- published: 23 Sep 2017
- views: 26476
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Maurice-Alexis Jarre (13 September 1924 – 28 March 2009) was a French composer and conductor, "one of the giants of 20th century film music" who was "among the most sought-after composers in the movie industry" and "a creator of both subtle underscoring and grand, sweeping themes, not only writing for conventional orchestras... but also experimenting with electronic sounds later in his career."
Although he composed several concert works, Jarre is best known for his film scores, particularly for his collaborations with film director David Lean. Jarre composed the scores to all of Lean's films from Lawrence of Arabia (1962) on. Notable scores for other directors include The Train (1964), Mohammad, Messenger of God (1976), Lion of the Desert (1981), Witness (1985) and Ghost (1990).
Jarre was awarded a star on the Hollywood Walk of Fame. Three of his compositions spent a total of 42 weeks on the UK singles chart; the biggest hit was "Somewhere My Love" (to his tune "Lara's Theme", with lyrics by Paul Francis Webster) by the Mike Sammes Singers, which reached Number 14 in 1966 and spent 38 weeks on the chart.
In interpersonal relationships a fatal attraction is when the very qualities that draw us to someone eventually contribute to relational breakup.
Diane Felmlee is the major contributor in fatal attraction framework. Felmlee is currently a professor of sociology at Penn State University. When she wrote her major work on fatal attraction she was a professor at the University of California, Davis. David Orzechowicz and Carmen Fortes are also contributors to fatal attraction framework. Orzechowicz is currently a professor in the department of sociology at the University of California, Davis, where Fortes is As of December 2013 a Ph.D candidate.
Fatal attraction research began as exploratory research attempting to connect characteristics of initial attractiveness with those later perceived as problematic. Prior to this research, there had been extensive research on attraction and relationship dissolution. However, this research was innovative in trying to correlate the same characteristics to both initial attraction and relationship breakup. In her landmark research on fatal attraction Felmlee analyzed the data from a random sample on initial attraction and the subsequent data from a self-report study of the sample respondents' about the characteristics they dislike about their partner. Felmelee then summarized her results in terms of pertinence to interpersonal theories and dialectical perspectives.
Fatal Attraction is a 1987 American psychological thriller film directed by Adrian Lyne and starring Michael Douglas, Glenn Close, and Anne Archer. The film centers on a married Manhattan man who has a weekend affair with a woman who refuses to allow it to end, resulting in her becoming obsessed with him. The film was adapted by James Dearden from an earlier 1980 short film by Dearden for British television, Diversion.
Fatal Attraction was a hit, finishing as the second highest-grossing film of 1987 in the United States and the highest-grossing film of the year worldwide. Critics were enthusiastic about the film, and it received six Academy Award nominations, including Best Picture (which it lost to The Last Emperor), Best Actress for Close, and Best Supporting Actress for Archer. Both lost to Cher and Olympia Dukakis, respectively, for Moonstruck.
Dan Gallagher (Michael Douglas) is a successful, happily married New York attorney living in Manhattan when he meets Alexandra "Alex" Forrest (Glenn Close), an editor for a publishing company, through business. While his wife, Beth (Anne Archer), and daughter, Ellen (Ellen Hamilton Latzen), are out of town for the weekend, he has an affair with Alex. Though he thought it was understood to be a simple fling, she begins clinging to him.
Fatal Attraction is a 1987 American psychological thriller film directed by Adrian Lyne starring Michael Douglas, Glenn Close, and Anne Archer.
Fatal Attraction or Fatal Attractions may also refer to:
Découvrez notre playlist French Classics sur Deezer et Spotify : https://VA.lnk.to/FrenchClassics 00:00:00 Générique 00:01:57 Guitare pour Thérese 00:05:11 Non-lieu 00:06:48 Thérèse Desqueyroux 00:09:40 Chanson du décervelage 00:12:40 Chanson polonaise 00:13:52 Eleuthere 00:14:40 Entrée des financiers 00:15:13 Entrée des magistrats 00:16:39 La prison 00:17:16 Les hommes libres 00:18:29 Ouverture 00:19:55 Tango du plumeau 00:21:32 Valse hésitation 00:23:04 Générique 00:25:32 Lamentu 00:27:48 Tango guitare 00:30:01 Thème Frederic 00:33:01 Générique 00:35:48 Lamthon lotus d'or 00:38:54 Petite sœur 00:40:19 Thème du Ramayana 00:42:08 Chant traditionnel de Massadah 00:44:55 Ein Gueddi 00:46:10 Marche de la génération du désert 00:48:00 Massadah 00:49:26 Sodome 00:51:32 Enterrement à l'asile 00...
