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This is a sturdy, “fuck Bush” genre film that with the cold fury that Oliver Stone’s lost, could have been something more impactful and raw.
It made me very angry, as expected. The way we have coddled and looked back lonvingly at Bush Jr. with nostalgia since he left office is nothing short of maddening. Just because he’s more affable than Trump doesn’t mean he’s not an enormous sack of shit too, y’all.
Once again I am banging the drum that Rian Johnson is the most gifted storyteller in the movies right now. He knows how they move, what we’re expecting and how to defy those expectations in the most exciting of ways.
Coming up on eight years since it came out, looking at the letterboxd score as a crude but helpful gauge it seems Interstellar has settled in as the seminal sci-fi masterwork I’ve been championing it as from the start.
Nolan’s true masterpiece is as bold and ambitious (in scale, scope and emotion) as any movie that’s been released in the last twenty-something years. Interstellar marked the start of Nolan’s official challenge to Spielberg’s late 80s-early 2000s run where he had all…
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