh Brabantio: Anthony Nicholls Bianca: Sheila Reid Gratiano: Michael Turner Michael Gambon: Senator / Soldier / Cypriot Recommended authoritative videos concerning "Shakespeare and Race": - Staging Race in Shakespeare’s Theatres - Prof. Farah Karim - Lecture - Oxford - 2023 - 4K - https://youtu.be/NKoKI6KsKYg - Shakespeare and Race - Book - Prof. Ayanna Thompson - Cambridge University Press - https://youtu.be/s7vIgPxgz20 - Shakespeare and Race - Othello - Prof. Ayanna Thompson - Oxford University Press - https://youtu.be/PeBM31sZYU8 Copyright - All rights reserved to their respective owners. Read the unabridged plays online: https://shakespearenetwork.net/works/plays _______________________________ FUNDRAISING CAMPAIGN - DONATIONS - Shakespeare Network Website and YouTube Channel: Donate with PayPal or GoFundMe today: _______________________________ Screen Adaptation - Co-Production : MISANTHROPOS – Official Website - https://www.misanthropos.net Adapted by Maximianno Cobra, from Shakespeare's "Timon of Athens", the film exposes the timeless challenge of social hypocrisy, disillusion and annihilation against the poetics of friendship, love, and beauty. _______________________________ Why Donate? Donations to Shakespeare Network help sustain free knowledge and educational programs on Shakespeare Network and our ecosystem of Shakespeare Network projects. Your contributions ensure these resources remain accessible and valuable for all. Thank you. 25% Direct support to website: Keeping the Shakespeare Network websites online is about more than just servers. It also includes ongoing engineering improvements, product development, design and research, and legal support. 25% Administration and governance: We manage funds and resources responsibly to recruit and support skilled, passionate staff who advance our communities and values. Our operating budget: Transparency is core to our organization. The Shakespeare Network develops our annual plan and operating budget through open processes, which are subject to feedback from our volunteers and Board approval. 50% Direct support to communities: Shakespeare Network projects exist thanks to the communities that create and maintain them. We strengthen these communities through grants, projects, and training programs. Contact us for further info. → ______________________________________ Shakespeare Network Educational Program: - A Companion to Shakespeare -masterclasses, reviews, reactions, Academic Studies, historical and original audio-visual content, etc.

• published: 15 Oct 2021
• views: 256745

3:10:59

Hamlet - Richard Burton - John Gielgud - Broadway production - Shakespeare - 1964 - HD Restored - 4K

• Order: Reorder
• Duration: 3:10:59
• Uploaded Date: 14 May 2021
• views: 219588

Richard Burton as Hamlet - Directed by John Gielgud who also played the Ghost was mounted at the Lunt-Fontanne Theatre - Broadway. It opened April 9, 1964, and ...

Richard Burton as Hamlet - Directed by John Gielgud who also played the Ghost was mounted at the Lunt-Fontanne Theatre - Broadway. It opened April 9, 1964, and played 137 performances before closing August 8, 1964. The landmark revival was directed by noted Shakespeare actor John Gielgud. Formats Available - High Resolution Quality: 4K - HD - DVD - downloadable MP4 files - New 2024 - Resored Version! Buy Now! - STORE: https://tempuscollection.com/en/catalogue/4k-videos-downloads/item/hamlet-richard-burton-john-gielgud-broadway-production-shakespeare-1964-hd-restored-2024-4k Please consider subscribing to our channel for More Insights: https://www.youtube.com/user/ShakespeareNetwork?sub_confirmation=1 Directed by John Gielgud (stage) - Bill Colleran (film) CAST Richard Burton as Hamlet Hume Cronyn as Polonius Alfred Drake as Claudius Eileen Herlie as Gertrude William Redfield as Guildenstern George Rose as First Gravedigger George Voskovec as Player King Philip Coolidge as Voltemand John Cullum as Laertes Michael Ebert as Francisco/ Fortinbras Dillon Evans as Reynaldo/Osric Clement Fowler as Rosencrantz Geoff Garland as Lucianus Barnard Hughes as Marcellus/Priest Linda Marsh as Ophelia Robert Milli as Horatio Hugh Alexander as Cornelius/ Second Gravedigger/ English Ambassador Robert Burr as Bernardo/Ensemble Christopher Culkin as Player Queen Alex Giannini as Ensemble John Gielgud as Ghost Claude Harz as Ensemble John Hetherington as Player Prologue/Ensemble Gerome Ragni as Ensemble Linda Seff as Ensemble Richard L. Sterne as Gentleman Carol Teitel as Ensemble Frederick Young as Ensemble Broadway production of William Shakespeare's Hamlet that played from April 9 to August 8, 1964 at the Lunt-Fontanne Theatre. A filmed record was created by recording three live performances on camera from June 30 to July 1 using a process called Electronovision and then editing them into a single film. Because Burton disliked wearing period costumes, and for aesthetic reasons of his own, Gielgud conceived of a production performed in a “rehearsal” setting with an incomplete set and the actors wearing what appeared to be street clothes (although the costumes were actually the result of continuous trial-and-error in rehearsals, with the actors bringing in countless variations of attire for Gielgud to consider). Gielgud also opted to depict the Ghost as a shadow against the back of the stage wall, voicing the character himself on tape (since he was unavailable while the production was in performance). Read the unabridged plays online: https://shakespearenetwork.net/works/plays _______________________________ Screen Adaptation - Co-Production : MISANTHROPOS – Official Website - https://www.misanthropos.net Adapted by Maximianno Cobra, from Shakespeare's "Timon of Athens", the film exposes the timeless challenge of social hypocrisy, disillusion and annihilation against the poetics of friendship, love, and beauty. _______________________________ FUNDRAISING CAMPAIGN - DONATIONS - Shakespeare Network Website and YouTube Channel: Donate with PayPal or GoFundMe today: https://shakespearenetwork.net/company/support-us/donate-now Please consider giving a donation today to support our HD AUDIO / IMAGE Restoration Program. Why Donate? The main objective of enhancing historical image and sound recordings by digital signal processing is to improve the overall quality of recordings degraded by several distortions. Whether true signal restoration or merely signal enhancement can be achieved depends heavily on the quality of the historical image and sound material. Image and audio restoration is an extremely time-consuming process that requires skilled audio and image engineers with specific experience in motion pictures, sound and music recording techniques as well as high-end hardware and software. Donations to Shakespeare Network help sustain free knowledge and educational programs on Shakespeare Network and our ecosystem of Shakespeare Network projects. Your contributions ensure these resources remain accessible and valuable for all. Thank you. 25% Direct support to website: Keeping the Shakespeare Network websites online is about more than just servers. It also includes ongoing engineering improvements, product development, design and research, and legal support. 25% Administration and governance: We manage funds and resources responsibly to recruit and support skilled, passionate staff who advance our communities and values. Our operating budget: Transparency is core to our organization. The Shakespeare Network develops our annual plan and operating budget through open processes, which are subject to feedback from our volunteers and Board approval. 50% Direct support to communities: Shakespeare Network projects exist thanks to the communities that create and maintain them. We strengthen these communities through grants, projects, and training programs. Contact us for further info.

https://wn.com/Hamlet_Richard_Burton_John_Gielgud_Broadway_Production_Shakespeare_1964_Hd_Restored_4K

Richard Burton as Hamlet - Directed by John Gielgud who also played the Ghost was mounted at the Lunt-Fontanne Theatre - Broadway. It opened April 9, 1964, and played 137 performances before closing August 8, 1964. The landmark revival was directed by noted Shakespeare actor John Gielgud. Formats Available - High Resolution Quality: 4K - HD - DVD - downloadable MP4 files - New 2024 - Resored Version! Buy Now! - STORE: https://tempuscollection.com/en/catalogue/4k-videos-downloads/item/hamlet-richard-burton-john-gielgud-broadway-production-shakespeare-1964-hd-restored-2024-4k Please consider subscribing to our channel for More Insights: https://www.youtube.com/user/ShakespeareNetwork?sub_confirmation=1 Directed by John Gielgud (stage) - Bill Colleran (film) CAST Richard Burton as Hamlet Hume Cronyn as Polonius Alfred Drake as Claudius Eileen Herlie as Gertrude William Redfield as Guildenstern George Rose as First Gravedigger George Voskovec as Player King Philip Coolidge as Voltemand John Cullum as Laertes Michael Ebert as Francisco/ Fortinbras Dillon Evans as Reynaldo/Osric Clement Fowler as Rosencrantz Geoff Garland as Lucianus Barnard Hughes as Marcellus/Priest Linda Marsh as Ophelia Robert Milli as Horatio Hugh Alexander as Cornelius/ Second Gravedigger/ English Ambassador Robert Burr as Bernardo/Ensemble Christopher Culkin as Player Queen Alex Giannini as Ensemble John Gielgud as Ghost Claude Harz as Ensemble John Hetherington as Player Prologue/Ensemble Gerome Ragni as Ensemble Linda Seff as Ensemble Richard L. Sterne as Gentleman Carol Teitel as Ensemble Frederick Young as Ensemble Broadway production of William Shakespeare's Hamlet that played from April 9 to August 8, 1964 at the Lunt-Fontanne Theatre. A filmed record was created by recording three live performances on camera from June 30 to July 1 using a process called Electronovision and then editing them into a single film. Because Burton disliked wearing period costumes, and for aesthetic reasons of his own, Gielgud conceived of a production performed in a “rehearsal” setting with an incomplete set and the actors wearing what appeared to be street clothes (although the costumes were actually the result of continuous trial-and-error in rehearsals, with the actors bringing in countless variations of attire for Gielgud to consider). Gielgud also opted to depict the Ghost as a shadow against the back of the stage wall, voicing the character himself on tape (since he was unavailable while the production was in performance). Read the unabridged plays online: https://shakespearenetwork.net/works/plays _______________________________ Screen Adaptation - Co-Production : MISANTHROPOS – Official Website - https://www.misanthropos.net Adapted by Maximianno Cobra, from Shakespeare's "Timon of Athens", the film exposes the timeless challenge of social hypocrisy, disillusion and annihilation against the poetics of friendship, love, and beauty. _______________________________ FUNDRAISING CAMPAIGN - DONATIONS - Shakespeare Network Website and YouTube Channel: Donate with PayPal or GoFundMe today: https://shakespearenetwork.net/company/support-us/donate-now Please consider giving a donation today to support our HD AUDIO / IMAGE Restoration Program. Why Donate? The main objective of enhancing historical image and sound recordings by digital signal processing is to improve the overall quality of recordings degraded by several distortions. Whether true signal restoration or merely signal enhancement can be achieved depends heavily on the quality of the historical image and sound material. Image and audio restoration is an extremely time-consuming process that requires skilled audio and image engineers with specific experience in motion pictures, sound and music recording techniques as well as high-end hardware and software. Donations to Shakespeare Network help sustain free knowledge and educational programs on Shakespeare Network and our ecosystem of Shakespeare Network projects. Your contributions ensure these resources remain accessible and valuable for all. Thank you. 25% Direct support to website: Keeping the Shakespeare Network websites online is about more than just servers. It also includes ongoing engineering improvements, product development, design and research, and legal support. 25% Administration and governance: We manage funds and resources responsibly to recruit and support skilled, passionate staff who advance our communities and values. Our operating budget: Transparency is core to our organization. The Shakespeare Network develops our annual plan and operating budget through open processes, which are subject to feedback from our volunteers and Board approval. 50% Direct support to communities: Shakespeare Network projects exist thanks to the communities that create and maintain them. We strengthen these communities through grants, projects, and training programs. Contact us for further info.

