- published: 04 May 2015
- views: 35482
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Charles Arthur "Charlie" Feathers (June 12, 1932 – August 29, 1998) was an American country music and rockabilly musician.
Feathers was born in Holly Springs, Mississippi, and recorded a string of popular singles like "Peepin' Eyes," "Defrost Your Heart," "Tongue-Tied Jill," and "Bottle to the Baby" on Sun Records, Meteor and King Records in the 1950s.
Feathers was known for being a master of shifting emotional and sonic dynamics in his songs. His theatrical, hiccup-styled, energetic, rockabilly vocal style inspired a later generation of rock vocalists, including Lux Interior of The Cramps.
He studied and recorded several songs with Junior Kimbrough, whom he called "the beginning and end of all music". His childhood influences were reflected in his later music of the 1970s and 1980s, which had an easy-paced, sometimes sinister, country-blues tempo, as opposed to the frenetic fast-paced style favored by some of his rockabilly colleagues of the 1950s.
He started out as a session musician at Sun Studios, playing any side instrument he could in the hopes of someday making his own music there. He eventually played on a small label started by Sam Phillips called Flip records which got him enough attention to record a couple singles for Sun Records and Holiday Inn Records. By all accounts the singer was not held in much regard by Phillips, but Feathers often made the audacious claim that he had arranged "That's All Right" and "Blue Moon of Kentucky" for Elvis Presley. He also claimed that his "We're Getting Closer (To Being Apart)" had been intended to be Elvis' sixth single for Sun. He did, however, get his name on one of Elvis' Sun records, "I Forgot To Remember To Forget" when the writer Stan Kesler asked him to record a demo of the song.
If You Were Mine may refer to:
If You Were Mine is one of the songs thrown in the year of 1991 by the British musical group Level 42 in the album Guaranteed. This song has a notable solo of the guitarist Allan Holdsworth. The music also contributes with a great performance of Gary Husband on drums.
This song is the only Level 42's song credited just for Gary Husband.
"If You Were Mine" is a song by American recording artist Marcos Hernandez. It was written by Joseph Carrier, David Corey and Eliot Sloan and released as the first single from the album, C About Me (2005).
"If You Were Mine" was written by Joseph Carrier, David Corey and Eliot Sloan, with the latter producing, along with Robi Menace and Wayne Stallings.
"If You Were Mine" debuted on the US Billboard Hot 100 at number 89. By its sixth week, it had already peaked at number 78 and began descending down the charts. It landed at number 96 by its seventh week and fell off the charts after its eighth week. In the UK, the song debuted at number 41 and fell off the charts the following week. "If You Were Mine" had charted the highest in New Zealand. It peaked at number 16 on its fourth week and spent seven weeks on the charts altogether.
Provided to YouTube by RCA Records Label If You Were Mine · Level 42 Guaranteed ℗ 1991 BMG Entertainment International UK & Ireland Ltd Released on: 1991-08-29 Keyboards, Vocal, Engineer, Producer: Wally Badarou Mixing Engineer: Tom Lord-Alge Background Vocal: Annie Mccaig Drums, Keyboards, Vocal, Composer, Lyricist: Gary Husband Guitar: Dominic Miller Guitar: Allan Holdsworth Bass Guitar, Vocal: Mark King Keyboards, Vocal: Mike Lindup Trumpet: John Thirkell Saxophone: Gary Barnacle Auto-generated by YouTube.
This is a play through of Mark King's bassline from the Level 42 song 'If You Were Mine'. This song is from the 1991 Guaranteed album. I performed this song using a Sei Flamboyant 5-string bass. A full transcription of this song can be found in The Level 42 Bass Book - Vol. 3, which is now available from Bassline Publishing. This book features 17 songs from the band's Guaranteed and Forever Now albums, all transcribed in standard notation and TAB, with chord symbols. https://www.basslinepublishing.com/product/the-level-42-bass-book-volume-3/ The music is fully licensed and the books have met the approval of Mark King himself: 'I'm thrilled that the bass parts from the Level 42 catalogue have been so beautifully charted by Stuart and hope they prove useful to beginners and experienced ...
