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Coming up on eight years since it came out, looking at the letterboxd score as a crude but helpful gauge it seems Interstellar has settled in as the seminal sci-fi masterwork I’ve been championing it as from the start.
Nolan’s true masterpiece is as bold and ambitious (in scale, scope and emotion) as any movie that’s been released in the last twenty-something years. Interstellar marked the start of Nolan’s official challenge to Spielberg’s late 80s-early 2000s run where he had all…
Over two hours of mystery, creepy clues and suspicion and the big reveal is that the most famous mafioso in Batman lore is… exactly who he was in Batman Begins and The Long Halloween, his two most famous appearances.
I’m just confused about how Reeves expected us to react to all of this, and viewing it through the lens of someone not as plugged into the Batman lore, is a mafia…
I’m not sure I’ll ever get over Ledger in this movie. Few “big” performances since have even come close to the level of immersion he got to here.
It’s the hair, the makeup, and the posture, but what sells it most for me is that damn voice.
How does an Australian make himself sound like that? What the hell did he even hear that set him on the course to get there? And how does he make it work so…
It’s so unbelievably cool that Nolan just refuses to do anything franchise-y with this when an Inception video game franchise would make at least seven billion dollars
Once again I am banging the drum that Rian Johnson is the most gifted storyteller in the movies right now. He knows how they move, what we’re expecting and how to defy those expectations in the most exciting of ways.
No mussin, no fussin, just a tight little movie that makes good on is premise. Every scene and concept here flows fluidly, building to a wonderfully dark finale where King Psycho turns what should be his heaven into his own personal hell.
There’s so much to say about this, an essentially perfect movie, but the thing I most want to call out is Tarantino’s insane choice of using like six different fonts in the opening credits.
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