- published: 16 May 2024
- views: 34548916
'+pages+''); $('.stream > div:odd').addClass('bgr_color'); updateHeight('#history'); }); window.activateTabArea = ensure(function(tab, areas){ var parsed = false; var parts = (areas || '').split('/'); window.fsonload = $.inArray('fs', parts) >= 0; if(fsonload){ parts.splice(parts.indexOf('fs'), 1); } var replayMode = false; if($.inArray('replay', parts)>=0){ replayMode = 'replay'; } var noSoundMode = false; if($.inArray('nosound', parts)>=0){ noSoundMode = 'nosound'; } if($.inArray('ns', parts)>=0){ noSoundMode = 'ns'; } var previewMode = null; if($.inArray('p', parts)>=0){ previewMode = 'p'; } if($.inArray('preview', parts)>=0){ previewMode = 'preview'; } if($.inArray('repeat', parts)>=0){ replayMode = 'repeat'; } if($.inArray('r', parts)>=0 || $.inArray('ro', parts)>=0){ replayMode = 'r'; } if(replayMode){ parts.splice(parts.indexOf(replayMode), 1); } if(noSoundMode){ parts.splice(parts.indexOf(noSoundMode), 1); } if(previewMode){ parts.splice(parts.indexOf(previewMode), 1); } if(previewMode){ if(!parts.length){ parts = ['1-14', '999:59']; } } var area = parts[0]; if(tab == 'history' && false){ var page = parseInt(area || '1') || 1; $.ajax({ url: 'https://login.wn.com/recent/json/?pp='+history_pp+'&skip='+history_pp*(page-1), dataType: 'jsonp', success: function(response){ $ensure(function(){ renderHistory(response, page); }); } }); return true; } if(tab == 'global_history' && false){ var page = parseInt(area || '1') || 1; globalHistory.fetchStream(page, '', function(){ updateHeight('#global_history'); }); return true; } if(tab == 'my_playlists' && false){ var page = parseInt(area || '1') || 1; myPlaylists.fetchStream(page, '', function(){ updateHeight('#my_playlists'); }); return true; } if(tab == 'my_videos' && false){ var page = parseInt(area || '1') || 1; myVideos.fetchStream(page, '', function(){ updateHeight('#my_videos'); }); return true; } if(tab == 'related_sites' && areas && matchPosition(areas)){ var seconds = parsePosition(areas); scrollRelated(seconds); return false; } if(matchPosition(area) || matchAction(area)){ parts.unshift('1'); area = parts[0]; } if(tab == 'expand' && area && area.match(/\d+/)) { var num = parseInt(area); if(num < 100){ //FIX ME. Load news page with ajax here } else if(num > 1900){ //FIX ME. Load timeline page with ajax here } } else if(tab.match(/^playlist\d+$/)){ var playerId = parseInt(tab.substring(8)); var vp = videoplayers[playerId]; window.descriptionsholder = $('.descriptionsplace'); if(!vp) return; // why? no player? if(replayMode){ $('.replaycurrent'+playerId).attr('checked', true); vp.setReplayCurrent(true); } var playQueue = []; window.playQueue = playQueue; var playQueuePosition = 0; var playShouldStart = null; var playShouldStop = null; var parseList = function(x){ var items = x.split(/;|,/g); var results = []; for (i in items){ try{ var action = parseAction(vp, items[i]); if(!action.video){ if(window.console && console.log) console.log("Warning: No video for queued entry: " + items[i]); }else{ results.push(action); } }catch(e){ if(window.console && console.log) console.log("Warning: Can''t parse queue entry: " + items[i]); } } return results; }; var scrollToPlaylistPosition = function(vp){ var ppos = vp.getPlaylistPosition(); var el = vp.playlistContainer.find('>li').eq(ppos); var par = el.closest('.playlist_scrollarea'); par.scrollTop(el.offset().top-par.height()/2); } var updateVolumeState = function(){ if(noSoundMode){ if(noSoundMode == 'turn-on'){ clog("Sound is on, vsid="+vp.vsid); vp.setVolumeUnMute(); noSoundMode = false; }else{ clog("Sound is off, vsid="+vp.vsid); vp.setVolumeMute(); noSoundMode = 'turn-on'; } } } var playQueueUpdate = function(){ var playPosition = playQueue[playQueuePosition]; vp.playFromPlaylist(playPosition.video); scrollToPlaylistPosition(vp); playShouldStart = playPosition.start; playShouldStop = playPosition.stop; }; var