• published: 14 May 2021
• views: 219588

58:01

William Shakespeare: The Life and Times Of (FULL MOVIE)

• Order: Reorder
• Duration: 58:01
• Uploaded Date: 03 Apr 2017
• views: 547399

There’s no name better known in the world of Literature than William Shakespeare, and whatever your feelings about such dramatic offerings as “Romeo and Juliet”...

There’s no name better known in the world of Literature than William Shakespeare, and whatever your feelings about such dramatic offerings as “Romeo and Juliet”, “Twelfth Night”, “King Lear”, “Othello”, “Hamlet”, “Julius Caesar”, “Taming of the Shrew” or “Macbeth”, Shakespeare is impossible to ignore. Thousands of books have been written about Shakespeare and even though he lived over four hundred years ago, biographers and literary critics are still inspired to wax lyrical upon the subject in the 21st Century. What’s more there are as few facts as ever to go on, and by the very nature of history, it’s unlikely that any new and dramatic evidence regarding the life and times of William Shakespeare will be revealed. So what exactly is it that makes Shakespeare such a fascinating subject for speculation by each new generation to discover him? After all, the image we all recognize of Shakespeare is the perfect picture of Elizabethan respectability and far from being anything out of the ordinary. However, like all good stories, dig a little deeper and your efforts will be rewarded. Shakespeare’s meteoric rise from the humblest of beginnings to worldwide fame tells a tale of tenacity that is inspirational to this day and as we follow in the Great Bard of Avon’s footsteps, where there’s a will, when you’re talking about William Shakespeare, there’s most definitely a way. #shakespeare #classics #literature Connect with 1091 Pictures Website: http://www.1091pictures.com Watch more movies on demand: youtube.com/c/1091ONDEMAND Follow Us on Facebook: https://www.facebook.com/1091pictures Follow Us on Instagram: https://www.instagram.com/1091media Please subscribe!

https://wn.com/William_Shakespeare_The_Life_And_Times_Of_(Full_Movie)

There’s no name better known in the world of Literature than William Shakespeare, and whatever your feelings about such dramatic offerings as “Romeo and Juliet”, “Twelfth Night”, “King Lear”, “Othello”, “Hamlet”, “Julius Caesar”, “Taming of the Shrew” or “Macbeth”, Shakespeare is impossible to ignore. Thousands of books have been written about Shakespeare and even though he lived over four hundred years ago, biographers and literary critics are still inspired to wax lyrical upon the subject in the 21st Century. What’s more there are as few facts as ever to go on, and by the very nature of history, it’s unlikely that any new and dramatic evidence regarding the life and times of William Shakespeare will be revealed. So what exactly is it that makes Shakespeare such a fascinating subject for speculation by each new generation to discover him? After all, the image we all recognize of Shakespeare is the perfect picture of Elizabethan respectability and far from being anything out of the ordinary. However, like all good stories, dig a little deeper and your efforts will be rewarded. Shakespeare’s meteoric rise from the humblest of beginnings to worldwide fame tells a tale of tenacity that is inspirational to this day and as we follow in the Great Bard of Avon’s footsteps, where there’s a will, when you’re talking about William Shakespeare, there’s most definitely a way. #shakespeare #classics #literature Connect with 1091 Pictures Website: http://www.1091pictures.com Watch more movies on demand: youtube.com/c/1091ONDEMAND Follow Us on Facebook: https://www.facebook.com/1091pictures Follow Us on Instagram: https://www.instagram.com/1091media Please subscribe!

• published: 03 Apr 2017
• views: 547399

1:01:11

Francis Bacon & The Law In His Early Shakespeare Plays Reflected In His Life & Writings

• Order: Reorder
• Duration: 1:01:11
• Uploaded Date: 11 Oct 2021
• views: 446

The philosophical, political and legal DNA of Francis Bacon runs through the very veins and arteries of the Shakespeare poems and plays. As the son of Sir Nicho...

The philosophical, political and legal DNA of Francis Bacon runs through the very veins and arteries of the Shakespeare poems and plays. As the son of Sir Nicholas Bacon, the Elizabethan Lord Keeper and de facto Lord Chancellor of England from a very early age he drank in, assimilated and internalised, the inner workings of the law, the superstructure of its legal machinery, and all its procedures, practices and operations. Under the guidance of his father Bacon was admitted to Gray’s Inn where with his extraordinary intellectual gifts and masterful comprehension of the law he enjoyed a stellar rise that eventually led to him occupying all the major legal offices of state, solicitor-general, attorney-general, Lord Keeper and Lord Chancellor of England. During his time at Gray’s Inn Bacon was de facto Master of the Revels writing and producing several masques, entertainments and plays, several of which have survived. Most importantly, Bacon wrote a play entitled The Misfortunes of Arthur (a political allegory about Queen Elizabeth and Mary, Queen of Scots) which was performed by members of Gray’s Inn before Queen Elizabeth at Greenwich on 28 February 1588, a date notable for the very singular fact that it marked the beginning of what is known as the Shakespearean era. Its themes and language find expression and are demonstrably echoed in a significant number of his early Shakespeare plays including the first tetralogy of I Henry VI, 2 Henry VI, 3 Henry VI and Richard III, written around the same time or shortly after the Misfortunes, and from the same early period Titus Andronicus, King John, Richard II and The Comedy of Errors. These plays display an intimate familiarity with the principles and practices of all the major branches of the law: common law, civil law, statute law, and the maxims of English law, as well as its principles, complex technicalities, customs and jurisprudence. Their legal language and phrases readily flow from his pen and in the plays his characters talk in a language of the law straight out of Bacon’s Legal Tracts: from Slade’s Case, The Maxims of the Law, The Postnati Case, The Charge of Francis Bacon Touching Duels, The Elements of the Common Laws of England, etc, none of which were published in his lifetime. Several of these plays also reflect some of his other political-legal tracts (also not published during his lifetime), most notably Certain Observations Upon a Libel (c. 1592) commissioned by and written in defence of his uncle Sir William Cecil, Lord Burghley (married to Lady Mildred Cooke Cecil, elder sister of his mother Lady Anne Cooke Bacon) aspects of which are reflected in 2 Henry VI wherein the Duke of Gloucester is modelled on Cecil and Dame Eleanor points to his wife Lady Mildred Cecil. Their son Sir Robert Cecil, with whom Bacon grew up, he painted in the titular character of Richard III and in his essay Of Deformity. In the less well-known The Troublesome Reign of King John Bacon explores the law of bastardy, in particular the law surrounding royal bastardy, through the most important and largest role in the play, the royal bastard Sir Philip Faulconbridge, universally regarded as the hero of the play. It is revealed here for the first time that the character of the royal bastard is a disguised dramatization of its author Bacon, the secret concealed royal son of Queen Elizabeth and Robert Dudley, Earl of Leicester. For the best part of a year Bacon organised and directed the magnificent Gray’s Inn Christmas Revels (1594-5) which witnessed the premier of his legal play The Comedy of Errors in which a programme of legal reforms began by Sir Nicholas Bacon and continued by Francis Bacon found dramatic expression. On the last of its Grand Nights which took place on 3 January 1595 Bacon wrote six speeches on the Exercise of War, the Study of Philosophy, the Eternizement and Fame by Buildings and Foundations, the Absoluteness of State and Treasure, Virtue and a gracious Government, and Persuading Pastimes and Sports, in the fifth of which, he sets forth arguments for the extensive reform of the machinery of the law, the courts of law and justice, and its delays and abuses, necessary for the peace and security of the kingdom, completing the cycle of his early Baconian-Shakespearean legal plays.

https://wn.com/Francis_Bacon_The_Law_In_His_Early_Shakespeare_Plays_Reflected_In_His_Life_Writings

