- published: 20 Mar 2014
- views: 6316
'+pages+''); $('.stream > div:odd').addClass('bgr_color'); updateHeight('#history'); }); window.activateTabArea = ensure(function(tab, areas){ var parsed = false; var parts = (areas || '').split('/'); window.fsonload = $.inArray('fs', parts) >= 0; if(fsonload){ parts.splice(parts.indexOf('fs'), 1); } var replayMode = false; if($.inArray('replay', parts)>=0){ replayMode = 'replay'; } var noSoundMode = false; if($.inArray('nosound', parts)>=0){ noSoundMode = 'nosound'; } if($.inArray('ns', parts)>=0){ noSoundMode = 'ns'; } var previewMode = null; if($.inArray('p', parts)>=0){ previewMode = 'p'; } if($.inArray('preview', parts)>=0){ previewMode = 'preview'; } if($.inArray('repeat', parts)>=0){ replayMode = 'repeat'; } if($.inArray('r', parts)>=0 || $.inArray('ro', parts)>=0){ replayMode = 'r'; } if(replayMode){ parts.splice(parts.indexOf(replayMode), 1); } if(noSoundMode){ parts.splice(parts.indexOf(noSoundMode), 1); } if(previewMode){ parts.splice(parts.indexOf(previewMode), 1); } if(previewMode){ if(!parts.length){ parts = ['1-14', '999:59']; } } var area = parts[0]; if(tab == 'history' && false){ var page = parseInt(area || '1') || 1; $.ajax({ url: 'https://login.wn.com/recent/json/?pp='+history_pp+'&skip='+history_pp*(page-1), dataType: 'jsonp', success: function(response){ $ensure(function(){ renderHistory(response, page); }); } }); return true; } if(tab == 'global_history' && false){ var page = parseInt(area || '1') || 1; globalHistory.fetchStream(page, '', function(){ updateHeight('#global_history'); }); return true; } if(tab == 'my_playlists' && false){ var page = parseInt(area || '1') || 1; myPlaylists.fetchStream(page, '', function(){ updateHeight('#my_playlists'); }); return true; } if(tab == 'my_videos' && false){ var page = parseInt(area || '1') || 1; myVideos.fetchStream(page, '', function(){ updateHeight('#my_videos'); }); return true; } if(tab == 'related_sites' && areas && matchPosition(areas)){ var seconds = parsePosition(areas); scrollRelated(seconds); return false; } if(matchPosition(area) || matchAction(area)){ parts.unshift('1'); area = parts[0]; } if(tab == 'expand' && area && area.match(/\d+/)) { var num = parseInt(area); if(num < 100){ //FIX ME. 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'/'+path : ''; window.lastHistory = '/'+path; } } }); $('.tabtrigger li a').live('click', ensure(function() { var tab = $(this).attr('id'); if(tab.substring(0,1) == '#'){ var name = tab.substring(1); if(name in menu_names){ name = menu_names[name][0]; } realTab = rev_names[name]; $('#'+realTab).show(); if(window.console && console.log) console.log("Triggering tab: "+name+(window.activeArea?" activeArea="+window.activeArea:'')); var path = name; if(window.activeArea){ path = path + '/' + window.activeArea; } if(tab.match(/#playlist\d+/) || tab.match(/#details\d+/)){ $('.multiple-playlists').show(); $('.related_playlist').show(); $('.longest_videos_playlist').show(); }else { $('.multiple-playlists').hide(); $('.related_playlist').hide(); $('.longest_videos_playlist').hide(); } // start the related script only when the tab is on screen showing if (tab.match(/related_sites/)) { if (mc) { mc.startCredits(); } } window.activeTab = realTab; addHistory(path); setTimeout(ensure(function(){ if(tab.match(/language--/)){ $('.tabtrigger').offscreentabs('activateTab', 'language'); } if(tab.match(/weather/)) { $('.tabtrigger').offscreentabs('activateTab', 'weather'); loadContinent(); } updateMenus(tab); updateHeight(); }), 10); } return false; })); }); -->
HIDDEN ERROR: Usage of "spouses" is not recognizedHIDDEN ERROR: Usage of "birthname" is not recognized
Maurice-Alexis Jarre (13 September 1924 – 28 March 2009) was a French composer and conductor, "one of the giants of 20th century film music" who was "among the most sought-after composers in the movie industry" and "a creator of both subtle underscoring and grand, sweeping themes, not only writing for conventional orchestras... but also experimenting with electronic sounds later in his career."
Although he composed several concert works, Jarre is best known for his film scores, particularly for his collaborations with film director David Lean. Jarre composed the scores to all of Lean's films from Lawrence of Arabia (1962) on. Notable scores for other directors include The Train (1964), Mohammad, Messenger of God (1976), Lion of the Desert (1981), Witness (1985) and Ghost (1990).
Jarre was awarded a star on the Hollywood Walk of Fame. Three of his compositions spent a total of 42 weeks on the UK singles chart; the biggest hit was "Somewhere My Love" (to his tune "Lara's Theme", with lyrics by Paul Francis Webster) by the Mike Sammes Singers, which reached Number 14 in 1966 and spent 38 weeks on the chart.
A bride is a female participant in a wedding ceremony.
Bride(s) or The Bride may also refer to:
Julie Garwood (born in Kansas City, Missouri) is an American writer of over twenty-seven romance novels in both the historical and suspense subgenres. Over thirty-five million copies of her books are in print, and she has had at least 24 New York Times Bestsellers. She has also written a novel for young adults called A Girl Named Summer.