playQueueAdvancePosition = function(){ clog("Advancing play position..."); playQueuePosition ++; while(playQueuePosition < playQueue.length && !playQueue[playQueuePosition].video){ playQueuePosition ++; } if(playQueuePosition < playQueue.length){ playQueueUpdate(); }else if(vp.getReplayCurrent()){ playQueuePosition = 0; playQueueUpdate(); vp.seekTo(playShouldStart); vp.playVideo(); }else{ vp.pauseVideo(); playShouldStop = null; playShouldStart = null; } }; function loadMoreVideos(playerId, vp, start, finish, callback){ var playlistInfo = playlists[playerId-1]; if(playlistInfo.loading >= finish) return; playlistInfo.loading = finish; $.ajax({ url: '/api/upge/cheetah-photo-search/query_videos2', dataType: 'json', data: { query: playlistInfo.query, orderby: playlistInfo.orderby, start: start, count: finish-start }, success: function(response){ var pl = vp.getPlaylist().slice(0); pl.push.apply(pl, response); vp.setPlaylist(pl); callback(); } }); } if(parts.length == 1 && matchDash(parts[0])){ var pl = vp.getActualPlaylist(); var vids = parseDash(parts[0]); parts = []; for(var i = 0; i < vids.length; i++){ playQueue.push({ 'video': pl[vids[i]-1], 'start': 0, 'stop': null }) } if(vids.length){ if(vids[vids.length-1]-1>=pl.length){ loadMoreVideos(playerId, vp, pl.length, vids[vids.length-1], function(){ if(fsonload){ activateTabArea(tab, parts[0]+'/fs'); }else{ activateTabArea(tab, parts[0]); } var pls = vp.getPlaylist(); vp.playFromPlaylist(pls[pls.length-1]); vp.playVideo(); scrollToPlaylistPosition(vp); }); return true; } } if(playQueue){ playQueueUpdate(); vp.playVideo(); parsed = true; playShouldStart = 0; } } if(previewMode){ var vids = []; var dur = 0; var pl = vp.getActualPlaylist(); area = parts[0]; if(parts.length == 1 && matchPosition(parts[0])){ vids = parseDash('1-'+pl.length); dur = parsePosition(parts[0]); parts = []; }else if(parts.length == 1 && matchDash(parts[0])){ vids = parseDash(parts[0]); dur = parsePosition("999:59"); parts = []; } if(parts.length == 2 && matchDash(parts[0]) && matchPosition(parts[1])){ vids = parseDash(parts[0]); dur = parsePosition(parts[1]); parts = []; } for(var i = 0; i < vids.length; i++){ playQueue.push({ 'video': pl[vids[i]-1], 'start': 0, 'stop': dur }) } if(playQueue){ playQueueUpdate(); vp.playVideo(); parsed = true; } } if(parts.length>1){ for(var i = 0; i < parts.length; i++){ var sel = findMatchingVideo(vp, parts[i]); if(sel){ playQueue.push({ 'video': sel, 'start': 0, 'stop': null }) } } if(playQueue){ playQueueUpdate(); vp.playVideo(); parsed = true; } }else if(area){ var sel = findMatchingVideo(vp, area); if(sel){ vp.playFromPlaylist(sel); playShouldStart = 0; parsed = true; } } if(fsonload || replayMode){ playShouldStart = 0; } if(document.location.search.match('at=|queue=')){ var opts = document.location.search.replace(/^\?/,'').split(/&/g); for(var o in opts){ if(opts[o].match(/^at=(\d+:)?(\d+:)?\d+$/)){ playShouldStart = parsePosition(opts[o].substr(3)) } if(opts[o].match(/^queue=/)){ playQueue = parseList(opts[o].substr(6)); if(playQueue){ playQueuePosition = 0; playQueueUpdate(); } } } } if(matchPosition(parts[1])){ playShouldStart = parsePosition(parts[1]); parsed = true; } if(matchAction(parts[1])){ var action = parseAction(vp, area+'/'+parts[1]); playShouldStart = action.start; playShouldStop = action.stop; parsed = true; } if(playShouldStart !== null && !playQueue.length){ playQueue.push({ video: vp.getCurrentVideo(), start: playShouldStart, stop: playShouldStop }); } if(playShouldStart != null){ setInterval(function(){ if(playShouldStop && vp.currentPlayer && vp.currentPlayer.getCurrentTime() > playShouldStop){ playShouldStop = null; if(vp.getCurrentVideo() == playQueue[playQueuePosition].video){ playQueueAdvancePosition(); }else{ playShouldStart = null; } } }, 500); vp.playerContainer.bind('videoplayer.player.statechange', function(e, state){ if(state == 'ended'){ // advance to the next video playQueueAdvancePosition(); } }); vp.playerContainer.bind('videoplayer.player.readychange', function(e, state){ if(state){ updateVolumeState(); if(playShouldStart !