The philosophical, political and legal DNA of Francis Bacon runs through the very veins and arteries of the Shakespeare poems and plays. As the son of Sir Nicholas Bacon, the Elizabethan Lord Keeper and de facto Lord Chancellor of England from a very early age he drank in, assimilated and internalised, the inner workings of the law, the superstructure of its legal machinery, and all its procedures, practices and operations. Under the guidance of his father Bacon was admitted to Gray’s Inn where with his extraordinary intellectual gifts and masterful comprehension of the law he enjoyed a stellar rise that eventually led to him occupying all the major legal offices of state, solicitor-general, attorney-general, Lord Keeper and Lord Chancellor of England. During his time at Gray’s Inn Bacon was de facto Master of the Revels writing and producing several masques, entertainments and plays, several of which have survived. Most importantly, Bacon wrote a play entitled The Misfortunes of Arthur (a political allegory about Queen Elizabeth and Mary, Queen of Scots) which was performed by members of Gray’s Inn before Queen Elizabeth at Greenwich on 28 February 1588, a date notable for the very singular fact that it marked the beginning of what is known as the Shakespearean era. Its themes and language find expression and are demonstrably echoed in a significant number of his early Shakespeare plays including the first tetralogy of I Henry VI, 2 Henry VI, 3 Henry VI and Richard III, written around the same time or shortly after the Misfortunes, and from the same early period Titus Andronicus, King John, Richard II and The Comedy of Errors. These plays display an intimate familiarity with the principles and practices of all the major branches of the law: common law, civil law, statute law, and the maxims of English law, as well as its principles, complex technicalities, customs and jurisprudence. Their legal language and phrases readily flow from his pen and in the plays his characters talk in a language of the law straight out of Bacon’s Legal Tracts: from Slade’s Case, The Maxims of the Law, The Postnati Case, The Charge of Francis Bacon Touching Duels, The Elements of the Common Laws of England, etc, none of which were published in his lifetime. Several of these plays also reflect some of his other political-legal tracts (also not published during his lifetime), most notably Certain Observations Upon a Libel (c. 1592) commissioned by and written in defence of his uncle Sir William Cecil, Lord Burghley (married to Lady Mildred Cooke Cecil, elder sister of his mother Lady Anne Cooke Bacon) aspects of which are reflected in 2 Henry VI wherein the Duke of Gloucester is modelled on Cecil and Dame Eleanor points to his wife Lady Mildred Cecil. Their son Sir Robert Cecil, with whom Bacon grew up, he painted in the titular character of Richard III and in his essay Of Deformity. In the less well-known The Troublesome Reign of King John Bacon explores the law of bastardy, in particular the law surrounding royal bastardy, through the most important and largest role in the play, the royal bastard Sir Philip Faulconbridge, universally regarded as the hero of the play. It is revealed here for the first time that the character of the royal bastard is a disguised dramatization of its author Bacon, the secret concealed royal son of Queen Elizabeth and Robert Dudley, Earl of Leicester. For the best part of a year Bacon organised and directed the magnificent Gray’s Inn Christmas Revels (1594-5) which witnessed the premier of his legal play The Comedy of Errors in which a programme of legal reforms began by Sir Nicholas Bacon and continued by Francis Bacon found dramatic expression. On the last of its Grand Nights which took place on 3 January 1595 Bacon wrote six speeches on the Exercise of War, the Study of Philosophy, the Eternizement and Fame by Buildings and Foundations, the Absoluteness of State and Treasure, Virtue and a gracious Government, and Persuading Pastimes and Sports, in the fifth of which, he sets forth arguments for the extensive reform of the machinery of the law, the courts of law and justice, and its delays and abuses, necessary for the peace and security of the kingdom, completing the cycle of his early Baconian-Shakespearean legal plays.

• published: 11 Oct 2021
• views: 446

2:50:15

Hamlet - Christopher Plummer - Michael Caine - Donald Sutherland - Shakespeare - 1964 - Film - 4K

• Order: Reorder
• Duration: 2:50:15
• Uploaded Date: 13 Jun 2021
• views: 59611

HAMLET AT ELSINORE - Christopher Plummer - Michael Caine - Donald Sutherland - Robert Shaw (1964) Please consider subscribing to our channel for More Insights:...

HAMLET AT ELSINORE - Christopher Plummer - Michael Caine - Donald Sutherland - Robert Shaw (1964) Please consider subscribing to our channel for More Insights: https://www.youtube.com/user/ShakespeareNetwork?sub_confirmation=1 CAST Christopher Plummer as Hamlet Robert Shaw as Claudius, King of Denmark Alec Clunes as Polonius Michael Caine as Horatio June Tobin as Gertrude, Queen of Denmark Jo Maxwell Muller as Ophelia Dyson Lovell as Laertes Donald Sutherland as Fortinbras Roy Kinnear as the Gravedigger Hamlet at Elsinore is a 1964 television version of the play by William Shakespeare. Produced by the BBC in association with Danish Radio, it was shown in the U.S. on NET. Winning wide acclaim both for its performances and for being shot entirely at Helsingør (Elsinore in English), in the castle in which the play is set, it is the only version (with sound) of the play to have actually been shot at Elsinore Castle. This programme was recorded and edited on video tape (2" quadruplex) and not 'filmed'. The director was Philip Saville. It was the longest version of the play telecast in one evening up to that time, running nearly three hours. A 1947 telecast of the play had split it up into two ninety-minute halves over two weeks. The Canadian actor Christopher Plummer took the lead role as Hamlet and earned an Emmy Award nomination for his performance. In supporting roles were Robert Shaw as Claudius, Donald Sutherland as Fortinbras, Roy Kinnear as the Gravedigger and Michael Caine, in his only Shakespearean performance, as Horatio. Sutherland, Caine and Shaw were, at the time, almost completely unknown to American audiences, and just before the presentation's first U.S. telecast, Plummer began to gain popularity in the U.S. because of his appearance in the 1965 musical film The Sound of Music. AUDIO / IMAGE HD Restoration - Sources and/or Archive copies quality used for this restoration: damaged/medium. This recording is for educational purposes only and is covered under Fair Use doctrine - Copyright - All rights reserved to their respective owners. Read the unabridged plays online: https://shakespearenetwork.net/works/plays _______________________________ FUNDRAISING CAMPAIGN - DONATIONS - Shakespeare Network Website and YouTube Channel: Donate with PayPal or GoFundMe today: _______________________________ Screen Adaptation - Co-Production : MISANTHROPOS – Official Website - https://www.misanthropos.net Adapted by Maximianno Cobra, from Shakespeare's "Timon of Athens", the film exposes the timeless challenge of social hypocrisy, disillusion and annihilation against the poetics of friendship, love, and beauty. _______________________________ Why Donate? Please consider giving a donation today to support our HD AUDIO / IMAGE Restoration Program. The main objective of enhancing historical image and sound recordings by digital signal processing is to improve the overall quality of recordings degraded by several distortions. Whether true signal restoration or merely signal enhancement can be achieved depends heavily on the quality of the historical image and sound material. Image and audio restoration is an extremely time-consuming process that requires skilled audio and image engineers with specific experience in motion pictures, sound and music recording techniques as well as high-end hardware and software. Donations to Shakespeare Network help sustain free knowledge and educational programs on Shakespeare Network and our ecosystem of Shakespeare Network projects. Your contributions ensure these resources remain accessible and valuable for all. Thank you. 25% Direct support to website: Keeping the Shakespeare Network websites online is about more than just servers. It also includes ongoing engineering improvements, product development, design and research, and legal support. 25% Administration and governance: We manage funds and resources responsibly to recruit and support skilled, passionate staff who advance our communities and values. Our operating budget: Transparency is core to our organization. The Shakespeare Network develops our annual plan and operating budget through open processes, which are subject to feedback from our volunteers and Board approval. 50% Direct support to communities: Shakespeare Network projects exist thanks to the communities that create and maintain them. We strengthen these communities through grants, projects, and training programs. Contact us for further info. → ______________________________________ Shakespeare Network Educational Program: - A Companion to Shakespeare -masterclasses, reviews, reactions, Academic Studies, historical and original audio-visual content, etc.

https://wn.com/Hamlet_Christopher_Plummer_Michael_Caine_Donald_Sutherland_Shakespeare_1964_Film_4K

HAMLET AT ELSINORE - Christopher Plummer - Michael Caine - Donald Sutherland - Robert Shaw (1964) Please consider subscribing to our channel for More Insights: https://www.youtube.com/user/ShakespeareNetwork?sub_confirmation=1 CAST Christopher Plummer as Hamlet Robert Shaw as Claudius, King of Denmark Alec Clunes as Polonius Michael Caine as Horatio June Tobin as Gertrude, Queen of Denmark Jo Maxwell Muller as Ophelia Dyson Lovell as Laertes Donald Sutherland as Fortinbras Roy Kinnear as the Gravedigger Hamlet at Elsinore is a 1964 television version of the play by William Shakespeare. Produced by the BBC in association with Danish Radio, it was shown in the U.S. on NET. Winning wide acclaim both for its performances and for being shot entirely at Helsingør (Elsinore in English), in the castle in which the play is set, it is the only version (with sound) of the play to have actually been shot at Elsinore Castle. This programme was recorded and edited on video tape (2" quadruplex) and not 'filmed'. The director was Philip Saville. It was the longest version of the play telecast in one evening up to that time, running nearly three hours. A 1947 telecast of the play had split it up into two ninety-minute halves over two weeks. The Canadian actor Christopher Plummer took the lead role as Hamlet and earned an Emmy Award nomination for his performance. In supporting roles were Robert Shaw as Claudius, Donald Sutherland as Fortinbras, Roy Kinnear as the Gravedigger and Michael Caine, in his only Shakespearean performance, as Horatio. Sutherland, Caine and Shaw were, at the time, almost completely unknown to American audiences, and just before the presentation's first U.S. telecast, Plummer began to gain popularity in the U.S. because of his appearance in the 1965 musical film The Sound of Music. AUDIO / IMAGE HD Restoration - Sources and/or Archive copies quality used for this restoration: damaged/medium. This recording is for educational purposes only and is covered under Fair Use doctrine - Copyright - All rights reserved to their respective owners. Read the unabridged plays online: https://shakespearenetwork.net/works/plays _______________________________ FUNDRAISING CAMPAIGN - DONATIONS - Shakespeare Network Website and YouTube Channel: Donate with PayPal or GoFundMe today: _______________________________ Screen Adaptation - Co-Production : MISANTHROPOS – Official Website - https://www.misanthropos.net Adapted by Maximianno Cobra, from Shakespeare's "Timon of Athens", the film exposes the timeless challenge of social hypocrisy, disillusion and annihilation against the poetics of friendship, love, and beauty. _______________________________ Why Donate? Please consider giving a donation today to support our HD AUDIO / IMAGE Restoration Program. The main objective of enhancing historical image and sound recordings by digital signal processing is to improve the overall quality of recordings degraded by several distortions. Whether true signal restoration or merely signal enhancement can be achieved depends heavily on the quality of the historical image and sound material. Image and audio restoration is an extremely time-consuming process that requires skilled audio and image engineers with specific experience in motion pictures, sound and music recording techniques as well as high-end hardware and software. Donations to Shakespeare Network help sustain free knowledge and educational programs on Shakespeare Network and our ecosystem of Shakespeare Network projects. Your contributions ensure these resources remain accessible and valuable for all. Thank you. 25% Direct support to website: Keeping the Shakespeare Network websites online is about more than just servers. It also includes ongoing engineering improvements, product development, design and research, and legal support. 25% Administration and governance: We manage funds and resources responsibly to recruit and support skilled, passionate staff who advance our communities and values. Our operating budget: Transparency is core to our organization. The Shakespeare Network develops our annual plan and operating budget through open processes, which are subject to feedback from our volunteers and Board approval. 50% Direct support to communities: Shakespeare Network projects exist thanks to the communities that create and maintain them. We strengthen these communities through grants, projects, and training programs. Contact us for further info. → ______________________________________ Shakespeare Network Educational Program: - A Companion to Shakespeare -masterclasses, reviews, reactions, Academic Studies, historical and original audio-visual content, etc.

