- published: 23 Sep 2017
- views: 26476
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HIDDEN ERROR: Usage of "spouses" is not recognizedHIDDEN ERROR: Usage of "birthname" is not recognized
Maurice-Alexis Jarre (13 September 1924 – 28 March 2009) was a French composer and conductor, "one of the giants of 20th century film music" who was "among the most sought-after composers in the movie industry" and "a creator of both subtle underscoring and grand, sweeping themes, not only writing for conventional orchestras... but also experimenting with electronic sounds later in his career."
Although he composed several concert works, Jarre is best known for his film scores, particularly for his collaborations with film director David Lean. Jarre composed the scores to all of Lean's films from Lawrence of Arabia (1962) on. Notable scores for other directors include The Train (1964), Mohammad, Messenger of God (1976), Lion of the Desert (1981), Witness (1985) and Ghost (1990).
Jarre was awarded a star on the Hollywood Walk of Fame. Three of his compositions spent a total of 42 weeks on the UK singles chart; the biggest hit was "Somewhere My Love" (to his tune "Lara's Theme", with lyrics by Paul Francis Webster) by the Mike Sammes Singers, which reached Number 14 in 1966 and spent 38 weeks on the chart.
Ryan's Daughter is a 1970 epic romantic drama film directed by David Lean. The film, set in 1916, tells the story of a married Irish woman who has an affair with a British officer during World War I, despite moral and political opposition from her nationalist neighbours. The film is a very loose adaptation of Gustave Flaubert's novel Madame Bovary.
The film's stars are American and British: Robert Mitchum, Sarah Miles, John Mills, Christopher Jones, Trevor Howard and Leo McKern. The score was written by Maurice Jarre. It was photographed in Super Panavision 70 by Freddie Young.
In its initial release, Ryan's Daughter was harshly received by critics but was a box office success, grossing nearly $31 million on a budget of $13.3 million, making the film the eighth highest-grossing picture of 1970. It received two Academy Awards, but was not nominated for best picture.
Rosy Ryan (Sarah Miles) is on a cliff high above the Atlantic Ocean in the town of Kirrary, an isolated village on the Dingle Peninsula in County Kerry, Ireland. A gust of wind takes her parasol over the cliff and down into the ocean, where it lands next to a currach containing Father Hugh Collins (Trevor Howard) and a mentally impaired man named Michael (John Mills) who retrieves the parasol.
Découvrez notre playlist French Classics sur Deezer et Spotify : https://VA.lnk.to/FrenchClassics 00:00:00 Générique 00:01:57 Guitare pour Thérese 00:05:11 Non-lieu 00:06:48 Thérèse Desqueyroux 00:09:40 Chanson du décervelage 00:12:40 Chanson polonaise 00:13:52 Eleuthere 00:14:40 Entrée des financiers 00:15:13 Entrée des magistrats 00:16:39 La prison 00:17:16 Les hommes libres 00:18:29 Ouverture 00:19:55 Tango du plumeau 00:21:32 Valse hésitation 00:23:04 Générique 00:25:32 Lamentu 00:27:48 Tango guitare 00:30:01 Thème Frederic 00:33:01 Générique 00:35:48 Lamthon lotus d'or 00:38:54 Petite sœur 00:40:19 Thème du Ramayana 00:42:08 Chant traditionnel de Massadah 00:44:55 Ein Gueddi 00:46:10 Marche de la génération du désert 00:48:00 Massadah 00:49:26 Sodome 00:51:32 Enterrement à l'asile 00...
This week we celebrate 10 of the most memorable film music scores by legendary composer Maestro Maurice Jarre, whose work ranges from 'Lawrence of Arabia' to 'Jacob's Ladder', we have only included a small section from the main themes and strongly advise you buy the full soundtracks to enjoy them in all their glory. Let us know what you think by liking and commenting and please subscribe for more weekly videos, you can follow us on: Twitter- https://twitter.com/FilmPhonic Facebook- https://www.facebook.com/FilmPhonic Welcome to the FilmPhonic "10 of the Best" video series, where we put together 10 of the best examples of a specific Movie topic. There is no set criteria, it's just what we think are the most original, memorable and entertaining scenes in movies we think you should watch, o...
The stunning Main Theme from one of the greatest movies of all time: David Lean's Lawrence of Arabia. Starring risky choice Peter O'Toole in his first film role, Lawrence Of Arabia won Best Picture of 1962, beating out To Kill A Mockingbird. With a magnificent supporting cast, Lawrence of Arabia is a landmark in the history of film, and debateably the greatest epic of all time. Starring: Peter O'Toole, Anthony Quinn, Omar Shariff, Alec Guiness, Anthony Quail and Jack Hawkins. Directed By: David Lean Score by: Maurice Jarre Year: 1962 My Rating: Movie 10/10, Music 10/10.
