- published: 14 Sep 2012
- views: 25634806
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Charles Arthur "Charlie" Feathers (June 12, 1932 – August 29, 1998) was an American country music and rockabilly musician.
Feathers was born in Holly Springs, Mississippi, and recorded a string of popular singles like "Peepin' Eyes," "Defrost Your Heart," "Tongue-Tied Jill," and "Bottle to the Baby" on Sun Records, Meteor and King Records in the 1950s.
Feathers was known for being a master of shifting emotional and sonic dynamics in his songs. His theatrical, hiccup-styled, energetic, rockabilly vocal style inspired a later generation of rock vocalists, including Lux Interior of The Cramps.
He studied and recorded several songs with Junior Kimbrough, whom he called "the beginning and end of all music". His childhood influences were reflected in his later music of the 1970s and 1980s, which had an easy-paced, sometimes sinister, country-blues tempo, as opposed to the frenetic fast-paced style favored by some of his rockabilly colleagues of the 1950s.
He started out as a session musician at Sun Studios, playing any side instrument he could in the hopes of someday making his own music there. He eventually played on a small label started by Sam Phillips called Flip records which got him enough attention to record a couple singles for Sun Records and Holiday Inn Records. By all accounts the singer was not held in much regard by Phillips, but Feathers often made the audacious claim that he had arranged "That's All Right" and "Blue Moon of Kentucky" for Elvis Presley. He also claimed that his "We're Getting Closer (To Being Apart)" had been intended to be Elvis' sixth single for Sun. He did, however, get his name on one of Elvis' Sun records, "I Forgot To Remember To Forget" when the writer Stan Kesler asked him to record a demo of the song.
"The Wild Side of Life" is a song made famous by country music singer Hank Thompson. Originally released in 1952, the song became one of the most popular recordings in the genre's history, spending 15 weeks at No. 1 on the Billboard country charts, solidified Thompson's status as a country music superstar and inspired the answer song, "It Wasn't God Who Made Honky Tonk Angels" by Kitty Wells.
"The Wild Side of Life" carries one of the most distinctive melodies of early country music, used in "Thrills That I Can't Forget" recorded by Welby Toomey and Edgar Boaz in 1925, "I'm Thinking Tonight of My Blue Eyes" by the Carter Family in 1929, and "Great Speckled Bird" by Roy Acuff in 1936. That, along with the song's story of a woman shedding her role as domestic provider to follow the night life, combined to become one of the most famous country songs of the early 1950s.
According to country music historian Bill Malone, "Wild Side" co-writer William Warren was inspired to create the song after his experiences with a young woman he met when he was younger — a honky tonk angel, as it were — who "found the glitter of the gay night life too hard to resist." Fellow historian Paul Kingsbury wrote that the song appealed to people who "thought the world was going to hell and that faithless women deserved a good deal of the blame."
Side (Greek: Σίδη) is an ancient Greek city on the southern Mediterranean coast of Turkey, a resort town and one of the best-known classical sites in the country. It lies near Manavgat and the village of Selimiye, 78 km from Antalya in the province of Antalya.
It is located on the eastern part of the Pamphylian coast, which lies about 20 km east of the mouth of the Eurymedon River. Today, as in antiquity, the ancient city is situated on a small north-south peninsula about 1 km long and 400 m across.
Strabo and Arrian both record that Side was founded by Greek settlers from Cyme in Aeolis, a region of western Anatolia. This most likely occurred in the 7th century BC. Its tutelary deity was Athena, whose head adorned its coinage.
Dating from the tenth century B.C., its coinage bore the head of Athena (Minerva), the patroness of the city, with a legend. Its people, a piratical horde, quickly forgot their own language to adopt that of the aborigines.
Possessing a good harbour for small-craft boats, Side's natural geography made it one of the most important places in Pamphylia and one of the most important trade centres in the region. According to Arrian, when settlers from Cyme came to Side, they could not understand the dialect. After a short while, the influence of this indigenous tongue was so great that the newcomers forgot their native Greek and started using the language of Side. Excavations have revealed several inscriptions written in this language. The inscriptions, dating from the 3rd and 2nd centuries BC, remain undeciphered, but testify that the local language was still in use several centuries after colonisation. Another object found in the excavations at Side, a basalt column base from the 7th century BC and attributable to the Neo-Hittites, provides further evidence of the site's early history. The name Side may be Anatolian in origin, meaning pomegranate.