• published: 13 Jun 2021
• views: 59611

5:35

Shakespeare Alpha Fishing Rod and Reel 8 FT /വിലയോ തുച്ഛം ഗുണമോ മെച്ചം

• Order: Reorder
• Duration: 5:35
• Uploaded Date: 21 Aug 2020
• views: 6266

Shakespeare Alpha Fishing Rod and Reel 8 FT Make the Shakespeare Alpha the first choice for your next outing. The smooth ball bearing drive and tough drag makes...

Shakespeare Alpha Fishing Rod and Reel 8 FT Make the Shakespeare Alpha the first choice for your next outing. The smooth ball bearing drive and tough drag makes the Alpha the best value for anglers of all skill levels. Features:- Smooth ball bearing drive- Graphite spool pre-spooled with monofilament line- Dependable multi-disc drag system- Strong tubular glass rod with comfortable EVA handles Specifications:- Mono Capacity (Yards/lbs.): 280/12, 215/14, 195/17- Bearing Count: 1- Rod Power: Medium- Rod Length: 8'- Number of Pieces: 2- Technique: Spinning- Line Rating: 10-25- Reel Handle Position: Right/Left Product Dimensions 142.24 x 15.24 x 12.7 cm; 4.54 grams Item model number ALPBW8050CBO Size 8' - Medium Hand Orientation Left/Right Length 8 Feet Weight 2.27 kilograms Number of Items 1 Number of Pieces 5 Power Rating Medium Power Source AC/DC Batteries Included? No Brand Shakespeare Item Weight 4.54 g Shakespeare rods are generally toward the lower end of the price range but offer decent performance. They will not be as light and as sensitive as more expensive rods, but will do the job. The Ugly Stick line is noted for its durability. ... So yes, Shakespeare makes good fishing rods, but not great fishing rods. Hello ! Welcome everyone to Vlogger John! Our YouTube channel has videos on multiple topics. It includes but not limited to Fishing, Canada Immigration, Canada Student Visa, Other Canada Visa options, Canada lifestyle videos, Travelogue, Camping and Outdoor videos, Cooking videos, Review videos, Unboxing videos , Beauty and Make up videos, DIY videos and so on. There will be spontaneous and Random livestream videos of your interest as well. The videos can be in English or Malayalam or in Both! There will be minimum 2 videos per week for your entertainment! You can also reach me in different Social media Platforms as well in the name “Vlogger John”. Find me on YouTube : http://www.youtube.com/c/VloggerJohn Find me on Facebook: https://www.facebook.com/vloggerjohn/ Find and Join Vlogger John WhatsApp Group : https://chat.whatsapp.com/HYZmzt2L6xb7eaSFoQCLk5 Find and message me on Instagram: I'm on Instagram as vloggerjohn. Install the app to follow my photos and videos. https://www.instagram.com/invites/contact/?i=t2pt0zsgaa2r&utm_content=124l0fv Instagram: https://www.instagram.com/vloggerjohn/ Twitter: https://mobile.twitter.com/rajeshpjv Tiktok: https://vm.tiktok.com/ZS5bHJVA/ My fishing gear details are as follows, Fishing Rod : Ugly Stik Shakespeare Elite Salmon/Steelhead Spinning Rod https://www.amazon.ca/dp/B00OL1TM44/ref=cm_sw_r_cp_api_i_fHqxFb1DSG1NX Fishing Reel: Shimano Catana 4000 FC spinning reel with frontdrag by SHIMANO https://www.amazon.ca/dp/B00FG2GXPS/ref=cm_sw_r_cp_api_i_VKqxFbXG2AMW4 Fishing line : PowerPro Power Pro 21100150500E Braided Spectra Fiber Fishing Line, 15 Lb/500 yd, Moss Green https://www.amazon.ca/dp/B000ALE9BA/ref=cm_sw_r_cp_api_i_BMqxFb8KWRRQ6 Camera and Filming devices used: GoPro HERO7 Black — Waterproof Action Camera with Touch Screen 4K Ultra HD Video 12MP Photos 720p Live Streaming Stabilization https://www.amazon.ca/dp/B07GDGZCCH/ref=cm_sw_r_cp_api_i_NNqxFbWAWP72Z Camera 2 : Canon 1263C005 EOS 80D Digital SLR Kit with EF-S 18-55mm f/3.5-5.6 Image Stabilization STM Lens (Black) https://www.amazon.ca/dp/B01BUYJXMA/ref=cm_sw_r_cp_api_i_xOqxFbY1XHJS3 Lens 2: Canon EF 24-105mm f/4 L IS USM Lens for Canon EOS SLR Cameras (White Box) https://www.amazon.ca/dp/B006C661JK/ref=cm_sw_r_cp_api_i_VPqxFbK8AVXA5 If you have any other questions, please feel free to Email me : [email protected]

https://wn.com/Shakespeare_Alpha_Fishing_Rod_And_Reel_8_Ft_വിലയോ_തുച്ഛം_ഗുണമോ_മെച്ചം

Shakespeare Alpha Fishing Rod and Reel 8 FT Make the Shakespeare Alpha the first choice for your next outing. The smooth ball bearing drive and tough drag makes the Alpha the best value for anglers of all skill levels. Features:- Smooth ball bearing drive- Graphite spool pre-spooled with monofilament line- Dependable multi-disc drag system- Strong tubular glass rod with comfortable EVA handles Specifications:- Mono Capacity (Yards/lbs.): 280/12, 215/14, 195/17- Bearing Count: 1- Rod Power: Medium- Rod Length: 8'- Number of Pieces: 2- Technique: Spinning- Line Rating: 10-25- Reel Handle Position: Right/Left Product Dimensions 142.24 x 15.24 x 12.7 cm; 4.54 grams Item model number ALPBW8050CBO Size 8' - Medium Hand Orientation Left/Right Length 8 Feet Weight 2.27 kilograms Number of Items 1 Number of Pieces 5 Power Rating Medium Power Source AC/DC Batteries Included? No Brand Shakespeare Item Weight 4.54 g Shakespeare rods are generally toward the lower end of the price range but offer decent performance. They will not be as light and as sensitive as more expensive rods, but will do the job. The Ugly Stick line is noted for its durability. ... So yes, Shakespeare makes good fishing rods, but not great fishing rods. Hello ! Welcome everyone to Vlogger John! Our YouTube channel has videos on multiple topics. It includes but not limited to Fishing, Canada Immigration, Canada Student Visa, Other Canada Visa options, Canada lifestyle videos, Travelogue, Camping and Outdoor videos, Cooking videos, Review videos, Unboxing videos , Beauty and Make up videos, DIY videos and so on. There will be spontaneous and Random livestream videos of your interest as well. The videos can be in English or Malayalam or in Both! There will be minimum 2 videos per week for your entertainment! You can also reach me in different Social media Platforms as well in the name “Vlogger John”. Find me on YouTube : http://www.youtube.com/c/VloggerJohn Find me on Facebook: https://www.facebook.com/vloggerjohn/ Find and Join Vlogger John WhatsApp Group : https://chat.whatsapp.com/HYZmzt2L6xb7eaSFoQCLk5 Find and message me on Instagram: I'm on Instagram as vloggerjohn. Install the app to follow my photos and videos. https://www.instagram.com/invites/contact/?i=t2pt0zsgaa2r&utm_content=124l0fv Instagram: https://www.instagram.com/vloggerjohn/ Twitter: https://mobile.twitter.com/rajeshpjv Tiktok: https://vm.tiktok.com/ZS5bHJVA/ My fishing gear details are as follows, Fishing Rod : Ugly Stik Shakespeare Elite Salmon/Steelhead Spinning Rod https://www.amazon.ca/dp/B00OL1TM44/ref=cm_sw_r_cp_api_i_fHqxFb1DSG1NX Fishing Reel: Shimano Catana 4000 FC spinning reel with frontdrag by SHIMANO https://www.amazon.ca/dp/B00FG2GXPS/ref=cm_sw_r_cp_api_i_VKqxFbXG2AMW4 Fishing line : PowerPro Power Pro 21100150500E Braided Spectra Fiber Fishing Line, 15 Lb/500 yd, Moss Green https://www.amazon.ca/dp/B000ALE9BA/ref=cm_sw_r_cp_api_i_BMqxFb8KWRRQ6 Camera and Filming devices used: GoPro HERO7 Black — Waterproof Action Camera with Touch Screen 4K Ultra HD Video 12MP Photos 720p Live Streaming Stabilization https://www.amazon.ca/dp/B07GDGZCCH/ref=cm_sw_r_cp_api_i_NNqxFbWAWP72Z Camera 2 : Canon 1263C005 EOS 80D Digital SLR Kit with EF-S 18-55mm f/3.5-5.6 Image Stabilization STM Lens (Black) https://www.amazon.ca/dp/B01BUYJXMA/ref=cm_sw_r_cp_api_i_xOqxFbY1XHJS3 Lens 2: Canon EF 24-105mm f/4 L IS USM Lens for Canon EOS SLR Cameras (White Box) https://www.amazon.ca/dp/B006C661JK/ref=cm_sw_r_cp_api_i_VPqxFbK8AVXA5 If you have any other questions, please feel free to Email me : [email protected]

• published: 21 Aug 2020
• views: 6266

12:04

Shakespeare's Tragedies and an Acting Lesson: Crash Course Theater #15

• Order: Reorder
• Duration: 12:04
• Uploaded Date: 25 May 2018
• views: 344888

Shakespeare's tragedies...were tragic. But they had some jokes. They also changed the way tragedies were written. Characters like Hamlet, Macbeth, and King Lear...