This week we celebrate 10 of the most memorable film music scores by legendary composer Maestro Maurice Jarre, whose work ranges from 'Lawrence of Arabia' to 'Jacob's Ladder', we have only included a small section from the main themes and strongly advise you buy the full soundtracks to enjoy them in all their glory. Let us know what you think by liking and commenting and please subscribe for more weekly videos, you can follow us on: Twitter- https://twitter.com/FilmPhonic Facebook- https://www.facebook.com/FilmPhonic Welcome to the FilmPhonic "10 of the Best" video series, where we put together 10 of the best examples of a specific Movie topic. There is no set criteria, it's just what we think are the most original, memorable and entertaining scenes in movies we think you should watch, o...
The stunning Main Theme from one of the greatest movies of all time: David Lean's Lawrence of Arabia. Starring risky choice Peter O'Toole in his first film role, Lawrence Of Arabia won Best Picture of 1962, beating out To Kill A Mockingbird. With a magnificent supporting cast, Lawrence of Arabia is a landmark in the history of film, and debateably the greatest epic of all time. Starring: Peter O'Toole, Anthony Quinn, Omar Shariff, Alec Guiness, Anthony Quail and Jack Hawkins. Directed By: David Lean Score by: Maurice Jarre Year: 1962 My Rating: Movie 10/10, Music 10/10.
© Copyright Pye International 1977
Here are a few excepts from a two hour in-depth interview with the distinguished film composer: Maurice Jarre for the Film Music Foundation. Here he discusses his experiences scoring Lawrence of Arabia.
Composer Maurice Jarre conducts the Royal Philharmonic Orchestra playing his scores for David Lean's "Lawrence of Arabia", "Doctor Zhivago", "Ryan's Daughter" and "A Passage to India".
4 Titles of the original soundtrack of the 1976 movie the message 00:00 - Hegira 04:39 - The faith of islam 07:10 - The presence of mohammad 09:20 - Building the first mosque
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Maurice-Alexis Jarre (13 September 1924 – 28 March 2009) was a French composer and conductor, "one of the giants of 20th century film music" who was "among the most sought-after composers in the movie industry" and "a creator of both subtle underscoring and grand, sweeping themes, not only writing for conventional orchestras... but also experimenting with electronic sounds later in his career."
Although he composed several concert works, Jarre is best known for his film scores, particularly for his collaborations with film director David Lean. Jarre composed the scores to all of Lean's films from Lawrence of Arabia (1962) on. Notable scores for other directors include The Train (1964), Mohammad, Messenger of God (1976), Lion of the Desert (1981), Witness (1985) and Ghost (1990).
Jarre was awarded a star on the Hollywood Walk of Fame. Three of his compositions spent a total of 42 weeks on the UK singles chart; the biggest hit was "Somewhere My Love" (to his tune "Lara's Theme", with lyrics by Paul Francis Webster) by the Mike Sammes Singers, which reached Number 14 in 1966 and spent 38 weeks on the chart.
The Son of God goes forth to war,
A kingly crown to gain;
His blood red banner streams afar:
Who follows in his train?
Who best can drink his cup of woe,
Triumphant over pain,
Who patient bears his cross below,
He follows in his train.
That martyr first, whose eagle eye
Could pierce beyond the grave;
Who saw his Master in the sky,
And called on him to save.
Like him, with pardon on his tongue,
In midst of mortal pain,
He prayed for them that did the wrong:
Who follows in his train?
A glorious band, the chosen few
On whom the Spirit came;
Twelve valiant saints, their hope they knew,
And mocked the cross and flame.
They met the tyrant's brandished steel,
The lion's gory mane;
They bowed their heads the death to feel:
Who follows in their train?
A noble army, men and boys,
The matron and the maid,
Around the Savior's throne rejoice,
In robes of light arrayed.
They climbed the steep ascent of heaven,
Through peril, toil and pain;
O God, to us may grace be given,