Cue sports techniques (usually more specific, e.g., billiards techniques, snooker techniques) are a vital important aspect of game play in the various cue sports such as carom billiards, pool, snooker and other games. Such techniques are used on each shot in an attempt to achieve an immediate aim such as scoring or playing a safety, while at the same time exercising control over the positioning of the cue ball and often the object balls for the next shot or inning.
In carom games, an advanced player's aim on most shots is to leave the cue ball and the object balls in position such that the next shot is of a less difficult variety to make the requisite carom, and so that the next shot is in position to be manipulated in turn for yet another shot; ad infinitum.
Similarly, in many pocket billiards games, an advanced player's aim is to manipulate the cue ball so that it is in position to pocket (pot) a chosen next object ball and so that that next shot can also be manipulated for the next shot, and so on. Whereas in the carom games, manipulation of the object ball's position is crucial as well on every shot, in some pool games this is not as large a factor because on a successful shot the object ball is pocketed. However, many shots in one-pocket, for example, have this same added object ball control factor for most shots.
The terms A-side and B-side refer to the two sides of 78 and 45 rpm phonograph records, whether singles or extended plays (EPs). The A-side usually featured the recording that the artist, record producer, or the record company intended to receive the initial promotional effort and then receive radio airplay, hopefully, to become a "hit" record. The B-side (or "flip-side") is a secondary recording that has a history of its own: some artists, notably Elvis Presley, Little Richard, the Beatles, Chuck Berry, and Oasis, released B-sides that were considered as strong as the A-side and became hits in their own right. Creedence Clearwater Revival had hits, usually unintentionally, with both the B-sides of their A-side releases. Others took the opposite track: producer Phil Spector was in the habit of filling B-sides with on-the-spot instrumentals that no one would confuse with the A-side. With this practice, Spector was assured that airplay was focused on the side he wanted to be the hit side.
Official HD video for "Side", taken from Travis' third studio album, 'The Invisible Band'. Directed by Jonathan Dayton & Valerie Faris Stream and buy 'The Invisible Band': https://found.ee/travis-theinvisibleband Listen to Travis: https://linktr.ee/travisband Watch more: https://bit.ly/TravisWatch The brand new album 'L.A. Times' is out 12.07.24. Available to pre-order / pre-save now 🌃 Listen to the tracks Gaslight and Raze The Bar out now! Pre-order/Pre-save L.A. Times: https://Travis.lnk.to/LATimesID Official Website: https://travisonline.com Subscribe to the official Travis YouTube channel: https://bit.ly/TravisYTsub Official Store: https://travis.tmstor.es/ Travis on Instagram: https://www.instagram.com/travistheband Travis on Facebook: https://www.facebook.com/travistheband ...
SDMN x TMNT Now Available 🐢⚡️: https://www.sidemenclothing.com (AD) 🍗: Order food NOW at: https://www.eatsides.com/ 🎥: Access exclusive content at: https://www.sideplus.com/ 🍹: XIX Vodka: https://www.xixvodka.com/ 🃏: Hit Send: https://hit-send.com/ 👉🏻: Subscribe to our Reacts Channel: https://www.youtube.com/SidemenReacts 👈🏻 👕: Sidemen Clothing: http://www.sidemenclothing.com 👉🏻 Subscribe to our 2nd Channel: https://www.youtube.com/MoreSidemen 👈🏻 📸: Sidemen Instagram: http://www.instagram.com/Sidemen 🐤: Sidemen Twitter: http://www.twitter.com/Sidemen ✏️: SUBMIT A #SidemenSunday IDEA HERE https://forms.gle/JDuGrSzM4F6mdo6D9 ----------------------------------------------------------------------------------------------------------------------- ▶️ SIDEMEN ◀️ 🔵 JOSH (Zerkaa) ● http://www.y...
Ariana Grande - Side To Side (Lyrics) ft. Nicki Minaj spotify Playlist : https://Popular-Music.lnk.to/Spotify Side To Side ft. Nicki Minaj : http://republicrec.co/AriDangerousWoman Best of Ariana Grande https://goo.gl/XmsuFK Ariana Grande Audio https://goo.gl/af3XcF Subscribe for more https://goo.gl/Fubqyy Connect with Ariana: https://twitter.com/ArianaGrande http://instagram.com/arianagrande https://www.facebook.com/arianagrande http://www.arianagrande.com picture : unsplash Side To Side Lyrics : [Intro: Ariana Grande & Nicki Minaj] I've been here all night (Ariana) I've been here all day (Nicki Minaj) And boy, got me walkin' side to side (Let them hoes know) [Verse 1: Ariana Grande] I'm talkin' to ya See you standing over there with your body Feeling like I wanna rock with your b...