Shakespeare's tragedies...were tragic. But they had some jokes. They also changed the way tragedies were written. Characters like Hamlet, Macbeth, and King Lear had tragic outcomes, but they were sympathetic characters in a lot of ways. This was a big change from the way Seneca and the Greeks wrote tragedies, and it caught on. Crash Course is on Patreon! You can support us directly by signing up at http://www.patreon.com/crashcourse Thanks to the following Patrons for their generous monthly contributions that help keep Crash Course free for everyone forever: Mark Brouwer, Glenn Elliott, Justin Zingsheim, Jessica Wode, Eric Prestemon, Kathrin Benoit, Tom Trval, Jason Saslow, Nathan Taylor, Divonne Holmes à Court, Brian Thomas Gossett, Khaled El Shalakany, Indika Siriwardena, SR Foxley, Sam Ferguson, Yasenia Cruz, Eric Koslow, Caleb Weeks, Tim Curwick, Evren Türkmenoğlu, D.A. Noe, Shawn Arnold, mark austin, Ruth Perez, Malcolm Callis, Ken Penttinen, Advait Shinde, Cody Carpenter, Annamaria Herrera, William McGraw, Bader AlGhamdi, Vaso, Melissa Briski, Joey Quek, Andrei Krishkevich, Rachel Bright, Alex S, Mayumi Maeda, Kathy & Tim Philip, Montather, Jirat, Eric Kitchen, Moritz Schmidt, Ian Dundore, Chris Peters, Sandra Aft, Steve Marshall -- Want to find Crash Course elsewhere on the internet? Facebook - http://www.facebook.com/YouTubeCrashCourse Twitter - http://www.twitter.com/TheCrashCourse Tumblr - http://thecrashcourse.tumblr.com Support Crash Course on Patreon: http://patreon.com/crashcourse CC Kids: http://www.youtube.com/crashcoursekids

https://wn.com/Shakespeare's_Tragedies_And_An_Acting_Lesson_Crash_Course_Theater_15

Shakespeare's tragedies...were tragic. But they had some jokes. They also changed the way tragedies were written. Characters like Hamlet, Macbeth, and King Lear had tragic outcomes, but they were sympathetic characters in a lot of ways. This was a big change from the way Seneca and the Greeks wrote tragedies, and it caught on. Crash Course is on Patreon! You can support us directly by signing up at http://www.patreon.com/crashcourse Thanks to the following Patrons for their generous monthly contributions that help keep Crash Course free for everyone forever: Mark Brouwer, Glenn Elliott, Justin Zingsheim, Jessica Wode, Eric Prestemon, Kathrin Benoit, Tom Trval, Jason Saslow, Nathan Taylor, Divonne Holmes à Court, Brian Thomas Gossett, Khaled El Shalakany, Indika Siriwardena, SR Foxley, Sam Ferguson, Yasenia Cruz, Eric Koslow, Caleb Weeks, Tim Curwick, Evren Türkmenoğlu, D.A. Noe, Shawn Arnold, mark austin, Ruth Perez, Malcolm Callis, Ken Penttinen, Advait Shinde, Cody Carpenter, Annamaria Herrera, William McGraw, Bader AlGhamdi, Vaso, Melissa Briski, Joey Quek, Andrei Krishkevich, Rachel Bright, Alex S, Mayumi Maeda, Kathy & Tim Philip, Montather, Jirat, Eric Kitchen, Moritz Schmidt, Ian Dundore, Chris Peters, Sandra Aft, Steve Marshall -- Want to find Crash Course elsewhere on the internet? Facebook - http://www.facebook.com/YouTubeCrashCourse Twitter - http://www.twitter.com/TheCrashCourse Tumblr - http://thecrashcourse.tumblr.com Support Crash Course on Patreon: http://patreon.com/crashcourse CC Kids: http://www.youtube.com/crashcoursekids

• published: 25 May 2018
• views: 344888

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1:55:56

Julius Caesar - John Gielgud - Charlton Heston - Jason Robards - Shakespeare - 1970 - Remastered 4K

Julius Caesar is a 1970 film adaptation of William Shakespeare's play of the same name, di...

published: 05 Dec 2021

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Julius Caesar - John Gielgud - Charlton Heston - Jason Robards - Shakespeare - 1970 - Remastered 4K

Julius Caesar - John Gielgud - Charlton Heston - Jason Robards - Shakespeare - 1970 - Remastered 4K

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• published: 05 Dec 2021
• views: 206441

Julius Caesar is a 1970 film adaptation of William Shakespeare's play of the same name, directed by Stuart Burge. It was an independent production of Commonwealth United Entertainment, filmed in England and Spain. It is the first film version of the play made in colour. Watch Heston's Antony and Cleopatra - available on SN: https://youtu.be/MtzHOeZgVD0 Please consider subscribing to our channel for More Insights: https://www.youtube.com/user/ShakespeareNetwork?sub_confirmation=1 CAST John Gielgud as Julius Caesar Charlton Heston as Mark Antony Jason Robards as Brutus Richard Johnson as Cassius Robert Vaughn as Casca Richard Chamberlain as Octavius Diana Rigg as Portia Christopher Lee as Artemidorus Jill Bennett as Calpurnia André Morell as Cicero Derek Godfrey as Decius Brutus David Dodimead as Lepidus Michael Gough as Metellus Cimber David Neal as Cinna Preston Lockwood as Trebonius John Moffatt as Popilius Lena Steven Pacey as Lucius Edwin Finn as Publius Norman Bowler as Titinius Paul Hardwick as Messala John Tate as Clitus Damien Thomas as Pindarus Bob Keegan as Lucilius Ewan Hooper as Strato Andrew Crawford as Volumnius Thomas Heathcote as Flavius Alan Browning as Marullus Christopher Cazenove as a Servant to Antony Liz Gebhardt as Calpurnia’s Maid Laurence Harrington as a Carpenter Ron Pember as a Cobbler Roy Stewart as a Slave Michael Keating, David Leland, Yvette Rees, Michael Wynne, and Ken Hutchison as Citizens of Rome Copyright - All rights reserved to their respective owners. _______________________________ FUNDRAISING CAMPAIGN - Shakespeare Network Website and YouTube Channel: Donate with PayPal today https://shakespearenetwork.net/company/support-us/donate-now _______________________________ Read the unabridged plays online: https://shakespearenetwork.net/works/plays Screen Adaptation - Co-Production : MISANTHROPOS – Official Website - https://www.misanthropos.net Adapted by Maximianno Cobra, from Shakespeare's "Timon of Athens", the film exposes the timeless challenge of social hypocrisy, disillusion and annihilation against the poetics of friendship, love, and beauty. Why Donate? Donations to Shakespeare Network help sustain free knowledge and educational programs on Shakespeare Network and our ecosystem of Shakespeare Network projects. Your contributions ensure these resources remain accessible and valuable for all. Thank you. 25% Direct support to website: Keeping the Shakespeare Network websites online is about more than just servers. It also includes ongoing engineering improvements, product development, design and research, and legal support. 25% Administration and governance: We manage funds and resources responsibly to recruit and support skilled, passionate staff who advance our communities and values. Our operating budget: Transparency is core to our organization. The Shakespeare Network develops our annual plan and operating budget through open processes, which are subject to feedback from our volunteers and Board approval. 50% Direct support to communities: Shakespeare Network projects exist thanks to the communities that create and maintain them. We strengthen these communities through grants, projects, and training programs. Contact us for further info. Updated Date Variants - The Oxford Shakespeare: The Complete Works (Second Edition) Published in print: 2005 (first ed. 1986) 1589-91 The Two Gentlemen of Verona; 1590-1 The Taming of the Shrew; 1590-2 Henry VI, Part III; 1591 Henry VI, Part II; 1592 Henry VI, Part I; Titus Andronicus; 1592-3 Richard III; 1592-4 The Comedy of Errors; 1594-5 Love's Labour's Lost; 1595 Midsummer Night's Dream; Richard II; Romeo and Juliet; 1596 King John; 1596-7 Henry IV, Part I; The Merchant of Venice; 1597-8 Henry IV, Part II; The Merry Wives of Windsor; 1598-9 Henry V; Much Ado About Nothing; 1599 Julius Caesar; 1599-1600 As You Like It; 1600-1 Hamlet; 1601 Twelfth Night; 1602 Troilus and Cressida; 1603-4 Measure for Measure; Othello; 1606 Antony and Cleopatra; Macbeth; Timon of Athens; 1606-7 All's Well That Ends Well; 1607 Pericles; 1608 Coriolanus; 1609-10 The Winter's Tale; 1610 King Lear; 1610-11 Cymbeline; The Tempest; 1613 Henry VIII; The Two Noble Kinsmen. → ______________________________________ Shakespeare Network Educational Program: - A Companion to Shakespeare -masterclasses, reviews, reactions, Academic Studies, historical and original audio-visual content, etc.

