- published: 15 Feb 2013
- views: 152646222
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Charles Arthur "Charlie" Feathers (June 12, 1932 – August 29, 1998) was an American country music and rockabilly musician.
Feathers was born in Holly Springs, Mississippi, and recorded a string of popular singles like "Peepin' Eyes," "Defrost Your Heart," "Tongue-Tied Jill," and "Bottle to the Baby" on Sun Records, Meteor and King Records in the 1950s.
Feathers was known for being a master of shifting emotional and sonic dynamics in his songs. His theatrical, hiccup-styled, energetic, rockabilly vocal style inspired a later generation of rock vocalists, including Lux Interior of The Cramps.
He studied and recorded several songs with Junior Kimbrough, whom he called "the beginning and end of all music". His childhood influences were reflected in his later music of the 1970s and 1980s, which had an easy-paced, sometimes sinister, country-blues tempo, as opposed to the frenetic fast-paced style favored by some of his rockabilly colleagues of the 1950s.
He started out as a session musician at Sun Studios, playing any side instrument he could in the hopes of someday making his own music there. He eventually played on a small label started by Sam Phillips called Flip records which got him enough attention to record a couple singles for Sun Records and Holiday Inn Records. By all accounts the singer was not held in much regard by Phillips, but Feathers often made the audacious claim that he had arranged "That's All Right" and "Blue Moon of Kentucky" for Elvis Presley. He also claimed that his "We're Getting Closer (To Being Apart)" had been intended to be Elvis' sixth single for Sun. He did, however, get his name on one of Elvis' Sun records, "I Forgot To Remember To Forget" when the writer Stan Kesler asked him to record a demo of the song.
Raising Sand is a Grammy-award winning collaboration album by rock singer Robert Plant and bluegrass-country singer Alison Krauss. It was released on October 23, 2007 by Rounder Records. Raising Sand won Album of the Year at the 2009 Grammy Awards.
The two songs written by Gene Clark—"Polly (Come Home)" and "Through the Morning, Through the Night"—were originally recorded by Dillard & Clark for their 1969 album, Through the Morning Through the Night. In fact the Gene Clark & Carla Olson album "So Rebellious A Lover" was the blueprint for "Raising Sand." "Rich Woman" was first recorded by McKinley Millet (as L'il Millet) and his Creoles in 1955, for Specialty Records. "Please Read the Letter" was first recorded for the Page and Plant album, Walking into Clarksdale, in 1998. "Gone, Gone, Gone" was originally written and recorded by the Everly Brothers for Warner Music in 1964. They also recorded "Stick With me Baby" in 1960, for A Date with The Everly Brothers. "Trampled Rose" was originally written and recorded by Tom Waits, and was featured on Real Gone in 2004.
Gone, Gone, Gone may refer to:
Gone, Gone, Gone is an album by The Everly Brothers, originally released in 1964. It was re-released on CD in 2005 on the Collectors' Choice Music label.
Two of the tracks ("Radio and TV" and "Lonely Island") date back to 1960 recording sessions. The remainder, including the title hit, were all recorded at various sessions from January to September of 1964. It was the first Everly Brothers album in four years—since 1960's A Date with the Everly Brothers—to include songs written by Felice and Boudleaux Bryant, which had become unavailable after the Everlys parted with manager Wesley Rose.
The title track was covered by Robert Plant and Alison Krauss on their 2007 collaboration album Raising Sand.
Writing for Allmusic, music critic Richie Unterberger wrote of the album "A jumble of tracks from varying sessions that, despite some excellent moments, were indicative of the general directionlessness of the Everlys' career at this point."
Buy now! http://smarturl.it/TheWorldiTunes Music video by Phillip Phillips performing Gone, Gone, Gone. (C) 2013 19 Recordings, Inc. #PhillipPhillips #GoneGoneGone #Vevo #Pop #OfficialMusicVideo
🎵 Gone gone gone (lyrics) - Phillip Phillips [Español - Inglés] 👍 Subscribe and like! 🎧 Best music https://spoti.fi/3cD0cyQ -------------------------------- If you want to support this channel. I would appreciate it ❣️ https://www.paypal.me/finitemusic -------------------------------- 🎼 If you want to learn music, take these courses Singing: https://bit.ly/2NZV4Of Piano: https://bit.ly/2O2jDdq Ukulele: https://bit.ly/2YOwxOq Guitar: https://geni.us/sR7Zsj4 🔥 Buy your instruments on sale Ukulele: https://geni.us/eob5mw DJ Controller: https://geni.us/h1ggh Guitar: https://geni.us/nTCZC0h Piano: https://geni.us/gAbx2 Electronic drums: https://geni.us/r0O4A --------------------------------- 👉 Follow me https://www.facebook.com/finitemusicyt/ https://www.instagram.com/_finitemusic/ https://...
