- published: 02 Jul 2022
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Charles Arthur "Charlie" Feathers (June 12, 1932 – August 29, 1998) was an American country music and rockabilly musician.
Feathers was born in Holly Springs, Mississippi, and recorded a string of popular singles like "Peepin' Eyes," "Defrost Your Heart," "Tongue-Tied Jill," and "Bottle to the Baby" on Sun Records, Meteor and King Records in the 1950s.
Feathers was known for being a master of shifting emotional and sonic dynamics in his songs. His theatrical, hiccup-styled, energetic, rockabilly vocal style inspired a later generation of rock vocalists, including Lux Interior of The Cramps.
He studied and recorded several songs with Junior Kimbrough, whom he called "the beginning and end of all music". His childhood influences were reflected in his later music of the 1970s and 1980s, which had an easy-paced, sometimes sinister, country-blues tempo, as opposed to the frenetic fast-paced style favored by some of his rockabilly colleagues of the 1950s.
He started out as a session musician at Sun Studios, playing any side instrument he could in the hopes of someday making his own music there. He eventually played on a small label started by Sam Phillips called Flip records which got him enough attention to record a couple singles for Sun Records and Holiday Inn Records. By all accounts the singer was not held in much regard by Phillips, but Feathers often made the audacious claim that he had arranged "That's All Right" and "Blue Moon of Kentucky" for Elvis Presley. He also claimed that his "We're Getting Closer (To Being Apart)" had been intended to be Elvis' sixth single for Sun. He did, however, get his name on one of Elvis' Sun records, "I Forgot To Remember To Forget" when the writer Stan Kesler asked him to record a demo of the song.
Showroom of Compassion is the sixth full-length studio album from the band Cake, which was released on January 11, 2011. Produced by the band, it is the band's first studio album to be independently released. The musical style of Showroom of Compassion is grounded in the band's unique style of alternative rock, combining droll, often esoteric lyrics rife with word play and syncopation, catchy distorted guitar riffs, complex bass patterns, Moog, and prominent use of trumpet. Cake's former lead guitarist, Greg Brown, makes a guest appearance on the song, "Bound Away", his first appearance on a Cake album since 1996's Fashion Nugget.
The album was the band's first since the release of Pressure Chief in 2004, the longest gap to date between two consecutive Cake studio albums. It debuted at number one on the Billboard 200 for one week, becoming the band's first album to do so. The album's first single, "Sick of You", reached #13 on the Billboard Rock Songs chart.
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CAKE discussing their new album, "Showroom of Compassion", available now: iTunes (US): iTunes: http://itunes.apple.com/us/artist/cake/id472322 Amazon: http://amzn.to/zHkLUh CAKE Merch. Store - http://store.cakemusic.com Best Buy: http://bit.ly/Afn7mJ
Listen: http://www.youtube.com/watch?v=7nP_HTCMl3U Full stream of this album on Rolling Stone: http://bit.ly/f6XMHz (Won't last forever, bro.) Album I've owned the longest article: http://mylifeinreview.net/2010/11/21/rage-against-the-machine-evil-empire-guest-review-by-anthony-fantano/ Cake is back at it again with a new album of songs that tell odd tales and hit hard grooves. If you've heard any of the bands previous stuff, this won't be a surprise. However, this could be both a good and bad thing. If you've loved Cake's sound for the past five albums, there's no reason not to check this thing out; however, it's easy to initially cast this album away for almost sounding too much like its predecessors. Cake could have worked harder to refrain from traveling over their old footprints...
Cake track 2 on the new album showroom of compassion. It's been a long time since I've seen your smiling face," But i don't mind.... cause you standing next to me Seems to be part of Shameless TV Show Soundtrack after fashion nugget, and comfort eagle, 7 yaers missing, it's out, january 2011
Originally released in 2011, Showroom of Compassion was CAKE’s first album of new material since 2004's gold-selling Pressure Chief. Charting at #1 on the Billboard Top 200 Album Chart, the first single from the album was "Sick of You," achieving Top 3 status at Alternative & Triple A formats for 10 weeks. This vinyl box set includes six 7" vinyl disc in unique vinyl colors chosen by the band and a temporary tattoo in each package. Hear our podcasts and subscribe on Apple Podcasts: https://podcasts.apple.com/.../vinyl-... Hear our podcasts and subscribe on Google Podcasts: https://podcasts.google.com/.../aHR0c.... Subscribe and Watch Podcasts and other video content on our Youtube Channel: / @vinylventures5943 Follow us on Instagram: https://instagram.com/vinylventures_p... #vinylc...