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2:56

John Shakespeare - Sandals In The Sand

KPM 1000 Series- Gentle Sounds (Volume 2) KPM 1058

published: 19 Apr 2011

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John Shakespeare - Sandals In The Sand

John Shakespeare - Sandals In The Sand

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• published: 19 Apr 2011
• views: 10854

KPM 1000 Series- Gentle Sounds (Volume 2) KPM 1058

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2:38:34

King Lear - Laurence Olivier and John Hurt - Shakespeare - 1983 - SN ARCHIVES - Remastered - 4K

Laurence Olivier and John Hurt played respectively Lear and the Fool in this production to...

published: 24 Jun 2021

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King Lear - Laurence Olivier and John Hurt - Shakespeare - 1983 - SN ARCHIVES - Remastered - 4K

King Lear - Laurence Olivier and John Hurt - Shakespeare - 1983 - SN ARCHIVES - Remastered - 4K

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• published: 24 Jun 2021
• views: 157047

Laurence Olivier and John Hurt played respectively Lear and the Fool in this production to great acclaim, winning an Emmy for his performance. It was the last of Olivier's appearances in a Shakespeare play. At 75, he was one of the oldest actors to take on this enormously demanding role. (He had previously played Lear in 1946 at the Old Vic) Please consider subscribing to our channel for More Insights: https://www.youtube.com/user/ShakespeareNetwork?sub_confirmation=1 Directed by Michael Elliott CAST Laurence Olivier — King Lear Colin Blakely — Earl of Кеnt Anna Calder-Marshall — Cordelia, King Lear's daughter Jeremy Kemp — Duke of Cornwall Robert Lang — Duke of Albany Robert Lindsay — Edmund, Gloucester's son Leo McKern — Earl of Gloucester David Threlfall — Edgar, Gloucester's son Dorothy Tutin — Goneril, King Lear's daughter John Hurt — Fool Diana Rigg — Regan, King Lear's daughter Brian Cox — Duke of Burgundy Edward Petherbridge — King of France Geoffrey Bateman — Oswald AUDIO / IMAGE HD Restoration - Sources and/or Archive copies quality used for this restoration: good. This recording is for educational purposes only and is covered under Fair Use doctrine - Copyright - All rights reserved to their respective owners. Read the unabridged plays online: https://shakespearenetwork.net/works/plays _______________________________ FUNDRAISING CAMPAIGN - DONATIONS - Shakespeare Network Website and YouTube Channel: Donate with PayPal or GoFundMe today: _______________________________ Screen Adaptation - Co-Production : MISANTHROPOS – Official Website - https://www.misanthropos.net Adapted by Maximianno Cobra, from Shakespeare's "Timon of Athens", the film exposes the timeless challenge of social hypocrisy, disillusion and annihilation against the poetics of friendship, love, and beauty. _______________________________ Why Donate? Please consider giving a donation today to support our HD AUDIO / IMAGE Restoration Program. The main objective of enhancing historical image and sound recordings by digital signal processing is to improve the overall quality of recordings degraded by several distortions. Whether true signal restoration or merely signal enhancement can be achieved depends heavily on the quality of the historical image and sound material. Image and audio restoration is an extremely time-consuming process that requires skilled audio and image engineers with specific experience in motion pictures, sound and music recording techniques as well as high-end hardware and software. Donations to Shakespeare Network help sustain free knowledge and educational programs on Shakespeare Network and our ecosystem of Shakespeare Network projects. Your contributions ensure these resources remain accessible and valuable for all. Thank you. 25% Direct support to website: Keeping the Shakespeare Network websites online is about more than just servers. It also includes ongoing engineering improvements, product development, design and research, and legal support. 25% Administration and governance: We manage funds and resources responsibly to recruit and support skilled, passionate staff who advance our communities and values. Our operating budget: Transparency is core to our organization. The Shakespeare Network develops our annual plan and operating budget through open processes, which are subject to feedback from our volunteers and Board approval. 50% Direct support to communities: Shakespeare Network projects exist thanks to the communities that create and maintain them. We strengthen these communities through grants, projects, and training programs. Contact us for further info. → ______________________________________ Shakespeare Network Educational Program: - A Companion to Shakespeare -masterclasses, reviews, reactions, Academic Studies, historical and original audio-visual content, etc.

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2:38:26

Othello - Laurence Olivier - Maggie Smith - Frank Finlay - Shakespeare - 1965 - Remastered - 4K

Othello is a 1965 film based on the National Theatre Company's staging of Shakespeare's Ot...

published: 15 Oct 2021

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Othello - Laurence Olivier - Maggie Smith - Frank Finlay - Shakespeare - 1965 - Remastered - 4K

Othello - Laurence Olivier - Maggie Smith - Frank Finlay - Shakespeare - 1965 - Remastered - 4K

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• published: 15 Oct 2021
• views: 256745

Othello is a 1965 film based on the National Theatre Company's staging of Shakespeare's Othello (1964-1966) staged by John Dexter. Directed by Stuart Burge, the film starred Laurence Olivier, Maggie Smith, Joyce Redman, and Frank Finlay, who all received Oscar nominations, and provided film debuts for both Derek Jacobi and Michael Gambon. Please consider subscribing to our channel for More Insights: https://www.youtube.com/user/ShakespeareNetwork?sub_confirmation=1 Directed by Stuart Burge CAST Othello: Laurence Olivier Desdemona: Maggie Smith Iago: Frank Finlay Emilia: Joyce Redman Cassio: Derek Jacobi Roderigo: Robert Lang Lodovico: Kenneth Mackintosh Brabantio: Anthony Nicholls Bianca: Sheila Reid Gratiano: Michael Turner Michael Gambon: Senator / Soldier / Cypriot Recommended authoritative videos concerning "Shakespeare and Race": - Staging Race in Shakespeare’s Theatres - Prof. Farah Karim - Lecture - Oxford - 2023 - 4K - https://youtu.be/NKoKI6KsKYg - Shakespeare and Race - Book - Prof. Ayanna Thompson - Cambridge University Press - https://youtu.be/s7vIgPxgz20 - Shakespeare and Race - Othello - Prof. Ayanna Thompson - Oxford University Press - https://youtu.be/PeBM31sZYU8 Copyright - All rights reserved to their respective owners. Read the unabridged plays online: https://shakespearenetwork.net/works/plays _______________________________ FUNDRAISING CAMPAIGN - DONATIONS - Shakespeare Network Website and YouTube Channel: Donate with PayPal or GoFundMe today: _______________________________ Screen Adaptation - Co-Production : MISANTHROPOS – Official Website - https://www.misanthropos.net Adapted by Maximianno Cobra, from Shakespeare's "Timon of Athens", the film exposes the timeless challenge of social hypocrisy, disillusion and annihilation against the poetics of friendship, love, and beauty. _______________________________ Why Donate? Donations to Shakespeare Network help sustain free knowledge and educational programs on Shakespeare Network and our ecosystem of Shakespeare Network projects. Your contributions ensure these resources remain accessible and valuable for all. Thank you. 25% Direct support to website: Keeping the Shakespeare Network websites online is about more than just servers. It also includes ongoing engineering improvements, product development, design and research, and legal support. 25% Administration and governance: We manage funds and resources responsibly to recruit and support skilled, passionate staff who advance our communities and values. Our operating budget: Transparency is core to our organization. The Shakespeare Network develops our annual plan and operating budget through open processes, which are subject to feedback from our volunteers and Board approval. 50% Direct support to communities: Shakespeare Network projects exist thanks to the communities that create and maintain them. We strengthen these communities through grants, projects, and training programs. Contact us for further info. → ______________________________________ Shakespeare Network Educational Program: - A Companion to Shakespeare -masterclasses, reviews, reactions, Academic Studies, historical and original audio-visual content, etc.

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3:10:59

Hamlet - Richard Burton - John Gielgud - Broadway production - Shakespeare - 1964 - HD Restored - 4K

Richard Burton as Hamlet - Directed by John Gielgud who also played the Ghost was mounted ...

published: 14 May 2021

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Hamlet - Richard Burton - John Gielgud - Broadway production - Shakespeare - 1964 - HD Restored - 4K

Hamlet - Richard Burton - John Gielgud - Broadway production - Shakespeare - 1964 - HD Restored - 4K

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• published: 14 May 2021
• views: 219588

Richard Burton as Hamlet - Directed by John Gielgud who also played the Ghost was mounted at the Lunt-Fontanne Theatre - Broadway. It opened April 9, 1964, and played 137 performances before closing August 8, 1964. The landmark revival was directed by noted Shakespeare actor John Gielgud. Formats Available - High Resolution Quality: 4K - HD - DVD - downloadable MP4 files - New 2024 - Resored Version! Buy Now! - STORE: https://tempuscollection.com/en/catalogue/4k-videos-downloads/item/hamlet-richard-burton-john-gielgud-broadway-production-shakespeare-1964-hd-restored-2024-4k Please consider subscribing to our channel for More Insights: https://www.youtube.com/user/ShakespeareNetwork?sub_confirmation=1 Directed by John Gielgud (stage) - Bill Colleran (film) CAST Richard Burton as Hamlet Hume Cronyn as Polonius Alfred Drake as Claudius Eileen Herlie as Gertrude William Redfield as Guildenstern George Rose as First Gravedigger George Voskovec as Player King Philip Coolidge as Voltemand John Cullum as Laertes Michael Ebert as Francisco/ Fortinbras Dillon Evans as Reynaldo/Osric Clement Fowler as Rosencrantz Geoff Garland as Lucianus Barnard Hughes as Marcellus/Priest Linda Marsh as Ophelia Robert Milli as Horatio Hugh Alexander as Cornelius/ Second Gravedigger/ English Ambassador Robert Burr as Bernardo/Ensemble Christopher Culkin as Player Queen Alex Giannini as Ensemble John Gielgud as Ghost Claude Harz as Ensemble John Hetherington as Player Prologue/Ensemble Gerome Ragni as Ensemble Linda Seff as Ensemble Richard L. Sterne as Gentleman Carol Teitel as Ensemble Frederick Young as Ensemble Broadway production of William Shakespeare's Hamlet that played from April 9 to August 8, 1964 at the Lunt-Fontanne Theatre. A filmed record was created by recording three live performances on camera from June 30 to July 1 using a process called Electronovision and then editing them into a single film. Because Burton disliked wearing period costumes, and for aesthetic reasons of his own, Gielgud conceived of a production performed in a “rehearsal” setting with an incomplete set and the actors wearing what appeared to be street clothes (although the costumes were actually the result of continuous trial-and-error in rehearsals, with the actors bringing in countless variations of attire for Gielgud to consider). Gielgud also opted to depict the Ghost as a shadow against the back of the stage wall, voicing the character himself on tape (since he was unavailable while the production was in performance). Read the unabridged plays online: https://shakespearenetwork.net/works/plays _______________________________ Screen Adaptation - Co-Production : MISANTHROPOS – Official Website - https://www.misanthropos.net Adapted by Maximianno Cobra, from Shakespeare's "Timon of Athens", the film exposes the timeless challenge of social hypocrisy, disillusion and annihilation against the poetics of friendship, love, and beauty. _______________________________ FUNDRAISING CAMPAIGN - DONATIONS - Shakespeare Network Website and YouTube Channel: Donate with PayPal or GoFundMe today: https://shakespearenetwork.net/company/support-us/donate-now Please consider giving a donation today to support our HD AUDIO / IMAGE Restoration Program. Why Donate? The main objective of enhancing historical image and sound recordings by digital signal processing is to improve the overall quality of recordings degraded by several distortions. Whether true signal restoration or merely signal enhancement can be achieved depends heavily on the quality of the historical image and sound material. Image and audio restoration is an extremely time-consuming process that requires skilled audio and image engineers with specific experience in motion pictures, sound and music recording techniques as well as high-end hardware and software. Donations to Shakespeare Network help sustain free knowledge and educational programs on Shakespeare Network and our ecosystem of Shakespeare Network projects. Your contributions ensure these resources remain accessible and valuable for all. Thank you. 25% Direct support to website: Keeping the Shakespeare Network websites online is about more than just servers. It also includes ongoing engineering improvements, product development, design and research, and legal support. 25% Administration and governance: We manage funds and resources responsibly to recruit and support skilled, passionate staff who advance our communities and values. Our operating budget: Transparency is core to our organization. The Shakespeare Network develops our annual plan and operating budget through open processes, which are subject to feedback from our volunteers and Board approval. 50% Direct support to communities: Shakespeare Network projects exist thanks to the communities that create and maintain them. We strengthen these communities through grants, projects, and training programs. Contact us for further info.

