- published: 27 Feb 2019
- views: 12295250
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Charles Arthur "Charlie" Feathers (June 12, 1932 – August 29, 1998) was an American country music and rockabilly musician.
Feathers was born in Holly Springs, Mississippi, and recorded a string of popular singles like "Peepin' Eyes," "Defrost Your Heart," "Tongue-Tied Jill," and "Bottle to the Baby" on Sun Records, Meteor and King Records in the 1950s.
Feathers was known for being a master of shifting emotional and sonic dynamics in his songs. His theatrical, hiccup-styled, energetic, rockabilly vocal style inspired a later generation of rock vocalists, including Lux Interior of The Cramps.
He studied and recorded several songs with Junior Kimbrough, whom he called "the beginning and end of all music". His childhood influences were reflected in his later music of the 1970s and 1980s, which had an easy-paced, sometimes sinister, country-blues tempo, as opposed to the frenetic fast-paced style favored by some of his rockabilly colleagues of the 1950s.
He started out as a session musician at Sun Studios, playing any side instrument he could in the hopes of someday making his own music there. He eventually played on a small label started by Sam Phillips called Flip records which got him enough attention to record a couple singles for Sun Records and Holiday Inn Records. By all accounts the singer was not held in much regard by Phillips, but Feathers often made the audacious claim that he had arranged "That's All Right" and "Blue Moon of Kentucky" for Elvis Presley. He also claimed that his "We're Getting Closer (To Being Apart)" had been intended to be Elvis' sixth single for Sun. He did, however, get his name on one of Elvis' Sun records, "I Forgot To Remember To Forget" when the writer Stan Kesler asked him to record a demo of the song.
A Wedding is a 1978 comedy film directed by Robert Altman, starring Desi Arnaz, Jr., Carol Burnett, Paul Dooley, Vittorio Gassman, Mia Farrow, Lillian Gish, Geraldine Chaplin, Howard Duff, Nina Van Pallandt, Amy Stryker, and Pat McCormick. The story is told in the trademark Altman style, with multiple plots and overlapping humorous dialogue.
The story takes place in a single day during a lavish wedding that merges a nouveau riche Southern family with an established wealthy Chicago family having possible ties to organized crime.
Dino Corelli (Desi Arnaz Jr.) marries Muffin Brenner (Amy Stryker) in a lavish Episcopalian church wedding presided over by a doddering, forgetful bishop. After the ceremony, the wedding party and guests drive back to the Corelli mansion for the reception. Meanwhile, the elderly, bedridden matriarch Nettie Sloan (Lillian Gish), mother of Regina Sloan Corelli (Nina Van Pallandt) and grandmother of the groom Dino, is being tended in her upstairs bedroom at the mansion by drunk, lecherous Dr. Jules Meecham (Howard Duff). Nettie is lying in her bed speaking with wedding planner Rita Billingsley (Geraldine Chaplin) when Nettie suddenly dies peacefully. Dr. Meecham informs Dino's father and head of household Luigi Corelli (Vittorio Gassman) of Nettie's death, but leaves it to him to tell his wife Regina, which Luigi is unable to do because Regina is high on drugs and mentally unstable. Nettie's corpse remains lying in bed, appearing to be asleep, throughout the reception, while various attendees are quietly told about her death or in some cases visit her in her room without realizing she's actually dead. By the time her bossy daughter Toni (Dina Merrill) finds out and calls a family meeting to make a dramatic announcement, the other family members are mostly not surprised or even too upset.
A Wedding is a comic opera based on Robert Altman's 1978 film A Wedding and was composed by William Bolcom with a libretto written by Robert Altman and Arnold Weinstein.
The Lyric Opera of Chicago commissioned the work, and the opera was first performed there on December 11, 2004. The premiere had stage direction by Altman and was conducted by Dennis Russell Davies. The film's 48 characters were trimmed down to 19 on stage.
Since the premiere, A Wedding has seen performances at Indiana University's Jacobs School of Music, the University of Houston's Moores School of Music, and the Oberlin Conservatory of Music. It will be performed by the Aspen Opera Center for the Aspen Music Festival and School's 2016 summer season.
Recently, the Music Academy of the West commissioned Bolcom to write a chamber version of the opera, with a reduced orchestration. This reorchestration received its premiere on August 8, 2008 in Santa Barbara, California.
"A Wedding" is the eighth episode of the sixth season of the American musical television series Glee, and the 116th overall. The episode was written by Ross Maxwell, directed by executive producer Bradley Buecker, and first aired on February 20, 2015 on Fox in the United States.
The episode features the planning for and wedding day of Brittany Pierce and Santana Lopez, which unexpectedly turns into a double wedding, with Blaine Anderson and Kurt Hummel also marrying each other in a joint ceremony with Brittany and Santana. The episode features special guest stars Gloria Estefan as Santana's mother Maribel Lopez, Ken Jeong and Jennifer Coolidge as Brittany's parents Pierce and Whitney Pierce, and Gina Gershon as Blaine's mother Pam Anderson.
Watch this fairytale bridal entrance from Mounif and Lara khaddam's wedding at Opera garnier de Paris. Bride wore an amazing Zuhair murad gown .
Pulitzer-prize winning composer William Bolcom talks about his latest opera, A Wedding, which was part of the 2007-08 IU Jacobs School of Music Opera Theater season. The opera portrays an all-American train wreck of a wedding in which everything that can go wrong does. Sung in English with English supertitles, it is the third of Bolcom's operas to have its collegiate premiere at Indiana University. McTeague and A View from the Bridge played to rave reviews in 1996 and 2005, respectively. But unlike the others, which are weighty, serious productions, A Wedding dispenses with any semblance of the decorum ordinarily associated with opera.