== null){ vp.seekTo(playShouldStart); playShouldStart = null; }else{ playShouldStop = null; // someone started other video, stop playing from playQueue } } if(fsonload) { triggerFullscreen(playerId); fsonload = false; } }); } } else if(tab.match(/^wiki\d+$/)){ if(firstTimeActivate){ load_wiki($('#'+tab), function(){ if(area){ var areaNode = $('#'+area); if(areaNode.length>0){ $('html, body').scrollTop(areaNode.offset().top + 10); return true; } } }); } } return parsed; }) window.activateTab = ensure(function(tab, area){ window.activeArea = null; if(tab == 'import_videos'){ if(area){ import_videos(area); }else{ start_import(); } return true; } if(tab == 'chat'){ update_chat_position($('.chat').eq(0)); window.activeArea = 'chat'; jQuery('.tabtrigger').offscreentabs('activateTab', 'chat'); return true; } if(tab in rev_names){ tab = rev_names[tab]; } if(tab.match(':')){ return false; } var sup = $('ul li a[id=#'+tab+']'); if(sup && sup.length>0){ window.activeArea = area; sup.first().click(); if(!window.activateTabArea(tab, area)){ window.activeArea = null; } window.activeArea = null; return true; }else{ var have_tabs = $('#playlist_menu li').length; if(tab.match(/^playlists?\d+$/)){ var to_add = +tab.substring(8).replace(/^s/,'')-have_tabs; if(to_add>0 && have_tabs){ add_more_videos(to_add); return true; } } } return false; }); window.currentPath = ensure(function(){ return window.lastHistory.replace(basepath, '').split('?')[0]; }); window.main_tab = window.main_tab || 'videos'; window.addHistory = ensure(function(path){ if(window.console && console.log) console.log("Adding to history: "+path); if(window.history && history.replaceState && document.location.hostname.match(/^(youtube\.)?(\w{2,3}\.)?wn\.com$/)){ if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = basepath; } else if( path.match('^'+main_tab+'/') ){ path = basepath + '/' + path.replace(main_tab+'/', '').replace('--','/'); } else { path = basepath + '/' + path.replace('--','/'); } if(document.location.search){ path += document.location.search; } if(window.lastHistory) { history.pushState(null, null, path); } else if(window.lastHistory != path){ history.replaceState(null, null, path); window.lastHistory = path; } } else{ path = path.replace('--','/'); if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = ''; } if(window.lastHistory != '/'+path){ window.location.hash = path? '/'+path : ''; window.lastHistory = '/'+path; } } }); $('.tabtrigger li a').live('click', ensure(function() { var tab = $(this).attr('id'); if(tab.substring(0,1) == '#'){ var name = tab.substring(1); if(name in menu_names){ name = menu_names[name][0]; } realTab = rev_names[name]; $('#'+realTab).show(); if(window.console && console.log) console.log("Triggering tab: "+name+(window.activeArea?" activeArea="+window.activeArea:'')); var path = name; if(window.activeArea){ path = path + '/' + window.activeArea; } if(tab.match(/#playlist\d+/) || tab.match(/#details\d+/)){ $('.multiple-playlists').show(); $('.related_playlist').show(); $('.longest_videos_playlist').show(); }else { $('.multiple-playlists').hide(); $('.related_playlist').hide(); $('.longest_videos_playlist').hide(); } // start the related script only when the tab is on screen showing if (tab.match(/related_sites/)) { if (mc) { mc.startCredits(); } } window.activeTab = realTab; addHistory(path); setTimeout(ensure(function(){ if(tab.match(/language--/)){ $('.tabtrigger').offscreentabs('activateTab', 'language'); } if(tab.match(/weather/)) { $('.tabtrigger').offscreentabs('activateTab', 'weather'); loadContinent(); } updateMenus(tab); updateHeight(); }), 10); } return false; })); }); -->
Charles Arthur "Charlie" Feathers (June 12, 1932 – August 29, 1998) was an American country music and rockabilly musician.
