- published: 08 Apr 2019
- views: 1442700
'+pages+''); $('.stream > div:odd').addClass('bgr_color'); updateHeight('#history'); }); window.activateTabArea = ensure(function(tab, areas){ var parsed = false; var parts = (areas || '').split('/'); window.fsonload = $.inArray('fs', parts) >= 0; if(fsonload){ parts.splice(parts.indexOf('fs'), 1); } var replayMode = false; if($.inArray('replay', parts)>=0){ replayMode = 'replay'; } var noSoundMode = false; if($.inArray('nosound', parts)>=0){ noSoundMode = 'nosound'; } if($.inArray('ns', parts)>=0){ noSoundMode = 'ns'; } var previewMode = null; if($.inArray('p', parts)>=0){ previewMode = 'p'; } if($.inArray('preview', parts)>=0){ previewMode = 'preview'; } if($.inArray('repeat', parts)>=0){ replayMode = 'repeat'; } if($.inArray('r', parts)>=0 || $.inArray('ro', parts)>=0){ replayMode = 'r'; } if(replayMode){ parts.splice(parts.indexOf(replayMode), 1); } if(noSoundMode){ parts.splice(parts.indexOf(noSoundMode), 1); } if(previewMode){ parts.splice(parts.indexOf(previewMode), 1); } if(previewMode){ if(!parts.length){ parts = ['1-14', '999:59']; } } var area = parts[0]; if(tab == 'history' && false){ var page = parseInt(area || '1') || 1; $.ajax({ url: 'https://login.wn.com/recent/json/?pp='+history_pp+'&skip='+history_pp*(page-1), dataType: 'jsonp', success: function(response){ $ensure(function(){ renderHistory(response, page); }); } }); return true; } if(tab == 'global_history' && false){ var page = parseInt(area || '1') || 1; globalHistory.fetchStream(page, '', function(){ updateHeight('#global_history'); }); return true; } if(tab == 'my_playlists' && false){ var page = parseInt(area || '1') || 1; myPlaylists.fetchStream(page, '', function(){ updateHeight('#my_playlists'); }); return true; } if(tab == 'my_videos' && false){ var page = parseInt(area || '1') || 1; myVideos.fetchStream(page, '', function(){ updateHeight('#my_videos'); }); return true; } if(tab == 'related_sites' && areas && matchPosition(areas)){ var seconds = parsePosition(areas); scrollRelated(seconds); return false; } if(matchPosition(area) || matchAction(area)){ parts.unshift('1'); area = parts[0]; } if(tab == 'expand' && area && area.match(/\d+/)) { var num = parseInt(area); if(num < 100){ //FIX ME. Load news page with ajax here } else if(num > 1900){ //FIX ME. Load timeline page with ajax here } } else if(tab.match(/^playlist\d+$/)){ var playerId = parseInt(tab.substring(8)); var vp = videoplayers[playerId]; window.descriptionsholder = $('.descriptionsplace'); if(!vp) return; // why? no player? if(replayMode){ $('.replaycurrent'+playerId).attr('checked', true); vp.setReplayCurrent(true); } var playQueue = []; window.playQueue = playQueue; var playQueuePosition = 0; var playShouldStart = null; var playShouldStop = null; var parseList = function(x){ var items = x.split(/;|,/g); var results = []; for (i in items){ try{ var action = parseAction(vp, items[i]); if(!action.video){ if(window.console && console.log) console.log("Warning: No video for queued entry: " + items[i]); }else{ results.push(action); } }catch(e){ if(window.console && console.log) console.log("Warning: Can''t parse queue entry: " + items[i]); } } return results; }; var scrollToPlaylistPosition = function(vp){ var ppos = vp.getPlaylistPosition(); var el = vp.playlistContainer.find('>li').eq(ppos); 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'/'+path : ''; window.lastHistory = '/'+path; } } }); $('.tabtrigger li a').live('click', ensure(function() { var tab = $(this).attr('id'); if(tab.substring(0,1) == '#'){ var name = tab.substring(1); if(name in menu_names){ name = menu_names[name][0]; } realTab = rev_names[name]; $('#'+realTab).show(); if(window.console && console.log) console.log("Triggering tab: "+name+(window.activeArea?" activeArea="+window.activeArea:'')); var path = name; if(window.activeArea){ path = path + '/' + window.activeArea; } if(tab.match(/#playlist\d+/) || tab.match(/#details\d+/)){ $('.multiple-playlists').show(); $('.related_playlist').show(); $('.longest_videos_playlist').show(); }else { $('.multiple-playlists').hide(); $('.related_playlist').hide(); $('.longest_videos_playlist').hide(); } // start the related script only when the tab is on screen showing if (tab.match(/related_sites/)) { if (mc) { mc.startCredits(); } } window.activeTab = realTab; addHistory(path); setTimeout(ensure(function(){ if(tab.match(/language--/)){ $('.tabtrigger').offscreentabs('activateTab', 'language'); } if(tab.match(/weather/)) { $('.tabtrigger').offscreentabs('activateTab', 'weather'); loadContinent(); } updateMenus(tab); updateHeight(); }), 10); } return false; })); }); -->
Charles Arthur "Charlie" Feathers (June 12, 1932 – August 29, 1998) was an American country music and rockabilly musician.