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58:01

William Shakespeare: The Life and Times Of (FULL MOVIE)

There’s no name better known in the world of Literature than William Shakespeare, and what...

published: 03 Apr 2017

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William Shakespeare: The Life and Times Of (FULL MOVIE)

William Shakespeare: The Life and Times Of (FULL MOVIE)

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• published: 03 Apr 2017
• views: 547399

There’s no name better known in the world of Literature than William Shakespeare, and whatever your feelings about such dramatic offerings as “Romeo and Juliet”, “Twelfth Night”, “King Lear”, “Othello”, “Hamlet”, “Julius Caesar”, “Taming of the Shrew” or “Macbeth”, Shakespeare is impossible to ignore. Thousands of books have been written about Shakespeare and even though he lived over four hundred years ago, biographers and literary critics are still inspired to wax lyrical upon the subject in the 21st Century. What’s more there are as few facts as ever to go on, and by the very nature of history, it’s unlikely that any new and dramatic evidence regarding the life and times of William Shakespeare will be revealed. So what exactly is it that makes Shakespeare such a fascinating subject for speculation by each new generation to discover him? After all, the image we all recognize of Shakespeare is the perfect picture of Elizabethan respectability and far from being anything out of the ordinary. However, like all good stories, dig a little deeper and your efforts will be rewarded. Shakespeare’s meteoric rise from the humblest of beginnings to worldwide fame tells a tale of tenacity that is inspirational to this day and as we follow in the Great Bard of Avon’s footsteps, where there’s a will, when you’re talking about William Shakespeare, there’s most definitely a way. #shakespeare #classics #literature Connect with 1091 Pictures Website: http://www.1091pictures.com Watch more movies on demand: youtube.com/c/1091ONDEMAND Follow Us on Facebook: https://www.facebook.com/1091pictures Follow Us on Instagram: https://www.instagram.com/1091media Please subscribe!

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1:01:11

Francis Bacon & The Law In His Early Shakespeare Plays Reflected In His Life & Writings

The philosophical, political and legal DNA of Francis Bacon runs through the very veins an...

published: 11 Oct 2021

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Francis Bacon & The Law In His Early Shakespeare Plays Reflected In His Life & Writings

Francis Bacon & The Law In His Early Shakespeare Plays Reflected In His Life & Writings

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• published: 11 Oct 2021
• views: 446

The philosophical, political and legal DNA of Francis Bacon runs through the very veins and arteries of the Shakespeare poems and plays. As the son of Sir Nicholas Bacon, the Elizabethan Lord Keeper and de facto Lord Chancellor of England from a very early age he drank in, assimilated and internalised, the inner workings of the law, the superstructure of its legal machinery, and all its procedures, practices and operations. Under the guidance of his father Bacon was admitted to Gray’s Inn where with his extraordinary intellectual gifts and masterful comprehension of the law he enjoyed a stellar rise that eventually led to him occupying all the major legal offices of state, solicitor-general, attorney-general, Lord Keeper and Lord Chancellor of England. During his time at Gray’s Inn Bacon was de facto Master of the Revels writing and producing several masques, entertainments and plays, several of which have survived. Most importantly, Bacon wrote a play entitled The Misfortunes of Arthur (a political allegory about Queen Elizabeth and Mary, Queen of Scots) which was performed by members of Gray’s Inn before Queen Elizabeth at Greenwich on 28 February 1588, a date notable for the very singular fact that it marked the beginning of what is known as the Shakespearean era. Its themes and language find expression and are demonstrably echoed in a significant number of his early Shakespeare plays including the first tetralogy of I Henry VI, 2 Henry VI, 3 Henry VI and Richard III, written around the same time or shortly after the Misfortunes, and from the same early period Titus Andronicus, King John, Richard II and The Comedy of Errors. These plays display an intimate familiarity with the principles and practices of all the major branches of the law: common law, civil law, statute law, and the maxims of English law, as well as its principles, complex technicalities, customs and jurisprudence. Their legal language and phrases readily flow from his pen and in the plays his characters talk in a language of the law straight out of Bacon’s Legal Tracts: from Slade’s Case, The Maxims of the Law, The Postnati Case, The Charge of Francis Bacon Touching Duels, The Elements of the Common Laws of England, etc, none of which were published in his lifetime. Several of these plays also reflect some of his other political-legal tracts (also not published during his lifetime), most notably Certain Observations Upon a Libel (c. 1592) commissioned by and written in defence of his uncle Sir William Cecil, Lord Burghley (married to Lady Mildred Cooke Cecil, elder sister of his mother Lady Anne Cooke Bacon) aspects of which are reflected in 2 Henry VI wherein the Duke of Gloucester is modelled on Cecil and Dame Eleanor points to his wife Lady Mildred Cecil. Their son Sir Robert Cecil, with whom Bacon grew up, he painted in the titular character of Richard III and in his essay Of Deformity. In the less well-known The Troublesome Reign of King John Bacon explores the law of bastardy, in particular the law surrounding royal bastardy, through the most important and largest role in the play, the royal bastard Sir Philip Faulconbridge, universally regarded as the hero of the play. It is revealed here for the first time that the character of the royal bastard is a disguised dramatization of its author Bacon, the secret concealed royal son of Queen Elizabeth and Robert Dudley, Earl of Leicester. For the best part of a year Bacon organised and directed the magnificent Gray’s Inn Christmas Revels (1594-5) which witnessed the premier of his legal play The Comedy of Errors in which a programme of legal reforms began by Sir Nicholas Bacon and continued by Francis Bacon found dramatic expression. On the last of its Grand Nights which took place on 3 January 1595 Bacon wrote six speeches on the Exercise of War, the Study of Philosophy, the Eternizement and Fame by Buildings and Foundations, the Absoluteness of State and Treasure, Virtue and a gracious Government, and Persuading Pastimes and Sports, in the fifth of which, he sets forth arguments for the extensive reform of the machinery of the law, the courts of law and justice, and its delays and abuses, necessary for the peace and security of the kingdom, completing the cycle of his early Baconian-Shakespearean legal plays.

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2:50:15

Hamlet - Christopher Plummer - Michael Caine - Donald Sutherland - Shakespeare - 1964 - Film - 4K

HAMLET AT ELSINORE - Christopher Plummer - Michael Caine - Donald Sutherland - Robert Shaw...

published: 13 Jun 2021

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Hamlet - Christopher Plummer - Michael Caine - Donald Sutherland - Shakespeare - 1964 - Film - 4K

Hamlet - Christopher Plummer - Michael Caine - Donald Sutherland - Shakespeare - 1964 - Film - 4K

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• published: 13 Jun 2021
• views: 59611

HAMLET AT ELSINORE - Christopher Plummer - Michael Caine - Donald Sutherland - Robert Shaw (1964) Please consider subscribing to our channel for More Insights: https://www.youtube.com/user/ShakespeareNetwork?sub_confirmation=1 CAST Christopher Plummer as Hamlet Robert Shaw as Claudius, King of Denmark Alec Clunes as Polonius Michael Caine as Horatio June Tobin as Gertrude, Queen of Denmark Jo Maxwell Muller as Ophelia Dyson Lovell as Laertes Donald Sutherland as Fortinbras Roy Kinnear as the Gravedigger Hamlet at Elsinore is a 1964 television version of the play by William Shakespeare. Produced by the BBC in association with Danish Radio, it was shown in the U.S. on NET. Winning wide acclaim both for its performances and for being shot entirely at Helsingør (Elsinore in English), in the castle in which the play is set, it is the only version (with sound) of the play to have actually been shot at Elsinore Castle. This programme was recorded and edited on video tape (2" quadruplex) and not 'filmed'. The director was Philip Saville. It was the longest version of the play telecast in one evening up to that time, running nearly three hours. A 1947 telecast of the play had split it up into two ninety-minute halves over two weeks. The Canadian actor Christopher Plummer took the lead role as Hamlet and earned an Emmy Award nomination for his performance. In supporting roles were Robert Shaw as Claudius, Donald Sutherland as Fortinbras, Roy Kinnear as the Gravedigger and Michael Caine, in his only Shakespearean performance, as Horatio. Sutherland, Caine and Shaw were, at the time, almost completely unknown to American audiences, and just before the presentation's first U.S. telecast, Plummer began to gain popularity in the U.S. because of his appearance in the 1965 musical film The Sound of Music. AUDIO / IMAGE HD Restoration - Sources and/or Archive copies quality used for this restoration: damaged/medium. This recording is for educational purposes only and is covered under Fair Use doctrine - Copyright - All rights reserved to their respective owners. Read the unabridged plays online: https://shakespearenetwork.net/works/plays _______________________________ FUNDRAISING CAMPAIGN - DONATIONS - Shakespeare Network Website and YouTube Channel: Donate with PayPal or GoFundMe today: _______________________________ Screen Adaptation - Co-Production : MISANTHROPOS – Official Website - https://www.misanthropos.net Adapted by Maximianno Cobra, from Shakespeare's "Timon of Athens", the film exposes the timeless challenge of social hypocrisy, disillusion and annihilation against the poetics of friendship, love, and beauty. _______________________________ Why Donate? Please consider giving a donation today to support our HD AUDIO / IMAGE Restoration Program. The main objective of enhancing historical image and sound recordings by digital signal processing is to improve the overall quality of recordings degraded by several distortions. Whether true signal restoration or merely signal enhancement can be achieved depends heavily on the quality of the historical image and sound material. Image and audio restoration is an extremely time-consuming process that requires skilled audio and image engineers with specific experience in motion pictures, sound and music recording techniques as well as high-end hardware and software. Donations to Shakespeare Network help sustain free knowledge and educational programs on Shakespeare Network and our ecosystem of Shakespeare Network projects. Your contributions ensure these resources remain accessible and valuable for all. Thank you. 25% Direct support to website: Keeping the Shakespeare Network websites online is about more than just servers. It also includes ongoing engineering improvements, product development, design and research, and legal support. 25% Administration and governance: We manage funds and resources responsibly to recruit and support skilled, passionate staff who advance our communities and values. Our operating budget: Transparency is core to our organization. The Shakespeare Network develops our annual plan and operating budget through open processes, which are subject to feedback from our volunteers and Board approval. 50% Direct support to communities: Shakespeare Network projects exist thanks to the communities that create and maintain them. We strengthen these communities through grants, projects, and training programs. Contact us for further info. → ______________________________________ Shakespeare Network Educational Program: - A Companion to Shakespeare -masterclasses, reviews, reactions, Academic Studies, historical and original audio-visual content, etc.