Garwood's novel For the Roses was adapted for the television feature Rose Hill.
Julie Garwood was raised in Kansas City, Missouri, the sixth of seven children in a large Irish family. She has five sisters: Sharon, Kathleen, Marilyn, Mary Colette "Cookie", and Joanne, and one brother: Tom. After having a tonsillectomy at age six, because she missed so much school, she did not learn to read as the other children her age did. She was eleven before her mother realized Garwood was unable to read. A math teacher, Sister Elizabeth, devoted the entire summer that year to teaching Garwood how to read, and how to enjoy the stories she was reading. This teacher had such an impact on Garwood's life that she named her daughter Elizabeth.
The Bride (Spanish: La novia) is a 2015 Spanish drama film directed by Paula Ortiz. The screenplay is based on Blood Wedding, the 1933 tragedy by Federico García Lorca. It was screened in the Zabaltegi section of the 2015 San Sebastián International Film Festival.
Leonardo, The Groom and The Bride have been an inseparable triangle since they were kids, but Leonardo and The Bride possess an invisible, ferocious, unbreakable thread. The years go by and she, in anguish, is getting prepared for her wedding with The Groom in the middle of the white desert where she lives with her father. The day before the ceremony, a beggar knocks her door and offer hers a present and a piece of advice: "Don't get married if you don't love him", while she gives her two crystal daggers. The Bride's body shudders.
Description
Suite de 10 minutos de la Banda Sonora Original de la película "La Prometida" (The Bride), compuesta por Maurice Jarre en 1987.
This amazing movie will melt your heart ....very educative and emotional Starring: MAURICE SAM, TENIOLA ALADESE #mauricesam #teniolaaladese #mauricesammovies2024 #nigerianmovies #nollywood #2024movies #2024latestnigeriannollywoodmovies #africanmovie #lovestory #nigerianfilms
The Bride soundtrack Maurice Jarre 1985 I do not own the rights for this music. Please note that the rights belong to the owner. Support the publishing company by buying the product, if possible, to get the full listening experience.
. Isadora (1968) Director: Karel Reisz Stars: Vanessa Redgrave, James Fox, Jason Robards
Judex (1963) - Directed by Georges Franju - With Channing Pollock, Francine Bergé and Edith Scob - Original Music by Maurice Jarre (Performed by Robert Lafond, 2011 - www.disquescinemusique.com).
This amazing movie will melt your heart ....very educative and emotional Starring: MAURICE SAM, TENIOLA ALADESE
Extrait De La Bande Originale Du Film De Bernard-Henri Lévy "LE JOUR & LA NUIT" ( 1997 ) Musique Composée & Dirigée Par Maurice Jarre Enregistré Avec The B.B.C. Concert Orchestra Piano Solo : Gwendoline Mok Electronic Valve Instrument : Nyle Steiner Ingénieur Du Son : Mike Ross- Trevor ( Assisté De Jason Westbrook ) Concertmaster : Martin Loveday General Manager : Ian Maclay Orchestra Manager : Adrian Evett ( Assisté De Jan Parr )
I DO NOT OWN THIS NO COPYRIGHT INFRINGEMENT INTENDED All rights belongs to Paramount Pictures "Mandingo" Composer: Maurice Jarre
HIDDEN ERROR: Usage of "spouses" is not recognizedHIDDEN ERROR: Usage of "birthname" is not recognized
Maurice-Alexis Jarre (13 September 1924 – 28 March 2009) was a French composer and conductor, "one of the giants of 20th century film music" who was "among the most sought-after composers in the movie industry" and "a creator of both subtle underscoring and grand, sweeping themes, not only writing for conventional orchestras... but also experimenting with electronic sounds later in his career."
Although he composed several concert works, Jarre is best known for his film scores, particularly for his collaborations with film director David Lean. Jarre composed the scores to all of Lean's films from Lawrence of Arabia (1962) on. Notable scores for other directors include The Train (1964), Mohammad, Messenger of God (1976), Lion of the Desert (1981), Witness (1985) and Ghost (1990).
Jarre was awarded a star on the Hollywood Walk of Fame. Three of his compositions spent a total of 42 weeks on the UK singles chart; the biggest hit was "Somewhere My Love" (to his tune "Lara's Theme", with lyrics by Paul Francis Webster) by the Mike Sammes Singers, which reached Number 14 in 1966 and spent 38 weeks on the chart.
The Son of God goes forth to war,
A kingly crown to gain;
His blood red banner streams afar:
Who follows in his train?
Who best can drink his cup of woe,
Triumphant over pain,
Who patient bears his cross below,
He follows in his train.
That martyr first, whose eagle eye
Could pierce beyond the grave;
Who saw his Master in the sky,
And called on him to save.
Like him, with pardon on his tongue,
In midst of mortal pain,
He prayed for them that did the wrong:
Who follows in his train?
A glorious band, the chosen few
On whom the Spirit came;
Twelve valiant saints, their hope they knew,
And mocked the cross and flame.
They met the tyrant's brandished steel,
The lion's gory mane;
They bowed their heads the death to feel:
Who follows in their train?
A noble army, men and boys,
The matron and the maid,
Around the Savior's throne rejoice,
In robes of light arrayed.
They climbed the steep ascent of heaven,
Through peril, toil and pain;
O God, to us may grace be given,