Feathers was born in Holly Springs, Mississippi, and recorded a string of popular singles like "Peepin' Eyes," "Defrost Your Heart," "Tongue-Tied Jill," and "Bottle to the Baby" on Sun Records, Meteor and King Records in the 1950s.
Feathers was known for being a master of shifting emotional and sonic dynamics in his songs. His theatrical, hiccup-styled, energetic, rockabilly vocal style inspired a later generation of rock vocalists, including Lux Interior of The Cramps.
He studied and recorded several songs with Junior Kimbrough, whom he called "the beginning and end of all music". His childhood influences were reflected in his later music of the 1970s and 1980s, which had an easy-paced, sometimes sinister, country-blues tempo, as opposed to the frenetic fast-paced style favored by some of his rockabilly colleagues of the 1950s.
He started out as a session musician at Sun Studios, playing any side instrument he could in the hopes of someday making his own music there. He eventually played on a small label started by Sam Phillips called Flip records which got him enough attention to record a couple singles for Sun Records and Holiday Inn Records. By all accounts the singer was not held in much regard by Phillips, but Feathers often made the audacious claim that he had arranged "That's All Right" and "Blue Moon of Kentucky" for Elvis Presley. He also claimed that his "We're Getting Closer (To Being Apart)" had been intended to be Elvis' sixth single for Sun. He did, however, get his name on one of Elvis' Sun records, "I Forgot To Remember To Forget" when the writer Stan Kesler asked him to record a demo of the song.
"It's All Over Now" is a song written by Bobby Womack and Shirley Womack. It was first released by The Valentinos featuring Bobby Womack. The Valentinos version entered the Billboard Hot 100 on June 27, 1964, where it stayed on the chart for two weeks, peaking at number 94. The Rolling Stones had their first number-one hit with this song in July 1964.
The Valentinos' original version of the song was played to the Rolling Stones during their first North American tour in June 1964 by New York radio DJ Murray the K. Murray the K had an extended series of interviews with the Stones on his WINS Swinging Soiree hit radio show following his similar success as the first radio DJ in the USA to have the Beatles with him on the air (February 1964). He played the Valentinos' song to the Stones, who "raved on it" and said "it was their kind of song". He also played the Stones' "King Bee" (their Slim Harpo cover) the same night and remarked on their ability to achieve an authentic blues sound. After hearing "It's All Over Now" by the Womacks (aka the Valentinos) on the WINS show, the band recorded their version nine days later at Chess Studios in Chicago. Years later, Bobby Womack said in an interview that he had told his manager he did not want the Rolling Stones to record their version of the song, and that he had told Mick Jagger to get his own song. His manager convinced him to let the Rolling Stones record the song. Six months later on after receiving the royalty check for the song he told his manager that Mick Jagger could have any song he wanted.
"It's All Over Now" by The Rolling Stones Producer: Andrew Loog Oldham Composers: Bobby and Shirley Womack Lyricists: Bobby Womack and Shirley Womack Associated Performers: Mick Jagger, Brian Jones, Keith Richards, Charlie Watts, Bill Wyman, and Ian Stewart Lyrics: Well, baby used to stay out all night long She made me cry, she done me wrong She hurt my eyes open, that’s no lie The tables turn and now Her turn to cry Because I used to love her But it’s all over now Because I used to love her But it’s all over now Well, she used to run around with every man in town She spent all my money playing her high class game She put me out, it was a pity how I cried The tables turn and now Her turn to cry Because I used to love her But it’s all over now Because I used to love her But it’s all o...
HiQ Hybrid = Live Video Performance PLUS Studio Quality Sound. For other Music Videos - do a YOUTUBE SEARCH for - JARichardsFilm HiQ FULL PLAYLIST or SEARCH for - JARichardsFilm HiQ + (artist name) "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use." I DO NOT OWN ANY OF THIS MATERIAL NO COPYRIGHT infringement is intended. The owners of this material are as follows and ALL RIGHTS BELONG TO THEM. * Labels: Decca (UK) LONDON (USA) * Music - " It's All Over Now"-The Rolling Stones * ...