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5:35

Shakespeare Alpha Fishing Rod and Reel 8 FT /വിലയോ തുച്ഛം ഗുണമോ മെച്ചം

Shakespeare Alpha Fishing Rod and Reel 8 FT Make the Shakespeare Alpha the first choice fo...

published: 21 Aug 2020

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Shakespeare Alpha Fishing Rod and Reel 8 FT /വിലയോ തുച്ഛം ഗുണമോ മെച്ചം

Shakespeare Alpha Fishing Rod and Reel 8 FT /വിലയോ തുച്ഛം ഗുണമോ മെച്ചം

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• published: 21 Aug 2020
• views: 6266

Shakespeare Alpha Fishing Rod and Reel 8 FT Make the Shakespeare Alpha the first choice for your next outing. The smooth ball bearing drive and tough drag makes the Alpha the best value for anglers of all skill levels. Features:- Smooth ball bearing drive- Graphite spool pre-spooled with monofilament line- Dependable multi-disc drag system- Strong tubular glass rod with comfortable EVA handles Specifications:- Mono Capacity (Yards/lbs.): 280/12, 215/14, 195/17- Bearing Count: 1- Rod Power: Medium- Rod Length: 8'- Number of Pieces: 2- Technique: Spinning- Line Rating: 10-25- Reel Handle Position: Right/Left Product Dimensions 142.24 x 15.24 x 12.7 cm; 4.54 grams Item model number ALPBW8050CBO Size 8' - Medium Hand Orientation Left/Right Length 8 Feet Weight 2.27 kilograms Number of Items 1 Number of Pieces 5 Power Rating Medium Power Source AC/DC Batteries Included? No Brand Shakespeare Item Weight 4.54 g Shakespeare rods are generally toward the lower end of the price range but offer decent performance. They will not be as light and as sensitive as more expensive rods, but will do the job. The Ugly Stick line is noted for its durability. ... So yes, Shakespeare makes good fishing rods, but not great fishing rods. Hello ! Welcome everyone to Vlogger John! Our YouTube channel has videos on multiple topics. It includes but not limited to Fishing, Canada Immigration, Canada Student Visa, Other Canada Visa options, Canada lifestyle videos, Travelogue, Camping and Outdoor videos, Cooking videos, Review videos, Unboxing videos , Beauty and Make up videos, DIY videos and so on. There will be spontaneous and Random livestream videos of your interest as well. The videos can be in English or Malayalam or in Both! There will be minimum 2 videos per week for your entertainment! You can also reach me in different Social media Platforms as well in the name “Vlogger John”. Find me on YouTube : http://www.youtube.com/c/VloggerJohn Find me on Facebook: https://www.facebook.com/vloggerjohn/ Find and Join Vlogger John WhatsApp Group : https://chat.whatsapp.com/HYZmzt2L6xb7eaSFoQCLk5 Find and message me on Instagram: I'm on Instagram as vloggerjohn. Install the app to follow my photos and videos. https://www.instagram.com/invites/contact/?i=t2pt0zsgaa2r&utm_content=124l0fv Instagram: https://www.instagram.com/vloggerjohn/ Twitter: https://mobile.twitter.com/rajeshpjv Tiktok: https://vm.tiktok.com/ZS5bHJVA/ My fishing gear details are as follows, Fishing Rod : Ugly Stik Shakespeare Elite Salmon/Steelhead Spinning Rod https://www.amazon.ca/dp/B00OL1TM44/ref=cm_sw_r_cp_api_i_fHqxFb1DSG1NX Fishing Reel: Shimano Catana 4000 FC spinning reel with frontdrag by SHIMANO https://www.amazon.ca/dp/B00FG2GXPS/ref=cm_sw_r_cp_api_i_VKqxFbXG2AMW4 Fishing line : PowerPro Power Pro 21100150500E Braided Spectra Fiber Fishing Line, 15 Lb/500 yd, Moss Green https://www.amazon.ca/dp/B000ALE9BA/ref=cm_sw_r_cp_api_i_BMqxFb8KWRRQ6 Camera and Filming devices used: GoPro HERO7 Black — Waterproof Action Camera with Touch Screen 4K Ultra HD Video 12MP Photos 720p Live Streaming Stabilization https://www.amazon.ca/dp/B07GDGZCCH/ref=cm_sw_r_cp_api_i_NNqxFbWAWP72Z Camera 2 : Canon 1263C005 EOS 80D Digital SLR Kit with EF-S 18-55mm f/3.5-5.6 Image Stabilization STM Lens (Black) https://www.amazon.ca/dp/B01BUYJXMA/ref=cm_sw_r_cp_api_i_xOqxFbY1XHJS3 Lens 2: Canon EF 24-105mm f/4 L IS USM Lens for Canon EOS SLR Cameras (White Box) https://www.amazon.ca/dp/B006C661JK/ref=cm_sw_r_cp_api_i_VPqxFbK8AVXA5 If you have any other questions, please feel free to Email me : [email protected]

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12:04

Shakespeare's Tragedies and an Acting Lesson: Crash Course Theater #15

Shakespeare's tragedies...were tragic. But they had some jokes. They also changed the way ...

published: 25 May 2018

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Shakespeare's Tragedies and an Acting Lesson: Crash Course Theater #15

Shakespeare's Tragedies and an Acting Lesson: Crash Course Theater #15

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• published: 25 May 2018
• views: 344888

Shakespeare's tragedies...were tragic. But they had some jokes. They also changed the way tragedies were written. Characters like Hamlet, Macbeth, and King Lear had tragic outcomes, but they were sympathetic characters in a lot of ways. This was a big change from the way Seneca and the Greeks wrote tragedies, and it caught on. Crash Course is on Patreon! You can support us directly by signing up at http://www.patreon.com/crashcourse Thanks to the following Patrons for their generous monthly contributions that help keep Crash Course free for everyone forever: Mark Brouwer, Glenn Elliott, Justin Zingsheim, Jessica Wode, Eric Prestemon, Kathrin Benoit, Tom Trval, Jason Saslow, Nathan Taylor, Divonne Holmes à Court, Brian Thomas Gossett, Khaled El Shalakany, Indika Siriwardena, SR Foxley, Sam Ferguson, Yasenia Cruz, Eric Koslow, Caleb Weeks, Tim Curwick, Evren Türkmenoğlu, D.A. Noe, Shawn Arnold, mark austin, Ruth Perez, Malcolm Callis, Ken Penttinen, Advait Shinde, Cody Carpenter, Annamaria Herrera, William McGraw, Bader AlGhamdi, Vaso, Melissa Briski, Joey Quek, Andrei Krishkevich, Rachel Bright, Alex S, Mayumi Maeda, Kathy & Tim Philip, Montather, Jirat, Eric Kitchen, Moritz Schmidt, Ian Dundore, Chris Peters, Sandra Aft, Steve Marshall -- Want to find Crash Course elsewhere on the internet? Facebook - http://www.facebook.com/YouTubeCrashCourse Twitter - http://www.twitter.com/TheCrashCourse Tumblr - http://thecrashcourse.tumblr.com Support Crash Course on Patreon: http://patreon.com/crashcourse CC Kids: http://www.youtube.com/crashcoursekids

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John Shakespeare

John Shakespeare (c. 1531 – 7 September 1601) was the father of William Shakespeare. He was the son of Richard Shakespeare of Snitterfield, a farmer. He moved to Stratford-upon-Avon and married Mary Arden, with whom he had eight children, five of whom survived into adulthood. A well-to-do glover and whittawer (leather worker) by trade, Shakespeare was a dealer in hides and wool, and was elected to several municipal offices, serving as an alderman and culminating in a term as bailiff, the chief magistrate of the town council, before he fell on hard times for reasons unknown to historians. His fortunes later revived after the success of his son, and he was granted a coat of arms five years before his death, probably at the instigation and expense of his playwright son.

Career and municipal responsibilities

John Shakespeare moved to Stratford-upon-Avon in 1551, where he became a successful businessman involved in several related occupations. From 1556 to 1592, several official records identify him as a glovemaker, which was probably his primary trade, as tradition remembers him as following that trade even into his old age, but the records of his real estate purchases and legal expenses indicate an income much higher than that of a small-town tradesman. The administration of his father's estate in 1561 names him as a farmer. He inherited and leased agricultural lands and is on record as selling timber and barley. Court records also document him as a "brogger", an unlicensed—and therefore illegal—wool dealer. In addition, he bought and leased out houses. He was twice taken to court for violating the usury laws that prohibited charging interest higher than the legal limit of 10 percent.

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This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/John_Shakespeare

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