© Copyright Pye International 1977
Here are a few excepts from a two hour in-depth interview with the distinguished film composer: Maurice Jarre for the Film Music Foundation. Here he discusses his experiences scoring Lawrence of Arabia.
Composer Maurice Jarre conducts the Royal Philharmonic Orchestra playing his scores for David Lean's "Lawrence of Arabia", "Doctor Zhivago", "Ryan's Daughter" and "A Passage to India".
4 Titles of the original soundtrack of the 1976 movie the message 00:00 - Hegira 04:39 - The faith of islam 07:10 - The presence of mohammad 09:20 - Building the first mosque
HIDDEN ERROR: Usage of "spouses" is not recognizedHIDDEN ERROR: Usage of "birthname" is not recognized
Maurice-Alexis Jarre (13 September 1924 – 28 March 2009) was a French composer and conductor, "one of the giants of 20th century film music" who was "among the most sought-after composers in the movie industry" and "a creator of both subtle underscoring and grand, sweeping themes, not only writing for conventional orchestras... but also experimenting with electronic sounds later in his career."
Although he composed several concert works, Jarre is best known for his film scores, particularly for his collaborations with film director David Lean. Jarre composed the scores to all of Lean's films from Lawrence of Arabia (1962) on. Notable scores for other directors include The Train (1964), Mohammad, Messenger of God (1976), Lion of the Desert (1981), Witness (1985) and Ghost (1990).
Jarre was awarded a star on the Hollywood Walk of Fame. Three of his compositions spent a total of 42 weeks on the UK singles chart; the biggest hit was "Somewhere My Love" (to his tune "Lara's Theme", with lyrics by Paul Francis Webster) by the Mike Sammes Singers, which reached Number 14 in 1966 and spent 38 weeks on the chart.
Shadow Man
Miscellaneous
I'm Still A Man
So my existence you won't admit
I don't give two fuckin shits
Cause I'm still a man, bitch
I'm still a man
You see these eyes?
They'll see more than you'll ever see
I see you dyin hangin from a redwood tree
You see this hand
There's some power in these fingers
To knock you into next week, send you to the fuckin cleaners
You see this nose
I smell your blood, boilin from the stress of smokin-crack overload
You see this mouth
I can say words, I can say worlds,
I can scream till my throat beings to burn
So my existence you won't admit
I don't give two fuckin shits
Cause I'm still a man, bitch
I'm still a man, I'm a man
So my existence you won't admit
I don't give two fuckin shits
Cause I'm still a man, bitch
I'm still a man
So you all act high and mighty
Actin like your the fuckin queen, one of the Earth's highly
And that I'm a worm, somethin to be squashed down
Under your shoe until I'm too broken up to be found
I've done more than you ever will
I've seen people, places, and the whole fuckin world
I've heard things that will make your heart melt
Or make you want to melt
Because your eyes burn from cryin over
Spilled milk, it's sick work, what we do
We take a man and make him so he's under you
So he's below you, he's not one of you,
He's just a solitary figure in the underwood,
Underground, can't be found, doesn't even
Fuckin exist, he's just a speck of wasted semen
But you know what? One day I'll find you
And torment you, and destroy you, cause you know what?
I'll be your boss when you work that day
I'll be your husband who beats you with the rake
I'll be the friend that backstabs you
That leaves you gutless in the midst of your parents, siblings, and your cousins
Cause I'm above you, I'm above this, cause you know what bitch?
I'm a man, I'm a man, better get used to hearing that
So my existence you won't admit
I don't give two fuckin shits
Cause I'm still a man, bitch
I'm still a man, I'm a man
So my existence you won't admit
I don't give two fuckin shits
Cause I'm still a man, bitch
I'm still a man
Now I thought I told you, so let me show you,
Paint you a fuckin picture or two
See this muscle, the tendons, see the joints of my bones?
The organs under it that are almost fully grown?
You see the skin on me
You see the tears that I've cried, and the anger that's bubbling?
You see the happiness of what could be?
Of what will be, if everyone would just stop and see me?
You see the grief, and the strife, and the fear,
I'm a speaker, I'm a doer, I'm a seer
I'm a weapon, I'm inventin
A way to light the dark path that you're descendin
Cause you know you're going to hell,
If you check the sins you've done and you've done them so well
You gotta realize, you can't criticize
Just because I'm different doesn't mean I'm not alive
I think, I breathe, I hear, I see,
I know, I walk, I speak, I search
For a way to feel like a brother in this fucked-up perch full of motherfuckers
So if you don't see it now, if you don't feel it now
What can I do but turn away from you now
Before I do somethin I will regret
Cause you and I know deep down you're ain't even worth shit
So my existence you won't admit
I don't give two fuckin shits
Cause I'm still a man, bitch
I'm still a man
So my existence you won't admit
I don't give two fuckin shits
Cause I'm still a man, bitch
I'm still a man