We're back with a classic. Who will win this time? 🍗: Order food NOW at: https://www.eatsides.com/ 🎥: Access exclusive content at: https://www.sideplus.com/ 🍹: XIX Vodka: https://www.xixvodka.com/ 🃏: Hit Send: https://hit-send.com/ 👉🏻: Subscribe to our Reacts Channel: https://www.youtube.com/SidemenReacts 👈🏻 👕: Sidemen Clothing: http://www.sidemenclothing.com 👉🏻 Subscribe to our 2nd Channel: https://www.youtube.com/MoreSidemen 👈🏻 📸: Sidemen Instagram: http://www.instagram.com/Sidemen 🐤: Sidemen Twitter: http://www.twitter.com/Sidemen With big thanks to https://www.wearefairgame.com https://www.nandos.co.uk/ https://oxygenactiveplay.co.uk https://canarywharf.com/whats-on/open-water-swimming/ https://www.theo2.co.uk/up-at-the-o2/climb https://www.capitalkarts.com ✏️: SUBMIT A #SidemenSund...
Watch the Fellas Studios vs Sidemen only on Side+: https://join.sideplus.com/uhrIy
SHOTA SHIMIZU LIVE TOUR 2024 追加公演決定! 「ゲルぴよ presents SHOTA SHIMIZU LIVE TOUR 2024 」日本武道館公演 チケット一般発売中! ▼ぴあ https://w.pia.jp/t/shotashimizu2024/ ▼イープラス https://eplus.jp/shimizushota/ ▼ローチケ https://l-tike.com/shimizushota/ LISTEN/DL : https://shimizushota.lnk.to/gFUk8HAY CD : https://shimizushota.lnk.to/hopeAY Starring : 折田涼夏 https://www.instagram.com/ryoka_0720/ https://twitter.com/ryoka720?s=20 https://www.tiktok.com/@ryoka_720 ------------------------------ 【Lyrics】 本当はまだ好きなんだとか今更言わない でもあいつが次の人なら最後は傷つくんじゃない? 気付けない君も悪いんだよ あいつにとって君はただのSide Dish 彼女のこと知ったのは彼女が20の時で 付き合ったのが22の時 まだ全然子供で 愛なんて知らずに 海を見てた 愛なんて知らずに 僕を見てた 好きな人の真似したいって言って同じブランド着て 少しだらしないけどたまに掃除して自慢げ 傷一つもない君、そして平凡な僕 でも周りにお似合いなんて言われて浮かれてたっけな 本当はまだ好きなんだとか今更言わない でもあいつが次の人なら最後は傷つくんじゃない? 気付けない君も悪いんだよ あいつにとって君はただのSide Dish それでもいい遊ばれてもいい...
🍗: Order food NOW at: https://www.eatsides.com/ 🎥: Access exclusive content at: https://www.sideplus.com/ 🍹: XIX Vodka: https://www.xixvodka.com/ 🃏: Hit Send: https://hit-send.com/ 👉🏻: Subscribe to our Reacts Channel: https://www.youtube.com/SidemenReacts 👈🏻 👕: Sidemen Clothing: http://www.sidemenclothing.com 👉🏻 Subscribe to our 2nd Channel: https://www.youtube.com/MoreSidemen 👈🏻 📸: Sidemen Instagram: http://www.instagram.com/Sidemen 🐤: Sidemen Twitter: http://www.twitter.com/Sidemen ✏️: SUBMIT A #SidemenSunday IDEA HERE https://forms.gle/JDuGrSzM4F6mdo6D9 ----------------------------------------------------------------------------------------------------------------------- ▶️ SIDEMEN ◀️ 🔵 JOSH (Zerkaa) ● http://www.youtube.com/Zerkaa ● http://www.youtube.com/ZerkaaPlays ● http://www.i...