Feathers was born in Holly Springs, Mississippi, and recorded a string of popular singles like "Peepin' Eyes," "Defrost Your Heart," "Tongue-Tied Jill," and "Bottle to the Baby" on Sun Records, Meteor and King Records in the 1950s.
Feathers was known for being a master of shifting emotional and sonic dynamics in his songs. His theatrical, hiccup-styled, energetic, rockabilly vocal style inspired a later generation of rock vocalists, including Lux Interior of The Cramps.
He studied and recorded several songs with Junior Kimbrough, whom he called "the beginning and end of all music". His childhood influences were reflected in his later music of the 1970s and 1980s, which had an easy-paced, sometimes sinister, country-blues tempo, as opposed to the frenetic fast-paced style favored by some of his rockabilly colleagues of the 1950s.
He started out as a session musician at Sun Studios, playing any side instrument he could in the hopes of someday making his own music there. He eventually played on a small label started by Sam Phillips called Flip records which got him enough attention to record a couple singles for Sun Records and Holiday Inn Records. By all accounts the singer was not held in much regard by Phillips, but Feathers often made the audacious claim that he had arranged "That's All Right" and "Blue Moon of Kentucky" for Elvis Presley. He also claimed that his "We're Getting Closer (To Being Apart)" had been intended to be Elvis' sixth single for Sun. He did, however, get his name on one of Elvis' Sun records, "I Forgot To Remember To Forget" when the writer Stan Kesler asked him to record a demo of the song.
Ain (French pronunciation: [ɛ̃]; Arpitan: En) is a department named after the Ain River on the eastern edge of France. Being part of the region Auvergne-Rhône-Alpes and bordered by the rivers Saône and Rhône, the department of Ain enjoys a privileged geographic situation. It has an excellent transport network (TGV, highways) and benefits from the proximity to the international airports of Lyon and Geneva.
Ain is composed of four geographically different areas (Bresse, Dombes, Bugey and Pays de Gex) which – each with its own characteristics – contribute to the diversity and the dynamic economic development of the department. In the Bresse agriculture and agro-industry are dominated by the cultivation of cereals, cattle breeding, milk and cheese production as well as poultry farming. In the Dombes, pisciculture assumes greater importance as does wine making in the Bugey. The high diversification of the department's industry is accompanied by a strong presence of the plastics sector in and around Oyonnax (so-called "Plastics Valley").
Ayin or Ayn is the sixteenth letter of the Semitic abjads, including Phoenician ʿAyin , Hebrew ʿAyin ע, Aramaic ʿĒ , Syriac ʿĒ ܥ, and Arabic ʿAyn ع (where it is sixteenth in abjadi order only). ﻉ comes twenty‐first in the New Persian alphabet and eighteenth in Arabic hijaʾi order.
The ʿayin glyph in these various languages represents, or has represented, a voiced pharyngeal fricative (/ʕ/), or a similarly articulated consonant, which has no equivalent or approximate substitute in the sound‐system of English. There are many possible transliterations.
The letter name is derived from Proto-Semitic *ʿayn- "eye", and the Phoenician letter had an eye-shape, ultimately derived from the ı͗r hieroglyph
To this day, ʿayin in Hebrew, Arabic, Amharic, and Maltese means "eye" and "spring" (ʿayno in Neo-Aramaic).
The Phoenician letter gave rise to the Greek Ο, Latin O, and Cyrillic О, all representing vowels.