“It's All over Now, Baby Blue" by Bob Dylan Listen to Bob Dylan: https://bobdylan.lnk.to/listenYD Subscribe to the Bob Dylan YouTube channel: https://bobdylan.lnk.to/_subscribeYD Follow Bob Dylan: Facebook: https://bobdylan.lnk.to/followFI Twitter: https://bobdylan.lnk.to/followTI Instagram: https://bobdylan.lnk.to/followII Website: https://bobdylan.lnk.to/followWI YouTube: https://bobdylan.lnk.to/_subscribeYD Streaming Services: https://bobdylan.lnk.to/ss_followYD Lyrics: You must leave now, take what you need, you think will last But whatever you wish to keep, you better grab it fast Yonder stands your orphan with his gun Crying like a fire in the sun Look out the saints are comin' through And it's all over now, baby blue The highway is for gamblers, better use your sense Take what yo...
The Rolling Stones - It's All Over Now, live in Johannesburg 1995. Remastered with soundtrack from ''Everything But The Cobra'' FM-recording.
From 1963. Robert Dwayne Womack (March 4th 1944 - June 27th 2014)
Provided to YouTube by Universal Music Group It's All Over Now (Mono) · The Rolling Stones The Rolling Stones In Mono ℗ 2016 ABKCO Music & Records, Inc. Released on: 1966-01-01 Producer: Andrew Loog Oldham Associated Performer, Background Vocalist, Guitar: Keith Richards Associated Performer, Background Vocalist, Bass Guitar: Bill Wyman Associated Performer, Background Vocalist, Harmonica, Guitar, Tambourine, Maracas: Brian Jones Associated Performer, Harmonica, Percussion, Vocals: Mick Jagger Associated Performer, Piano, Organ: Ian Stewart Associated Performer, Drums, Percussion: Charlie Watts Composer Lyricist: Bobby Womack Composer Lyricist: Shirley Womack Auto-generated by YouTube.
The official video for 'All Over Now' by The Cranberries, taken from the album 'In The End' by the Cranberries. The Grammy Nominated: Best Rock Album. Buy/listen: https://cranberries.lnk.to/InTheEndID #TheCranberries #GrammyNominated
Provided to YouTube by Legacy Recordings It's All Over Now, Baby Blue · Them · Van Morrison Them Again ℗ Originally released 1966. All rights reserved by Exile Productions, Ltd. under exclusive license to Sony Music Entertainment Released on: 1966-01-21 Associated Performer: Them feat. Van Morrison Composer, Lyricist: Bob Dylan Producer: Tommy Scott Auto-generated by YouTube.
Charles Arthur "Charlie" Feathers (June 12, 1932 – August 29, 1998) was an American country music and rockabilly musician.
Feathers was born in Holly Springs, Mississippi, and recorded a string of popular singles like "Peepin' Eyes," "Defrost Your Heart," "Tongue-Tied Jill," and "Bottle to the Baby" on Sun Records, Meteor and King Records in the 1950s.
Feathers was known for being a master of shifting emotional and sonic dynamics in his songs. His theatrical, hiccup-styled, energetic, rockabilly vocal style inspired a later generation of rock vocalists, including Lux Interior of The Cramps.
He studied and recorded several songs with Junior Kimbrough, whom he called "the beginning and end of all music". His childhood influences were reflected in his later music of the 1970s and 1980s, which had an easy-paced, sometimes sinister, country-blues tempo, as opposed to the frenetic fast-paced style favored by some of his rockabilly colleagues of the 1950s.
He started out as a session musician at Sun Studios, playing any side instrument he could in the hopes of someday making his own music there. He eventually played on a small label started by Sam Phillips called Flip records which got him enough attention to record a couple singles for Sun Records and Holiday Inn Records. By all accounts the singer was not held in much regard by Phillips, but Feathers often made the audacious claim that he had arranged "That's All Right" and "Blue Moon of Kentucky" for Elvis Presley. He also claimed that his "We're Getting Closer (To Being Apart)" had been intended to be Elvis' sixth single for Sun. He did, however, get his name on one of Elvis' Sun records, "I Forgot To Remember To Forget" when the writer Stan Kesler asked him to record a demo of the song.
Let me tell you bout my real gone chick
She's got a different style
And when she tries to talk to me
I always smile
She's a tongue tied Jill, my rockin' thrill
But I like to hear her say
Well, me dot what me want
Well, me dot what me want
Oh, me dot what me want
Well me dot what me want
Me dot what me want when me dot you
Let's go!
Well, I took her to a place I knew
Where the lights were low
And when they played a boogie beat
That cat could really go
We danced that night 'till daylight
Then I heard her say
Well, me dot what me want
Well, me dot what me want
Oh, me dot what me want
Well, me dot what me want
Me dot what me want when me dot you
Let's go!
Well, I asked her if she'd marry me
So I could hold her hand
Then she could be my lovin' Jill
I'd be her rockin' man
Now she won my heart, we'll never part
When my girl says to me
Well, me ba-da-ba-da-ba what me want
Well, me ba-da-ba-da-ba what me want
Oh, me ba-da-ba what me want
Me ba-da-ba-da-ba what me want