Instagram: https://www.instagram.com/muschioselvaggio/?hl=it Spotify: https://open.spotify.com/show/6jBWY6Mup7iEFSYvMiVw7b?si=y2UYfu2uQYKUyrp-sMjBrA Apple Podcast: https://podcasts.apple.com/it/podcast/muschio-selvaggio/id1495854773 Amazon Music: https://music.amazon.it/podcasts/a508e9b0-2604-42af-a7a0-78aa8b91235f/Muschio-Selvaggio
Sade - By Your Side Director - Sophie Muller - October 2000 The official YouTube channel for the British iconic band Sade www.sade.com Sade (vocals) Stuart Matthewman (saxophone / guitar) Andrew Hale (keyboards) Paul Spencer Denman (bass) Spotify http://smarturl.it/Sade_TopTracks Apple Music. http://smarturl.it/SadeEssentials Amazon http://smarturl.it/SadeUCAmz YouTube https://smarturl.it/SadeYouTubeSubscribe Follow Facebook https://www.facebook.com/sadeofficial Twitter https://twitter.com/sadeofficial Instagram https://www.instagram.com/sade/ Lyrics You think I'd leave your side baby You know me better than that You think I'd leave you down when you're down on your knees I wouldn't do that I'll tell you you're right when you want Ha ah ah ah ah ah And if only you...
WATCH EPISODE 2 HERE: https://www.youtube.com/watch?v=x8X4dckmAYM To watch the full extended cut of each episode head over to Side+: https://watch.sideplus.com/checkout/subscribe/purchase Watch the entire series here: https://youtube.com/playlist?list=PLjkZIuJPz3rNU6b1Ag44ra4R01_SCgmvw&si=CEtvgs79s5swiYOa 🍗: Order food NOW at: https://www.eatsides.com/ 🎥: Access exclusive content at: https://www.sideplus.com/ 🍹: XIX Vodka: https://www.xixvodka.com/ 🃏: Hit Send: https://hit-send.com/ 👉🏻: Subscribe to our Reacts Channel: https://www.youtube.com/SidemenReacts 👈🏻 👕: Sidemen Clothing: http://www.sidemenclothing.com 👉🏻 Subscribe to our 2nd Channel: https://www.youtube.com/MoreSidemen 👈🏻 📸: Sidemen Instagram: http://www.instagram.com/Sidemen 🐤: Sidemen Twitter: http://www.twitter.com/Sidemen ...
Charles Arthur "Charlie" Feathers (June 12, 1932 – August 29, 1998) was an American country music and rockabilly musician.
Feathers was born in Holly Springs, Mississippi, and recorded a string of popular singles like "Peepin' Eyes," "Defrost Your Heart," "Tongue-Tied Jill," and "Bottle to the Baby" on Sun Records, Meteor and King Records in the 1950s.
Feathers was known for being a master of shifting emotional and sonic dynamics in his songs. His theatrical, hiccup-styled, energetic, rockabilly vocal style inspired a later generation of rock vocalists, including Lux Interior of The Cramps.
He studied and recorded several songs with Junior Kimbrough, whom he called "the beginning and end of all music". His childhood influences were reflected in his later music of the 1970s and 1980s, which had an easy-paced, sometimes sinister, country-blues tempo, as opposed to the frenetic fast-paced style favored by some of his rockabilly colleagues of the 1950s.
He started out as a session musician at Sun Studios, playing any side instrument he could in the hopes of someday making his own music there. He eventually played on a small label started by Sam Phillips called Flip records which got him enough attention to record a couple singles for Sun Records and Holiday Inn Records. By all accounts the singer was not held in much regard by Phillips, but Feathers often made the audacious claim that he had arranged "That's All Right" and "Blue Moon of Kentucky" for Elvis Presley. He also claimed that his "We're Getting Closer (To Being Apart)" had been intended to be Elvis' sixth single for Sun. He did, however, get his name on one of Elvis' Sun records, "I Forgot To Remember To Forget" when the writer Stan Kesler asked him to record a demo of the song.
Let me tell you bout my real gone chick
She's got a different style
And when she tries to talk to me
I always smile
She's a tongue tied Jill, my rockin' thrill
But I like to hear her say
Well, me dot what me want
Well, me dot what me want
Oh, me dot what me want
Well me dot what me want
Me dot what me want when me dot you
Let's go!
Well, I took her to a place I knew
Where the lights were low
And when they played a boogie beat
That cat could really go
We danced that night 'till daylight
Then I heard her say
Well, me dot what me want
Well, me dot what me want
Oh, me dot what me want
Well, me dot what me want
Me dot what me want when me dot you
Let's go!
Well, I asked her if she'd marry me
So I could hold her hand
Then she could be my lovin' Jill
I'd be her rockin' man
Now she won my heart, we'll never part
When my girl says to me
Well, me ba-da-ba-da-ba what me want
Well, me ba-da-ba-da-ba what me want
Oh, me ba-da-ba what me want
Me ba-da-ba-da-ba what me want