mm has written 131 reviews for films during 2020.

  • Wonder Woman 1984

    Wonder Woman 1984

    ★½

    I’ll say this of Wonder Woman 1984: Chris Nolan (and many others before) said in a recent interview that the only time he’d ever felt like he’d wasted time at a movie is when he didn’t feel like the filmmakers thought it was the best movie ever.

    In that sense, I did not feel like I wasted my time watching Wonder Woman 1984.

    The last act, with so many other things happening, is a plea to everyone to be better versions…

  • Let Them All Talk

    Let Them All Talk

    ★★★★

    Wow, this was really great!

    I dug the score, the mysteries, the performances and the subtext. Soderbergh’s minimalist style has really grown on me since he’s come back, and here it’s at its most soothing.

  • Ma Rainey's Black Bottom

    Ma Rainey's Black Bottom

    ★★★½

    Any movie where someone curses at god gets a pass from me. Too bad Chadwick didn’t do it in Latin!

    Adapt 👏 more 👏 plays 👏 into 👏 movies👏

  • Happiest Season

    Happiest Season

    ★★★★

    Exactly what you think it’ll be and that’s why its so good.

  • Mank

    Mank

    ★★★½

    As you can see in my bio, my star rating philosophy is very simple. I judge a film both on its quality and my own enjoyment.

    Mank is a 4.5 on the former, but a 2 on the latter, so here we are, stuck in the middle but shading towards the craftmanship, which is exceptional. The meat of the story unfortunately is not comparable to Fincher’s prior work, of which I’ve loved every film without Edward Norton and a 3…

  • Borat Subsequent Moviefilm

    Borat Subsequent Moviefilm

    ★★★½

    This review may contain spoilers. I can handle the truth.

    Very very very funny! And like the first film, veeeery revealing.

    I’ll never get tired of people exposing how much of a moron Rudy Giuliani is. Thank you Sacha and co. for the seratonin.

  • A West Wing Special to Benefit When We All Vote

    A West Wing Special to Benefit When We All Vote

    ★★★★

    Very nice and very sweet. Although once again they completely ignore that the Hartfield’s Landing episode makes no sense canonically.

    Ah well. I love this show and these people. And I believe that we will win.

  • Soul

    Soul

    ★★★★

    This review may contain spoilers. I can handle the truth.

    Soul is as insightful, clever, funny and necessary as I expected it to be.

    It earns tons of bonus points for beautifully animating NYC, the cat body swap, the gorgeous score and getting some fresh perspectives and faces on screen.

    Not sure why 4 stars was my gut reaction, but I’m assuming it has something to do with the fact I’m watching it at home.

  • The Trial of the Chicago 7

    The Trial of the Chicago 7

    ★★★★

    For his second directorial effort, Aaron Sorkin went into the archives, reviving a script that was long thought abandoned.

    By happenstance, its journey has brought it into a world reliving many of the issues it addresses. Progressive voices fighting against the Democratic establishment, police brutality (ACAB!) and state-sanctioned assassinations are all pushed to the forefront of a slick, entertaining, but sometimes frustratingly centrist story that's sure to make a lot of old white dudes feel good about themselves, a la…

  • Enola Holmes

    Enola Holmes

    ★★★

    Other than the five minutes where a kid gets garroted and shot and Enola commits manslaughter and watches a guy’s life leave his eyes, this was cute?

  • The Devil All the Time

    The Devil All the Time

    ★★½

    Resurrection

    Uhhhh, ok. If your goal was to make a film in which everyone has a bad time, congratulations!!

    Devil All The Time is a story of evil preachers, violence of all kinds and murder, serving the main theme that things are BLEAK in the flyover states.

    For those reasons, I spent much of the runtime asking why this needs to exist. The answer appears to be giving Robert Pattinson another wild supporting role in an ok he can do…

  • I'm Thinking of Ending Things

    I'm Thinking of Ending Things

    ★★

    Not much to say about this. It’s weird, uncomfortable and disorienting, like all Kaufman joints are. Whether he’s weird for weirds sake or an important artistic voice of the 21st century is not a question I’m qualified to answer.

    I probably won’t like any film of his more than Anomalisa. That’s fine by me.

' ].join(''); if ( adsScript && adsScript === 'bandsintown' && adsPlatforms && ((window.isIOS && adsPlatforms.indexOf("iOS") >= 0) || (window.isAndroid && adsPlatforms.indexOf("Android") >= 0)) && adsLocations && adsMode && ( (adsMode === 'include' && adsLocations.indexOf(window.adsLocation) >= 0) || (adsMode === 'exclude' && adsLocations.indexOf(window.adsLocation) == -1) ) ) { var opts = { artist: "", song: "", adunit_id: 100005950, div_id: "cf_async_6eeb0c0f-f9af-4896-aad7-e15f0fc2a0b8" }; adUnit.id = opts.div_id; if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } var c=function(){cf.showAsyncAd(opts)};if(typeof window.cf !== 'undefined')c();else{cf_async=!0;var r=document.createElement("script"),s=document.getElementsByTagName("script")[0];r.async=!0;r.src="//srv.tunefindforfans.com/fruits/apricots.js";r.readyState?r.onreadystatechange=function(){if("loaded"==r.readyState||"complete"==r.readyState)r.onreadystatechange=null,c()}:r.onload=c;s.parentNode.insertBefore(r,s)}; } else { adUnit.id = 'pw-6eeb0c0f-f9af-4896-aad7-e15f0fc2a0b8'; adUnit.className = 'pw-div'; adUnit.setAttribute('data-pw-' + (renderMobile ? 'mobi' : 'desk'), 'sky_atf'); if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } window.addEventListener('DOMContentLoaded', (event) => { adUnit.insertAdjacentHTML('afterend', kicker); window.ramp.que.push(function () { window.ramp.addTag('pw-6eeb0c0f-f9af-4896-aad7-e15f0fc2a0b8'); }); }, { once: true }); } } tag.remove(); })(document.getElementById('script-6eeb0c0f-f9af-4896-aad7-e15f0fc2a0b8'));