Phillip Phillips - Gone, Gone, Gone Cassiopeia on Spotify 🌸 : https://cassiopeia.lnk.to/o-yCQ "Gone, Gone, Gone" is out now. Follow Phillip Phillips: https://www.instagram.com/PhillPhill https://twitter.com/Phillips https://www.facebook.com/PhillipPhillips (Lyrics): [Verse 1] When life leaves you high and dry I'll be at your door tonight If you need help, if you need help I'll shut down the city lights I'll lie, cheat, I'll beg and bribe To make you well, to make you well [Verse 2] When enemies are at your door I'll carry you away from war If you need help, if you need help Your hope dangling by a string I'll share in your suffering To make you well, to make you well [Pre-Chorus] Give me reasons to believe That you would do the same for me [Chorus] And I will do it for you, for you ...
Tribute to the Love of Peter and Gwen Stacy ~
The official music video of Robert Plant and Alison Krauss’ “Gone Gone Gone (Done Moved On)” from the ‘Raising Sand’ album. Listen to Raising Sand: https://found.ee/RPAKraisingsand Subscribe to Robert Plant and Alison Krauss YouTube Channel: https://found.ee/PlantKraussYTSubscribe Follow Robert Plant & Alison Krauss: Website: http://plantkrauss.com Facebook: https://facebook.com/robertplantandalisonkrauss Instagram: https://www.instagram.com/PlantKrauss/ Twitter: https://twitter.com/plantkrauss Lyrics: Some sunny day-hay babyWhen everything seems okay, baby You'll wake up and find out you're alone Cause I'll be gone Gone, gone, gone really gone Gone, ga-gone, cause you done me wrong Everyone that you meet baby As you walk down the street baby Will ask you why you're walkin' all a...
@PPhillipsMusic performs "Gone, Gone, Gone" at the 2023 National Memorial Day Concert. Aired May 28, 2023, on PBS. #PhillPhillips #Phillips #phillipphillips ► About the National Memorial Day Concert: A Night of Remembrance. It is a time to remember, heal, and unite our nation, honoring our men and women in uniform, their families at home, and all who have given their lives for our country. ► Subscribe to Capital Concerts on YouTube https://www.youtube.com/c/CapitalConcerts ► Follow the National Memorial Day Concert! Instagram: http://instagram.com/memdaypbs Facebook: https://www.facebook.com/memorialdayconcert Twitter: https://twitter.com/MemorialDayPBS TikTok: https://www.tiktok.com/@memdaypbs?lang=en
Charles Arthur "Charlie" Feathers (June 12, 1932 – August 29, 1998) was an American country music and rockabilly musician.
Feathers was born in Holly Springs, Mississippi, and recorded a string of popular singles like "Peepin' Eyes," "Defrost Your Heart," "Tongue-Tied Jill," and "Bottle to the Baby" on Sun Records, Meteor and King Records in the 1950s.
Feathers was known for being a master of shifting emotional and sonic dynamics in his songs. His theatrical, hiccup-styled, energetic, rockabilly vocal style inspired a later generation of rock vocalists, including Lux Interior of The Cramps.
He studied and recorded several songs with Junior Kimbrough, whom he called "the beginning and end of all music". His childhood influences were reflected in his later music of the 1970s and 1980s, which had an easy-paced, sometimes sinister, country-blues tempo, as opposed to the frenetic fast-paced style favored by some of his rockabilly colleagues of the 1950s.
He started out as a session musician at Sun Studios, playing any side instrument he could in the hopes of someday making his own music there. He eventually played on a small label started by Sam Phillips called Flip records which got him enough attention to record a couple singles for Sun Records and Holiday Inn Records. By all accounts the singer was not held in much regard by Phillips, but Feathers often made the audacious claim that he had arranged "That's All Right" and "Blue Moon of Kentucky" for Elvis Presley. He also claimed that his "We're Getting Closer (To Being Apart)" had been intended to be Elvis' sixth single for Sun. He did, however, get his name on one of Elvis' Sun records, "I Forgot To Remember To Forget" when the writer Stan Kesler asked him to record a demo of the song.
Let me tell you bout my real gone chick
She's got a different style
And when she tries to talk to me
I always smile
She's a tongue tied Jill, my rockin' thrill
But I like to hear her say
Well, me dot what me want
Well, me dot what me want
Oh, me dot what me want
Well me dot what me want
Me dot what me want when me dot you
Let's go!
Well, I took her to a place I knew
Where the lights were low
And when they played a boogie beat
That cat could really go
We danced that night 'till daylight
Then I heard her say
Well, me dot what me want
Well, me dot what me want
Oh, me dot what me want
Well, me dot what me want
Me dot what me want when me dot you
Let's go!
Well, I asked her if she'd marry me
So I could hold her hand
Then she could be my lovin' Jill
I'd be her rockin' man
Now she won my heart, we'll never part
When my girl says to me
Well, me ba-da-ba-da-ba what me want
Well, me ba-da-ba-da-ba what me want
Oh, me ba-da-ba what me want
Me ba-da-ba-da-ba what me want