Cover of Level 42 song "If You Were Mine" (Gary Husband) performed by The Mudd Club, consisting of: Kajsa Borg, Vocals Jonathan Jaarnek, Vocals Mikael Bäck, Keyboards Aston Farnell, Guitars Calle Stålenbring, Guitars / Solo Tobias Rydberg, Bass Jonathan Lundberg, Drums David Sales, Mix & Master
My favourite song by the great band LEVEL 42 ' If You Were Mine' from the Album: Guaranteed Released in 1991 and its also composed by one of my musical heroes Maestro GARY HUSBAND. The song also features a sick Guitar Solo by the Incredible ALLAN HOLDSWORTH. This is my interpretation of this song through the drums taking inspiration from the live version.
This is a LIVE version of IF YOU WERE MINE by LEVEL 42. It was the only song written by GARY HUSBAND solely on the GUARANTEED album and featured MARK KING, MIKE LINDUP and ALAN MURPHY. SUBSCRIBE for more LEVEL 42 related uploads every Sunday and Wednesday evenings from Julian Hall.
https://www.discogs.com/it/Level-42-Guaranteed/release/7692662
12.11.2016 Ravensburg Level 42 - If You Were Mine (1991) Sirens II- Tour 2016 Konzerteröffnung / Opening Song Besetzung/lineup: Mark King - bass, vocals Mike Lindup - keyboards, vocals Nathan King - guitars, vocals Pete Ray Biggin - drums Sean Freeman, sax, backing vocals
Great Song by Gary Husband from the 'Guaranteed' album. One of the very few times that Mark King plays a 5 string bass!
Level 42 - If You Were Mine - Guaranteed - Original Version Thanks for checking this out. Please subscribe for more of Level 42 and Mark King videos.
Opening of gig with this great track from 1991 Guaranteed album. Sorry that phone memory runs out!
Charles Arthur "Charlie" Feathers (June 12, 1932 – August 29, 1998) was an American country music and rockabilly musician.
Feathers was born in Holly Springs, Mississippi, and recorded a string of popular singles like "Peepin' Eyes," "Defrost Your Heart," "Tongue-Tied Jill," and "Bottle to the Baby" on Sun Records, Meteor and King Records in the 1950s.
Feathers was known for being a master of shifting emotional and sonic dynamics in his songs. His theatrical, hiccup-styled, energetic, rockabilly vocal style inspired a later generation of rock vocalists, including Lux Interior of The Cramps.
He studied and recorded several songs with Junior Kimbrough, whom he called "the beginning and end of all music". His childhood influences were reflected in his later music of the 1970s and 1980s, which had an easy-paced, sometimes sinister, country-blues tempo, as opposed to the frenetic fast-paced style favored by some of his rockabilly colleagues of the 1950s.
He started out as a session musician at Sun Studios, playing any side instrument he could in the hopes of someday making his own music there. He eventually played on a small label started by Sam Phillips called Flip records which got him enough attention to record a couple singles for Sun Records and Holiday Inn Records. By all accounts the singer was not held in much regard by Phillips, but Feathers often made the audacious claim that he had arranged "That's All Right" and "Blue Moon of Kentucky" for Elvis Presley. He also claimed that his "We're Getting Closer (To Being Apart)" had been intended to be Elvis' sixth single for Sun. He did, however, get his name on one of Elvis' Sun records, "I Forgot To Remember To Forget" when the writer Stan Kesler asked him to record a demo of the song.
Let me tell you bout my real gone chick
She's got a different style
And when she tries to talk to me
I always smile
She's a tongue tied Jill, my rockin' thrill
But I like to hear her say
Well, me dot what me want
Well, me dot what me want
Oh, me dot what me want
Well me dot what me want
Me dot what me want when me dot you
Let's go!
Well, I took her to a place I knew
Where the lights were low
And when they played a boogie beat
That cat could really go
We danced that night 'till daylight
Then I heard her say
Well, me dot what me want
Well, me dot what me want
Oh, me dot what me want
Well, me dot what me want
Me dot what me want when me dot you
Let's go!
Well, I asked her if she'd marry me
So I could hold her hand
Then she could be my lovin' Jill
I'd be her rockin' man
Now she won my heart, we'll never part
When my girl says to me
Well, me ba-da-ba-da-ba what me want
Well, me ba-da-ba-da-ba what me want
Oh, me ba-da-ba what me want
Me ba-da-ba-da-ba what me want