The sound represented by ayin is common to much of the Afrasiatic language family, such as the Egyptian, Cushitic, and Semitic languages. Some scholars believe that the sound in Proto-Indo-European transcribed h3 was similar, though this is debatable. (See Laryngeal theory.)
An ain is a spring in North Africa, which reaches the surface as a result of an artesian basin and is of particular importance in arid regions. It can produce a flow of water directly or result in evaporitic saline crusts. Known examples are found in the oases of the Tunisian region of Bled el Djerid and in the entire area around the depressions of Chott el Djerid and Chott el Gharsa. Here, there are water-bearing strata, usually of sand or sandstone, that act as aquifers in their function.
Download/Stream Twisters: The Album: https://twisters.lnk.to/album Twisters is now in theaters and Twisters: The Album is available everywhere! Follow Luke: Instagram: https://LC.lnk.to/profileYT/instagram Facebook: https://LC.lnk.to/profileYT/facebook Twitter: https://LC.lnk.to/profileYT/twitter TikTok: https://LC.lnk.to/profileYT/tiktok Twitch: https://LC.lnk.to/profileYT/twitch Subscribe to his channel: https://LC.lnk.to/profileYT/youtube Website/Tour Dates/Bootleggers Fan Club: https://LC.lnk.to/profileYT/officialsite Follow Twisters: The Album: https://www.twistersthealbum.com/ https://www.facebook.com/twistersthealbum https://www.instagram.com/twistersthealbum/ https://twitter.com/twistersalbum https://www.tiktok.com/@twistersthealbum Follow Twisters: https://www.twisters-movie...
‘Artificial Paradise' featuring “I Ain’t Worried” available now: https://onerepublic.lnk.to/ArtificialParadise Stream OneRepublic’s “I Ain’t Worried” from ‘Top Gun: Maverick’: http://OneRepublic.lnk.to/iaintworried Listen to “Top Gun: Maverick (Music From The Motion Picture)”, soundtrack out now: http://TopGunMaverick.lnk.to/Soundtrack Listen to OneRepublic: Spotify: http://smarturl.it/1RSpotify Apple Music: https://apple.co/3B4u43p Shop OneRepublic: http://smarturl.it/1RShop Sign up for email updates: http://smarturl.it/1REmail Catch OneRepublic on tour: https://www.onerepublic.com/tour Follow OneRepublic: https://www.instagram.com/onerepublic https://www.tiktok.com/@onerepublic https://www.facebook.com/OneRepublic https://twitter.com/OneRepublic Follow Top Gun: https://www.insta...
#Kanal13 #likekanal13 #subscribekanal13 #warinukraine https://www.youtube.com/user/kanal13az?sub_confirmation=1 - SUBSCRIBE TO US! Russian troops are leaving the Sarrin airbase in Ain al-Arab, south of the Turkish-Syrian border. Evacuation will follow. Let us recall that the Russian Federation has requested assistance from Turkey in withdrawing its military contingent from Syrian territory . Moscow is looking for a way and assistance from Ankara in the safe withdrawal of part of its troops: "It appears that these troops will be transferred to the territory controlled by the Turkish armed forces and then sent to Russia by air. Russia has asked for such assistance in order to safely withdraw its troops. Iran's proxy forces have not been effective in Syria for quite some time," the statemen...
The official HD music video for Rufus and Chaka Khan - "Ain't Nobody (Original Mix)" first released as part of the live album 'Stompin' at the Savoy' and later as a single. "Ain't Nobody" reached No. 1 on the Billboard R&B Chart and No. 22 on the Billboard Hot 100 *** CHAKA KHAN SINGER, SONGWRITER, ACTOR, ACTIVIST SUBSCRIBE to get the latest: / chakakhan Connect with Chaka Khan via her online channels: Visit the Chaka Khan WEBSITE: https://www.chakakhan.com/ Like & Follow Chaka Khan on FACEBOOK: https://www.facebook.com/chakakhan Follow Chaka Khan on FACEBOOK MESSENGER: https://go.bot1.com/web/01C8VC70WE4SH... Follow @ChakaKhan on TWITTER: https://twitter.com/ChakaKhan Follow Chaka Khan on INSTAGRAM: https://www.instagram.com/chakaikhan/ SUBSCRIBE to latest Chaka Khan specials & up...