Band: Cake Album: Showroom of Compassion Song: Got To Move Lyrics: You have always got to move, You're always trying to prove that, There is something new in, Everything you do. You are mostly in your car, You always seem so far, No matter where you are, You're thinking of your car, And everything you say, Is really just a play, For you to get your way, And I found out yesterday, That no matter what you say, And no matter what you do, That you have got to... You have always got to move, You're racing just to prove that, There is something new, In everything you do. You are mostly on the phone, You say you're coming home, You say you're all alone, But I know you're not alone. And everything you say, Is really just a play, For you to get your way, And I found ...
Buy Now: iTunes: http://itunes.apple.com/us/artist/cake/id472322 Amazon: http://amzn.to/CAKESofC 7" box set: http://cake.merchnow.com/products/131175 "Sick of You" is the first single from Showroom of Compassion - available NOW.
Huge Misunderstanding is a I-Tunes only bonus track when buying Showroom Of Compassion
Album:Showroom of Compassion Band:CAKE Track 2 Long Time Lyrics:It's been a long time, Since I've seen your smiling face. It's been a long time, Since I've seen a su-u-u-u-u-u-unny day. It's been a long time, Since you wore your pillbox hat. It's been a long time, Since we drove your Po-o-o-o-o-o-ontiac. It's been a long time, Since you gave me bu-u-u-u-u-u-u-utterflies It's been a long time, Since I've seen it bu-u-u-u-u-u-urning in your eyes. But I don't mind (I don't mind), No I don't (I don't mind), No I don't (I don't mind), When I've got you next to me. It's been a long time, Since we tripped into this ditch. It's been a long time, Since we drank the ar-r-r-r-r-r-rsenic It's been a long time, Since we've been insi-i-i-i-i-i-ide of this tomb. It's been a long time, S...
This week Hsu takes a look at Cake's Showroom of Compassion
Charles Arthur "Charlie" Feathers (June 12, 1932 – August 29, 1998) was an American country music and rockabilly musician.
Feathers was born in Holly Springs, Mississippi, and recorded a string of popular singles like "Peepin' Eyes," "Defrost Your Heart," "Tongue-Tied Jill," and "Bottle to the Baby" on Sun Records, Meteor and King Records in the 1950s.
Feathers was known for being a master of shifting emotional and sonic dynamics in his songs. His theatrical, hiccup-styled, energetic, rockabilly vocal style inspired a later generation of rock vocalists, including Lux Interior of The Cramps.
He studied and recorded several songs with Junior Kimbrough, whom he called "the beginning and end of all music". His childhood influences were reflected in his later music of the 1970s and 1980s, which had an easy-paced, sometimes sinister, country-blues tempo, as opposed to the frenetic fast-paced style favored by some of his rockabilly colleagues of the 1950s.
He started out as a session musician at Sun Studios, playing any side instrument he could in the hopes of someday making his own music there. He eventually played on a small label started by Sam Phillips called Flip records which got him enough attention to record a couple singles for Sun Records and Holiday Inn Records. By all accounts the singer was not held in much regard by Phillips, but Feathers often made the audacious claim that he had arranged "That's All Right" and "Blue Moon of Kentucky" for Elvis Presley. He also claimed that his "We're Getting Closer (To Being Apart)" had been intended to be Elvis' sixth single for Sun. He did, however, get his name on one of Elvis' Sun records, "I Forgot To Remember To Forget" when the writer Stan Kesler asked him to record a demo of the song.
Let me tell you bout my real gone chick
She's got a different style
And when she tries to talk to me
I always smile
She's a tongue tied Jill, my rockin' thrill
But I like to hear her say
Well, me dot what me want
Well, me dot what me want
Oh, me dot what me want
Well me dot what me want
Me dot what me want when me dot you
Let's go!
Well, I took her to a place I knew
Where the lights were low
And when they played a boogie beat
That cat could really go
We danced that night 'till daylight
Then I heard her say
Well, me dot what me want
Well, me dot what me want
Oh, me dot what me want
Well, me dot what me want
Me dot what me want when me dot you
Let's go!
Well, I asked her if she'd marry me
So I could hold her hand
Then she could be my lovin' Jill
I'd be her rockin' man
Now she won my heart, we'll never part
When my girl says to me
Well, me ba-da-ba-da-ba what me want
Well, me ba-da-ba-da-ba what me want
Oh, me ba-da-ba what me want
Me ba-da-ba-da-ba what me want