This wedding bestows that extra grandeur and magic that dazzled all the guests. The couple stunned everyone as they walked into the majestic venue ! ___________________ ▪︎Wedding venue : @operadeparis. ▪︎Wedding planner : @baibaikathy ▪︎Photographer: @alden_chenyin. ____________________ #LebaneseWeddings @_babybaby_q
VenueInDelhi Presents Wedding Opera's Venue Video for You, Wedding Opera is a Beautiful Wedding Banquet Hall Near Britannia Chowk in North Delhi for Weddings, Reception etc Functions. #WeddingOpera #WestDelhi #VenueInDelhi Get More Info About The Park Royal, Subash Nagar:- http://www.venueindelhi.com/venue/wedding-opera-banquet-lawrence-road/ Browse More Venues of North Delhi:- http://www.venueindelhi.com/wedding-venues-in-delhi/venue-in-gt-karnal-road/ Call Us:- +91 8826225533 Follow us on- Instagram - https://www.instagram.com/VenueInDelhi/ Facebook - https://www.facebook.com/VenueInDelhi Twitter - https://twitter.com/VenueInDelhi Pinterest - https://in.pinterest.com/VenueInDelhi/ Blog - blog.venueindelhi.com **Disclaimer: All content used in the video/presentation is attri...
Enjoy another Comical Classic Cantonese Opera" Stupid boy on his wedding night!" 傻仔洞房-伍雁娜 靓次明
Find out more: https://www.roh.org.uk/tickets-and-events/the-marriage-of-figaro-details A glimpse of rehearsals at Covent Garden for David McVicar's The Marriage of Figaro (Le nozze di Figaro). Le nozze di Figaro was the first fruit of Mozart’s partnership with librettist Lorenzo da Ponte; they would go on to create Don Giovanni and Così fan tutte. For Figaro, Da Ponte adapted (perhaps at Mozart’s suggestion) Pierre Beaumarchais’ controversial play Le Mariage de Figaro, which at the time was banned in Vienna due to its seditious content. The opera was well received in Vienna but had only nine performances; its revival soon after in Prague was a tremendous success, and led to the commission of Don Giovanni. Figaro quickly entered the international repertory and has rarely been out of it ...
The most breathtaking wedding and bridal entrance you will ever see. Lara khaddam and Mounif Nehme tied the knot in the most extravagant and luxurious way at Opera garnier Paris .
Irina Ivanov (Irina Lomova) sings Con Te Partirò by Andrea Bocelli (Time to Say Goodbye) at Elks Tower in Downtown Sacramento. A stunning #opera performance that took the breath away of all the audience at the wedding reception and especially the Bride’s Dad, Igor Lomov. Here is the story of how this epic production came to be. When Irina was 10 years old, her dad made her promise she would sing this song to him one day. This was his favorite song and it was his dream to see his daughter perform it. Since Irina’s dad was her first vocal coach, she never went on stage without his guidance and critique. He was a part of her every performance and made sure she performed up to his “standard.” As soon as Irina’s boyfriend, Alex Ivanov, proposed and the #wedding planning begun, Irina wan...
Spectacular wedding of Mounif Nehme and Lara Khaddam at Opera garnier de Paris . Bride wore an outstanding gown by Zuhair Murad. Check out her magical bridal entrance show .
Charles Arthur "Charlie" Feathers (June 12, 1932 – August 29, 1998) was an American country music and rockabilly musician.
Feathers was born in Holly Springs, Mississippi, and recorded a string of popular singles like "Peepin' Eyes," "Defrost Your Heart," "Tongue-Tied Jill," and "Bottle to the Baby" on Sun Records, Meteor and King Records in the 1950s.
Feathers was known for being a master of shifting emotional and sonic dynamics in his songs. His theatrical, hiccup-styled, energetic, rockabilly vocal style inspired a later generation of rock vocalists, including Lux Interior of The Cramps.
He studied and recorded several songs with Junior Kimbrough, whom he called "the beginning and end of all music". His childhood influences were reflected in his later music of the 1970s and 1980s, which had an easy-paced, sometimes sinister, country-blues tempo, as opposed to the frenetic fast-paced style favored by some of his rockabilly colleagues of the 1950s.
He started out as a session musician at Sun Studios, playing any side instrument he could in the hopes of someday making his own music there. He eventually played on a small label started by Sam Phillips called Flip records which got him enough attention to record a couple singles for Sun Records and Holiday Inn Records. By all accounts the singer was not held in much regard by Phillips, but Feathers often made the audacious claim that he had arranged "That's All Right" and "Blue Moon of Kentucky" for Elvis Presley. He also claimed that his "We're Getting Closer (To Being Apart)" had been intended to be Elvis' sixth single for Sun. He did, however, get his name on one of Elvis' Sun records, "I Forgot To Remember To Forget" when the writer Stan Kesler asked him to record a demo of the song.
Let me tell you bout my real gone chick
She's got a different style
And when she tries to talk to me
I always smile
She's a tongue tied Jill, my rockin' thrill
But I like to hear her say
Well, me dot what me want
Well, me dot what me want
Oh, me dot what me want
Well me dot what me want
Me dot what me want when me dot you
Let's go!
Well, I took her to a place I knew
Where the lights were low
And when they played a boogie beat
That cat could really go
We danced that night 'till daylight
Then I heard her say
Well, me dot what me want
Well, me dot what me want
Oh, me dot what me want
Well, me dot what me want
Me dot what me want when me dot you
Let's go!
Well, I asked her if she'd marry me
So I could hold her hand
Then she could be my lovin' Jill
I'd be her rockin' man
Now she won my heart, we'll never part
When my girl says to me
Well, me ba-da-ba-da-ba what me want
Well, me ba-da-ba-da-ba what me want
Oh, me ba-da-ba what me want
Me ba-da-ba-da-ba what me want