WASPADA PENYAKIT AIN ‼️ BEGINI CARA MENGHINDARI DAN MENGOBATI | Ustadz Khalid Basalamah Jazakallah Khairan Ustadz https://youtube.com/@khalidbasalamah?feature=shared Assalamualaikum Warahmatullahi Wabarakatuh, Pada video tausiyah atau ceramah kali ini, Ustadz Khalid Basalamah menyampaikan tentang Ain dan apa itu penyakit Ain. Ain ini adalah penyakit yang ditimbulkan dari rasa dengki seseorang. Ustadz Khalid sangat menyarankan agar kita tidak mengumbar segala sesuatu yang sekiranya mengundang besarnya perhatian. Karena penyakit Ain ini nyata. Dalam Ceramah Ustadz Khalid Basalamah yang terbaru di Channel ini, beliau juga menyampaikan cara agar kita terhindar dari penyakit Ain, dan juga bagaimana cara mengobati penyakit Ain. Semoga apa yang disampaikan Ustadz Khalid Basalamah tentang pe...
"No More Silent Nights" & "Christmas Ain't The Same" by 3Breezy Stream it on ALL PLATFORMS here: https://onerpm.link/140198507519 Follow 3Breezy: X: https://x.com/3breezy IG: https://www.instagram.com/3breezy__ Tik Tok: https://www.tiktok.com/@3breezy
Shot & edited by @drewfilmedit Additional footage @1mirs Stream: https://1900rugrat.lnk.to/auntieaintplayin
fuck kim jihoon
Provided to YouTube by The Orchard Enterprises Ayin (Ritual) · Fahir Atakoğlu Muhteşem Yüzyıl Vol.1 (Orijinal Dizi Müzikleri) ℗ 2013 Mira Records Released on: 2013-05-13 Auto-generated by YouTube.
Gotta love ‘em #projectmoon #lobotomycorporation
Angela is NOT an organism
idk stealing is my passion Library of Runia and sometimes limbussy meme list https://youtube.com/playlist?list=PLbDXXtp3-OXUJtfmTZcALRhw0KdyRhRQk&si=aAYoxZZYZZp1sla_ #lobotomycorporation #libraryofruina #projectmoon Credit where it's due: Runia Assets https://drive.google.com/drive/folders/1xdUySCZZWvY9yVaqzUHDElCcp9EfBc3y Thanks to: Lunartique07 - https://twitter.com/Lunartique07 R.Anakova - https://twitter.com/RAnakova CasualWatson https://discord.gg/pmooncommunityfanhub Lobotomy Corp things https://drive.google.com/drive/folders/1WiahaZ5hBY5YZp_CFserxYf_-q65jTYZ Thanks to: @min141 on discord oh may god https://www.youtube.com/watch?v=kULDriLgRB4 stolen from uhh @pearldrop https://youtu.be/WEJwiAmIMmk?si=CQQ_K0xWpeabEyV3
something something something yeah it only took 47 hours heh sucks to be me ig, slow ass mf anyways the main focus of this thing was to keep a nice flow/feel after cuts. Meaning I had to focus on where I felt the viewer would look and continue from there. no chat i did not take a break for like 2 months and decay in skill what are you talking about. thank you for reading and thank you northernlion for the banter Credit where it's due: Librarian's uh thing (aka referenced video) https://youtube.com/watch?v=ioledVtMO68&t=1082s&ab_channel=TheLibraryofLetourneau NL pictures yoinked https://www.reddit.com/r/northernlion/comments/yxh1ju/drew_up_the_soyjack_template_since_nl_gave_it_to/ Roblox Explosion https://www.youtube.com/watch?v=Y2A43FW0fb4 Jerma yoink https://youtube.fandom.com/wi...
rip to those expecting ayin in today's (4/16) update for ruina lol
Ebru, gazetecilik bölümünde okuyan genç bir kızdır. Bir yurtta kalan Ebru, yurt hakkında kendisine anlatılan hikayelere başlarda pek kulak asmaz. Ancak, yurtta kaldığı sırada başına gelen korkunç olaylar, Ebru'nun yurdu araştırmasına neden olur. Genç kız çok geçmeden kendisine musallat olan varlıkların, geçmişte yurtta kaybolan kızlarla ilgili olduğunu keşfeder. Yurt ile ilgili korkunç gerçekleri öğrenen Ebru, kendisini bu sırada insanlar ve cinler arasında yıllardır var olan bir anlaşmanın bozulmasını sağlayacak bir ayinin ortasında bulur. Enis Özkan Kanalına Abone Ol: https://bit.ly/2UPLG0O #EfsunluAyin #EnisÖzkanFilm #KorkuFilmi
Merhaba sevgili öğrenciler! Bu videoda 5. sınıf fen bilimleri müfredatına uygun olarak Ayın Evreleri konusunu kapsamlı bir şekilde ele alıyoruz. 🌙 Ay’ın Dünya etrafındaki hareketlerini ve bu hareketlerin nasıl farklı evreler oluşturduğunu adım adım öğreneceksiniz. Hem sınavlara hazırlık hem de konuyu daha iyi anlamak için detaylı açıklamalarla karşınızdayız! ✨ 📚 Bu Videoda Neler Öğreneceksiniz? 🔸 Ay'ın Hareketleri: Ay'ın evrelerinin oluşmasını sağlayan hareket nedir? 🔸 Ayın Evreleri: Ay'ın ana ve ara evreleri nelerdir? Bu evrelerinin özellikleri nelerdir?? 🔸 Ayın Evrelerinin Gözlemlenmesi: Hangi evre hangi tarihlerde gözlemlenir ve bunlar ne kadar sürer? 📝 Ekstra Çalışma ve PDF İndir Videoda anlattığımız konularla ilgili PDF dosyasını açıklama kısmında bulabilirsiniz. Bu dosyayı indirere...
clip : by Language Simp
Charles Arthur "Charlie" Feathers (June 12, 1932 – August 29, 1998) was an American country music and rockabilly musician.
Feathers was born in Holly Springs, Mississippi, and recorded a string of popular singles like "Peepin' Eyes," "Defrost Your Heart," "Tongue-Tied Jill," and "Bottle to the Baby" on Sun Records, Meteor and King Records in the 1950s.
Feathers was known for being a master of shifting emotional and sonic dynamics in his songs. His theatrical, hiccup-styled, energetic, rockabilly vocal style inspired a later generation of rock vocalists, including Lux Interior of The Cramps.
He studied and recorded several songs with Junior Kimbrough, whom he called "the beginning and end of all music". His childhood influences were reflected in his later music of the 1970s and 1980s, which had an easy-paced, sometimes sinister, country-blues tempo, as opposed to the frenetic fast-paced style favored by some of his rockabilly colleagues of the 1950s.
He started out as a session musician at Sun Studios, playing any side instrument he could in the hopes of someday making his own music there. He eventually played on a small label started by Sam Phillips called Flip records which got him enough attention to record a couple singles for Sun Records and Holiday Inn Records. By all accounts the singer was not held in much regard by Phillips, but Feathers often made the audacious claim that he had arranged "That's All Right" and "Blue Moon of Kentucky" for Elvis Presley. He also claimed that his "We're Getting Closer (To Being Apart)" had been intended to be Elvis' sixth single for Sun. He did, however, get his name on one of Elvis' Sun records, "I Forgot To Remember To Forget" when the writer Stan Kesler asked him to record a demo of the song.
Let me tell you bout my real gone chick
She's got a different style
And when she tries to talk to me
I always smile
She's a tongue tied Jill, my rockin' thrill
But I like to hear her say
Well, me dot what me want
Well, me dot what me want
Oh, me dot what me want
Well me dot what me want
Me dot what me want when me dot you
Let's go!
Well, I took her to a place I knew
Where the lights were low
And when they played a boogie beat
That cat could really go
We danced that night 'till daylight
Then I heard her say
Well, me dot what me want
Well, me dot what me want
Oh, me dot what me want
Well, me dot what me want
Me dot what me want when me dot you
Let's go!
Well, I asked her if she'd marry me
So I could hold her hand
Then she could be my lovin' Jill
I'd be her rockin' man
Now she won my heart, we'll never part
When my girl says to me
Well, me ba-da-ba-da-ba what me want
Well, me ba-da-ba-da-ba what me want
Oh, me ba-da-ba what me want
Me ba-da-ba-da-ba what me want